Katalogtexte / Catalog Texts: Than 18 Years

Total Page:16

File Type:pdf, Size:1020Kb

Katalogtexte / Catalog Texts: Than 18 Years Schutzgebühr: 2€ www.pornfilmfestivalberlin.de INHALT 2 CONTENT VORWORT / INTRODUCTION 3 SPIELFILME / FEATURE FILMS ERÖFFNUNGSFILM / OPENING NIGHT 4 ABSCHLUSSFILM / CLOSING NIGHT 5 SPIELFILME / FEATURE FILMS 6 SPIELFILMJURY / FEATURE FILM JURY 12 FILMMAKERS IN FOCUS BUCK ANGEL 13 MOR VITAL 14 GALA VANTING 15 DOKUMENTARFILME / DOCUMENTARIES DOKUMENTARFILME / DOCUMENTARIES 17 DOKUMENTARFILMJURY / JURY DOCUMENTARIES 21 GOLDEN AGE OF PORN 22 SPIELFILME / FEATURE FILMS 24 RETRO RADLEY METZGER 30 RETRO LESBIAN CLASSICS BERLIN + SAN FRANCISCO 34 RETRO WAKEFIELD POOLE 38 PROGRAMMPLAN / TIMETABLE 36 KURZFILME / SHORT FILMS WETTBEWERB KURZFILME / SHORT FILM COMPETITION 42 KURZFILMJURY / SHORT FILM JURY 45 KURZFILMPROGRAMME / SHORT FILM PROGRAM 46 RAHMENPROGRAMM / SUPPORTING PROGRAM SPECIALS 57, 58 BuchprÄsentation / BOOK PRESENTATION 60 DISKUSSION / DISCUSSION 61 WORKSHOPS 62 AUSSTELLUNGEN / EXHIBITIONS 66 PARTYS / PARTIES 68 IMPRESSUM / IMPRINT 70 FILMREGISTER / FILM INDEX 71 Hetero Explizite Sexszenen Filme von Frauen OV = Originalversion Hetero Explicit sex scenes Films made by women Original version Schwul Keine expliziten Sexszenen Sexwork int. OV = OV ohne Dialog Gay Non explicit sex scenes Sexwork No dialogue Lesbisch Fetisch Dokumentation UT = Untertitel Lesbian Fetish Documentaries Subtitles from: THE ENDLESS POSSIBILITY OF SKY, HELLA BROWN, GALA VANTING, THE PRIVATE AFTERNOONS OF PAMELA MANN / Transgender Animation English text S./ p. = Seite Transgender Animation starts here Page aus VORWORT INTRODUCTION 3 Nun ist es also da, das „verflixte sieb- wunderbar unverklemmten Sexualuto- budget, we have always been greatly te Jahr“! Als im Oktober 2006 das ers- pie CHRONIQUES SEXUELLES D’UNE rewarded for all the work that we put te Pornfilmfestival Berlin im Charlot- FAMILLE D’AUJOURD’HUI, über unser into the festival. This year, too, we are tenburger Kant-Kino stattfand – ein vielfältiges Dokumentar-, Kurz- und looking forward to filmmakers from Sprachwitz, der sich leider damals Spielfilmprogramm bis hin zu unseren around the world, partly regulars of wohl nur den anglophonen Gästen er- Filmmakers in Focus, die in diesem many years and good friends of the schlossen hat –, hätte sich wohl keiner Jahr aus den USA, Israel und Australien festival, partly exciting new discove- von uns träumen lassen, wie lange uns den Weg nach Berlin angetreten haben. ries, and to a large and manifold, and dieses damals noch weltweit einzig- Der Abschlussfilm CHERRY schließlich – above all – curious audience! And artige und vielleicht auch ein bisschen wirft einen Blick hinter die Kulissen we’re looking forward to our most am- verrückte Projekt fortan begleiten der US-Pornoindustrie – und ent- bitious project to date: our extensive würde und welche Dynamik es in den Fol- deckt dort, unter Mitwirkung von Hol- film series “Golden Age of Porn” com- gejahren entwickeln sollte. So schwer lywood-Größen wie Heather Graham bines 22 classics from the heydays of die ersten Jahre mitunter auch waren und James Franco, eine weibliche porn cinema. Plus there are numerous – immer wieder hatten wir mit Vor- Emanzipation weit jenseits öder Sün- new productions to discover: from our behalten von FilmemacherInnen und denpfuhl-Klischees. Dass ein solcher opening film, the swinging and wonder- Verleihen zu kämpfen, mit inzwischen Film nun auch an der Peripherie Hol- fully uninhibited sexual utopia CHRO- weitgehend überwundenen Schwellen- lywoods entstehen kann, spricht von NIQUES SEXUELLES D’UNE FAMILLE ängsten schüchterner ZuschauerInnen einem sich zunehmend entspannenden D’AUJOURD’HUI to our manifold docu- oder auch schlichtweg mit unserem gesellschaftlichen Verhältnis zu Sexu- mentary, short film and feature film traditionell knappen Budget –, so sehr