DOCSLIB.ORG

TRACKS a from the CK 4 2 NEW ALBUM 01 5/16 Press Pack 2015/16

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TRACKS a from the CK 4 2 NEW ALBUM 01 5/16 Press Pack 2015/16 P R E S S P TRACKS A FROM THE CK 4 2 NEW ALBUM 01 5/16 Press Pack 2015/16 Without any managerial backing, we’ve formed a strong fan base and have been touring for the last 4 years. • Worked with Producers Dennis Bovell, Prince Fatty, Singers Hollie Cook, Top Cat, Brinsley Forde, Musicians such as Vin Gordon, Horseman, Rasites • Supported Ziggy Marley, The Skints, GDC, The Mighty Diamonds, Submotion Orchestra, Sinead O'Connor, Jamie T, Shy FX • Festivals & venues in the UK, France, Germany, Switzerland, The Netherlands, Italy, Croatia, Belgium, Slovenia, Spain • Glastonbury, Isle Of Wight, Secret Garden Party, Boomtown Fair, Latitude, Outlook, Soundwave • Radio play Craig Charles, David Rodigan • The First Attack EP debut independent release, no 2 in iTunes reggae album chart for a week behind Bob Marley. • Two singles independently released produced by Dennis Bovell & recorded with Prince Fatty • Debut upcoming album independently produced featuring well known reggae artists such as Hollie Cook, Horseman, Top Cat, Dennis Bovell, Rasites Press Pack 2015/16 General Roots was formed in 2008 by a small group of close friends who all had a passion for reggae music. The band line up consists of six musicians. The Mckone brothers; James & Ben on drum & bass. Field Marshal Fred on lead vocals alongside the vibes controller, The Minister. On guitar is Joe Price and the keyboards, Sam Ross. Without any managerial backing, GR have built up a strong and loyal fan base over the last four years, putting on trademark high energy live shows that have proved to get anyone and everyone up on their feet moving and grooving. From Glastonbury to Germany, General Roots have been showcasing their homegrown approach to Dub, Lover's Rock & Roots reggae all over the world. The band have played pubs, clubs, theatres, arenas & festivals of all shapes and sizes in countries such as France, Belgium, Holland, Italy, Spain, Slovenia and Switzerland. 'The First Attack' EP was independently produced & released in 2013 and went straight to No.2 in the UK iTunes Reggae Album chart for a week, sitting behind the highest selling reggae album of all time - Bob Marley & The Wailers 'Legend'. Following on from the successful start of things, GR worked alongside legendary UK reggae producer, composer & musician Dennis Bovell (Aswad/Hollie Cook/Joss Stone) to record two singles. Entrusting the help of producer Prince Fatty (Lily Allen/The Skints/A Tribe Called Quest) 'Sufferer' and 'Special' proved to be the best sounding material they had recorded yet, incorporating the vintage sound of analogue effects heard on so many classic Jamaican recordings of the past, whilst remaining original, fresh and catchy. Through sheer graft the band have only been getting better along the way, earning support slots with artists such as Ziggy Marley, Madness, Gentleman's Dub Club, Hollie Cook, The Skints and Protoje to name a few. 2016 is the year for General Roots to cover even more distance. An 11 track debut album independently produced will come to light, featuring some extra special guest appearances from some of the UK's finest reggae artists such as Hollie Cook, Top Cat & the legendary Horseman. The deep bass driven roots sound to sweet lovers rock, the bouncing dancehall to heavy dub, the debut album is the benchmark General Roots want to set. “One of the most exciting & Malleable reggae acts in the UK. General Roots blend Dub & Roots into something fresh, exciting and sexy in a way that makes us feel uncomfortable and dirty.” – FESTIVALBABY.COM “The product of tomorrow. These young gentleman are of the highest quality. They have risen to the rank of General.” – DENNIS BOVELL “Sounds like back in the day! Got a real authentic sound to it.” – CRAIG CHARLES Press Pack 2015/16 PREVIEW TRACKS FROM THE NEW ALBUM mini mix preview of all 4 new tracks Walk Tall – GENERAL ROOTS Slow Down – GENERAL ROOTS Movie Show – GENERAL ROOTS Freedom – GENERAL ROOTS preview video on youtube video Special – GENERAL ROOTS Walk Tall - Live in Session Little Sun - Live in Session For Bookings and Management, Please Contact: Joe Price 07969526389 Email: [email protected] www.generalroots.com .
