DOCSLIB.ORG

Princess Nokia She’S Lit Ibtionic

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

10 NOVEMBER 2017 / FREE EVERY FRIDAY PRINCESS NOKIA SHE’S LIT FITBIT IONIC. BUILT FOR FITNESS. SPOROTORTORTTSSB BANBANB ND DEPDEP ICTEDICTICCT EDE D SOLDSOLS SEPSESEPAEPAARATELRAA LYY.BA B ATTERTTERYTERE Y LIFE VARIESW WI TH USE AND OTHEERRA FACA TORS.TTOTORSRS S.S MADE FOR YOU. GOALS WHILE KEEPING TRACK OFIONIC EVERYTHING LETS ELSE. YOU GET THEMADE MOST FOR OUT WORKOUTS, OF WORKDAYS, AND YOUR WEEKENDS, FITNESS PERSONALISED COACHING INDUSTRY- LEADING GPS THE SMARTWATCH FOR YOUR HEALTH AND FITNESS PLAY 300+ STORE & SONGS RESISTANT TO 50M WATER CONTINUOUS HEART RATE FITBIT.COM/IONIC NOTIFICATIONS POPULAR APPS & BATTERY 4+ DAYS LIFE Hello... IF 2017 NEEDS A HERO – a positive role model and enemy of the alt-right uprising and abuses of power that the year will be defined by – then look no further than this week’s cover star. She may not be a household name in the UK yet, but Princess Nokia is on a mission to push outspoken, sociopolitical righteousness back into the mainstream through her sharp, frank and totally banging hip-hop. While she’s most definitely Meet Dave, future star into the whole world hearing of grime p35 what she has to say, she’s focused on getting her message across to her young female fans. In her own words: “I talk to young girls. I’m honest and comedic with them, but I also try to keep our conversations intelligent and intellectually stimulating. I want them to feel empowered and that they can relate to me, but at the same time I don’t present myself as ‘perfect’, or as the standard to aspire to – like they’re doing it all wrong and 20 24 26 I’ve got it figured out. I’ll tell Princess Nokia Aubrey Plaza Peaky Blinders them, ‘I’m just as f**ked up as you, but I’ve had more time to “I’m a skater, I’m a goth, I’m “I had a blog written from “The fights inPeaky try to figure it all out.’” a hippy, I’m a weird kid. I’m the point of view of a sea hag Blinders are bloody and With great power comes a loner. And I accept that.” witch who lived in a cave.” nasty. People get f**ked up.” great responsibility. There are quite a few domineering and influential douchebags in the world right now who could learn a thing or two from 5 29 37 Princess Nokia. MIKE WILLIAMS 17 Things We Like 19 What’s On Your Headphones? Editor-in-Chief 35 Under The Radar 40 Soundtrack Of My Life @itsmikelike EDITORIAL Editor-in-Chief Mike Williams PA To Editor-in-Chief Lauren Cunningham (Ext 6650) Deputy Editor Tom Howard (Ext 6866) Digital Editor Charlotte Gunn (Ext 6108) Commissioning Editor Dan Stubbs (Ext 6858) Senior News Reporter Andrew Trendell (Ext 6877) News reporters Luke Morgan Britton, Nick Levine, Nick Reilly Senior Staff Writer Leonie Cooper Staff Writers Larry Bartleet, Alex Flood New Music Writer Thomas Smith Creative Director Simon Freeborough Photo Editor Caroline Jeffrey Chief Sub-Editor Melissa Harteam Smith Intern Hannah Mylrea Hemmings With help from Heather Blagden, Matt Ward Illustrations Studio Moross 110 SOUTHWARK ST ADVERTISING Managing Director Romano Sidoli Head Of Music Andrew Minnis (Ext 4252) Agency Investment Director Rob Freeman (Ext 86708) LONDON Client Investment Director Sian Roberts (Ext 6778) Brand Manager Matthew Chalkley (Ext 6722) Creative Media Manager Tessa Webb (Ext 2566) SE1 0SU Live & Creative Media Manager Steve Woollett (Ext 2670) Ad Production Manager Barry Skinner (Ext 2538) Head Of Project Management Yasamin Asrari (Ext 3662) TEL 020 3148 + Ext PUBLISHING Production Operations Director Richard Hill (Ext 5422) Production Manager Sue Balch Content Licensing & Brand Partnerships Director Lisa Fenner-Leitão (Ext 5491) Group Managing Director Paul Cheal Time Inc CEO Marcus Rich EDITORIAL COMPLAINTS We work hard to achieve the highest standards of editorial content, and we are committed to complying with the Editors’ Code of Practice (https://www.ipso.co.uk/IPSO/cop.html) as enforced by IPSO. If you have a complaint about our editorial content, you can email us at [email protected] or write to Complaints Manager, Time Inc. (UK) Ltd Legal Department, 161 Marsh Wall, London, England E14 9AP. Please provide details of the material you are complaining about and explain your complaint by reference to the Editors’ Code. We will endeavour to acknowledge your complaint within 5 working days and we aim to correct substantial errors as soon as possible. © Time Inc. (UK) Ltd Reproduction of any material without permission is strictly forbidden LEGAL STUFF: NME is published weekly by Time Inc. (UK) Ltd, 161 Marsh Wall, London, England E14 9AP. NOT FOR RESALE. All rights reserved and reproduction without permission strictly forbidden. All contributions to NME must be original and not duplicated to other publications. The editor reserves the right