PAAC 1 6 20 Agenda Packet
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Tom Betthauser
TOM BETTHAUSER b. San Francisco 1987 CONTACT: [email protected] EDUCATION: Yale University, School of Art — MFA, Painting / Drawing 2012 San Francisco Art Institute — BFA, Painting / Drawing 2010 TEACHING / EMPLOYMENT EXPERIENCE: College of Marin, CA – Adjunct Professor, Beginning & Advanced Painting, May 2018 – Present San Francisco Art Institute, CA – Public Education Instructor, Jan 2018 – Present West Valley College, San Jose CA – Adjunct Professor, Studio Art / Art History, 2017 – Present University of California San Diego CA – Visiting Artist (lecture / studio visits) – Nov 2017 Wylie & May Louise Jones Gallery, Bakersfield CA – Chief Gallery Director / Curator, 2014 – 2017 Bakersfield College, CA – Adjunct Professor, Studio Art / Art History, 2014 – 2017 Cerro Coso Community College, CA – Adjunct Prof. Studio Art / Art History, 2013 – 2017 Natural History Museum of Los Angeles – Exhibit Technician (Seasonal) 2015 – 2016 Artvoices Magazine, Los Angeles CA – Contributing Writer, 2014 – 2016 Yale School of Art, New Haven CT – Teaching Assistant to Samuel Messer, 2011 – 2012 Yale School of Art, New Haven CT – Chief Graduate Admissions Coordinator, 2011 – 2012 Yale School of Art, New Haven CT – Art Handler / Installation Assistant, 2011 – 2012 San Francisco Art Institute, CA –Teaching Assistant / Academic Tutor, 2007 – 2010 Exploratorium Museum, CA – Explainer / Tactile Dome / Public Programs, 2006 – 2012 SELECTED GROUP / SOLO EXHIBITIONS: 2015 – PRESENT Crocker Museum of Art, CA – Big Names Small Art Benefit Auction – May -
Amanda Marchand
AMANDA MARCHAND EDUCATION: 2000 M.F.A., photography, San Francisco Art Institute, San Francisco, C.A 1992 Multi-media studies, Emily Carr College of Art & Design, Vancouver, B.C. 1990 B.A., Queen’s University, Kingston, O.N. SELECTED SOLO EXHIBITIONS: 2015 Night Garden, Traywick Contemporary, Berkeley, CA 2012 Night Garden: The Summer Project, http://amandamarchand.com/blog/ 2005 The Density of Air, Bolinas Art Museum, Bolinas, CA 2004 415/514. San Francisco City Hall, Arts Commission Gallery, San Francisco, CA 2003 Amanda Marchand & Dennis McLeod. Traywick Gallery, San Francisco, CA 2002 You Came So Close. The Project Space, Headlands Center for the Arts, Marin, CA 2001 Under his Knowledge, Gallery Petite L.G., Houston, TX SELECTED GROUP EXHIBITIONS: 2015 Front Yard/Backstreet, Palo Alto Art Center, Palo Alto, CA Center Forward, The Center for Fine Art Photography, Fort Collins, CO Curve, CENTER, Santa Fe, NM Mind-scape, (exhibition and book launch), Datz Museum, Seoul, Korea 2012 Materials + Process, Traywick Contemporary, Berkeley, CA 2011 Tomorrow’s Stars: Verge Art Brooklyn, Dumbo, NY Manipulated, Castell Photography, Asheville, NC George Eastman House Panel (see below), Preview Show/Auction, The Metropolitain Pavillion, NY 2010 George Eastman House Preview Show and Auction, Sotheby’s, NY Love Pictures, curated by Will Mebane and Scott Tolmie. 2009 Group Show, Cavallo Point Lodge, Marin, CA. 2008 Arm’s Length in: Ceramics and the Treachery of Objects in the Digital Age. (Catalogue), Scripps College, 64th Annual, Claremont, CA. (collaboration with Jeanne Quinn) 2005 Photo New York. SFAI, Metropolitan Pavilion, New York, NY. Photo-Based. Traywick Contemporary, Berkeley, CA. -
D-L Alvarez B