Load more

Recommended publications
  • Linton Kwesi Johnson: Poetry Down a Reggae Wire
    LINTON KWESI JOHNSON: POETRY DOWN A REGGAE WIRE by Robert J. Stewart for "Poetry, Motion, and Praxis: Caribbean Writers" panel XVllth Annual Conference CARIBBEAN STUDIES ASSOCIATION St. George's, Grenada 26-29 May, 1992 LINTON KWESI JOHNSON: POETRY DOWN fl RE66flE WIRE Linton Kwesi Johnson had been writing seriously for about four years when his first published poem appeared in 1973. There had been nothing particularly propitious in his experience up to then to indicate that within a relatively short period of time he would become an internationally recognized writer and performer. Now, at thirty-nine years of age, he has published four books of poetry, has recorded seven collections of his poems set to music, and has appeared in public readings and performances of his work in at least twenty-one countries outside of England. He has also pursued a parallel career as a political activist and journalist. Johnson was born in Chapelton in the parish of Clarendon on the island of Jamaica in August 1952. His parents had moved down from the mountains to try for a financially better life in the town. They moved to Kingston when Johnson was about seven years old, leaving him with his grandmother at Sandy River, at the foot of the Bull Head Mountains. He was moved from Chapelton All-Age School to Staceyville All-Age, near Sandy River. His mother soon left Kingston for England, and in 1963, at the age of eleven, Linton emigrated to join her on Acre Lane in Brixton, South London.1 The images of black and white Britain immediately impressed young Johnson.
    [Show full text]
  • The Performance of Accents in the Work of Linton Kwesi Johnson and Lemn Sissay
    Thamyris/Intersecting No. 14 (2007) 51-68 “Here to Stay”: The Performance of Accents in the Work of Linton Kwesi Johnson and Lemn Sissay Cornelia Gräbner Introduction In his study Accented Cinema, Hamid Naficy uses the term “accent” to designate a new cinematic genre. This genre, which includes diasporic, ethnic and exilic films, is char- acterized by a specific “accented” style. In his analysis of “accented style,” Naficy broad- ens the term “accent” to refer not only to speech but also to “the film’s deep structure: its narrative visual style, characters, subject matter, theme, and plot” (Naficy 23). Thus, the term “accent” describes an audible characteristic of speech but can also be applied to describe many characteristics of artistic products that originate in a par- ticular community. “Accented films” reflect the dislocation of their authors through migration or exile. According to Naficy, the filmmakers operate “in the interstices of cultures and film practices” (4). Thus, Naficy argues, “accented films are interstitial because they are created astride and in the interstices of social formations and cinematic practices” (4). Naficy’s use of the term interstice refers back to Homi Bhabha, who argues that cultural change originates in the interstices between different cultures. Interstices are the result of “the overlap and displacement of domains of difference” (Bhabha 2). In the interstice, “social differences are not simply given to experience through an already authenticated cultural tradition” (3). Thus, the development of alternative styles and models of cultures, and the questioning of the cultures that dominate the space outside the interstice is encouraged.