to shorten or modify any letter or material submitted. Time Inc. (UK) Ltd or its associated companies reserves the right to reuse any submission, in any format or medium. Printed by Wyndeham Bicester. Origination by Rhapsody. Distributed by IPC Marketforce. © 2017 Time Inc. (UK) Ltd. Subscription rates: one year (49 issues): UK £36; Europe 70 Euros; North America $77; rest of world £50. For subscription enquiries, please call +44 (0) 33 0333 1133 or email [email protected]. COVER PHOTO: MATT SALACUSE. CONTENTS PHOTO: ELLIOT KENNEDY 3 The XOWLPDWH entertainment experience Amazing Sky TV The ultimate Sky Q experience £20 £12 a month extra a month • Nevermisstheactionwith45channelsof • Watch recordings on TVs and tablets around your CatchUpTV home and on the go • ThemosttalkedaboutshowsonSkyAtlantic • Add Sky Q mini boxes without extra cables • Over 35 channels not on Freeview • Record six shows while you watch a seventh • We’ll provide you with our next generation • Experience Ultra HD with 4x the definition of HD SkyQbox Join or recontract today Search Sky Q or call 0800 759 1344 All Sky Q kit is loaned at no cost and must be returned at the end of your subscription. New 18-month Sky TV contract. One off standard set-up fee £65. Watching on an extra TV: £50 for the first TV, £99 thereafter. Around the home, watch recordings included in your Sky Q TV channel pack and most free to air channels. See sky.com/SkyQchannels for more information. Ray Donovan © 2017 Showtime. The Walking Dead © Gene Page AMC. Modern Family © 2017 Twentieth Century Fox Film Corporation. All rights reserved. Game of Thrones © 2017 Home Box Office, Inc. All rights reserved. HBO® and all related programs are the property of Home Box Office, Inc. On Demand: Downloading content requires compatible black Sky±/Sky Q box connected to home broadband (minimum recommended speed: SD: 2Mbps; HD: 6Mbps). On Demand self-set-up using built-in Wi-Fi or own cable. Downloads may expire from your Planner. Selected channels/programmes from the last 30 days on Catch Up. Freeview: Based upon the list of channels available in the Sky Original Bundle and on Freeview (as published on Freeview’s official website) as of 5 October 2017. Record more/store more: Compared to standard 500GB Sky±HD box. Sky Q 2TB box: 1.7TB personal storage. 300GB reserved by Sky for other uses. Around the home: Content from up to two Sky Q Mini boxes can be watched concurrently. Red Button and BBC On Demand content unavailable via Sky Q app. Recordings tab shows recordings plus On Demand downloads. Subject to status. Upfront payment may be required. Advertised features require Sky Q 2TB box, Sky TV and Sky Q Multiscreen subscriptions, Sky Q Mini box(es), Sky Q app and compatible device (sky.com/SkyQdevices) connected to home broadband. Save selected recordings from last 90 days to compatible tablet connected to home broadband. Finished recordings may be unavailable to sync for a few hours. Two syncs/downloads per programme. Transfer speed depends on device and connection. Content deleted from tablet 48 hours after viewing starts or no later than 30 days after syncing. UHD: Requires Sky Q 2TB box, Sky TV and Sky Q Multiscreen subscriptions and Ultra-HD ready TV. Content depends on Sky TV Subscription. Ultra HD unavailable via Sky Q Mini(s). General: Prices may go up during your contract. Non-standard set-up may cost extra. Connect to TV using HDMI cable. You own the Sky dish. Prices may vary if you live in a flat. You must get any consents required (e.g. landlord’s). Prices for Direct Debit payments only. Continuous debit/credit card mandate costs 30p pm. UK, Channel Islands and Isle of Man residential customers only. Email address required so we can keep in touch about your services. Further terms apply. Offer ends 9 November. Correct at 25 October 2017. WHAT EVERYONE’S TALKING ABOUT THIS WEEK I t ’s Ta y Tay day So why not enjoy three quite mad E ACH TAY LOR fan theories about IN THE ‘LOOK ‘LOOK W H AT her sixth album, WHAT YOU MADE YOU MADE ME ‘Reputation’ ME DO’ VID SHE’S USED DO’ IS ABOUT REPRESENTS ELIZABETH ARYA STARK A TRACK ON TAY LOR AND Maybe Taylor’s a massive ‘REPUTATION’ RICHARD BURTON Thrones fan writing bangers In the last scene of the AS A METAPHOR about the Stark family? Lyrics in ‘LWYMMD’ vid we see a FOR HERSELF ‘LWYMMD’ include, “I don’t line-up of 15 Taylor iterations, In ‘…Ready For It?’, Taylor like your kingdom keys / They past and present. Fans have croons, “And he can be my jailer once belonged to me” – speculated that each of / Burton to this Taylor” – and sounds like the trials Arya’s the different Taylors will fans have gone mad with been through, especially her represent a different a song explaining the couplet, as there beef with Cersei.
Recommended publications
  • Excesss Karaoke Master by Artist

