Yearbearers in the Paris Codex: a Description of Iconographic and Calendrical Elements1
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Ancient Maya Afterlife Iconography: Traveling Between Worlds
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Ancient Maya Afterlife Iconography: Traveling Between Worlds Mosley Dianna Wilson University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Wilson, Mosley Dianna, "Ancient Maya Afterlife Iconography: Traveling Between Worlds" (2006). Electronic Theses and Dissertations, 2004-2019. 853. https://stars.library.ucf.edu/etd/853 ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology. -
The Mayan Gods: an Explanation from the Structures of Thought
Journal of Historical Archaeology & Anthropological Sciences Review Article Open Access The Mayan gods: an explanation from the structures of thought Abstract Volume 3 Issue 1 - 2018 This article explains the existence of the Classic and Post-classic Mayan gods through Laura Ibarra García the cognitive structure through which the Maya perceived and interpreted their world. Universidad de Guadalajara, Mexico This structure is none other than that built by every member of the human species during its early ontogenesis to interact with the outer world: the structure of action. Correspondence: Laura Ibarra García, Centro Universitario When this scheme is applied to the world’s interpretation, the phenomena in it and de Ciencias Sociales, Mexico, Tel 523336404456, the world as a whole appears as manifestations of a force that lies behind or within Email [email protected] all of them and which are perceived similarly to human subjects. This scheme, which finds application in the Mayan worldview, helps to understand the personality and Received: August 30, 2017 | Published: February 09, 2018 character of figures such as the solar god, the rain god, the sky god, the jaguar god and the gods of Venus. The application of the cognitive schema as driving logic also helps to understand the Maya established relationships between some animals, such as the jaguar and the rattlesnake and the highest deities. The study is part of the pioneering work that seeks to integrate the study of cognition development throughout history to the understanding of the historical and cultural manifestations of our country, especially of the Pre-Hispanic cultures. -
Consonant Deletion, Obligatory Synharmony, Typical Suffixing an Explanation of Spelling Practices in Mayan Writing*
John Benjamins Publishing Company This is a contribution from Written Language & Literacy 13:1 © 2010. John Benjamins Publishing Company This electronic file may not be altered in any way. The author(s) of this article is/are permitted to use this PDF file to generate printed copies to be used by way of offprints, for their personal use only. Permission is granted by the publishers to post this file on a closed server which is accessible to members (students and staff) only of the author’s/s’ institute, it is not permitted to post this PDF on the open internet. For any other use of this material prior written permission should be obtained from the publishers or through the Copyright Clearance Center (for USA: www.copyright.com). Please contact [email protected] or consult our website: www.benjamins.com Tables of Contents, abstracts and guidelines are available at www.benjamins.com Consonant deletion, obligatory synharmony, typical suffixing An explanation of spelling practices in Mayan writing* David Mora-Marín University of North Carolina, Chapel Hill, USA The Pre-Columbian Mayan hieroglyphic script utilized logograms, representing CVC roots or CVCVC stems, and CV syllabograms. Starting with Knorozov’s (1952 etc.) initial breakthroughs in applying a Mayan linguistic model to account for the script’s spelling practices, most scholars have assumed that ‘synharmonic’ spellings of roots or stems, those in which the final consonant is ‘complemented’ by means of a CV syllabogram whose vowel is identical in quality to that of the root (e.g. C1V1C2 — C2(V1)), exhibited a linguistically ‘fictitious’ (or silent) vowel; such synharmonic spellings were commonly assumed to be default. -
EVIDENCE of the NEHOR RELIGION in MESOAMERICA