! D-L Alvarez b. 1966 Lives and works in Berlin, Germany Solo Exhibitions 2015 The Children’s Hour, [2nd Floor Projects], San Francisco, CA 2014 D-L Alvarez and Eileen Maxson, Artadia Gallery, New York, NY 2013 The Unforgiving Minute, Derek Eller Gallery, New York, NY 2012 D-L Alvarez: MATRIX 243, Berkley Art Museum, Berkley, CA 2011 Galeria Casado Santapau, Madrid, Spain 2009 Dusty Hayes, 2nd Floor Projects, San Francisco, CA 2008 Dead Leafs, Galeria Casado Santapau, Madrid, Spain 2007 Parents' Day, Derek Eller Gallery, New York, NY DIG, with Wayne Smith, Derek Eller Gallery (project room), New York, NY 2006 Casper, (with Matthew Lutz-Kinoy), A +B Arratiabeer, Berlin, Germany, 2005 rise, Derek Eller Gallery, New York, NY Ice, Glue, Berlin, Germany 2004 Beausoleil, Derek Eller Gallery, New York, NY 2002 The Road to Hell Less Traveled, Derek Eller Gallery, New York, NY 2000 Sculpture Garden, Derek Eller Gallery, New York, NY ! ! 1999 Chorus, John Berggruen Gallery, San Francisco, CA 1998 Knights Gathering Flowers, Derek Eller Gallery, New York, NY Dust, Th.e (Theoretical Events), Naples, Italy 1995 Dandylion, Jack Hanley Gallery, San Francisco, CA A Shepherd and His Flock, London Projects, London, UK 1994 Night of the Hunter, Kiki, San Francisco, CA 1990 Political Stance, (installation documenting performance), ATA, San Francisco, CA 1989 Elvis Clocked, Les Indes Galantes, Paris, France Group Exhibitions 2017 Drawings from the Collection: 1980 to Today, San Francisco Museum of Modern Art, San Francisco, CA 2016 Subject To Capital, Henry -
San Francisco 9
300 ©Lonely Planet Publications Pty Ltd See also separate subindexes for: 5 EATING P304 6 DRINKING & NIGHTLIFE P306 3 ENTERTAINMENT P307 7 SHOPPING P307 2 SPORTS & ACTIVITIES P308 Index 4 SLEEPING P309 16th Ave Steps 137 A iDS (Acquired immune Bay Area Rapid Transit, see California Historical Society 22nd St Hill 175 Deficiency Syndrome) BART Museum 86 49 Geary 83 264 Bay Bridge 13, 80, 284, 17 Calistoga 231 77 Geary 83 air travel 286-7 Bay Model Visitor Center car travel 286, 289-90 826 Valencia 151 Alamo Square Park 186, 190 (Sausalito) 224 Carnaval 21, 157 1906 Great Quake & Fire Alcatraz 9, 52-5, 8, 52 Bay to Breakers 21, 23 Cartoon Art Museum 85-6 283-4 alleyways 20 beaches 20, 61, 206 Casa Nuestra (St Helena) 1989 Loma Prieta Quake 284 ambulances 293 Beat movement 118, 119, 229 Amtrak 287 122, 131, 262 Castello di Amorosa Angel island 228 Beat Museum 118 (Calistoga) 229-30 A animals 19-20, 24 beer 30, 32, 270 Castro, the 49, 173-82, accommodations 336 Belden Place 93 239-52, see also AP Hotaling Warehouse 82 accommodations 241, 251 Sleeping subindex Aquarium of the Bay 58 Benziger (Glen Ellen) 236 drinking & nightlife 174, Avenues, the 252 Aquatic Park 57 Berkeley 217-20, 218 177, 180-1 Castro, the 251 architecture 19, 191, 279-82, Bernal Heights 171 entertainment 181 Chinatown 248-9 5, 190-1 bicycling 41, 74, 87, 113, 214, food 174, 176-7 Civic Center & the area codes 296 232, 238, 291 highlights 173-4 Tenderloin 243-7 arts 273-5 bike-share program 291 shopping 174, 181-2 Downtown 243-7 Asian Art Museum 81 bisexual travelers 36-7 -
Annual Report Fiscal Year 2017/2018
