Arts of Asia Lecture Series Fall 2016 Women, Real and Imagined, in Asian Art Sponsored by the Society for Asian Art

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Arts of Asia Lecture Series Fall 2016 Women, Real and Imagined, in Asian Art Sponsored by the Society for Asian Art Arts of Asia Lecture Series Fall 2016 Women, Real and Imagined, In Asian Art Sponsored by The Society for Asian Art The Way of Water – Female Agency & Art Making in China Hui-shu Lee, UCLA February 10, 2017 Key notions: Female Agency - Women as patrons, tastemakers, interpreters - Arbiter/mediator: patron, collector, collaborator, creator - Uncovering the subversive power of women – case of China The Way of Water & Behind the Screen Outline: Promoting Palindromes: Su Hui (4th C.) & Empress Wu [Wu Zetian (r. 690-705)] Empress Liu (969-1033) and Sage Mother Worship Imperial Women and the Art of Writing Empress Wu (1115-1197) and the Aesthetics of Worthiness Didactic Art Empress Yang (1162/1172-1233) and the Art of Expression Major Art Works: Funerary objects from the Royal Consort Fuhao of the Shang, Anyang, c. 1200 BCE Empress Dowager Wenmin (442-90) & the twin-caves at Yungang, c. 480 Empress Ling (d. 528) and the grandest Yoning Temple of imperial capital, 517 Empress’ Procession, Bingyang Central Cave, Longmen, c. 520 Empress Wu Zetian & the Vairocana Buddha at Fengxian Temple, Longmen, c. 675 Su Hui’s Huiwen palindrome Empress Liu (969-1033), Sage Mother Hall & Sculpture Program at Jin Shrine, c 1020’s Official Portrait of Empress Cao (1016-79), collector of Li Cheng landscape Empress Wu of Gaozong (r. 1127-62) as calligrapher, the emperor’s lady ghostwriter, art collector, & patron of didactic art Ma Yuan (ca. 1190-1230), Apricot Blossoms, with Empress Yang poetic inscription reads: Receiving the wind, she presents her unsurpassing beauty; Moistened with dew, she reveals her red charms. Ma Yuan, Attending the Banquet by Lantern Light, National Palace Museum, Taipei Ma Yuan, Twelve Scenes of Water, Palace Museum, Beijing; Readings: Allen, Sarah, The Way of Water and Sprouts of Virtue (Albany: State University of New York, 1997). Hui-shu Lee, “The Emperor’s Lady Ghostwriters in Song-dynasty China,” Artibus Asiae, XIV, 1 (2004), 61-101. _____, Empresses, Art, & Agency in Song Dynasty China. Seattle and London: University of Washington Press, 2010. .
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