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1 COMMONWEALTH of PENNSYLVANIA HOUSE of REPRESENTATIVES COMMITTEE on JUDICIARY Ouse Bill 1141
1 COMMONWEALTH OF PENNSYLVANIA HOUSE OF REPRESENTATIVES COMMITTEE ON JUDICIARY ouse Bill 1141 * * * * * Stenographic report of hearing held in Majority Caucus Room, Main Capitol Building, Harrisburg, Pennsylvania Friday, April 28, 1989 10:00 a.m. THOMAS CALTAGIRONE, CHAIRMAN MEMBERS OF COMMITTEE ON JUDICIARY ry Birmelin Hon. Christopher K. McNally hard Hayden Hon. Nicholas B. Moehlmann id W. Heckler Hon. Robert D. Reber ard A. Kosinski sent: antz. Executive Director lley, Minority Counsel Reported by: Ann-Marie P. Sweeney, Reporter ANN-MARIE P. SWEENEY 536 Orrs Bridge Road Camp Hill, PA 17011 2 INDEX PAGE gner, Southeast Regional Dir., 3 Ivamans vs. Pornography st. Esquire, United States Attorney 57 eters, Esquire, Legal Counsel, 74 al Obscenity Law Center wn, Southeast Coordinator, 78 Ivamans vs. Pornography Viglietta, Director, Justice and 96 Department, Pennsylvania Catholic ence 3 CHAIRMAN CALTAGIRONE: We'll start the ngs. Members will be coming in. We do have some Df the Judiciary Committee present - Jerry , Dob Reber, Chris McNally, and the staff a Director, Dave Krantz. There will be others L be coming in as the proceedings go on today. I'd like to introduce myself. I'm State bative Tom Caltagirone, chairman of the House f Committee. Today's hearing is on House Bill 'd like to welcome everybody that's in attendance ay, and I'd like to call as our first witness jner, who is the Southeast Regional Director of 3ylvanians vs. Pornography. Frank. MR. WAGNER: Mr. Chairman and members of the f Committee, I'm here today to testify on behalf flvanians vs. Pornography. PVP is a congress of nography works located here in the Commonwealth ides some 43 county anti-pornography tions, the Pennsylvania Catholic Conference, ania Council of Churches, Pennsylvamans for Morality, Concerned Women of America, the Eagle nd the Pennsylvania Knights of Columbus. -
New Product Special Full-Sized Tape VHS Camcorder, Super Beta
Sword and Sandal Sagas The #1 Magazine of Home Vu New Product Special Full-sized Tape VHS Camcorder, Super Beta Heard Anv Grind MnvieQ? BERGER-BRAITHWAITE VIDEOTESTS Sansui VHS Hi-Fi VCR Canon Portable 8mm VCR Canon 8mm Color Camera Bib VHS Video Alarm £ ^eX Vietnam V>1 ,‘--^og^onf6«ed ca^*e^ iSi*'"*'*'" i MGM/UA Home Video, 1350 Ave. of the Americas, New York, NY 10019. ;tna\\-^ettjv . Can they I Available ‘n racked iollo^-np lheW"j“’‘^,Svd«‘ron^ D»e?Xe‘»yirien<i'*tt’e i raiders fi^rroitK.FiM«'lessiv into* t$s*#** sssi^SS*- %£03(2£$2* S&tS* April 1985 Contents Volume IX, Number 1 Features Program Guide Columns The Greatest Stories Ever Told News & Views Channel One Our critic makes a selective By Ken Winslow.43 The Digital Class.6 survey of ‘the epic, ’ the film Top 10 Fast Forward genre in which too much is enough. Tape & Disc Sales & Rentals.45 Dr. Jekyll & Mr. Sony.8 By Tom Soter.66 Reviews Feedback What's New Film & Video Clips/Quick Takes.46 Who’s the Sucker?.10 We’ll tell you what’s new. Super New Products Beta! Korean VCRs! Camcorders! Directory NEC’s Quadruplets: 2 Beta, 2 VHS.. 14 And accessories are multiplying What’s New on Tape & Disc.57 like Rabbits (which is the name Fine Tuning of one of ’em). Yes, we have seen The Proper Dub the future of video—or at least Videotests By Roderick Woodcock.26 this year’s version of it. Videogram Sansui SV-R9900HF VHS Hi-Fi VCR By Richard Jaccoma.70 Flying Blind? Canon VR-E10 Portable 8mm VCR By William Wolfe.30 Found Sound Canon VC-200A 8mm Color Camera Those who take the trouble can Bib VHS Video Alarm TV Den find free multichannel riches By Berger-Braithwaite Labs.92 Resolution Resolved buried in movie soundtracks. -
Service Organisations and Sexual Diversity: Sensory Impairment, Subcultures and Representation
Service Organisations and Sexual Diversity: Sensory Impairment, Subcultures and Representation Author Abrahams, Warwick Ashkey Published 2012 Thesis Type Thesis (PhD Doctorate) School School of Human Services and Social Work DOI https://doi.org/10.25904/1912/3819 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367772 Griffith Research Online https://research-repository.griffith.edu.au Service Organisations and Sexual Diversity: Sensory Impairment, Subcultures and Representation Warwick Ashley Abrahams BA (Hons) University of Queensland Grad Cert (Philanthropy & NpSt) Queensland University of Technology School of Human Services and Social Work Griffith Health Griffith University Submitted in fulfillment of the requirements of the Degree of Doctor of Philosophy June 2010 TABLE OF CONTENTS Chapters of the thesis…………………………………………………..i Synopsis...............................................................................iv Keywords.............................................................................iv Declaration...........................................................................v Acknowledgement................................................................vi Terminology........................................................................vii Syntax……….........................................................................xii Tables 1. Responses from blind persons........................26 2. Responses from d/Deaf persons.....................27 -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