ANNUAL REPORT FISCAL YEAR 2017/2018 1 MISSION San Francisco Art Institute is dedicated to the intrinsic value of art and its vital role in shaping and enriching society and Left: the individual. As a diverse community Installation view of the BFA Exhibition, of working artists and scholars, SFAI Diego Rivera Gallery, 2018. provides its students with a rigorous Photo by Alex education in the fine arts and preparation Peterson (BFA Photography, 2015). for a life in the arts through an immersive studio environment, an integrated liberal Below: Rigo 23, One Tree arts curriculum, and critical engagement mural. Photo by with the world. Trevor Hacker. Spread:2 Performance by Tim Sullivan’s New Genres class on the rooftop amphitheatre at SFAI—Chestnut Street Campus. CONTENTS 4 FROM THE PRESIDENT 5 FROM THE BOARD CHAIR 6 HISTORY A Brief History of SFAI Firsts + Foremosts 10 NOTABLE ALUMNI 11 FACILITIES Chestnut Street Campus Fort Mason Campus Residence Halls 15 DEGREE PROGRAMS 16 NAMED SCHOLARSHIPS 18 FINANCIALS 19 EXHIBITIONS + PUBLIC PROGRAMS Galleries/Exhibition Spaces Visiting Artists + Scholars Lecture Series Public + Youth Education 22 ANNUAL GIFTS Vernissage 2018 Top to bottom: Students in the fountain at SFAI's Chestnut Street Campus, circa 1972. Photo by Richard Laughlin (MFA 1973). Work by Ahna Fender (BFA Painting) in the SFAI Courtyard. 3 SFAI President Gordon Knox at SFAI's Fort Mason Campus. Photo by Duy Ho. And this is a hard job, since the work of arts education is interwoven with the realities of economic systems, social inequality and political volatility. As SFAI builds on our recent progress, we must ensure that students as well as the institution itself emerge nimble, adaptable and resilient in the face of rapid change. -
Enrique Chagoya
SHARK’S INK. 550 BLUE MOUNTAIN ROAD LYONS CO 80540 303 823 9190 WWW.SHARKSINK.COM [email protected] ENRIQUE CHAGOYA Born: 1953 Mexico City, Mexico Education: 1987 MFA, University of California, Berkeley 1986 MA, University of California, Berkeley 1984 BFA, San Francisco Art Institute 1972 -75 Universidad Nacional Autónoma de México Selected Solo Exhibitions: 2012 “The Portentious Life of Death in Mayalandia”, Smith Andersen Editions, Palo Alto, CA “Creative Minds: Enrique Chagoya,” San Jose Museum of Art, San Jose, CA 2011 “New Works on Paper,” Gallery Paule Anglim, San Francisco, CA “Enrique Chagoya: Surviving Paradise/Sobreviviendo el Paraíso,” di Rosa Preserve, Napa, CA 2010 “YTREBIL: Prints and Drawings by Enrique Chagoya,” Galaría de la Raza, SanFrancisco, CA “Collisions between Historical Visions: The Art of Enrique Chagoya”, The Bing Stanford in Washington Gallery, Washington, DC 2009 “Liberty Club: The Prints of Enrique Chagoya,” Smith Andersen Editions, Palo Alto, CA 2008 San Jose Museum of Art. Upcoming Retrospective with Catalog. National and International traveling show, San Jose, CA “Illegal Alien’s Guide to Critical Theory,” Gallery Paule Anglim, San Francisco, CA 2007/08 “Enrique Chagoya: Borderlandia,” Des Moines Art Center, Des Moines, IA (September 21, 2007 – January 6, 2008). Catalog. traveling to: Berkeley Art Museum, Berkeley, CA (February 13 – May 18, 2008) Palm Springs Art Museum, Palm Springs, CA (September 12 – December 7, 2008) 2007 Lisa Sette Gallery, “Illegal Alien’s Guide to Greater America,” Scottsdale, -
Extensions of Remarks E387 EXTENSIONS of REMARKS