    [Show full text]
  • Ad Pages Template
    MEMBERS OF MENSA SINCE 1992 COVER ART BY ROB & TAMARA VOLUME 25 | ISSUE 4 | JANUARY 28-FEBRUARY 3, 2016 | FREE [2] WEEKLY ALIBI JANUARY 28-FEBRUARY 3 , 2016 I-25 & Tramway | Albuquerque, NM | 505.796.7500 | 877.272.9199 www.sandiacasino.com JANUARY 28-FEBRUARY 3, 2016 WEEKLY ALIBI [3] alibi Letters should be sent with the writer’s name, VOLUME 25 | ISSUE 4 | JANUARY 28-FEBRUARY 3 , 2016 address and daytime phone number via email to EDITORIAL [email protected]. They can also be faxed to (505) MANAGING EDITOR /COPY EDITOR: Renee Chavez (ext. 255) [email protected] 256-9651. Letters may be edited for length and FILM EDITOR: clarity, and may be published in any medium; we Devin D. O’Leary (ext. 230) [email protected] MUSIC EDITOR : regret that owing to the volume of August March (ext. 245) [email protected] correspondence we cannot reply to every letter. ARTS/LIT EDITOR: Word count limit for letters is 300 words. Maggie Grimason (ext. 239) [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] EDITORIAL INTERNS : Megan Reneau [email protected] Cerridwen Stucky [email protected] Severely Disappointed CONTRIBUTING WRITERS: Cecil Adams, Sam Adams, Steven Robert Allen, Gustavo Dear Alibi , Arellano, Robin Babb, Rob Brezsny, Shawna Brown, Suzanne Buck, Carolyn Carlson, Eric Castillo, Mark Three weeks ago, in the Jan. 7 issue, I read a Fischer, Ari LeVaux, Ty Bannerman, August March, great Alibi article, titled “More Than Reality Genevieve Mueller, Geoffrey Plant, Benjamin Radford, Jeremy Shattuck, Allows,” all about local punk legend Jessica PRODUCTION Mills.
    [Show full text]
  • The A-Z of Brent's Black Music History
    THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
    [Show full text]
  • Xango Music Distribution Release #20 – 2015 Pagina | 1
    Xango Music local music from all over the world Office: Singelstraat 1, 3513 BL Utrecht, NL www.xmd.nl - [email protected] - +31 6 50 999 123 Warehouse: Berenkoog 53 C, 1822 BN, Alkmaar (NL) e: [email protected] t: +31 (0)72 - 567 3030 NEW RELEASES NR. 20 – 2015 Release November 20: Dennis Bovell: Dub 4 Daze GBLP 28 / 4030433602812 / label: Glitterbeat / format: LP (180g) / UK – Dub One of the most revered dub and reggae producers, Dennis Bovell has been leaving his mark on contemporary music for over 40 years. Born in Barbados, Bovell moved to south London at the age of 12 and by his late teens had started a musical trajectory that profoundly influenced Britain’s emerging roots, lovers rock, soundsystem and dub cultures. As a musician, songwriter and producer, Bovell spearheaded the seminal British reggae acts Linton Kwesi Johnson and Matumbi and was notably involved in the late 70’s UK punk/post-punk scene as the producer for The Slits, The Pop Group and Orange Juice. Dennis has also worked with Marvin Gaye, Ryuchi Sakamoto, Fela Kuti and most recently Joss Stone. “Dub 4 Daze” deeply mines Bovell’s inspired catalog of rhythms and sounds. Dennis describes the material as: “a collection of different dub mixes I found buried in my archive, and a few newly mixed cuts, done after re-exploring some earlier recorded material. I baked some 2" masters, transferred them to digital and mixed them using an analogue desk.”. Riccardo Tesi & Banditaliana: Maggio VM 3003 / 8012957991135 / label: Visage Music / format: CD / Italy - Folk The Italian quartet Banditaliana, with its sunny mix of Tuscan traditional music, a whiff of jazz and Mediterranean songs, has been a welcome guest at festivals and stages in the international world music scene for years.