Sanitizing the Seventies Pornography, Home Video, and the Editing of Sexual Memory
WHITNEY STRUB Sanitizing the Seventies Pornography, Home Video, and the Editing of Sexual Memory ABSTRACT During the 1980s US feminist sex wars, pornography edited its own history, leav- ing a distorted record both less problematic and less queer than scholars have yet recognized. Academic inquiry into pornography coincided with home-video boom years, and research often took place in adult backrooms, necessarily because pornography was so poorly archived. Yet even as access has shifted from VHS to digital, the field has yet to reckon with how its interpre- tive frameworks were shaped by a material history in which the films that scholars watched were often altered from the versions patrons had seen in theaters. Gone from both straight and gay films were many transgressive sex acts that had frequently been staples of the genre, affecting the perceived oeuvre of nearly every hardcore filmmaker of the era. This article recov- ers the lost history of sexual media editing, arguing for a more carefully historicized interro- gation of the commercial sources of our porn archives. KEYWORDS censorship, home video, new video studies, pornography, sex wars At the height of the s feminist sex wars, pornography edited its own history. Few noticed and no official archives recorded or preserved this change, but the interpretive stakes were, and remain, high. Scenes disappeared, and with them the social meanings of texts, resulting in a disconnect between embodied histori- cal experiences and the later textual interpretations of those works. The pornog- raphy industry sanitized its s iterations, leaving a distorted record that narrowed the scope of its erotic imaginary in ways that left it both less misogy- nistic and less expansive, a triumph of the banal and the genital that necessitates intervention, since the “porno chic” that scholars have inherited is in large part an industrial memory production of the sands, as pornography’shis- tory was quietly disciplined and revised over the course of its various platform adaptations. -
A Content Analysis of Pornographic Feature Films, 1972-1985
University of Pennsylvania ScholarlyCommons Dissertations (ASC) Annenberg School for Communication 1987 Power, Pain, and Pleasure in Pornography: A Content Analysis of Pornographic Feature Films, 1972-1985 Stephen Robert Prince University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/dissertations_asc Part of the Film and Media Studies Commons, Mass Communication Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Prince, Stephen Robert, "Power, Pain, and Pleasure in Pornography: A Content Analysis of Pornographic Feature Films, 1972-1985" (1987). Dissertations (ASC). 4. https://repository.upenn.edu/dissertations_asc/4 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/dissertations_asc/4 For more information, please contact [email protected]. Power, Pain, and Pleasure in Pornography: A Content Analysis of Pornographic Feature Films, 1972-1985 Abstract Within the last decade, a view has emerged in governmental publications, the popular press, and research conducted in the fields of communications and film studies whichegar r ds pornography as being typified by material which is violent or which exhibits unequal relations of power between the sexes. This dissertation employs content analysis to investigate the portrayal of male and female characters and relationships in pornographic films. The investigation empirically operationalizes certain broadly defined concepts that are often used in conjunction with pornography, concepts of unequal power relations and of the subordination or de-humanization of characters. Specifically, certain observable components of unequal power relations have been postulated and investigated throughout the range of films sampled. In addition, communication patterns, demonstrations of affection and of sexual pleasure are analyzed, as well as rates of violent and abusive behavior. -
The Legend of Henry Paris