alität und Pornografie – eine Entwick- program up to our filmmakers in focus, werden wir doch immer wieder be- lung, an der das Pornfilmfestival Ber- who found their way to Berlin from as lohnt für all die Arbeit, die wir in das lin vielleicht einen kleinen Anteil hat? far away as the USA, Israel, and Aus- Festival investieren. Auch in diesem Ein schöner Gedanke. So here it is, tralia. Our closing film, CHERRY, takes Jahr freuen wir uns wieder auf Filme- the “seven-year itch”! When the first a look behind the scenes of the Ameri- macherInnen aus aller Welt, teils Porn Film Festival started at the Kant can porn industry – where it discovers aus / langjährige Stammgäste und gute cinema in Charlottenburg – alas, only (with the participation of Hollywood from: CABARET DESIRE, BIODILDO, MOVING!, MARASCHINO FreundInnen des Festivals, aufregende our anglophone guests got the pun stars like Heather Graham and James Neuentdeckungen und auf ein so zahl- at the time –, none of us would have Franco) a female emancipation far be- reiches wie vielfältiges und vor allem imagined how long this then unique – yond dull cesspool clichés. The fact neugieriges Publikum. Und auf unser and maybe even a little crazy – project that such a film can nowadays emerge bisher vielleicht anspruchsvollstes would accompany us, or what kind of from the periphery of Hollywood indi- Projekt: in unserer großen Filmreihe dynamics it would develop over the cates an increasing relaxation in socie- zum „Golden Age of Porn“ versammeln following years. As complicated as the ty when it comes to sexuality and porno- wir 22 Klassiker aus der großen Zeit first years might have been at times graphy – a development to which may- der Pornokinos. Zudem gibt es natür- – we repeatedly had to struggle with be the Pornfilmfestival Berlin contrib- lich erneut zahllose aktuelle Produk- hesitations of filmmakers and distri- uted a small share? A lovely thought. tionen zu entdecken: von unserem butors, with some initial shyness of the Jochen Werner Eröffnungsfilm, der freizügigen und audience and with our traditionally low Pornfilmfestival Berlin, Kurator ERÖFFNUNGSFILM 4 OPENING NIGHT CHRONIQUES SEXUELLES D’UNE FAMILLE D’AUJOURD’HUI von / by: Jean-Marc Barr & Pascal Arnold mit / with: Mathias Melloul, VALÉrie MAËS, Eröffnungsfilm Stephan Hersoen, LEÏla Denio u. a. F 2012, 82 min, fr. OV + engl. UT Opening Night Mi. / Wed. 24.10. 21:00 Wie wäre es eigentlich, wenn wir dender, je offener wir mit ihr umge- ohne falsche Scham mit denen, die hen. How would it be if we could wir lieben, über wirklich alles spre- talk to our loved ones about literally chen könnten? Diese Frage stellt sich anything without shame? After her die Psychologin Claire, nachdem ihr son got caught masturbating in school, pubertierender Sohn bei der auf dem psychologist Claire starts a model test Handy mitgefilmten Masturbation in in her own family: prostitution, old- seiner extrem freizügigen Schulklasse age sex, homo-/bisexuality and “sex- erwischt wird, und fortan beginnt sie ting” among teenagers – nothing is mit einem sexualutopischen Modell- condemned. The emphatic statement versuch in der eigenen Familie. Die of this beautiful, sexually open and sechste Regiearbeit des französischen wonderfully unagitated film is: if we Schauspielers Jean-Marc Barr wirft approach sexuality openly, it will bring mit den Themen Sexualität und Familie us so much more joy. potenziell skandalöse Elemente zu- sammen und macht dann etwas völlig Unerwartetes daraus: Prostitution, Sex im Alter, Homo- bzw. Bisexualität, oder auch der immer wieder populis- tisch hysterisierte Trend zum „Sex- ting“ unter Jugendlichen – nichts wird hier verurteilt, die Sexualität ist, so die entschiedene These dieses wun- derschönen, freizügigen und herrlich unaufgeregten Films, umso glückspen- ABSCHLUSSFILM CLOSING NIGHT 5 Die 18-jährige Angelina (Ashley Hin- shaw) flieht vor ihrer runtergekom- menen Familie samt Alkoholikermutt- ter (Lily Taylor) und landet in San Francisco mitten in der Pornobranche. Als neuer Pornostar Cherry macht sie CHERRY bald Karriere und entdeckt dabei sich von / by: Stephen Elliott und ihre Sexualität. Vor allem die mit/with: Ashley Hinshaw, James Franco, Heather Graham, lesbische Pornoregisseurin Margaret Dev Patel, Lili Taylor nimmt die junge Frau unter ihre Fitti- USA 2011, 97 min, engl. OV che und führt sie zum Erfolg. Als sich zwischen beiden eine Romanze ent- So. / Sun. 28.10. 