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The Legend of Henry Paris
When a writer The goes in search of Legend the great of auteur of the golden age of porn, she gets more than she bargained for Henry paris BY TONI BENTLEY Photography by Marius Bugge 108 109 What’s next? The fourth title that kept showing up on best-of lists of the golden age was The Opening of Misty Beethoven by Henry Paris. Who? Searching my favorite porn site, Amazon.com, I found that this 1975 film was just rereleased in 2012 on DVD with all the bells and whistles of a Criterion Collection Citizen Kane reissue: two discs (re- mastered, digitized, uncut, high- definition transfer) that include AAs a professional ballerina, I barely director’s commentary, outtakes, finished high school, so my sense of intakes, original trailer, taglines inadequacy in all subjects but classi- and a 45-minute documentary cal ballet remains adequately high. on the making of the film; plus a In the years since I became a writer, magnet, flyers, postcards and a my curiosity has roamed from clas- 60-page booklet of liner notes. sic literature to sexual literature to classic sexual literature. When Misty arrived in my mailbox days later, I placed the disc A few months ago, I decided to take a much-needed break in my DVD player with considerable skepticism, but a girl has to from toiling over my never-to-be-finished study of Proust, pursue her education despite risks. I pressed play. Revelation. Tolstoy and Elmore Leonard to bone up on one of our most interesting cultural phenomena: pornography. -
Appendix 1: Selected Films
Appendix 1: Selected Films The very random selection of films in this appendix may appear to be arbitrary, but it is an attempt to suggest, from a varied collection of titles not otherwise fully covered in this volume, that approaches to the treatment of sex in the cinema can represent a broad church indeed. Not all the films listed below are accomplished – and some are frankly maladroit – but they all have areas of interest in the ways in which they utilise some form of erotic expression. Barbarella (1968, directed by Roger Vadim) This French/Italian adaptation of the witty and transgressive science fiction comic strip embraces its own trash ethos with gusto, and creates an eccentric, utterly arti- ficial world for its foolhardy female astronaut, who Jane Fonda plays as basically a female Candide in space. The film is full of off- kilter sexuality, such as the evil Black Queen played by Anita Pallenberg as a predatory lesbian, while the opening scene features a space- suited figure stripping in zero gravity under the credits to reveal a naked Jane Fonda. Her peekaboo outfits in the film are cleverly designed, but belong firmly to the actress’s pre- feminist persona – although it might be argued that Barbarella herself, rather than being the sexual plaything for men one might imagine, in fact uses men to grant herself sexual gratification. The Blood Rose/La Rose Écorchée (aka Ravaged, 1970, directed by Claude Mulot) The delirious The Blood Rose was trumpeted as ‘The First Sex Horror Film Ever Made’. In its uncut European version, Claude Mulot’s film begins very much like an arthouse movie of the kind made by such directors as Alain Resnais: unortho- dox editing and tricks with time and the film’s chronology are used to destabilise the viewer. -
Newsletter on Intellectual ,.U Freedom1 Co-Editors: Judith F
newsletter on intellectual ,.u freedom1 Co-editors: Judith F. Krug, Director, and James A. Harvey, Assistant Director, Office for Intellectual Freedom, American Library Association INDEX, VOLUME XXI, 1972 A Montgomery: Library sells "hidden" collection of porno graphic books, 16 ABC. See American Broadcasting Company Alameda County Library, 114 Abernathy, William H. (Judge),47 Alaska Abortion information, 15, 23, 65, 77, 78, 114, 119, 157, 167 Juneau: Reporter barred from unannounced meeting because Abshire, Bobby, 109 he refused to accept conditions for review of his copy, 108 ACA. See American Correctional Association Albini, James, 21 Ace Bookstore, 20 ALERTS. See Associated Library and Educational Research ACLU. See American Civil Liberties Union Team for Survival Acme Drive-In Theater, 158 Alfred A. Knopf, 115, 140 ADF. See American Documentary Films Alice in Wonder land, 46 ADL. See B'nai B'rith, Anti-Defamation League of Aliens in Our Midst, The, 10 Adult Book and Cinema Shop, 85, 163 Allain, Alex P., 126, 138, 141 Adult Bookstore, 168 Allende, Salvador, 62 Adult City News Shop, 109 Allen, George E., Sr., 116 Adult Theater, 42 Alley, John, 118 Advertisements All in the Family, 14 cause protest among newspaper pressmen, 129 AllYou Should Know About Drugs, 17 censored, 27 Alpert, Hollis, 79, 80 refused by student newspaper, 47 Alta Lorna High School, 97 refused for television, 129 Alternative, The, 91 refused for Alton, Joseph W., Jr., 60 X-rated movies, 76 Alvermann, Hans, 26 rejected by newspaper, 128 American Arbitration Association, -