EVIDENCE of the NEHOR RELIGION in MESOAMERICA Jerry D. Grover Jr., PE, PG Evidence of the Nehor Religion in Mesoamerica Evidence of the Nehor Religion in Mesoamerica by Jerry D. Grover, Jr. PE, PG Jerry D. Grover, Jr., is a licensed Professional Structural and Civil Engineer and a licensed Professional Geologist. He has an undergraduate degree in Geological Engineering from BYU and a Master’s Degree in Civil Engineering from the University of Utah. He speaks Italian and Chinese and has worked with his wife as a freelance translator over the past 25 years. He has provided geotechnical and civil engineering design for many private and public works projects. He took a 12-year hiatus from the sciences and served as a Utah County Commissioner from 1995 to 2007. He is currently employed as the site engineer for the remediation and redevelopment of the 1750-acre Geneva Steel site in Vineyard, Utah. He has published numerous scientific and linguistic books centering on the Book of Mormon, all of which are available for free in electronic format at www.bmslr.org. Acknowledgments: This book is dedicated to my gregarious daughter, Shirley Grover Calderon, and her wonderful husband Marvin Calderon and his family who are of Mayan descent. Thanks are due to Sandra Thorne for her excellent editing, and to Don Bradley and Dr. Allen Christenson for their thorough reviews and comments. Peer Review: This book has undergone third-party blind review and third-party open review without distinction as to religious affiliation. As with all of my works, it will be available for free in electronic format on the open web, so hopefully there will be ongoing peer review in the form of book reviews, etc. -
Mayan Medicine: Rituals and Plant Use by Mayan Ah-Men
MAYAN MEDICINE: RITUALS AND PLANT USE BY MAYAN AH-MEN by Kaylee Doemel Submitted to the Faculty of The Archaeological Studies Program Department of Sociology and Archaeology in partial fulfillment of the requirements for the degree of Bachelor of Science University of Wisconsin-La Crosse 2013 Copyright © 2013 by Kaylee Doemel All rights reserved II MAYAN MEDICINE: RITUALS AND PLANT USE BY MAYAN AH-MEN Kaylee Doemel, B.S. University of Wisconsin-La Crosse, 2013 Mayan civilization is a great example of a culture that was able to live off of the land and thrive using the resources around them. This paper looks at ah-men healers in Classic Mayan societies. It examines the plants and rituals used when curing illnesses and how we can observe this in the archaeological record. Classic Mayan ideology is also looked at in regards to its connection to ah-men and medicine, looking at ah-men's position in society due to the knowledge that they possessed. This paper also examines modern Mayans today and the ancient healing techniques that they practice. With this information, looking at what seemed to work and not work for curing different illnesses in Classic Mayan societies, modern medicine may become more natural, using plants and other resources available to cure illnesses. III ACKNOWLEDGEMENTS I would like to say a special thanks to my thesis advisor Dr. David A. Anderson and my reader Dr. Timothy McAndrews for all the help and encouragement in this process. I would also like to thank my writing group members Brittany Viviani and Kristine Fitzpatrick for all of their help and input while writing this paper. -
Astronomy and the Iconography of Creation Among the Classic and Colonial Period Maya
Astronomy and the Iconography of Creation Among the Classic and Colonial Period Maya KHRISTAAN D. VILLELA and LINDA SCHELE University of Texas, Austin Westerners have been fascinated by the Period Maya. John Lloyd Stephens and others astronomical knowledge of the ancient Maya published accounts and views of the ruins of since travelers and scholars first reported ruined southern Mexico, Honduras, Guatemala, and cities in the Americas and Precolumbian manu- then British Honduras (Del Río and Cabrera scripts in European libraries. Beginning in the late 1822; Stephens 1841, 1843; Catherwood 1844; nineteenth century, students of the Maya speculat- Norman 1843; Charnay 1863, 1885; Maudslay ed on the astronomical identities of iconographic and Maudslay 1899). At the same time, academ- motifs and characters portrayed in the codices and ics and bibliophiles across the Atlantic discovered on monumental sculptures. In addition to identify- Precolumbian Maya codices and Colonial Spanish ing the signs for the sun, moon, and Venus, they accounts of the Maya. In Germany, Alexander von also produced tentative reconstructions of the Humboldt's account of travels in the New World Maya zodiac and other constellations. Alternate included the first publication of a Maya codex, interpretations of the nature of Maya astronomy five pages of the Dresden manuscript (Humboldt have appeared throughout this century. 1810:Plate 45). Humboldt's folio size work also Based on recent advances in our understand- first reproduced Maya art, a stucco relief from ing of the natural and astronomical foundations of Palenque (Humboldt 1810:Plate 11). In nearby Classic and Post-Classic Period Maya conceptions Paris, the Abbé Brasseur de Bourbourg published of Creation, we present another model of the so- the Quiché Maya Popol Vuh in 1861, and Diego called Maya zodiac. -
It's the Journey Not the Destination: Maya New Year's Pilgrimage and Self-Sacrifice As Regenerative Power