21:15 + 23:30 spinnt, wird sich Angelinas Leben für immer ändern. Stephen Elliott schrieb für seinen Debutfilm zusammen mit Lorelei Lee das Drehbuch, das kennt- nisreich und unvoreingenommen die Abschlussfilm Pornoindustrie beleuchtet – Elliott und Lee waren selber Pornostars, so Closing Night dass die Geschichte auf fundiertem Insiderwissen beruht. Inside ist auch der Drehort, das San Francisco Armo- ry, der größte Sex-Club der Welt. Eighteen-year-old Angelina escapes her white trash background and runs off to San Francisco where she gradu- ally drifts into the porn industry. As the new porn star Cherry she begins to explore her own sexuality and meets a lesbian porn director that will change her life dramatically. Director Stephen Elliott and co-writer Lorelei Lee are both former sex workers and reflect the porn business realistically. SPIELFILME 6 FEATURE FILMS AXEL + PETER ODER TITTEN FÜR ARSCH von / by: Rosa von Praunheim mit / with: Peter Kern, Axel Ranisch D 2012, 70 min, dt. OV + engl. UT So. / Sun. 28.10. 16:45 Lachen und Weinen zugleich bringen. Schauspieler Axel Ranisch wird zu Gast bitterböse selbstironische und entlar- sein. In this satirical fake docu- vende Satire auf schwules Begehren, mentary Berlin filmmaker Rosa von Männerbilder, Gewichtsprobleme und Praunheim puts the encounter of two Sexsucht. Im stressigen Miteinander
Recommended publications
  • 1 COMMONWEALTH of PENNSYLVANIA HOUSE of REPRESENTATIVES COMMITTEE on JUDICIARY Ouse Bill 1141
    1 COMMONWEALTH OF PENNSYLVANIA HOUSE OF REPRESENTATIVES COMMITTEE ON JUDICIARY ouse Bill 1141 * * * * * Stenographic report of hearing held in Majority Caucus Room, Main Capitol Building, Harrisburg, Pennsylvania Friday, April 28, 1989 10:00 a.m. THOMAS CALTAGIRONE, CHAIRMAN MEMBERS OF COMMITTEE ON JUDICIARY ry Birmelin Hon. Christopher K. McNally hard Hayden Hon. Nicholas B. Moehlmann id W. Heckler Hon. Robert D. Reber ard A. Kosinski sent: antz. Executive Director lley, Minority Counsel Reported by: Ann-Marie P. Sweeney, Reporter ANN-MARIE P. SWEENEY 536 Orrs Bridge Road Camp Hill, PA 17011 2 INDEX PAGE gner, Southeast Regional Dir., 3 Ivamans vs. Pornography st. Esquire, United States Attorney 57 eters, Esquire, Legal Counsel, 74 al Obscenity Law Center wn, Southeast Coordinator, 78 Ivamans vs. Pornography Viglietta, Director, Justice and 96 Department, Pennsylvania Catholic ence 3 CHAIRMAN CALTAGIRONE: We'll start the ngs. Members will be coming in. We do have some Df the Judiciary Committee present - Jerry , Dob Reber, Chris McNally, and the staff a Director, Dave Krantz. There will be others L be coming in as the proceedings go on today. I'd like to introduce myself. I'm State bative Tom Caltagirone, chairman of the House f Committee. Today's hearing is on House Bill 'd like to welcome everybody that's in attendance ay, and I'd like to call as our first witness jner, who is the Southeast Regional Director of 3ylvanians vs. Pornography. Frank. MR. WAGNER: Mr. Chairman and members of the f Committee, I'm here today to testify on behalf flvanians vs. Pornography. PVP is a congress of nography works located here in the Commonwealth ides some 43 county anti-pornography tions, the Pennsylvania Catholic Conference, ania Council of Churches, Pennsylvamans for Morality, Concerned Women of America, the Eagle nd the Pennsylvania Knights of Columbus.