A Background to Balm in Gilead
A Background to Balm in Gilead: A little bit of information to give you a deeper look at the time, place, and themes in the play 1 | Page Table of Contents Lanford Wilson ............................................................................... Page 3 Balm in Gilead ................................................................................ Page 6 Book of Jeremiah ........................................................................... Page 7 1960s ............................................................................................... Page 9 History of New York City (1946–1977) ........................................ Page 30 Classic ‘New York’: The 1960s .................................................... Page 35 Important Events of the 1960s .................................................... Page 37 Heroin ............................................................................................ Page 46 2 | Page Lanford Wilson (1937- ) American playwright. The following entry provides an overview of Wilson's career through 2003. For further information on his life and works, see CLC, Volumes 7, 14, and 36. INTRODUCTION A prolific writer of experimental and traditional drama, Wilson launched his career at the avant-garde Caffe Cino during the off-off-Broadway movement of the 1960s. He later co-founded the renowned Circle Repertory Company, for which he wrote many of his major works, including the Pulitzer Prize-winning Talley's Folly (1979). Through his dynamic characters, many of whom are misfits of low social -
Naked Came the Stranger - Wikipedia
Naked Came the Stranger - Wikipedia https://en.wikipedia.org/wiki/Naked_Came_the_Stranger Naked Came the Stranger From Wikipedia, the free encyclopedia Naked Came the Stranger is a 1969 novel written as a literary hoax poking fun at the American literary culture of its time. Though credited to "Penelope Ashe", it was in fact written by a group of twenty-four journalists led by Newsday columnist Mike McGrady. McGrady's intention was to write a book that was both deliberately terrible and contained a lot of descriptions of sex, to illustrate the point that popular American literary culture had become mindlessly vulgar. The book fulfilled the authors' expectations and became a bestseller in 1969; they revealed the hoax later that year, further spurring the book's popularity.[1] Contents 1 Hoax 2 Synopsis Cover of reissue of Naked Came the 3 Reception Stranger 4 Further reading 5 See also 6 References 7 External links Hoax Mike McGrady was convinced that popular American literary culture had become so base—with the best-seller lists dominated by the likes of Harold Robbins and Jacqueline Susann—that any book could succeed if enough sex was thrown in. To test his theory, in 1966 McGrady recruited a team of Newsday colleagues (according to Andreas Schroder,[2] nineteen men and five women) to collaborate on a sexually explicit novel with no literary or social value whatsoever. McGrady co-edited the project with his Newsday colleague Harvey Aronson, and among the other collaborators were well-known writers including 1965 Pulitzer Prize winner Gene Goltz, 1970 Pulitzer Prize winner Robert W. -
Arcade Publishing | Fall 2018 | 1
ARCADE PUBLISHING Fall 2018 Contact Information Editorial, Publicity, and Bookstore and Library Sales Field Sales Force Special Sales Distribution Elise Cannon Skyhorse Publishing, Inc. Two Rivers Distribution VP, Field Sales 307 West 36th Street, 11th Floor Ingram Content Group LLC One Ingram Boulevard t: 510-809-3730 New York, NY 10018 e: [email protected] t: 212-643-6816 La Vergne, TN 37086 f: 212-643-6819 t: 866-400-5351 e: [email protected] Leslie Jobson e: [email protected] Field Sales Support Manager t: 510-809-3732 e: [email protected] International Sales Representatives United Kingdom, Ireland & Australia, New Zealand & India South Africa Canada Europe Shawn Abraham Peter Hyde Associates Thomas Allen & Son Ltd. General Inquiries: Manager, International Sales PO Box 2856 