March 7, 2003 CONGRESSIONAL RECORD — Extensions of Remarks E387 EXTENSIONS OF REMARKS IDEA FUNDING THE PRESIDENT’S STEEL fornia. The proposal would create commemo- PROGRAM rative coins to help pay for the restoration of HON. DARLENE HOOLEY the San Francisco Mint known widely as the HON. ROBERT W. NEY ‘‘Old Granite Lady.’’ I commend Senators OF OREGON OF OHIO FEINSTEIN and BOXER for undertaking this commendable effort. IN THE HOUSE OF REPRESENTATIVES IN THE HOUSE OF REPRESENTATIVES The San Francisco Mint was in service from Wednesday, March 5, 2003 Wednesday, March 5, 2003 1870 to 1937, survived the San Francisco Ms. HOOLEY of Oregon. Mr. Speaker, Mr. NEY. Mr. Speaker, for years our jobs earthquake of 1906, and was utilized until a today I want to address an issue that is of have been washing away in a flood of cheap, few years ago as federal offices. Today, mod- great concern to my home state of Oregon, dumped foreign steel. Until the Bush Adminis- ern building codes require that it be reinforced and to states around the country. tration, these calls for help fell on deaf ears. before it can safely be used in an area that is When Congress enacted the predecessor On March 5, 2002, the President imposed tar- still prone to earthquakes. legislation to the Individuals with Disabilities in iff relief for a period of three years. One year I recently read an article in the February 11, Education Act (IDEA) in 1975, we made a later, the proof is irrefutable—the President’s 2003 edition of the Numismatic News, which I commitment to provide children with disabil- steel program is working. -
Patti Smith: Wing an Exhibition of Photographs by Patti Smith on View for One Week Only at San Francisco Art Institute in Collaboration with Kurimanzutto
FOR IMMEDIATE RELEASE Patti Smith: Wing An exhibition of photographs by Patti Smith on view for one week only at San Francisco Art Institute in collaboration with kurimanzutto January 14–19, 2019 (San Francisco, CA, December 10, 2018) San Francisco Art Institute (SFAI) and kurimanzutto are honored to announce Wing, an exhibition of photographs by visual artist, writer, and performer, Patti Smith. Presented from January 14–19, 2019, at the Diego Rivera Gallery at SFAI’s historic Chestnut Street campus, the exhibition features a selection of photographs centered on Smith’s connection to fellow artists such as Frida Kahlo and Diego Rivera. The exhibition, which runs concurrently with the FOG Design+Art fair, is open and free to the public. This show focuses on Smith’s strong ties to the artistic and literary movements pursued during travels to Mexico. Presented in the same space as Rivera’s 1931 fresco, The Making of a Fresco Showing the Building of a City, the exhibition sparks a direct dialogue between Smith’s imagery and the subjects of her intimate gaze. In her work, Smith reflects upon the timeless act of artistic creation and alchemy that unites artists by referring to a brotherhood of mental bonds that keeps ideas alive. In this way, the artist expresses her kinship to Mexico and solidarity with its revolutionary people— a sentiment demonstrated during performances and visits to the country over the years. During these trips, Smith composed and dedicated poetry to figures such as Diego Rivera and Frida Kahlo, Isamu Noguchi, Roberto Bolaño, and the habitués of the Café La Habana, which included Octavio Paz and Che Guevara. -
2015-011315Fed