    [Show full text]
  • New Product Special Full-Sized Tape VHS Camcorder, Super Beta
    Sword and Sandal Sagas The #1 Magazine of Home Vu New Product Special Full-sized Tape VHS Camcorder, Super Beta Heard Anv Grind MnvieQ? BERGER-BRAITHWAITE VIDEOTESTS Sansui VHS Hi-Fi VCR Canon Portable 8mm VCR Canon 8mm Color Camera Bib VHS Video Alarm £ ^eX Vietnam V>1 ,‘--^og^onf6«ed ca^*e^ iSi*'"*'*'" i MGM/UA Home Video, 1350 Ave. of the Americas, New York, NY 10019. ;tna\\-^ettjv . Can they I Available ‘n racked iollo^-np lheW"j“’‘^,Svd«‘ron^ D»e?Xe‘»yirien<i'*tt’e i raiders fi^rroitK.FiM«'lessiv into* t$s*#** sssi^SS*- %£03(2£$2* S&tS* April 1985 Contents Volume IX, Number 1 Features Program Guide Columns The Greatest Stories Ever Told News & Views Channel One Our critic makes a selective By Ken Winslow.43 The Digital Class.6 survey of ‘the epic, ’ the film Top 10 Fast Forward genre in which too much is enough. Tape & Disc Sales & Rentals.45 Dr. Jekyll & Mr. Sony.8 By Tom Soter.66 Reviews Feedback What's New Film & Video Clips/Quick Takes.46 Who’s the Sucker?.10 We’ll tell you what’s new. Super New Products Beta! Korean VCRs! Camcorders! Directory NEC’s Quadruplets: 2 Beta, 2 VHS.. 14 And accessories are multiplying What’s New on Tape & Disc.57 like Rabbits (which is the name Fine Tuning of one of ’em). Yes, we have seen The Proper Dub the future of video—or at least Videotests By Roderick Woodcock.26 this year’s version of it. Videogram Sansui SV-R9900HF VHS Hi-Fi VCR By Richard Jaccoma.70 Flying Blind? Canon VR-E10 Portable 8mm VCR By William Wolfe.30 Found Sound Canon VC-200A 8mm Color Camera Those who take the trouble can Bib VHS Video Alarm TV Den find free multichannel riches By Berger-Braithwaite Labs.92 Resolution Resolved buried in movie soundtracks.
    [Show full text]
  • Service Organisations and Sexual Diversity: Sensory Impairment, Subcultures and Representation
    Service Organisations and Sexual Diversity: Sensory Impairment, Subcultures and Representation Author Abrahams, Warwick Ashkey Published 2012 Thesis Type Thesis (PhD Doctorate) School School of Human Services and Social Work DOI https://doi.org/10.25904/1912/3819 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367772 Griffith Research Online https://research-repository.griffith.edu.au Service Organisations and Sexual Diversity: Sensory Impairment, Subcultures and Representation Warwick Ashley Abrahams BA (Hons) University of Queensland Grad Cert (Philanthropy & NpSt) Queensland University of Technology School of Human Services and Social Work Griffith Health Griffith University Submitted in fulfillment of the requirements of the Degree of Doctor of Philosophy June 2010 TABLE OF CONTENTS Chapters of the thesis…………………………………………………..i Synopsis...............................................................................iv Keywords.............................................................................iv Declaration...........................................................................v Acknowledgement................................................................vi Terminology........................................................................vii Syntax……….........................................................................xii Tables 1. Responses from blind persons........................26 2. Responses from d/Deaf persons.....................27
    [Show full text]
  • Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
    JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero.