    Excesss Karaoke Master by Artist

    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
  • September 23 Reporting for Candidate Committees Webinar

    September 23 Reporting for Candidate Committees Webinar

    2020 October Quarterly Reporting Webinar Candidate Committees 1 Prepared by the Federal Election Commission 2020 October Quarterly Reporting Webinar Candidate Committees REPORTING SCHEDULES & IMPORTANCE OF TIMELY FILING I. Reporting Schedule 2 Prepared by the Federal Election Commission 2020 October Quarterly Reporting Webinar Candidate Committees A. Filing frequency 1. House/Senate campaigns. Quarterly filing is mandatory for authorized campaign committees in all calendar years. 2. Presidential campaigns. Presidential campaign committees may file monthly or quarterly during non-election years. B. Election (even) year (2020) 1. Quarterly reports due April 15, July 15, October 15 and January 31. 3 Prepared by the Federal Election Commission 2020 October Quarterly Reporting Webinar Candidate Committees 2. Pre-election reports in election years. a) File Pre-Primary (or Pre-Convention or Pre-Runoff if applicable) Report due 12 days before election. For more information see https://www.fec.gov/help-candidates-and- committees/dates-and-deadlines/2020-reporting- dates/congressional-pre-election-reporting-dates-2020/ b) If participating in general election, file Pre-General Report due 12 days before general election. 3. Post-General Report, due 30 days after general election. 4 Prepared by the Federal Election Commission 2020 October Quarterly Reporting Webinar Candidate Committees 4. 48-Hour Notices a) Principal campaign committees must file for contributions of $1,000 or more received less than 20 days but more than 48 hours before 12:01am of the day of any election in which the candidate is running (even if candidate is unopposed in the election). 5 Prepared by the Federal Election Commission 2020 October Quarterly Reporting Webinar Candidate Committees b) The expedited disclosure requirements apply to all types of contributions received, including contributions collected through a joint fundraising effort.
  • IZZY OCAMPO New York, NY | (917) 480-0360 | Izzy@Izzyocampo.Com

    IZZY OCAMPO New York, NY | (917) 480-0360 | [email protected]