195 Allstate Parkway Ingram Publisher Services UK Ingram Publisher Services Intl Cape Town, 8000 Markham, ON 5th Floor 1400 Broadway, Suite 520 South Africa L3R 4T8 Canada 52–54 St John Street New York, NY, 10018 t: +27 21 447 5300 t: 800-387-4333 Clerkenwell t: 212-581-7839 f: +27 21 447 1430 f: 800-458-5504 London, EC1M 4HF e: shawn.abraham@ e: [email protected] e: [email protected] e: IPSUK_enquiries@ ingramcontent.com ingramcontent.co.uk India All Other Markets and Australia Penguin Books India Pvt. Ltd. General International Enquiries Ordering Information: NewSouth Books 7th Floor, Infinity Tower C Ingram Publisher Services Intl Grantham Book Services Orders and Distribution DLF Cyber City, Phase - III 1400 Broadway, -
The Writing Issue
LETTERS OF NOTE / HUB CITY’S LITERARY MAVEN / PROFESSOR ERIC WILSON’S ‘SWEET RUSE’ SUMMER 2016 The W riting Issue THE MAGAZINE OF WAKE FOREST UNIVERSITY 38 FEATURES LETTERS OF NOTE: AN ILLUSTRATED TREASURY Compiled by Cherin C. Poovey (P ’08) and Maria Henson (’82) Illustrations by Woodie Anderson Stories — told without a word spoken. Musings — gloriously free of a 140-character limit. Sentiment — expressed sans emoji. Pictures — painted with pens instead of brushes. 2 24 THE LITERARY MAVEN THE WAY OF THE POET OF HUB CITY By Emily Herring Wilson (MA ’62, P ’91, ’93) By Maria Henson (’82) Shy, poor and lonely, alumnus A.R. How Betsy Wakefield Teter (’80) sparked a Ammons arrived at Wake Forest “invisible” celebrated movement to nurture writers and but destined for greatness through the cultivate readers in her hometown. grandeur of words. 14 32 FLASH FICTION REDUX PROFESSOR ERIC G. WILSON’S Wake Forest Magazine had big fun a few QUEST TO CREATE HIS years ago sharing the very, very short stories ‘OWN SWEET RUSE’ professors submitted when our editors gave By Ed Southern (’94) them a creative challenge. “Star Wars” has Eric G. Wilson, the Thomas H. Pritchard had more sequels than space rocks. Why Professor of English, is not himself these days. shouldn’t “Flash Fiction”? 18 10 0 CONSTANT & TRUE WRITERS HALL OF FAME 2016 By Dhonielle Clayton (’05) Five alumni with exemplary careers as How one alumna reclaimed her passion for a journalists and authors were named to the literary life, honoring her childhood memories Wake Forest Writers Hall of Fame at the of reading under her grandmother’s table. -
Katalogtexte / Catalog Texts: Than 18 Years
Schutzgebühr: 2€ www.pornfilmfestivalberlin.de INHALT 2 CONTENT VORWORT / INTRODUCTION 3 SPIELFILME / FEATURE FILMS ERÖFFNUNGSFILM / OPENING NIGHT 4 ABSCHLUSSFILM / CLOSING NIGHT 5 SPIELFILME / FEATURE FILMS 6 SPIELFILMJURY / FEATURE FILM JURY 12 FILMMAKERS IN FOCUS BUCK ANGEL 13 MOR VITAL 14 GALA VANTING 15 DOKUMENTARFILME / DOCUMENTARIES DOKUMENTARFILME / DOCUMENTARIES 17 DOKUMENTARFILMJURY / JURY DOCUMENTARIES 21 GOLDEN AGE OF PORN 22 SPIELFILME / FEATURE FILMS 24 RETRO RADLEY METZGER 30 RETRO LESBIAN CLASSICS BERLIN + SAN FRANCISCO 34 RETRO WAKEFIELD POOLE 38 PROGRAMMPLAN / TIMETABLE 36 KURZFILME / SHORT FILMS WETTBEWERB KURZFILME / SHORT FILM COMPETITION 42 KURZFILMJURY / SHORT FILM JURY 45 KURZFILMPROGRAMME / SHORT FILM PROGRAM 46 RAHMENPROGRAMM / SUPPORTING PROGRAM SPECIALS 57, 58 BuchprÄsentation / BOOK PRESENTATION 60 DISKUSSION / DISCUSSION 61 WORKSHOPS 62 AUSSTELLUNGEN / EXHIBITIONS 66 PARTYS / PARTIES 68 IMPRESSUM / IMPRINT 70 FILMREGISTER / FILM INDEX 71 Hetero Explizite Sexszenen Filme von Frauen OV = Originalversion Hetero Explicit sex scenes Films made by women Original version Schwul Keine expliziten Sexszenen Sexwork int. OV = OV ohne Dialog Gay Non explicit sex scenes Sexwork No dialogue Lesbisch Fetisch Dokumentation UT = Untertitel Lesbian Fetish Documentaries Subtitles from: THE ENDLESS POSSIBILITY OF SKY, HELLA BROWN, GALA VANTING, THE PRIVATE AFTERNOONS OF PAMELA MANN / Transgender Animation English text S./ p. = Seite Transgender Animation starts here Page aus VORWORT INTRODUCTION 3 Nun ist es also da, das „verflixte -
C.L Hitting the Infamous Wall in the Big Apple Begin Faces New Crisis