    [Show full text]
  • Sanitizing the Seventies Pornography, Home Video, and the Editing of Sexual Memory
    WHITNEY STRUB Sanitizing the Seventies Pornography, Home Video, and the Editing of Sexual Memory ABSTRACT During the 1980s US feminist sex wars, pornography edited its own history, leav- ing a distorted record both less problematic and less queer than scholars have yet recognized. Academic inquiry into pornography coincided with home-video boom years, and research often took place in adult backrooms, necessarily because pornography was so poorly archived. Yet even as access has shifted from VHS to digital, the field has yet to reckon with how its interpre- tive frameworks were shaped by a material history in which the films that scholars watched were often altered from the versions patrons had seen in theaters. Gone from both straight and gay films were many transgressive sex acts that had frequently been staples of the genre, affecting the perceived oeuvre of nearly every hardcore filmmaker of the era. This article recov- ers the lost history of sexual media editing, arguing for a more carefully historicized interro- gation of the commercial sources of our porn archives. KEYWORDS censorship, home video, new video studies, pornography, sex wars At the height of the s feminist sex wars, pornography edited its own history. Few noticed and no official archives recorded or preserved this change, but the interpretive stakes were, and remain, high. Scenes disappeared, and with them the social meanings of texts, resulting in a disconnect between embodied histori- cal experiences and the later textual interpretations of those works. The pornog- raphy industry sanitized its s iterations, leaving a distorted record that narrowed the scope of its erotic imaginary in ways that left it both less misogy- nistic and less expansive, a triumph of the banal and the genital that necessitates intervention, since the “porno chic” that scholars have inherited is in large part an industrial memory production of the sands, as pornography’shis- tory was quietly disciplined and revised over the course of its various platform adaptations.
    [Show full text]
  • A Content Analysis of Pornographic Feature Films, 1972-1985
    University of Pennsylvania ScholarlyCommons Dissertations (ASC) Annenberg School for Communication 1987 Power, Pain, and Pleasure in Pornography: A Content Analysis of Pornographic Feature Films, 1972-1985 Stephen Robert Prince University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/dissertations_asc Part of the Film and Media Studies Commons, Mass Communication Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Prince, Stephen Robert, "Power, Pain, and Pleasure in Pornography: A Content Analysis of Pornographic Feature Films, 1972-1985" (1987). Dissertations (ASC). 4. https://repository.upenn.edu/dissertations_asc/4 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/dissertations_asc/4 For more information, please contact [email protected]. Power, Pain, and Pleasure in Pornography: A Content Analysis of Pornographic Feature Films, 1972-1985 Abstract Within the last decade, a view has emerged in governmental publications, the popular press, and research conducted in the fields of communications and film studies whichegar r ds pornography as being typified by material which is violent or which exhibits unequal relations of power between the sexes. This dissertation employs content analysis to investigate the portrayal of male and female characters and relationships in pornographic films. The investigation empirically operationalizes certain broadly defined concepts that are often used in conjunction with pornography, concepts of unequal power relations and of the subordination or de-humanization of characters. Specifically, certain observable components of unequal power relations have been postulated and investigated throughout the range of films sampled. In addition, communication patterns, demonstrations of affection and of sexual pleasure are analyzed, as well as rates of violent and abusive behavior.
    [Show full text]
  • The Legend of Henry Paris
    When a writer The goes in search of Legend the great of auteur of the golden age of porn, she gets more than she bargained for Henry paris BY TONI BENTLEY Photography by Marius Bugge 108 109 What’s next? The fourth title that kept showing up on best-of lists of the golden age was The Opening of Misty Beethoven by Henry Paris. Who? Searching my favorite porn site, Amazon.com, I found that this 1975 film was just rereleased in 2012 on DVD with all the bells and whistles of a Criterion Collection Citizen Kane reissue: two discs (re- mastered, digitized, uncut, high- definition transfer) that include AAs a professional ballerina, I barely director’s commentary, outtakes, finished high school, so my sense of intakes, original trailer, taglines inadequacy in all subjects but classi- and a 45-minute documentary cal ballet remains adequately high. on the making of the film; plus a In the years since I became a writer, magnet, flyers, postcards and a my curiosity has roamed from clas- 60-page booklet of liner notes. sic literature to sexual literature to classic sexual literature. When Misty arrived in my mailbox days later, I placed the disc A few months ago, I decided to take a much-needed break in my DVD player with considerable skepticism, but a girl has to from toiling over my never-to-be-finished study of Proust, pursue her education despite risks. I pressed play. Revelation. Tolstoy and Elmore Leonard to bone up on one of our most interesting cultural phenomena: pornography.
