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Nineteenth-Century French Challenges to the Liberal Image of Russia
Ezequiel Adamovsky Russia as a Space of Hope: Nineteenth-century French Challenges to the Liberal Image of Russia Introduction Beginning with Montesquieu’s De l’esprit des lois, a particular perception of Russia emerged in France. To the traditional nega- tive image of Russia as a space of brutality and backwardness, Montesquieu now added a new insight into her ‘sociological’ otherness. In De l’esprit des lois Russia was characterized as a space marked by an absence. The missing element in Russian society was the independent intermediate corps that in other parts of Europe were the guardians of freedom. Thus, Russia’s back- wardness was explained by the lack of the very element that made Western Europe’s superiority. A similar conceptual frame was to become predominant in the French liberal tradition’s perception of Russia. After the disillusion in the progressive role of enlight- ened despotism — one must remember here Voltaire and the myth of Peter the Great and Catherine II — the French liberals went back to ‘sociological’ explanations of Russia’s backward- ness. However, for later liberals such as Diderot, Volney, Mably, Levesque or Louis-Philippe de Ségur the missing element was not so much the intermediate corps as the ‘third estate’.1 In the turn of liberalism from noble to bourgeois, the third estate — and later the ‘middle class’ — was thought to be the ‘yeast of freedom’ and the origin of progress and civilization. In the nineteenth century this liberal-bourgeois dichotomy of barbarian Russia (lacking a middle class) vs civilized Western Europe (the home of the middle class) became hegemonic in the mental map of French thought.2 European History Quarterly Copyright © 2003 SAGE Publications, London, Thousand Oaks, CA and New Delhi, Vol. -
Krise Der Fortschrittsauffassung Und Strukturreflexion Auf Die Bürgerliche
HEINZ THOMA Krise der Fortschrittsauffassung und Strukturrefl exion auf die bürgerliche Formation: Aufklärung um 1900 in Frankreich I. Einleitung Das Rezeptions- und Wirkungsschicksal der Aufklärung war im 19. Jahrhundert noch wesentlich politisch vermittelt, Gegenstand direkter weltanschaulicher Ausei- nandersetzungen und bewegte sich in einem in der Regel national gefasstem Inter- pretationsparadigma. Nimmt man als Beispiel das Kernland der Aufklärung, Frankreich, so beginnt der Streit um die großen Orientierungen bereits im direk- ten Umfeld der Französischen Revolution. Hier wird sofort ein Zusammenhang dieser Ideen mit der gesellschaftlichen Umwälzung erörtert, so etwa in Madame de Staëls (1766–1817) De la littérature considérée dans ses rapports avec les institutions sociales (1800), eine erste große kulturgeschichtliche Bestandsaufnahme seit der Antike, die auch das Mittelalter einschloss. Dem Tableau littéraire de la France au XVIIIe siècle gilt eine Akademiepreisfrage (1805–1810) zum französischen 18. Jahrhundert, in deren Resultat ein Konglomerat aus Voltaire, Montesquieu und einem gereinigten Rousseau die Hauptlinie der auf Triumphalismus angeleg- ten Erbeaneignung der Mittelschichten bilden, und der einzige, dem Historismus zugeneigte, und anspruchsvollste Beitrag keine Chance auf angemessene Würdi- gung hat.1 Die Verbindung von Aufklärung und Revolution sehen ebenso, nur unter nega- tiven Vorzeichen, die französischen Th eoretiker der Konterrevolution, die, wie z. B. der Abbé Augustin Barruel (1741–1820) in seinen Mémoires pour servir à l’histoire du jacobinisme (1797–1799), in der Aufklärung eine Art Verschwörung mit dem Ziel des Umsturzes ausmachen, oder die, wie Louis de Bonald (1754– 1840) in Th éorie du pouvoir politique et religieux dans la société civile (1796) und schließlich Joseph de Maistre (1753–1821) in seinen Considérations sur la France (1797), die für die Kritik der Aufklärung als spezifi sch erachtete abstrakte Denk- weise am Beispiel von Rousseaus Contrat social für das Geschehen, speziell auch der Terreur verantwortlich machen. -
Anachronism in Early French Futuristic Fiction