Ocfr.if c.l Hitting the infamous wall in The Big Apple By CHARLES VACHRIS common goal. After two miles on the bridge, I As I entered the Williamsburg NEW YORK — Enjoy it for as long Then, as I convinced myself I would entered Brooklyn. As I looked around neighborhood at about eight miles, I as you can, and then hang on to finish not start fast, Mayor Ed Koch fired me all I saw was wall to wall people. realized why New York is called the it. the cannon to signal the start of the Some were there to cheer on friends melting pot. At first the streets were That was what I told myself race. As I feared, I was swept up in or relatives in the race, others just to lined with Hasidic Jews, who looked moments before the start of the 1979 the excitement of the race, and cheer on people who they knew could on with puzzled expressions. Only a New York City Marathon last Sun- immediately set a fast pace. use the encouragement. Still others few blocks away the crowd was day. As I crossed the one mile mark, lined the streets just out of curiosity, primarily black and hispanic. But no Apparently I wasn't the only person halfway across the Verrazano-Nar- to see what all the commotion was matter what their race or nationality, intent on finishing, as 11,532 others rows Bridge, I heard 6:01, from a about. they all were willing to cheer or give lined up around me. -
CHAPTER 1: Introduction ………………………………………………………….…1
Copyright By Nancy Leigh Semin 2006 The Dissertation Committee for Nancy Leigh Semin certifies that this is the approved version of the following dissertation: An Examination of Linda Lovelace and her Influence on Feminist Thought and the Pornographic Industry In America Committee: _________________________________________ William Goetzmann, Supervisor _________________________________________ Jeff Meikle, Co-Supervisor __________________________________________ Jan Todd __________________________________________ Janet Staiger __________________________________________ Anthony Hilfer An Examination of Linda Lovelace and her Influence on Feminist Thought and the Pornographic Industry in America by Nancy Leigh Semin, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy University of Texas at Austin August 2006 ACKNOWLEDGEMENTS I owe a debt of gratitude to a great many people who provided support and assistance during the research and writing of this dissertation. The following represents a partial, and by no means complete, mention of those who assisted me over the past four years. Foremost among these are the many people who consented to being interviewed for this project. Many not only gave graciously of their time, they also opened their hearts and their doors, sharing not only stories and recollections of Linda, but kindness, warmth and hospitality. In addition, I thank Mona Card at World of Wonder Production Company, and the staff at both the Rare Books and Manuscripts Collection at Columbia University, UCLA Film and Television Archives in Los Angeles. I would also like to thank the members of my dissertation and orals committee at the University of Texas at Austin: Dr. -
Sex and Film : the Erotic in British, American and World Cinema / Barry Forshaw, Independent Writer and Journalist, UK
Copyrighted material – 978–1–137–39005–9 © Barry Forshaw 2015 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978– 1– 137– 39004– 2 hardback ISBN 978– 1– 137– 39005–9 paperback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. -
Arcade Publishing | Spring 2018 | 1
ARCADE PUBLISHING Spring 2018 Contact Information Editorial, Publicity, and Bookstore and Library Sales Field Sales Force Special Sales Distribution Elise Cannon Skyhorse Publishing, Inc. Two Rivers Distribution VP, Field Sales 307 West 36th Street, 11th Floor Ingram Content Group LLC One Ingram Boulevard t: 510-809-3730 New York, NY 10018 e: [email protected] t: 212-643-6816 La Vergne, TN 37086 f: 212-643-6819 t: 866-400-5351 e: [email protected] Leslie Jobson e: [email protected] Field Sales Support Manager t: 510-809-3732 e: [email protected] International Sales Representatives United Kingdom, Ireland & Australia, New Zealand & India South Africa Canada Europe Shawn Abraham Peter Hyde Associates Thomas Allen & Son Ltd. General Inquiries: Manager, International Sales PO Box 2856 195 Allstate Parkway Ingram Publisher Services UK Ingram Publisher Services Intl Cape Town, 8000 Markham, ON Regus St. Paul’s 1400 Broadway, Suite 520 South Africa L3R 4T8 Canada Room 201c New York, NY, 10018 t: +27 21 447 5300 t: 800-387-4333 St Martins’ House t: 212-581-7839 f: +27 21 447 1430 f: 800-458-5504 16 St Martins’ Le Grand e: shawn.abraham@ e: [email protected] e: [email protected] London, EC1A 4EN ingramcontent.com e: IPSUK_enquiries@ India All Other Markets and ingramcontent.co.uk Australia Penguin Books India Pvt. Ltd. General International Enquiries NewSouth Books 7th Floor, Infinity Tower C Ingram Publisher Services Intl Ordering Information: Orders and Distribution DLF Cyber City, Phase - III 1400