    [Show full text]
  • Appendix 1: Selected Films
    Appendix 1: Selected Films The very random selection of films in this appendix may appear to be arbitrary, but it is an attempt to suggest, from a varied collection of titles not otherwise fully covered in this volume, that approaches to the treatment of sex in the cinema can represent a broad church indeed. Not all the films listed below are accomplished – and some are frankly maladroit – but they all have areas of interest in the ways in which they utilise some form of erotic expression. Barbarella (1968, directed by Roger Vadim) This French/Italian adaptation of the witty and transgressive science fiction comic strip embraces its own trash ethos with gusto, and creates an eccentric, utterly arti- ficial world for its foolhardy female astronaut, who Jane Fonda plays as basically a female Candide in space. The film is full of off- kilter sexuality, such as the evil Black Queen played by Anita Pallenberg as a predatory lesbian, while the opening scene features a space- suited figure stripping in zero gravity under the credits to reveal a naked Jane Fonda. Her peekaboo outfits in the film are cleverly designed, but belong firmly to the actress’s pre- feminist persona – although it might be argued that Barbarella herself, rather than being the sexual plaything for men one might imagine, in fact uses men to grant herself sexual gratification. The Blood Rose/La Rose Écorchée (aka Ravaged, 1970, directed by Claude Mulot) The delirious The Blood Rose was trumpeted as ‘The First Sex Horror Film Ever Made’. In its uncut European version, Claude Mulot’s film begins very much like an arthouse movie of the kind made by such directors as Alain Resnais: unortho- dox editing and tricks with time and the film’s chronology are used to destabilise the viewer.
    [Show full text]
  • 07-Philology.Pdf
    ACADEMIC STUDIES IN PHILOLOGY İmtiyaz Sahibi / Publisher • Gece Kitaplığı Genel Yayın Yönetmeni / Editor in Chief • Doç. Dr. Atilla ATİK Proje Koordinatörü / Project Coordinator • B. Pelin TEMANA Editör / Editors • Doç. Dr. Fatma Öztürk DAĞABAKAN Dr. Öğr. Üyesi Hakan AKCA Kapak & İç Tasarım / Cover & Interior Design • Gece Akademi Sosyal Medya / Social Media • Arzu ÇUHACIOĞLU Birinci Basım / First Edition • © EKİM 2018 ISBN • 978-605-288-618-2 © copyright Bu kitabın yayın hakkı Gece Kitaplığı’na aittir. Kaynak gösterilmeden alıntı yapılamaz, izin almadan hiçbir yolla çoğaltılamaz. The right to publish this book belongs to Gece Kitaplığı. Citation can not be shown without the source, reproduced in any way without permission. Gece Kitaplığı / Gece Publishing ABD Adres/ USA Address: 387 Park Avenue South, 5th Floor, New York, 10016, USA Telefon / Phone: +1 347 355 10 70 Türkiye Adres / Turkey Address: Kızılay Mah. Fevzi Çakmak 1. Sokak Ümit Apt. No: 22/A Çankaya / Ankara / TR Telefon / Phone: +90 312 384 80 40 +90 555 888 24 26 web: www.gecekitapligi.com e-mail: [email protected] Baskı & Cilt / Printing & Volume Sertifika / Certificate No: 26649 ACADEMIC STUDIES IN PHILOLOGY CONTENTS CHAPTER 1 IS SWIMMING HOME POSSIBLE? ESCAPISM AND UNMASKING OF ARTIFICIAL LIVES IN DEBORAH LEVY’S SWIMMING HOME Kubilay GEÇİKLİ ............................................................................................................................7 CHAPTER 2 TRADITIONAL CHILDREN’S GAMES:KÜTAHYA EXAMPLE Münire BAYSAN ..........................................................................................................................27
    [Show full text]
  • Newsletter on Intellectual ,.U Freedom1 Co-Editors: Judith F
    newsletter on intellectual ,.u freedom1 Co-editors: Judith F. Krug, Director, and James A. Harvey, Assistant Director, Office for Intellectual Freedom, American Library Association INDEX, VOLUME XXI, 1972 A Montgomery: Library sells "hidden" collection of porno­ graphic books, 16 ABC. See American Broadcasting Company Alameda County Library, 114 Abernathy, William H. (Judge),47 Alaska Abortion information, 15, 23, 65, 77, 78, 114, 119, 157, 167 Juneau: Reporter barred from unannounced meeting because Abshire, Bobby, 109 he refused to accept conditions for review of his copy, 108 ACA. See American Correctional Association Albini, James, 