LADY CYNTHIA POSTAN COLLECTION COLLECTION of French and Other 18Th Century Porcelain

E & H MANNERS MAY 2015 E & H MANNERS MAY THE LADY CYNTHIA POSTAN THE LADY CYNTHIA POSTAN COLLECTION THE LADY CYNTHIA POSTAN COLLECTION of French and Other 18th Century Porcelain To be exhibited at E & H MANNERS THE LADY CYNTHIA POSTAN COLLECTION of French and Other 18th Century Porcelain To be exhibited for sale at E & H MANNERS 66C KENSINGTON CHURCH STREET LONDON W8 4BY 21st to 29th May 2015 [email protected] www.europeanporcelain.com 020 7229 5516 a warm Francophile – including attachment to her applied to her specialisation in Sèvres, Vincennes, Parisian sister- and brother-in-law, and Munia’s Chantilly and Saint Cloud. close academic links with France. It has also given her pure pleasure – in the objects Although she started collecting earlier, their themselves, displayed in her homes in Cambridge; in year in Paris in 1961–62, when Munia was at the the period and world which they originally inhabited; Sorbonne, gave her a heaven-sent opportunity to and in the community of her fellow-enthusiasts immerse herself even further in the world of the - collectors, museum curators and dealers alike porcelain of the French eighteenth century. A wide - in which she loved to play her part. The French circle of French friends, including distinguished Porcelain Society is its formal embodiment, and it academic historians, some of whose works she would be wrong to exclude names from the list of later translated for publication, shared her high her friends and mentors, but among them Dame cultural values. Rosalind Savill, the late Ian Lowe, Errol Manners, Despite the eclecticism of her wider collecting Robert Williams and Adrian Sassoon stand out habits for over more than half a century, this in my memory at least. Those not mentioned will intellectual and historical bent, combined with her forgive me, Cynthia knows who they are. appreciation of painted decoration and of form, shows through strongly in the high standards she Basil Postan, March 2015 ur mother is a natural collector. In the learned as children were to accompany them into Orecognition of the spirit of the maker of numerous junk shops where their acute gaze could an object, and of the time of its making, her see past the dust and ginger jars. We observed the understanding has been schooled by the acts of guile needed to feign disinterest in a trophy spotted acquisition and ownership themselves, in both of in the corners of Ironbridge, Lutterworth or Shifnal which she has become a past mistress. - as useful in my then specialisation in miniature Her collections are a demonstration of her intuition brass cannons as in Sung celadon or pieces of of the phenomenon of taste. They show a range and Chantilly. Later, she was equally at home at auction diversity that transcend the traditional view of the or in the showrooms of the major specialist dealers. English. Her other great passion - flowering shrubs, When she met our father on government service Lady Cynthia Keppel in 1945 at the time of her marriage to M.M. Postan in particular rhododendrons and azaleas, might during the War, she found herself in a world that could be thought no more than simply appropriate for a never have been entered by a young debutante in the woman of her class and age, but her deeper insight previous generation, in which her ability to understand, was demonstrated by her terraced garden in North record and classify was accepted and recognised as the Wales, and by her book The Rhododendron Story tool essential to the value of knowledge. As her later orn in 1918 into the noble Keppel family, Munia’s important collection of early Chinese published by the Royal Horticultural Society, which work on the early history of the jet propulsion industry, BCynthia Postan’s age and background deprived ceramics was inspired by these criteria, as is hers in granted her its prestigious Loder Award. as an historical editor and as a translator clearly show, her of the opportunity of higher education, but in European soft-paste porcelain. His sale catalogue Apart from her explorations into French soft- these powers come naturally to her. no way inhibited her inborn love of and talent for in 1972 described them both as “collectors of the paste and early porcelain, there are collections of But files, catalogues or records have never swayed learning and scholarship. This found its happy sort that, in taste and erudition, has made England a Japanese netsuke, Ashanti gold weights, English her sense of perspective. She ruefully acknowledges fulfillment in her marriage to M. M. Postan – known major centre for private collections.” furniture, Indian bronzes and Asian sculpture. Her the risk of too assiduous noting and obsessive widely as Munia, later more formally as Sir Michael Cynthia’s collecting had some crossover with