Article Journal of Social Archaeology 2018, Vol. 18(3) 325–347 ! The Author(s) 2018 It’s the journey not the Article reuse guidelines: sagepub.com/journals-permissions destination: Maya New DOI: 10.1177/1469605318764138 Year’s pilgrimage and journals.sagepub.com/home/jsa self-sacrifice as regenerative power Eleanor Harrison-Buck Department of Anthropology, University of New Hampshire, Durham, NH, USA Astrid Runggaldier Department of Art and Art History, University of Texas at Austin, Austin, TX, USA Alex Gantos Belize River Archaeological Project, Archaeology Laboratory, University of New Hampshire, Durham, NH, USA Abstract This article examines Maya New Year’s rites involving pilgrimage and bloodletting. We suggest that ceremonies today that center around the initiation of young men and involve self-sacrifice and long-distance pilgrimage to the mountains and coast may have pre-Hispanic roots. New Year’s ceremonies express a core ontological principle of dualistic transformation involving physical change (jal) from youth to adulthood and transference or replacement (k’ex) of power in official leadership roles. This distinct way of knowing the world emphasizes one’s reciprocal relationship with it. We conclude that ancient Maya pilgrimage was not about acquiring a particular thing or venerating a specific place or destination. It was about the journey or what Timothy Ingold calls ‘‘ambulatory knowing.’’ The Maya gained cosmological knowledge, linking the movement Corresponding author: Eleanor Harrison-Buck, Department of Anthropology, University of New Hampshire, Huddleston 311, 73 Main St., Durham, NH 03824, USA. Email: [email protected] 326 Journal of Social Archaeology 18(3) of their body to the annual path of the sun and their sexuality and human regenerative power to earthly renewal, which required blood to be successful. -
The Quadripartite Badge: Narratives of Power and Resurrection in Maya Iconography
THE QUADRIPARTITE BADGE: NARRATIVES OF POWER AND RESURRECTION IN MAYA ICONOGRAPHY by VICTORIA ANN INGALLS B.S. Texas State University, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2012 © 2012 Victoria A. Ingalls ii ABSTRACT Ancient Maya iconography primarily depicted elite individuals in idealized states of being and rationalized their power and authority through ideological concepts and otherworld beings. This study aims to reexamine previous assumptions made concerning the Quadripartite Badge. This motif is examined based on iconographic associations and contexts, as well as temporal and spatial distributions. The dataset was created from currently identified examples of the Quadripartite Badge, although only a select group is extensively examined. The spread of this motif is demonstrated through time and its spatial dispersals are noted for their political consequences. Indicating the liminal status of its user, the Badge is frequently placed in scenes of transformation, accompanying rites of passage. It is also established that as elite women became more prominent, women from Tikal and Calakmul circulated this iconography through marriage alliances, as seen in the number of newly ‘arrived’ women carrying the Badge. Other iconographic associations of the Badge revealed strong ties with the Maize God and the cyclical nature of agriculture. For the continuation of the maize cycle and renewal of universal forces, sacrifice was required; the completion of ritual sacrifice was demonstrated through the depiction of the Quadripartite Badge. This one expression of power simultaneously validated earthly and otherworldy authority, ensuring the continuation of the cosmos and the perpetuation of the sun and maize cycles. -
Alternative Epigraphic Interpretations of the Maya Snake Emblem Glyph
ALTERNATIVE EPIGRAPHIC INTERPRETATIONS OF THE MAYA SNAKE EMBLEM GLYPH by CHRISTOPHER T. SAVAGE B.S. University of Central Florida, 1994 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Interdisciplinary Studies in the Office of the Vice Provost at the University of Central Florida Orlando, Florida Fall Term 2007 ABSTRACT This thesis seeks to demonstrate that the Maya snake emblem glyph is associated with religious specialists, instead of geographic locations, as emblem glyphs are typically understood to be. The inscriptions and the media on which the snake emblem glyph occurs will be analyzed to determine the role or function of the “Lord of the Snake.” Temporal and spatial data has also been collected to aid in understanding the enigmatic glyph. The snake emblem glyph has recently been identified as originating from a broad area containing the sites of El Perú and La Corona in Guatemala, and Dzibanche, Mexico, a departure from the longstanding choice of Calakmul, Mexico. Unprovenanced snake emblem glyph texts have been cataloged under a “Site Q” designation („Q‟ for the Spanish word Que, meaning “which”) by Peter Mathews. Site Q is thus not securely identified geographically, which confounds efforts to designate a particular site as the snake emblem glyph site. Other problems with the snake emblem glyph, such as its geographically wide dispersal, hint that it is not a title of a particular city or region. Yet another problem is “a proper fit” between the individuals listed on unprovenanced material and individuals named at sites associated with the snake emblem glyph. -