    IZZY OCAMPO New York, NY | (917) 480-0360 | [email protected] EDUCATION 2014 Middlebury College Middlebury, VT Bachelor of Arts, magna cum laude, Chemistry GPA: 3.6/4.0 HONORS 2010—2014 Posse Foundation Full-Tuition Leadership Scholarship to Middlebury College LECTURES & WORKSHOPS 2016 Recess Art New York, NY brujas x stud1nt: Home Studio Recording & Sound Design Workshop 2016 Vassar College Poughkeepsie, NY Creative Approaches to Electronic Production 2016 The New School New York, NY Movement and Process in Electronic Production EXPERIENCE Fall 2016- Present Hyperballad Music Brooklyn, NY A&R ▪ Scout emerging and leading talent for 7” series and liaise between artist’s team and Hyperballad ▪ Build Hyperballad’s brand as a creative cultural hub and cultivate relevant industry partnerships through curatorial programming of unique music products and events Summer 2016-Present Whimsical Raps New York, NY Operations Manager ▪ Manage lifecycle of four modular synthesizers from parts sourcing, manufacturing, assembly, shipment, to repairs ▪ Prepare and coordinate invoices and purchase orders for dozens of distributors, manufacturers, and buyers ▪ Responsible for hand assembly of faceplates, knobs, circuit boards and product packaging and small soldering repairs ▪ Calibrate and quality control each module before shipment Summer 2016 Hyperballad Music Brooklyn, NY Recording Engineer Intern ▪ Prepared recording consoles, tape machine, patchbay, instruments, mics, outboard gear, and DAWs for tracking sessions ▪ Assisted engineers with tracking
  • Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty

    Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty

    “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies—Doctor of Philosophy 2019 ABSTRACT “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe At the intersection of social media, a trend in organic products, and an interest in do-it-yourself culture, the late 2000s opened a space for many Black American women to stop chemically straightening their hair via “relaxers” and begin to wear their hair natural—resulting in an Internet-based cultural phenomenon known as the “natural hair movement.” Within this context, conversations around beauty standards, hair politics, and Black women’s embodiment have flourished within the public sphere, largely through YouTube, social media, and websites. My project maps these conversations, by exploring contemporary expressions of Black women’s natural hair within cultural production. Using textual and content analysis, I investigate various sites of inquiry: natural hair product advertisements and internet representations, as well as the ways hair texture is evoked in recent song lyrics, filmic scenes, and non- fiction prose by Black women. Each of these “hair moments” offers a complex articulation of the ways Black women experience, share, and negotiate the socio-historically fraught terrain that is racialized body politics
  • Book-14 Web-Lmsx.Pdf

    Book-14 Web-Lmsx.Pdf

    SHOTGUN JIMMIE – TRANSISTOR SISTER 2 LABEL: YOU’VE CHANGED RECORDS CATALOG: YC-039 FORMAT: LP/CD RELEASE DATE: AUGUST 2, 2019 Are you ready for the new sincerity?! Shotgun Jimmie’s new album Transistor Sister 2 is full of genuine pop gems that champion truth and love. Jimmie is joined by long- time collaborators Ryan Peters (Ladyhawk) and Jason Baird (DoMakeSayThink) for this sequel to the Polaris Prize nominated album Transistor Sister from 2011. José Contreras (By Divine Right) produced and recorded the record in Toronto, Ontario at The Chat Chateaux and joins the band on keys. In characteristic Shotgun Jimmie fashion, the songs on Transistor Sister 2 focus largely on family and friends with a heavy dose of nostalgia. Jimmie’s hyperbolic takes on the everyday reconstruct familiar scenarios, from traffic on the 401 (the beloved and scorned mega- highway through Toronto known to all touring musicians Blues Riffs as the place where punctual arrival at soundcheck goes Tumbleweed to die) to cooking dinner. Hot Pots Ablutions The album’s lead single Cool All the Time is a plea for Fountain people to abandon ego and strive for authenticity, Suddenly Submarine featuring contributions by Chad VanGaalen, Steven Piano (with band) Lambke and Cole Woods. The New Sincerity serves as The New Sincerity the album’s manifesto; it renounces cynicism and Cool All The Time promotes positivity. Sappy Slogans Highway 401 Jack Pine Sorry We’re Closed Shotgun Jimmie: IG: @shotgunjimmie FB: @shotgunjimmie Twitter: @jimmieshotgun You’ve Changed Records: www.youvechangedrecords.com CD – CD-YC-039 LP with download – LP-YC-039 Twitter: @youvechangedrec IG: @youvechangedrecords FB: @youvechangedrecords Also available from You’ve Changed Records: Partner – Saturday The 14th (YC-038) 12”EP/CD You’ve Changed Records Steven Lambke – Dark Blue (YC-037) LP 123 Pauline Ave.
  • 1579181439 15725322263267.Pdf