knowledge and eye also extended to 20th century ‘scholarship’ by recounting the day when, helping a - Professor of Economic History at Cambridge. It his, for example in the influence of Japanese British art, spurred by the modernist taste of our friend, the Mistress of Newnham, to move from her first involved her closely with his academic work, Kakiemon. But she set her own agenda, and her father and by her interest in my work as a some-time rooms at College, she came across a shoe box, neatly and later flowered in a shared passion for collecting, taste has a particularly French character. She retains art dealer and gallerist. numbered and annotated with the apocryphal legend: over an astonishingly wide spectrum, but always fond memories of French pieces in the collection In turn, our parents’ schooling and dissemination “Little bits of string, too short to be of any use.” informed by intellect, curiosity, scholarship and of her maternal grandfather, the Marquess of of the value of judgment prepared the ground for my high aesthetic standards. Lincolnshire, and she had natural reasons for being brother and I in our later lives. Among early lessons Alexander Postan, March 2015 Lady Cynthia Postan in her home in Cambridge in 2010 he Lady Cynthia Postan, daughter of the the influence was Japan and its inimitable Kakiemon T9th Earl of Albermarle, was a familiar figure porcelains which were so avidly collected in Europe to the ceramic world over many years, a regular in the early decades of the 18th century. visitor to London dealers, The Ceramic Fair The collection falls largely into two parts: the and French Porcelain Society events. A few with Kakiemon-inspired porcelains of Chantilly and longer memories might also recall her visits to the the early wares of the French Royal factory of dealers on the Rive Gauche in Paris in the 1950s Vincennes-Sèvres along with some related examples and 60s. Their first major collection, formed by from Saint Cloud and Meissen. her husband the Cambridge economic historian Lady Cynthia was fortunate in being able to Sir Michael Postan, was of early Chinese ceramics acquire a number of important and unique pieces and focused particularly on the monochrome but, in the spirit of a true collector, she also took wares of the Song Dynasty; the collection was delight in the less rarefied discoveries, sometimes exhibited and sold by Bluett and Sons Ltd in minor or damaged pieces that were still beautiful or November 1972. deepened her understanding of the subject. This early interest in Asian ceramics perhaps inspired her second ceramic collection but this time Errol & Henriette Manners Chantilly The factory of Chantilly was established by Ciquaire Cirou around 1730 under the patronage of Louis-Henri de Bourbon, the Prince de Condé, the head of the cadet Bourbon-Condé branch of the French royal house. It was situated near the prince’s château of Chantilly north of Paris where he was in political exile from the court, it was one of a number of manufactories that he set up and backed with his huge wealth. Cirou was granted Letters Patent in 1735 and was authorised to make ‘porcelain fine de toutes couleurs, espèces, façens et grandeurs à l’imitaion de la porcelain de Japon’ for a period of twenty years. At this time the Kakiemon wares of Japan had become the most sought-after and valuable porcelains in Europe but their production in Japan and their import into Europe had dwindled by the first decade of the 18th century and they had become scarce; although only 40 or 50 years old they were now being collected as antiques. Cirou would have had access to the magnificent collections of the Prince de Condé which included both Asian and Meissen porcelains as well as lacquer and other arts; one can trace the influence of these in the wares that he produced. Failing to make a sufficiently white soft-paste porcelain at Chantilly for their purposes, they made a virtue of necessity and opacified the clear lead glaze with tin oxide giving these early porcelains a beautiful milky white appearance, simulating the negoshide body of the finest Japanese Kakiemons, that was the perfect foil for the brilliant palette of red, blue yellow and green. Although there are few dated examples of Chantilly porcelain, one can establish a chronology based on datable mounted examples which indicate that the earlier pieces from around 1735 tend to have the stronger more brilliant enamels and are closer in spirit to the Japanese originals. However many of their designs were not slavish copies but drew inspiration from many sources. The glory days of the factory under the patronage of the prince were brief, with his death in 1740 and his heir being only five years old, the factory declined and was to be eclipsed by the rise of Vincennes and the new aesthetic of the Rococo.

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