When a writer The goes in search of Legend the great of auteur of the golden age of porn, she gets more than she bargained for Henry paris BY TONI BENTLEY Photography by Marius Bugge 108 109 What’s next? The fourth title that kept showing up on best-of lists of the golden age was The Opening of Misty Beethoven by Henry Paris. Who? Searching my favorite porn site, Amazon.com, I found that this 1975 film was just rereleased in 2012 on DVD with all the bells and whistles of a Criterion Collection Citizen Kane reissue: two discs (re- mastered, digitized, uncut, high- definition transfer) that include AAs a professional ballerina, I barely director’s commentary, outtakes, finished high school, so my sense of intakes, original trailer, taglines inadequacy in all subjects but classi- and a 45-minute documentary cal ballet remains adequately high. on the making of the film; plus a In the years since I became a writer, magnet, flyers, postcards and a my curiosity has roamed from clas- 60-page booklet of liner notes. sic literature to sexual literature to classic sexual literature. When Misty arrived in my mailbox days later, I placed the disc A few months ago, I decided to take a much-needed break in my DVD player with considerable skepticism, but a girl has to from toiling over my never-to-be-finished study of Proust, pursue her education despite risks. I pressed play. Revelation. Tolstoy and Elmore Leonard to bone up on one of our most interesting cultural phenomena: pornography. -
Appendix 1: Selected Films
Appendix 1: Selected Films The very random selection of films in this appendix may appear to be arbitrary, but it is an attempt to suggest, from a varied collection of titles not otherwise fully covered in this volume, that approaches to the treatment of sex in the cinema can represent a broad church indeed. Not all the films listed below are accomplished – and some are frankly maladroit – but they all have areas of interest in the ways in which they utilise some form of erotic expression. Barbarella (1968, directed by Roger Vadim) This French/Italian adaptation of the witty and transgressive science fiction comic strip embraces its own trash ethos with gusto, and creates an eccentric, utterly arti- ficial world for its foolhardy female astronaut, who Jane Fonda plays as basically a female Candide in space. The film is full of off- kilter sexuality, such as the evil Black Queen played by Anita Pallenberg as a predatory lesbian, while the opening scene features a space- suited figure stripping in zero gravity under the credits to reveal a naked Jane Fonda. Her peekaboo outfits in the film are cleverly designed, but belong firmly to the actress’s pre- feminist persona – although it might be argued that Barbarella herself, rather than being the sexual plaything for men one might imagine, in fact uses men to grant herself sexual gratification. The Blood Rose/La Rose Écorchée (aka Ravaged, 1970, directed by Claude Mulot) The delirious The Blood Rose was trumpeted as ‘The First Sex Horror Film Ever Made’. In its uncut European version, Claude Mulot’s film begins very much like an arthouse movie of the kind made by such directors as Alain Resnais: unortho- dox editing and tricks with time and the film’s chronology are used to destabilise the viewer. -
07-Philology.Pdf
ACADEMIC STUDIES IN PHILOLOGY İmtiyaz Sahibi / Publisher • Gece Kitaplığı Genel Yayın Yönetmeni / Editor in Chief • Doç. Dr. Atilla ATİK Proje Koordinatörü / Project Coordinator • B. Pelin TEMANA Editör / Editors • Doç. Dr. Fatma Öztürk DAĞABAKAN Dr. Öğr. Üyesi Hakan AKCA Kapak & İç Tasarım / Cover & Interior Design • Gece Akademi Sosyal Medya / Social Media • Arzu ÇUHACIOĞLU Birinci Basım / First Edition • © EKİM 2018 ISBN • 978-605-288-618-2 © copyright Bu kitabın yayın hakkı Gece Kitaplığı’na aittir. Kaynak gösterilmeden alıntı yapılamaz, izin almadan hiçbir yolla çoğaltılamaz. The right to publish this book belongs to Gece Kitaplığı. Citation can not be shown without the source, reproduced in any way without permission. Gece Kitaplığı / Gece Publishing ABD Adres/ USA Address: 387 Park Avenue South, 5th Floor, New York, 10016, USA Telefon / Phone: +1 347 355 10 70 Türkiye Adres / Turkey Address: Kızılay Mah. Fevzi Çakmak 1. Sokak Ümit Apt. No: 22/A Çankaya / Ankara / TR Telefon / Phone: +90 312 384 80 40 +90 555 888 24 26 web: www.gecekitapligi.com e-mail: [email protected] Baskı & Cilt / Printing & Volume Sertifika / Certificate No: 26649 ACADEMIC STUDIES IN PHILOLOGY CONTENTS CHAPTER 1 IS SWIMMING HOME POSSIBLE? ESCAPISM AND UNMASKING OF ARTIFICIAL LIVES IN DEBORAH LEVY’S SWIMMING HOME Kubilay GEÇİKLİ ............................................................................................................................7 CHAPTER 2 TRADITIONAL CHILDREN’S GAMES:KÜTAHYA EXAMPLE Münire BAYSAN ..........................................................................................................................27 -
Newsletter on Intellectual ,.U Freedom1 Co-Editors: Judith F
