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Don Giovanni Sweeney Todd
FALL 2019 OPERA SEASON B R AVO Don Giovanni OCTOBER 19-27, 2019 Sweeney Todd NOVEMBER 16-24, 2019 2019 Fall Opera Season Sponsor e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. Choose one from each course: FIRST COURSE Caesar Side Salad Chef’s Soup of the Day e Whitney Duet MAIN COURSE Grilled Lamb Chops Lake Superior White sh Pan Roasted “Brick” Chicken Sautéed Gnocchi View current menus DESSERT and reserve online at Chocolate Mousse or www.thewhitney.com Mixed Berry Sorbet with Fresh Berries or call 313-832-5700 $39.95 4421 Woodward Ave., Detroit e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. -
Orfeo Euridice
ORFEO EURIDICE NOVEMBER 14,17,20,22(M), 2OO9 Opera Guide - 1 - TABLE OF CONTENTS What to Expect at the Opera ..............................................................................................................3 Cast of Characters / Synopsis ..............................................................................................................4 Meet the Composer .............................................................................................................................6 Gluck’s Opera Reform ..........................................................................................................................7 Meet the Conductor .............................................................................................................................9 Meet the Director .................................................................................................................................9 Meet the Cast .......................................................................................................................................10 The Myth of Orpheus and Eurydice ....................................................................................................12 OPERA: Then and Now ........................................................................................................................13 Operatic Voices .....................................................................................................................................17 Suggested Classroom Activities -
MONDAY 1 OCTOBER 2018 CAST AMENDMENT GÖTTERDÄMMERUNG (Richard Wagner) Monday 1 October 2018 at 4Pm
MONDAY 1 OCTOBER 2018 CAST AMENDMENT GÖTTERDÄMMERUNG (Richard Wagner) Monday 1 October 2018 at 4pm Due to the indisposition of Christina Bock, Rachael Lloyd sings Wellgunde in today’s performance. Rachael Lloyd has sung Alisa (Lucia di Lammermoor) and Kate Pinkerton (Madama Butterfly) for The Royal Opera. Other appearances include Mrs Anderssen in Sondheim’s A Little Night Music (Théâtre du Châtelet, Paris), the title role of Carmen (Raymond Gubbay Ltd at Royal Albert Hall), Miss Jessel in The Turn of the Screw, Third Lady in The Magic Flute and Pitti-Sing in The Mikado (ENO), Amastris in Xerxes (ETO, Early Opera Company), Maddalena in Rigoletto (Iford Arts), Aristea in L’Olimpiade (Buxton Festival), Meg Page in Falstaff (Glyndebourne on Tour), Woman/Mother in Dove’s The Day After (ENO Baylis) and Cornelia in Giulio Cesare (Glyndebourne Festival). Notable concert performances include Rossini’s Stabat Mater (Ulster Orchestra), Dido and Aeneas (Spitalfields Festival), Messiah (Kristiansund), Ravel’s Trois Poèmes de Stéphane Mallarmé (LPO) andSchumann’s Frauenliebe und - leben and Elgar’s Sea Pictures (Opéra de Lille). Plans include Selene in Berenice (Royal Opera). The rest of the cast remains the same with German tenor Stefan Vinke as Siegfried, Swedish soprano Nina Stemme as Brünnhilde, Austrian baritone Markus Butter as Gunther, Danish bass Stephen Milling as Hagen, American soprano Emily Magee as Gutrune, Scottish mezzo-soprano Karen Cargill as Waltraute, German baritone Johannes Martin Kränzle as Alberich, British contralto Claudia Huckle as First Norn, For all Royal Opera House press releases visit www.roh.org.uk/press German soprano Irmgard Wilsmaier as Second Norn, Norwegian soprano Lise Davidsen as Third Norn, Australian soprano Lauren Fagan as Woglinde and English mezzo-soprano Angela Simkin as Flosshilde, conducted by Antonio Pappano. -