The PARI Journal
ThePARIJournal A quarterly publication of the Ancient Cultures Institute Volume XV, No. 3, Winter 2015 In This Issue: The Dedication of Tikal TempleVI: The Dedication of Tikal Temple VI: A A Revised Chronology Revised Chronology by SIMON MARTIN University of Pennsylvania Museum Simon Martin PAGES 1-10 • The long hieroglyphic text that adorns distinctive features (Figure 1). It offers an the back and sides of Tikal Temple VI—a unusually detailed statement of relations A Skyband with building known more descriptively as between an ancestral ruler-deity and Constellations: the Temple of Inscriptions and more both contemporary and deep-time local Revisiting the Monjas East Wing prosaically as Structure 6F-27—has some monarchs. It also has a distinctive physical at Chichen Itza by Bruce Love PAGES 11-14 • In the Realm of the Witz’: Animate Rivers and Rulership among the Classic Maya by Jeremy D.Coltman PAGES 15-30 • The Further Adventures of Merle (continued) by Merle Greene Robertson PAGES 31-32 Joel Skidmore Editor Marc Zender Associate Editor The PARI Journal 202 Edgewood Avenue San Francisco, CA 94117 415-664-8889 [email protected] Electronic version available at: www.precolumbia.org/ pari/journal/1503 Figure 1. The rear façade of Tikal Temple VI (Structure 6F-27). Photograph by Jorge ISSN 1531-5398 Pérez de Lara. The PARI Journal 15(3):1-10 © 2015 Ancient Cultures Institute 1 Martin character since, with constituent blocks measuring as BCE), and 9.4.0.0.0 (514 CE), before damage robs us of much as 85 cm across, it boasts the largest hieroglyphs in reliable or legible dates until firm ground returns in the the Maya world. -
A Representation of in the Paris Codex
6 A Representation of the Principal Bird Deity in the Paris Codex KARL A. TAUBE Dumbarton Oaks OR MANY YEARS it has been known that the central portions of pages 2 through 12 of the F Codex Peresianus, or Paris Codex, deal with a succession of katuns (Forstemann 1903; Gates 1910). According to Gates (1910:16-17), the katun series began on the almost entirely effaced page 1 and ended on the missing page 13 (Note 1). If that is correct, these pages embrace a complete round of 13 katuns, beginning with Katun 4 Ahau and concluding with Katun 6 Ahau (Note 2). Each of the extant scenes on pages 2 through 12 shows a standing deity presenting a God K head to another figure, seated on a dais or throne. The presentation of the God K head may allude to a change in political or religious authority since, in Classic Period iconography, the presentation of God K frequently occurs during scenes of accession and other dynastic rites (Schele 1982:61-63; Schele & J. Miller 1983:17-18). Hellmuth (1986: Fig. 192) has pointed out the close similarity of the "katun thrones" of the Paris Codex to the Classic "niche," or accession, stelae of Piedras Negras. In addition, the texts of the katun pages of the Paris Codex begin with a series of hel compounds (T168:573.130). The main sign, the hel glyph itself, is frequently used in Classic texts to denote the succession of rulers at a particular site (Riese 1984). Lounsbury (1973) has established that the accompanying affixes, T168 and T130, are to be read AHAW - an important title of Maya lords. -
A Mathematical Journey Through the Land of the Maya Philip Scalisi Bridgewater State College, [email protected]
Bridgewater Review Volume 24 | Issue 2 Article 6 Dec-2005 A Mathematical Journey through the Land of the Maya Philip Scalisi Bridgewater State College, [email protected] Paul Fairbanks Bridgewater State College, [email protected] Recommended Citation Scalisi, Philip and Fairbanks, Paul (2005). A Mathematical Journey through the Land of the Maya. Bridgewater Review, 24(2), 8-13. Available at: http://vc.bridgew.edu/br_rev/vol24/iss2/6 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. A Mathematical Journey Several of us were fortunate to enter the interior of El The next day our group journeyed to Dzibilchaltún, Castillo as a smaller pyramid exists inside it! After a city noted for having one of the longest histories of through the ascending 62 narrow slippery stairs in a steamy, dark unbroken occupation of any Mayan site, from c. 500 and dank atmosphere, we came upon the chamber of B.C. to c. 1500 A.D. The most important structure here Land of the Maya the Chac-mool, a reclining figure with its head looking is the Temple of the Seven Dolls, named after seven by Philip Scalisi and Paul Fairbanks sideways. Its posture represents a figure descending into crudely modeled figurines found in it. At dawn on the the underworld. Beyond this statue is the throne of the spring and autumn equinoxes, the rising sun beams (all photographs by Philip Scalisi) AIRBANKS Red Jaguar, a painted altar inlaid with jade, bone, and directly though the east and west doors of the Temple mirrors.