21 Ace Bookstore, 20 ALERTS. See Associated Library and Educational Research ACLU. See American Civil Liberties Union Team for Survival Acme Drive-In Theater, 158 Alfred A. Knopf, 115, 140 ADF. See American Documentary Films Alice in Wonder land, 46 ADL. See B'nai B'rith, Anti-Defamation League of Aliens in Our Midst, The, 10 Adult Book and Cinema Shop, 85, 163 Allain, Alex P., 126, 138, 141 Adult Bookstore, 168 Allende, Salvador, 62 Adult City News Shop, 109 Allen, George E., Sr., 116 Adult Theater, 42 Alley, John, 118 Advertisements All in the Family, 14 cause protest among newspaper pressmen, 129 AllYou Should Know About Drugs, 17 censored, 27 Alpert, Hollis, 79, 80 refused by student newspaper, 47 Alta Lorna High School, 97 refused for television, 129 Alternative, The, 91 refused for Alton, Joseph W., Jr., 60 X-rated movies, 76 Alvermann, Hans, 26 rejected by newspaper, 128 American Arbitration Association,
    [Show full text]
  • A Background to Balm in Gilead
    A Background to Balm in Gilead: A little bit of information to give you a deeper look at the time, place, and themes in the play 1 | Page Table of Contents Lanford Wilson ............................................................................... Page 3 Balm in Gilead ................................................................................ Page 6 Book of Jeremiah ........................................................................... Page 7 1960s ............................................................................................... Page 9 History of New York City (1946–1977) ........................................ Page 30 Classic ‘New York’: The 1960s .................................................... Page 35 Important Events of the 1960s .................................................... Page 37 Heroin ............................................................................................ Page 46 2 | Page Lanford Wilson (1937- ) American playwright. The following entry provides an overview of Wilson's career through 2003. For further information on his life and works, see CLC, Volumes 7, 14, and 36. INTRODUCTION A prolific writer of experimental and traditional drama, Wilson launched his career at the avant-garde Caffe Cino during the off-off-Broadway movement of the 1960s. He later co-founded the renowned Circle Repertory Company, for which he wrote many of his major works, including the Pulitzer Prize-winning Talley's Folly (1979). Through his dynamic characters, many of whom are misfits of low social
    [Show full text]
  • Naked Came the Stranger - Wikipedia
    Naked Came the Stranger - Wikipedia https://en.wikipedia.org/wiki/Naked_Came_the_Stranger Naked Came the Stranger From Wikipedia, the free encyclopedia Naked Came the Stranger is a 1969 novel written as a literary hoax poking fun at the American literary culture of its time. Though credited to "Penelope Ashe", it was in fact written by a group of twenty-four journalists led by Newsday columnist Mike McGrady. McGrady's intention was to write a book that was both deliberately terrible and contained a lot of descriptions of sex, to illustrate the point that popular American literary culture had become mindlessly vulgar. The book fulfilled the authors' expectations and became a bestseller in 1969; they revealed the hoax later that year, further spurring the book's popularity.[1] Contents 1 Hoax 2 Synopsis Cover of reissue of Naked Came the 3 Reception Stranger 4 Further reading 5 See also 6 References 7 External links Hoax Mike McGrady was convinced that popular American literary culture had become so base—with the best-seller lists dominated by the likes of Harold Robbins and Jacqueline Susann—that any book could succeed if enough sex was thrown in. To test his theory, in 1966 McGrady recruited a team of Newsday colleagues (according to Andreas Schroder,[2] nineteen men and five women) to collaborate on a sexually explicit novel with no literary or social value whatsoever. McGrady co-edited the project with his Newsday colleague Harvey Aronson, and among the other collaborators were well-known writers including 1965 Pulitzer Prize winner Gene Goltz, 1970 Pulitzer Prize winner Robert W.
    [Show full text]