    [Show full text]
  • Une Étude De L'oralittérature Dans Les Poèmes De Jean Binta Breeze
    UNIVERSITÉ DE STRASBOURG ÉCOLE DOCTORALE 99 « Humanités » DUB POETRY Une étude de l’oralittérature dans les poèmes de Jean Binta Breeze, Linton Kwesi Johnson et Benjamin Zephaniah Tome 1 : Thèse David BOUSQUET Thèse de doctorat Etudes anglophones sous la direction de M. Christian GUTLEBEN vendredi 12 novembre 2010 Jury M. Christian GUTLEBEN (Université de Nice Sophia Antipolis) Mme Claire OMHOVERE (Université Paul Valéry – Montpellier 3) Mme Catherine PESSO-MIQUEL (Université Lumière – Lyon 2) Mme Charlotte STURGESS (Université de Strasbourg) 1 Errata Tome I p.14, note 2 : lire « observateurs » au lieu de « observatuers » p. 31 : lire « géographiques » au lieu de « géographies » p. 47 : lire « écrite/occidentale/savante » au lieu de « écrite/occidentale savante » p.61 : lire « n’est pas vue » au lieu de « n’est pas vue tant comme » p. 72 : lire « leur fonction » au lieu de « sa fonction » p. 73 : lire « ses caractéristiques » au lieu de « ces caractéristiques » p. 78 : lire « nécessaire de s’arrêter » au lieu de « nécessaire se s’arrêter » et « Peter Habekost » au lieu de « Christian Habekost » p. 79 : lire « (Habekost, 1986 : 13) » au lieu de « Habekost, 13 » p. 79, note 3 : lire « Peter Habekost » au lieu de « Christian Habekost » p. 83 : lire « Toute la discussion » au lieu de « Toute sa discussion » p. 95 : lire « critical standards can be applied. » au lieu de « critical standards can be applied.. » p. 97, note 3 : « lire « have two volumes » au lieu de « have tow volumes » p. 102 : lire « sont marquées » au lieu de « sont marqués » p. 113, note 6 : lire « (« call/response pattern ») » au lieu de « (« call/response patter ») » p.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Mongrel Nation: Diasporic Culture and the Making of Postcolonial Britain
    MONGREL NATION Ashley Dawson MONGREL NATION Diasporic Culture and the Making of Postcolonial Britain THE UNIVERSITY OF MICHIGAN PRESS Ann Arbor Copyright © by the University of Michigan 2007 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2010 2009 2008 2007 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Dawson, Ashley, 1965– Mongrel nation : diasporic culture and the making of postcolonial Britain / Ashley Dawson. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-472-09991-7 (cloth : acid-free paper) ISBN-10: 0-472-09991-4 (cloth : acid-free paper) ISBN-13: 978-0-472-06991-0 (pbk. : acid-free paper) ISBN-10: 0-472-06991-8 (pbk. : acid-free paper) 1. English literature—Minority authors—History and criticism. 2. English literature—20th century—History and criticism. 3. Commonwealth literature (English)—History and criticism. 4. Postcolonialism in literature. 5. Immigrants in literature. 6. Minorities in literature. 7. Literature and society—Great Britain—History—20th century. 8. Postcolonialism—Great Britain. 9. Pluralism (Social sciences)—Great Britain. 10. Ethnic groups— Great Britain—History—20th century. I. Title. PR120.M55D39 2007 820.9'3552—dc22 2006036421 ISBN13 978-0-472-02505-3 (electronic) —Daniel Defoe, The True-Born Englishman Thus from a mixture of all kinds began, That Het’rogeneous Thing, An Englishman: In eager Rapes, and furious Lust begot, Betwixt a Painted Britton and a Scot: Whose gend’ring Offspring quickly learned to bow, And yoke their Heifers to the Roman Plough: From whence a Mongrel Half-Bred Race there came, With neither Name nor Nation, Speech or Fame.
    [Show full text]
  • Anti-Blues Music, Dub and Racial Identity
    Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk Article (Accepted Version) Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/67704/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk 1 Mimi Haddon 29.01.2016 ‘Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk’ Abstract This article examines the complex racial and national politics that surrounded British post-punk musicians’ incorporation of and identification with dub-reggae in the late 1970s.