    1579181439 15725322263267.Pdf

    SHARED OWNERSHIP SHARED OWNERSHIP First Class Living Relax And Unwind ISLINGTON IN YOUR BRAND NEW HOME Penny Black Apartments is found in the heart of Islington Square, an enticing mixed-use quarter located on the site of the former North London Royal Mail sorting and delivery centre. These high-spec apartments along with existing chic boutiques and buzzing culture will further enhance this part of town, featuring a tree-lined boulevard, brand-new shopping arcades, a luxury cinema and an upscale gym. Living, lifestyle, leisure – all delivered in one dream location. Everything blends seamlessly and sympathetically with the unspoilt fabric of the area. World-class contemporary architecture jostles with original Edwardian red-brick. Beautiful period features are juxtaposed with slick and innovative interiors. The Penny Black Apartments, offered through Shared Ownership, are located across two blocks. The first (17 Esther Anne Place) is a new build block that retains the redbrick façade of the old sorting office at ground level, with a striking zinc-clad frame above, and the second (5 Esther Anne Place) an entirely original build, with its sleek sinuous shape set to become a design icon. Both fully integrated into this unique development with the added convenience of a concierge service available. You’re home at last. Relax. 2 Apartment 202, 17 Esther Anne Place APARTMENTS Computer generated image indicative only Immerse Yourself IN LONDON’S COFFEE CULTURE Urban Chic BIG CITY VILLAGE Upper Street is one of London’s most sought after stretches; a thriving mile of shops, restaurants and bars connecting leafy Highbury with historic Angel.
  • L'influence Actuelle Du Rock Sur L'identité Culturelle De Paris Et Londres

    L'influence Actuelle Du Rock Sur L'identité Culturelle De Paris Et Londres

    L’influence actuelle du rock sur l’identité culturelle de Paris et Londres BARRETO CALLAMAND, Rafael Francisco Mémoire présenté sous la direction de M. Dominique JONCKHEERE, en vue de l'obtention du titre de master en Gestion Culturelle Année académique 2011-2012 Beneficiario COLFUTURO 2010 1 Table des matières Table des matières........................................................................................... 2 Résumé ........................................................................................................... 5 Dédicace .......................................................................................................... 6 Remerciements ............................................................................................... 7 Introduction .................................................................................................... 8 Définition de la culture ; l’identité culturelle et du rock .................................. 13 Culture ............................................................................................................... 13 L’identité culturelle ........................................................................................... 14 Rock ................................................................................................................... 15 Les acteurs de la musique rock ...................................................................... 21 Ethnographie de la culture rock .................................................................... 23 La
  • Violent Femmes of Monsters and Men Billy Branch & The

    Violent Femmes of Monsters and Men Billy Branch & The

    THOM YORKE NF SPOON BILLY BRANCH & THE SONS OF BLUES VIOLENT FEMMES ANIMA THE SEARCH EVERYTHING HITS AT ONCE: THE BEST OF SPOON ROOTS AND BRANCHES HOTEL LAST RESORT XL CCMG MATADOR ALLIGATOR RECORDS PIAS AMERICA Radiohead frontman Thom Yorke follows up his Chart-topping Michigan rapper, singer, and songwriter Like Neil Young, Spoon have created an impressive As heir apparent to the Chicago blues harmonica Violent Femmes’ tenth studio album, Hotel Last 2018 score to Suspiria with his third full-length solo NF returns with his fourth studio album, The Search. catalog of songs out of deceptively simple bag of throne, Billy Branch is perfectly suited to shine a Resort resides among the groundbreaking band’s effort, Anima. Produced by longtime collaborator Powerful lead single – and title track – gives fans plenty tricks. It’s a language of its own – but one that never bright new light on the timeless music of Little Walter finest work, simultaneously refining and redefining Nigel Godrich, Yorke notes that Anima was inspired to unpack as NF lays bare his psyche, shining light seems to run out of melodies, hooks, and unexpected – a transcendent artist revered by millions and an their one-of-a-kind take on American music, mingling by dystopia, anxiety, and reaching a crisis point in our on some his darkest corners while mapping out the blasts of amp magic (Britt Daniel and Jim Eno’s inspiration to every harmonica player who followed in front porch folk, post punk, spiritual jazz, country social system. “If you suffer from anxiety it manifests ambitious quest that lies ahead.
  • Bedales Association and Old Bedalian Newsletter, 2018