National Register Nomination Case Report HEARING DATE: OCTOBER 21, 2015 Date: October 21, 2015 Case No.: 2015-011315FED Project Address: 800 Chestnut Street (San Francisco Art Institute) Zoning: RH-3 (Residential House, Three-Family) 40-X Height and Bulk District Block/Lot: 0049/001 Project Sponsor: Carol Roland-Nawi, Ph.D., State Historic Preservation Officer California Office of Historic Preservation 1725 23rd Street, Suite 100 Sacramento, CA 95816 Staff Contact: Shannon Ferguson – (415) 575-9074 [email protected] Reviewed By: Timothy Frye – (415) 575-6822 [email protected] Recommendation: Send resolution of findings recommending that, subject to revisions, OHP approve nomination of the subject property to the National Register BACKGROUND In its capacity as a Certified Local Government (CLG), the City and County of San Francisco is given the opportunity to comment on nominations to the National Register of Historic Places (National Register). Listing on the National Register of Historic Places provides recognition by the federal government of a building’s or district’s architectural and historical significance. The nomination materials for the individual listing of the San Francisco Art Institute at 800 Chestnut Street were prepared by Page & Turnbull. PROPERTY DESCRIPTION 800 Chestnut Street, also known as the San Francisco Art Institute, is located in San Francisco’s Russian Hill neighborhood on the northwest corner of Chestnut and Jones streets. The property comprises two buildings: the 1926 Spanish Colonial Revival style original building designed by Bakewell & Brown (original building) and the 1969 Brutalist addition designed by Paffard Keatinge-Clay (addition). Constructed of board formed concrete with red tile roofs, the original building is composed of small interconnected multi-level volumes that step up from Chestnut Street to Jones Street and range from one to two stories and features a five-story campanile, Churrigueresque entranceway and courtyard with tiled fountain. -
Treasure Island Museum “Little Island, Big Ideas” Lecture Series March 2013-November 2019
Treasure Island Museum “Little Island, Big Ideas” Lecture Series March 2013-November 2019 Information for speakers: The “Little Island, Big Ideas” lecture series is presented with support from the Treasure Island Development Authority and funding from the Historic Preservation Fund of the City of San Francisco, Office of Economic and Workforce Development. With occasional exceptions, lectures are held on Treasure Island in the lobby of historic Building One on the last Saturday of the month at 10:30 a.m. Lectures typically last about 45 minutes although there is no firm time limit. We have full audio/visual capability and, with permission of the speaker, videotape the lectures as part of the Treasure Island Museum’s educational mission. 2013 March 2, San Francisco History Expo at the San Francisco Mint. A Peaceable Island: The 1939–1940 Golden Gate International Exposition. Richard Reinhardt attended the Golden Gate International Exposition as a teenager. His personal memoir, Treasure Island 1939-1940: The Exposition Years, published in 1972, is an unparalleled classic. Join us for an entertaining and touching trip back to 1939 as Reinhardt shares his wonderful collection of color and black and white images, reflecting his love for the fair, awareness of the sweep of local history, and wry sense of humor. Speaker: Richard Reinhardt is a local and national journalist who has published articles in many newspapers and magazines, and is the author of several books of local history as well as a historical novel. April 13. The Greatest Bridges. The Bay and Golden Gate Bridges were, at the time of their construction, the world’s longest of their kind, as is the new Bay Bridge span. -
Restaurant Index