    [Show full text]
  • The Politics of Loving Blackness in the UK By
    The Politics of Loving Blackness in the UK By Lisa Amanda Palmer A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY Department of American and Canadian Studies The University of Birmingham March 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Can ‘loving blackness’ become a new discourse for anti-racism in the UK and the broader black diaspora? This thesis will critically assess the concept of ‘loving blackness as political resistance’ as outlined by the African American feminist bell hooks (1992). The thesis will show the ways in which blackness has been both negated and denigrated in western cultures and thus constructed in opposition to notions of love and humanness. Conversely, love and blackness are also rehabilitated in different ways by Black diasporic populations in Britain through the transnational space. The transnational space can provide opportunities for constructing, networks of care, love and anti racist strategies that affirm the value of blackness and Black life. However, the transnational space can also be fraught with risks, dangers and exclusions providing Black and migrant populations with uneven forms of citizenship and belonging to western neo-liberal states.
    [Show full text]
  • RSD List 2020
    Artist Title Label Format Format details/ Reason behind release 3 Pieces, The Iwishcan William Rogue Cat Resounds12" Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX Aashid Himons The Gods And I Music For Dreams /12" Fyraften Musik Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue.Taken from the very rare sought after album 'Kosmik Gypsy.The EP includes the original mix, a lovingly remastered Fyraften 2019 version.Also includes 'In a Figga of Speech' track from Kosmik Gypsy. Ace Of Base The Sign !K7 Records 7" picture disc """The Sign"" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Acid Mothers Temple Nam Myo Ho Ren Ge Kyo (Title t.b.c.)Space Age RecordingsDouble LP Pink coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl Al Green Green Is Blues Fat Possum 12" Al Green's first record for Hi Records, celebrating it's 50th anniversary.Tip-on Jacket, 180 gram vinyl, insert with liner notes.Split green & blue vinyl Acid Mothers Temple & the Melting Paraiso U.F.O.are a Japanese psychedelic rock band, the core of which formed in 1995.The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest vocalists.
    [Show full text]
  • Wolves & B'cntry Cover
    Staffordshire Cover Online.qxp_cover 26/02/2016 14:25 Page 1 Your FREE essential entertainment guide for the Midlands Staffordshire ’ Whatwww.whatsonlive.co.uk sOnISSUE 363 MARCH 2016 MARY POPPINS FLIES INTO THE MIDLANDS inside: Yourthe 16-pagelist week by week listings guide Tony Award-winning musical at the Regent Theatre, Slam Dunk (FP- Mar 16).qxp_Layout 1 22/02/2016 11:30 Page 1 Contents March Region Shropshire/Staffs.qxp_Layout 1 22/02/2016 18:53 Page 2 March 2016 Contents Chitty Chitty Bang Bang - truly scrumptious musical in Stoke page 8 Lulu Mary Poppins Katherine Ryan the list getting back out there and West End musical flies into Kathbum takes a wry look at all your 16-page doing it all again... the Midlands aspects of life week-by-week listings guide page 15 page 19 page 22 page 51 inside: 4. First Word 11. Food 14. Music 22. Comedy 24. Theatre 32. Film 38. Visual Arts 40. Events @whatsonwolves @whatsonstaffs @whatsonshrops Wolverhampton What’s On Magazine Staffordshire What’s On Magazine Shropshire What’s On Magazine Editorial Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 WhatsOn Matt Rothwell [email protected] 01743 281719 MAGAZINE GROUP Editorial: Lauren Foster [email protected] 01743 281707 Sue Jones [email protected] 01743 281705 Brian O’Faolain [email protected] 01743 281701 Ryan Humphreys [email protected] 01743 281722 Abi Whitehouse [email protected] 01743 281716 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Heather Kincaid, Helen Stallard, Katherine Ewing Publisher and CEO: Martin Monahan Accounts Administrator: Julia Perry [email protected] 01743 281717 This publication is printed on paper from a sustainable source and is produced without the use of elemental chlorine.
    [Show full text]