newsletter on intellectual ,.u freedom1 Co-editors: Judith F. Krug, Director, and James A. Harvey, Assistant Director, Office for Intellectual Freedom, American Library Association INDEX, VOLUME XXI, 1972 A Montgomery: Library sells "hidden" collection of porno graphic books, 16 ABC. See American Broadcasting Company Alameda County Library, 114 Abernathy, William H. (Judge),47 Alaska Abortion information, 15, 23, 65, 77, 78, 114, 119, 157, 167 Juneau: Reporter barred from unannounced meeting because Abshire, Bobby, 109 he refused to accept conditions for review of his copy, 108 ACA. See American Correctional Association Albini, James, 21 Ace Bookstore, 20 ALERTS. See Associated Library and Educational Research ACLU. See American Civil Liberties Union Team for Survival Acme Drive-In Theater, 158 Alfred A. Knopf, 115, 140 ADF. See American Documentary Films Alice in Wonder land, 46 ADL. See B'nai B'rith, Anti-Defamation League of Aliens in Our Midst, The, 10 Adult Book and Cinema Shop, 85, 163 Allain, Alex P., 126, 138, 141 Adult Bookstore, 168 Allende, Salvador, 62 Adult City News Shop, 109 Allen, George E., Sr., 116 Adult Theater, 42 Alley, John, 118 Advertisements All in the Family, 14 cause protest among newspaper pressmen, 129 AllYou Should Know About Drugs, 17 censored, 27 Alpert, Hollis, 79, 80 refused by student newspaper, 47 Alta Lorna High School, 97 refused for television, 129 Alternative, The, 91 refused for Alton, Joseph W., Jr., 60 X-rated movies, 76 Alvermann, Hans, 26 rejected by newspaper, 128 American Arbitration Association, -
A Background to Balm in Gilead
A Background to Balm in Gilead: A little bit of information to give you a deeper look at the time, place, and themes in the play 1 | Page Table of Contents Lanford Wilson ............................................................................... Page 3 Balm in Gilead ................................................................................ Page 6 Book of Jeremiah ........................................................................... Page 7 1960s ............................................................................................... Page 9 History of New York City (1946–1977) ........................................ Page 30 Classic ‘New York’: The 1960s .................................................... Page 35 Important Events of the 1960s .................................................... Page 37 Heroin ............................................................................................ Page 46 2 | Page Lanford Wilson (1937- ) American playwright. The following entry provides an overview of Wilson's career through 2003. For further information on his life and works, see CLC, Volumes 7, 14, and 36. INTRODUCTION A prolific writer of experimental and traditional drama, Wilson launched his career at the avant-garde Caffe Cino during the off-off-Broadway movement of the 1960s. He later co-founded the renowned Circle Repertory Company, for which he wrote many of his major works, including the Pulitzer Prize-winning Talley's Folly (1979). Through his dynamic characters, many of whom are misfits of low social -
Naked Came the Stranger - Wikipedia
Naked Came the Stranger - Wikipedia https://en.wikipedia.org/wiki/Naked_Came_the_Stranger Naked Came the Stranger From Wikipedia, the free encyclopedia Naked Came the Stranger is a 1969 novel written as a literary hoax poking fun at the American literary culture of its time. Though credited to "Penelope Ashe", it was in fact written by a group of twenty-four journalists led by Newsday columnist Mike McGrady. McGrady's intention was to write a book that was both deliberately terrible and contained a lot of descriptions of sex, to illustrate the point that popular American literary culture had become mindlessly vulgar. The book fulfilled the authors' expectations and became a bestseller in 1969; they revealed the hoax later that year, further spurring the book's popularity.[1] Contents 1 Hoax 2 Synopsis Cover of reissue of Naked Came the 3 Reception Stranger 4 Further reading 5 See also 6 References 7 External links Hoax Mike McGrady was convinced that popular American literary culture had become so base—with the best-seller lists dominated by the likes of Harold Robbins and Jacqueline Susann—that any book could succeed if enough sex was thrown in. To test his theory, in 1966 McGrady recruited a team of Newsday colleagues (according to Andreas Schroder,[2] nineteen men and five women) to collaborate on a sexually explicit novel with no literary or social value whatsoever. McGrady co-edited the project with his Newsday colleague Harvey Aronson, and among the other collaborators were well-known writers including 1965 Pulitzer Prize winner Gene Goltz, 1970 Pulitzer Prize winner Robert W.