    Bedales Association and Old Bedalian Newsletter, 2018

    BEDALES ASSOCIATION & OLD BEDALIAN NEWSLETTER 2018 CONTENTS WELCOME 2 HEAD’S REFLECTIONS ON 2017 3 OB EVENTS – REVIEWS OF 2017 5 UPCOMING REUNIONS 13 A YEAR AT BEDALES 14 PROFESSIONAL GUIDANCE FOR BEDALIANS 18 THE RETURN OF THE LUPTON HALL 20 MEMORIES OF INNES ‘GIGI’ MEO 23 SAYES COURT 24 DRAWING ON THE LESSONS OF THE PAST 27 THE JOHN BADLEY FOUNDATION 29 THE BEDALES GRANTS TRUST FUND 34 OB PROFILES 36 BEDALES EVENTS 2018 40 FROM DEEPEST DORSET TO HAMPSHIRE 41 ON THE BUSES 42 MCCALDIN ARTS 43 20 YEARS OF CECILY’S FUND AT BEDALES 45 2017 IN THE ARCHIVES 47 STAFF PROFILES 48 NEWS IN BRIEF 54 OBITUARIES 61 Kay Bennett (née Boddington) 61 Thomas Cassirer 61 Ralph Wedgwood 62 Gervase de Peyer 63 Michael J C Gordon FRS 64 George Murray 65 Robin Murray 66 Adrianne Reveley (née Moore) 67 Josephine Averill Simons (née Wheatcroft) 68 Francis (Bill) Thornycroft 69 Professor Dame Margaret Turner-Warwick 71 BIRTHS, ENGAGEMENTS, MARRIAGES & DEATHS 73 UNIVERSITY DESTINATIONS 2017 74 Contents • 1 WELCOME elcome to the Bedales WAssociation Newsletter 2018. The programme of Association events developed in 2016 continued and expanded last year; there have been reunions in Bristol and Oxford and at Bedales on Parents’ Day for the classes of 1972/3, 1992 and 2007. Former parents also had a lunch party on the same day. There was a tree-planting gathering for the class of 1966, a STEM sector event at the Royal College of Surgeons, sporting, social and fundraising events. The Eckersley Lecture was delivered by Professor Eleanor Maguire this year.
  • Katalog Zur Ausstellung

    Katalog Zur Ausstellung

    ARCHIV DER JUGENDKULTUREN (HRSG.) DER Z/WEITE BLICK JUGENDKULTUREN UND DISKRIMINIERUNGEN Archiv der Jugendkulturen (Hrsg.) DER Z/WEITE BLICK JUGENDKULTUREN UND DISKRIMINIERUNGEN Ausstellungseröffnung im Archiv der Jugendkulturen e.V., Berlin, 2017, Foto: Boris Geilert IMPRESSUM Archiv der Jugendkulturen e. V. Fidicinstraße 3 10965 Berlin Tel. 030–6942934 Fax 030–6913016 E-Mail: [email protected] Web: www.jugendkulturen.de Autor*innen / Redaktion: DJ Freshfluke, Jule Naima Fröhlich, Martin Gegenheimer, Florian Hofbauer, Tino Kandal, Edyta Kopitzki, Svetla Koynova, Bianca Loy, Gabriele Rohmann, Lisa Schug, Farina Wäcker Illustrationen: Gabriel S Moses, www.gabsmoses.com Lektorat: Berlin Lektorat und Nadine Marcinczik © Archiv der Jugendkulturen e. V. 2018 Die Veröffentlichung stellt keine Meinungsäußerung des BMFSFJ bzw. des BAFzA dar. Für inhaltliche Aussagen trägt der Autor/die Autorin bzw. tragen die Autoren/Autorinnen die Verantwortung. VORWORT Jugendkulturen sind wichtige Orte für (überwiegend) junge Sexismus und Homo- und Transfeindlichkeit – aber auch Menschen, an denen sie ihren Gedanken, Einstellungen, Hal- positive Aspekte wie jugendkulturelle Initiativen oder Pop- tungen, Reflexionen über sich und die Welt in Kleidung, Spra- Künstler*innen, die sich gegen Diskriminierungen in ihren che, Musik und Medien kreativen Ausdruck verleihen können. Szenen oder im Mainstream wehren und sich auf diese Weise Sie bieten Heranwachsenden Möglichkeiten, künstlerisch, zivilgesellschaftlich für die Gleichwertigkeit von Menschen ein- gesellschaftlich
  • A Full List of New Indie Albums 2019 Indie Is Not a Genre