ACCOMMODATIONS INDEX 391 ACCOMMODATIONS INDEX Acqua Hotel, 61, 64 Hotel del Sol, 53, 59, 63, 71 Adelaide Hostel, 41 Hotel des Arts, 53, 59, 63, 72 Andrews Hotel, 53, 59, 63, 64 Hotel Diva, 39, 53, 58, 63, 72 Auberge de Soleil, 62, 64 Hotel Drisco, 53, 59, 72 Hotel Durant, 61, 73 Beresford Arms, 53, 60, 65 Hotel Frank, 53, 59, 73 Berkeley hotels, 61 Hotel Kabuki, 53, 59, 73 Best Western Americania Hotel, 38, 53, 60, 65 Hotel Majestic, 53, 58, 63, 72 Best Western Carriage Inn, 53, 60, 63, 65 Hotel Monaco, 39, 52, 53, 58, 63, 72 Best Western Grosvenor Hotel, 61, 64 Hotel Nikko, 53, 58, 63, 72 Best Western Hotel Tomo!, 39, 53, 59, 63, 64 Hotel Palomar, 53, 58, 73 Best Western Sonoma Valley Inn, 62, 64 Hotel Rex, 53, 59, 73 Buena Vista Motor Inn, 53, 60, 63, 65 Hotel St. Helena, 62, 73 Campton Place Hotel, 53, 58, 65 Hotel Triton, 39, 53, 58, 63, 74 Casa Madrona, 61, 65 Hotel Union Square, 53, 59, 63, 74 Cedar Gables Inn, 62, 66 Hotel Vertigo, 39, 53, 59, 63, 74 Civic Center district hotels, motels, 53 Hotel Vitale, 53, 58, 75 Claremont Resort & Spa, 61, 66 hotels. See also specific hotel, motel Clift Hotel, 53, 58, 66 accommodations generally, 37–40 Comfort Inn by the Bay, 53, 60, 67 comparisons (table), 58–63 Cornell Hotel de France, 41, 53, 60, 63, 67 information chart (table), 64–85 Cow Hollow Motor Inn & Suites, 53, 60, 67 maps, 55–57 phone numbers, toll-free, 48 Days Inn at the Beach, 53, 60, 66 ratings, rankings, 47–54 Days Inn Lombard, 53, 60, 66 Huntington Hotel, 53, 58, 75, 105 Donatello, The, 53, 58, 63, 66 Hyatt Fisherman’s Wharf, 53, 58, 75 Doubletree Hotel Berkeley Marina, 61, 67 Hyatt Regency San Francisco, 53, 58, 74 Doubletree Hotel San Francisco Airport, 61, 67 Hyatt Regency San Francisco Airport, 61, 74 Dr. -
Curriculum Vitae
38 Walker Street New York, NY 10013 tel: 212-564-8480 www.georgeadamsgallery.com ENRIQUE CHAGOYA BORN: Mexico City, Mexico, 1953. LIVES: Stanford, CA. EDUCATION: University of California, Berkeley, M.F.A., 1987. University of California, Berkeley, M.A., 1986. San Francisco Art Institute, B.F.A., 1984. Universidad Nacional Autonoma de Mexico, Political Economy, 1972-75. AWARDS: John Simon Guggenheim Memorial Fellowship, 2021. National Academy of Design Inductee, 2020. Artadia Foundation Grant, 2005. Biennial Award, The Louis Comfort Tiffany Foundation, New York City, 1997. Academy Award for Visual Arts, American Academy of Arts and Letters, New York City, 1997. Public art commission for new SFO international terminal, San Francisco Art Commission, 1997. Eureka Fellowship, Fleishacker Foundation, San Francisco, 1996. Artist fellowship and residency at Giverny, France, Lila Wallace Foundation/Foundation Monet, 1995. NEA Fellowship for works on paper, 1993. WESTAF/NEA Fellowship for works on paper, 1992. Eisner Prize in Art, UC Berkeley, 1986. Distinguished Alumni, San Francisco Art Institute, 1985. Bronze Roller, outstanding printmaking student, San Francisco Art Institute, 1984. SOLO EXHIBITIONS: “Enrique Chagoya: The Seven Deadly Sins and Utopiàs Coloniales,” Anglim Trimble Gallery, San Francisco, CA, 2020-21. “Aliens,” Triton Museum of Art, Santa Clara, CA, 2020. “Everyone is an Alienígeno: Enrique Chagoya,” Florida Gulf Coast University Art Galleries, Fort Myers, FL, 2019. “Enrique Chagoya: Reverse Anthropology,” Hallie Ford Museum of Art, Williamette University, Salem, OR, 2018- 19. "Enrique Chagoya: Reimagining the New World," Nevada Museum of Art, Reno, NV, 2018. "Then and Now: Aliens Sans Frontières," George Adams Gallery, New York, NY, 2018. "Enrique Chagoya: Aliens Sans Frontières," Rockefeller Arts Center, Fredonia, NY, 2018.