Uw Music
~~~ ~1~SC. ::z qq SCHOOL OF MUSIC UNIVERSITY of WASHINGTON JOl7 \-1'1 Opera Workshop: Mozart Scenes Instructors: Cyndia Sieden, Stephen Stubbs Stage direction ......................................... Cyndia Sieden, Unda Kitchen, Deanne Meek Assistant Stage director ........................................................................ Gemma Balinbin Musical direction .................................................................................... Stephen Stubbs Musical coaching ............................................................... Rhonda Kline, Cyndia Sieden Piano Accompaniment ........................................................................Andrew Romanick 7:30 PM January 14, 2017 Meany Studio Theater UW MUSIC 2016-17 SEASON b vl;;> 1F /1-/931 PROGRAM I f2~CYlf.U5" <;fVhi>s/51(2cLu" ~k LE NOllE DI FIGARO: 1786 The Marriage of Figaro takes place in the palace ofthe Count and Countess Almaviva. Figaro is the Valet to the Count and Susanna the maid and confidante of the Countess. The Count is a philanderer and has his eyes on Susanna. Prior to the opera he abolished the law of 'droit de seigneur', the right of the lord of the manorto take the virginity of a bride before the wedding, but with Susanna, about to get married, he plans to re-establish this law. This provides the emotional foundation for all the characters in the opera, leaving Figaro angry, Susanna confused and the Countess bereft, relying on her page, Cherubino to cheer her up. They are reduced to hatching a plot to obstruct the Count's plans and to humiliate him. Z 1. Act II Sc. 1: Duets (Figaro and Susanna) Susanna: Gemma Balinbin / J; 2-:;- Figaro: Jacob Caspe Figaro and Susanna are preparing their bedroom as their wedding is taking place later that day. Figaro takes measurements to see ifthe bed will fit, while Susanna is concerned by the position of the room, placed between those of the Countess and the Count convenient in Figaro's eyes but dangerous in Susanna/so She knows the Count has designs on her, and warns Figaro of this. -
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Please contact [email protected] for more information. PROGRAM #: OS 21-01 RELEASE: June 12, 2021 OPERA: Handel Double-Bill: Acis and Galatea & Apollo e Dafne COMPOSER: George Frideric Handel LIBRETTO: John Gay (Acis and Galatea) G.F. Handel (Apollo e Dafne) PRESENTING COMPANY: Haymarket Opera Company CAST: Acis and Galatea Acis Michael St. Peter Galatea Kimberly Jones Polyphemus David Govertsen Damon Kaitlin Foley Chorus Kaitlin Foley, Mallory Harding, Ryan Townsend Strand, Jianghai Ho, Dorian McCall CAST: Apollo e Dafne Apollo Ryan de Ryke Dafne Erica Schuller ENSEMBLE: Haymarket Ensemble CONDUCTOR: Craig Trompeter CREATIVE DIRECTOR: Chase Hopkins FILM DIRECTOR: Garry Grasinski LIGHTING DESIGNER: Lindsey Lyddan AUDIO ENGINEER: Mary Mazurek COVID COMPLIANCE OFFICER: Kait Samuels ORIGINAL ART: Zuleyka V. Benitez Approx. Length: 2 hours, 48 minutes PROGRAM #: OS 21-02 RELEASE: June 19, 2021 OPERA: Tosca (in Italian) COMPOSER: Giacomo Puccini LIBRETTO: Luigi Illica & Giuseppe Giacosa VENUE: Royal Opera House PRESENTING COMPANY: Royal Opera CAST: Tosca Angela Gheorghiu Cavaradossi Jonas Kaufmann Scarpia Sir Bryn Terfel Spoletta Hubert Francis Angelotti Lukas Jakobski Sacristan Jeremy White Sciarrone Zheng Zhou Shepherd Boy William Payne ENSEMBLE: Orchestra of the Royal Opera House, -
Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974
BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THURSDAY A6 FRIDAY-SATURDAY 22 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K. ALLEN SIDNEY STONEMAN JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN MRS HARRIS FAHNESTOCK JOHN T. NOONAN ALLEN G. BARRY HAROLD D. HODGKINSON MRS JAMES H. PERKINS MRS JOHN M. BRADLEY E. MORTON JENNINGS JR IRVING W. RABB RICHARD P. CHAPMAN EDWARD M. KENNEDY PAUL C. REARDON ABRAM T. COLLIER EDWARD G. MURRAY MRS GEORGE LEE SARGENT ARCHIE C EPPS III JOHN HOYT STOOKEY TRUSTEES EMERITUS HENRY B. CABOT HENRY A. LAUGHLIN PALFREY PERKINS FRANCIS W. HATCH EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR THOMAS W. MORRIS Executive Director Manager PAUL BRONSTEIN JOHN H. CURTIS MARY H. SMITH Business Manager Public Relations Director Assistant to the Manager FORRESTER C. SMITH DANIEL R. GUSTIN RICHARD C. WHITE Development Director Administrator of Assistant to Educational Affairs the Manager DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood HARRY NEVILLE Program Editor Copyright © 1974 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS ^H jgfism SPRING LINES" Outline your approach to spring. In greater detail with our hand- somely tailored, single breasted, navy wool worsted coat. Subtly smart with yoked de- tail at front and back. Elegantly fluid with back panel. A refined spring line worth wearing. $150. Coats. Boston Chestnut Hill Northshore Shopping Center South Shore PlazaBurlington Mall Wellesley BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Sir Colin Davis Anthology Volume 1
London Symphony Orchestra LSO Live Sir Colin Davis Anthology Volume 1 Sir Colin Davis conductor Colin Lee tenor London Symphony Chorus London Symphony Orchestra Hector Berlioz (1803–1869) – Symphonie fantastique, Op 14 (1830–32) Recorded live 27 & 28 September 2000, at the Barbican, London. 1 Rêveries – Passions (Daydreams – Passions) 15’51’’ Largo – Allegro agitato e appassionato assai – Religiosamente 2 Un bal (A ball) 6’36’’ Valse. Allegro non troppo 3 Scène aux champs (Scene in the fields) 17’16’’ Adagio 4 Marche au supplice (March to the Scaffold) 7’02’’ Allegretto non troppo 5 Songe d’une nuit de sabbat (Dream of the Witches’ Sabbath) 10’31’’ Larghetto – Allegro 6 Hector Berlioz (1803–1869) – Overture: Béatrice et Bénédict, Op 27 (1862) 8’14’’ Recorded live 6 & 8 June 2000, at the Barbican, London. 7 Hector Berlioz (1803–1869) – Overture: Les francs-juges, Op 3 (1826) 12’41’’ Recorded live 27 & 28 September 2006, at the Barbican, London. Hector Berlioz (1803–1869) – Te Deum, Op 22 (1849) Recorded live 22 & 23 February 2009, at the Barbican, London. 8 i. Te Deum (Hymne) 7’23’’ 9 ii. Tibi omnes (Hymne) 9’57’’ 10 iii. Dignare (Prière) 8’04’’ 11 iv. Christe, Rex gloriae (Hymne) 5’34’’ 12 v. Te ergo quaesumus (Prière) 7’15’’ 13 vi. Judex crederis (Hymne et prière) 10’20’’ 2 Antonín Dvořák (1841–1904) – Symphony No 9 in E minor, Op 95, ‘From the New World’ (1893) Recorded live 29 & 30 September 1999, at the Barbican, London. 14 i. Adagio – Allegro molto 12’08’’ 15 ii. Largo 12’55’’ 16 iii. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE CONFERENCE/BULLETIN Volume 27, Number 1 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM la The MetropotttM Opera GaiM'* Fiftieth AwUveray New York - NoTfber Iud2, 015 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, NY. 10023 • (212) 799-3467 I i ; i Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212)799-346? CENTRAL OPERA SERVICE Volume 27, Number 1 Spring/Summer 1986 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM In Collaboration With "Opera News" Celebrating The Metropolitan Opera Guild's Fiftieth Anniversary New York - November 1 and 2,1985 This is the special COS Conference issue. The next number will be again a regular news issue with the customary variety of subjects and a performance listing. CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BEL MONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. B1NDHARDT National Vice Chairman MRS. MARY H. DARRELL Central Opera Service Bulletin • Vol. 27, No. 1 • Spring/Summer 1986 Editor: MARIA F. RICH Assistant Editor: CHERYL KEMPLER Editorial Assistants: LISA VOLPE-REISSIG FRITZI BICKHARDT NORMA LITTON The COS Bulletin is published quarterly for its members by Central Opera Service. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $12.00 Regular news issues: $3.00 ISSN 0008-9508 TABLE OF CONTENTS Friday, November 1, 1985 WELCOME 1 Margo H. -