    A Full List of New Indie Albums 2019 Indie Is Not a Genre

    indieisnotagenre.com A full list of new Indie Albums 2019 Indie is not a genre Date Artist Album Label 11 Jan Red Rum Club Matador Mom+Pop 11 Jan Friska Viljor Broken Crying Bob 11 Jan Minor Majority Napkin Poetry self-released 18 Jan De Staat Bubble Gum Caroline 18 Jan Steve Mason About The Light Domino 18 Jan Alice Merton Mint Modern Sky UK 18 Jan The Twilight Sad It Won't Be Like This All The Time Rock Action 18 Jan Sharon Van Etten Remind Me Tomorrow Jagjaguwar 25 Jan Balthazar Fever PIAS 25 Jan Blood Red Shoes Get Tragic Jazz Life 25 Jan Júníus Meyvant Across The Borders Record 25 Jan Keuning Prismism Pretty Faithful 25 Jan Mozes and the Firstborn Dadcore Burger 25 Jan Press Club Late Teens (UK Release) Hassle 25 Jan Sunflower Bean King of the Dudes Mom+Pop 1 indieisnotagenre.com 25 Jan The Yacht Club The Last Words That You Said To Me Beth Shalom Have Kept Me Here And Safe 25 Jan Toy Happy In The Hollow Tough Love 1 Feb Andy Burrows & Matt Reasons To Stay Alive Caroline Haig 1 Feb Calva Louise Rhinoceros Modern Sky UK 1 Feb Girlpool What Chaos Is Imaginary Anti- 1 Feb Highasakite Uranium Heart Propeller 1 Feb Joseph J. Jones Built On Broken Bones Vol. 2 Caroline 1 Feb Jungstötter Love Is PIAS 1 Feb Rustin Man Drift Code Domino 1 Feb Tiny Ruins Olympic Girls Marathon Artists / Milk 1 Feb White Lies Five PIAS 8 Feb Chain Wallet No Ritual Jansen 8 Feb Health Vol.
  • Alexandra Palace and Park the Peoples Palace

    Alexandra Palace and Park the Peoples Palace

    Alexandra Palace and Park The Peoples Palace OPTIONS APPRAISAL APRIL 2011 FOR ALEXANDRA PALACE AND PARK REGENERATION WORKING GROUP COLLIERS INTERNATIONAL UK PLC Company registered in England and Wales no. 4195561 Registered Office: 9 Marylebone Lane London W1U 1HL Tel: +44 (0) 20 7935 4499 www.colliers.com/uk Jim Roberts – Project Director [email protected] Version Control Status FINAL Project ID B57899 Filename/Document ID J1101 APP Report FINAL 110418 Last Saved 18 April 2011 Owner Jim Roberts Director Jim Roberts Approved by Dan Anderson Date Approved 18th April 2010 COLLIERS INTERNATIONAL 2 of 114 Alexandra Palace & Park Options Appraisal TABLE OF CONTENTS EXECUTIVE SUMMARY 1.1 Background to the Options Appraisal 5 1.2 Strategic Direction of Alexandra Palace & Park 5 1.3 Destination Analysis 6 1.4 Market Demand 7 1.5 Options Appraisal 8 1.6 Preferred Strategic Concept & Possible Contents 9 1.7 Recommendation & Next Steps 10 MAIN REPORT 1 Introduction 14 1.1 Scope of Work 14 1.2 The Client Body and Stakeholders 15 2 Strategic Direction of Alexandra Palace and Park 18 2.1 Vision and Mission 18 2.2 Charitable Status and Heritage 18 2.3 Some of the Challenges and Recent History 19 2.4 The Long Term Objectives and Aspirations 20 2.5 The Need for a Strategic Concept 20 3 Destination Analysis 21 3.1 The Park 21 3.2 The Palace 26 3.3 Access and Transport 29 3.4 Planning Context 33 3.5 Review of Current Operation 36 3.6 Review of Restorative Cost Estimates 39 4 Market Demand Analysis 41 4.1 Day Visitor Market 41 4.2 Tourist Market 47