LOC 2019-20 Issue 9 Queen of Spades-020420-NO ADS.Indd
LYRIC OPERA OF CHICAGO THETHE QUEEN THREE OF QUEENS SPADES 2019|20 SEASON In this issue Michael Cooper / Canadian Opera Company The Queen of Spades | pp. 16-32 6 WELCOME TO YOUR LYRIC 42 Program staff 8 From the Chairman and the 43 Ryan Opera Center contributors General Director 10 Board of Directors 44 THANK YOU FOR 12 Celebration: the 2020|21 YOUR SUPPORT Lyric season 46 Production sponsors 47 Aria Society 16 PERFORMANCES 59 Supporting our future — 18 Title page and cast endowments at Lyric 19 Introduction 60 Faces of Lyric 20 Artist profiles 63 Gift planning Opera Omaha/Proving Up 2018 24 Orchestra & Chorus 66 Corporate partners Here’s to Lyric’s 2020|21 season! | pp. 12-15 28 Opera notes 68 Annual individual 32 After the curtain falls and foundation support 74 Commemorative gifts 34 BEYOND THE STAGE 36 Lyric Unlimited – 76 THE COMPANY learning & creative engagement 76 Artistic roster 78 Lyric staff 40 RYAN OPERA CENTER 80 Backstage life 42 Ryan Opera Center alumni around the world Lyric Opera of Chicago | 2 Paid ad Lyric Opera of Chicago | 3 Since 1991 Gail McGrath Tahira Merchant You can view this program Publisher & President Graphic Designer on your mobile device at Sheldon Levin lyricopera.org/programs Publisher & Director Joy Morawez of Finance Accounting For advertising information LISA MIDDLETON A. J. Levin Willie Smith call 847-770-4620. To see Executive Editor Director of Operations Supervisor Operations our Terms and Conditions Earl Love relating to advertising ROGER PINES Rand Brichta Operations orders, visit our website at Editor Arnie Hoffman Wilfredo Silva performancemedia.us. -
Il Trovatore Verdi LYRIC OPERA of CHICAGO Table of Contents
Il Trovatore Verdi LYRIC OPERA OF CHICAGO Table of Contents DAN REST IN THIS ISSUE Prime Time: The Ryan Opera Center p 16 6 From the General Director 44 Patron Salute 8 From the President 46 Aria Society A Wondrous 10 Board of Directors 55 Breaking New Ground 12 Women’s Board/Guild Board/ 56 60th Anniversary Gala Contributors Sound: Chapters’ Executive Board/ 57 Major Contributors – Special Events The Lyric Opera Chorus Ryan Opera Center Board and Project Support Celebrates a New Season 14 Administration/Administrative Staff/ Saturday, November 22, 2014, 3 pm 58 Lyric Unlimited Contributors/ Production and Technical Staff Alice Millar Chapel Northwestern University, Evanston Look To The Future Tickets just $20 at lyricopera.org 16 Prime Time: The Ryan Opera Center 59 Ryan Opera Center Contributors MIKE RUEGG PHOTO: 24 Tonight's Opera 60 Annual Corporate Support/ 25 Story of the Opera Matching Gifts 27 Cast 62 Planned Giving: 28 Cast Profiles The Overture Society 35 Opera Notes 64 Annual Individual and Foundation 39 Director’s and Designer’s Notes Support 40 Musical Staff/Orchestra/Chorus 70 Commemorative Gifts 42 Artistic Roster 71 Special Thanks/Acknowledgements 43 Ryan Opera Center/Lyric Unlimited/ 72 Facilities and Services/ Education Corps/Supernumeraries Theatre and Facilities On the cover: Francisco de Goya, “Pilgrimage to the Hermitage of St. Isidore, 1819-23, oil mural transferred to canvas. Museo Nacional del Prado, Madrid. 2 | OCTOBER 27 - NOVEMBER 29, 2014 LYRIC OPERA OF CHICAGO Since 1991 www.performancemedia.us 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A.