DePauw University Scholarly and Creative Work from DePauw University Modern Languages Faculty publications Modern Languages 7-2016 Anachronism in Early French Futuristic Fiction Arthur B. Evans DePauw University, [email protected] Follow this and additional works at: https://scholarship.depauw.edu/mlang_facpubs Part of the French and Francophone Literature Commons Recommended Citation Evans, Arthur B. "Anachronism in Early French Futuristic Fiction." Science Fiction Studies Vol. 43, no. 2, #129 (July 2016), pp. 194-206. Print. This Article is brought to you for free and open access by the Modern Languages at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Modern Languages Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. 194 SCIENCE FICTION STUDIES, VOLUME 43 (2016) Arthur B. Evans Anachronism in Early French Futuristic Fiction Pawe³ Frelik, in his essay “The Future of the Past: Science Fiction, Retro, and Retrofuturism” (2013), defined the idea of retrofuturism as referring “to the text’s vision of the future, which comes across as anachronistic in relation to contemporary ways of imagining it” (208). Pawe³’s use of the word “anachronistic” in this definition set me to thinking. Aren’t all fictional portrayals of the future always and inevitably anachronistic in some way? Further, I saw in the phrase “contemporary ways of imagining” a delightful ambiguity between two different groups of readers: those of today who, viewing it in retrospect, see such a speculative text as an artifact, an inaccurate vision of the future from the past, but also the original readers, contemporary to the text when it was written, who no doubt saw it as a potentially real future that was chock-full of anachronisms in relation to their own time—but that one day might no longer be. -
I Introduction
I Introduction A Preliminary View of the Research Problem In all epochs and cultures, despite their differences, men have always been united by one common denominator: they have wanted to be happy. Happiness has been called the summum bonum, i.e., the ultimate goal of all human thoughts and actions.1 This important argument was already advanced by Aristotle, who postulates in his Nicomachean Ethics that happiness is “the end of human things”, and belongs to the class of activities which are “desirable in themselves”.2 It is no exaggeration to argue that the desire for happiness forms such a constituent element in man that if he ceases to hope for this, he has lost his very essence as a sentient creature. Yet, in a world torn apart by miseries from devastating natural disasters to social, political and economic inequalities, happiness often turns out to be a mere illusion. It is like a mirage which escapes man in the wilderness at the moment when he imagines he has reached it. In the course of the centuries the desire to find happiness has assumed many different forms. Since the existing conditions rarely provide the optimal ground for the realization of happiness, men have turned to creating in their imagina- tion images of some ideal condition either in this life or beyond the grave. As Karl Mannheim has pointed out, the fantasizing faculty has throughout the ages formed an constitutive element in human life: “Myths, fairy tales, other-worldly promises of religion, humanistic fantasies, travel romances, have been continually changing expressions of that which was lacking in actual life.”3 Utopian visions represent one branch of wishful thinking. -
Maty's Biography of Abraham De Moivre, Translated
Statistical Science 2007, Vol. 22, No. 1, 109–136 DOI: 10.1214/088342306000000268 c Institute of Mathematical Statistics, 2007 Maty’s Biography of Abraham De Moivre, Translated, Annotated and Augmented David R. Bellhouse and Christian Genest Abstract. November 27, 2004, marked the 250th anniversary of the death of Abraham De Moivre, best known in statistical circles for his famous large-sample approximation to the binomial distribution, whose generalization is now referred to as the Central Limit Theorem. De Moivre was one of the great pioneers of classical probability the- ory. He also made seminal contributions in analytic geometry, complex analysis and the theory of annuities. The first biography of De Moivre, on which almost all subsequent ones have since relied, was written in French by Matthew Maty. It was published in 1755 in the Journal britannique. The authors provide here, for the first time, a complete translation into English of Maty’s biography of De Moivre. New mate- rial, much of it taken from modern sources, is given in footnotes, along with numerous annotations designed to provide additional clarity to Maty’s biography for contemporary readers. INTRODUCTION ´emigr´es that both of them are known to have fre- Matthew Maty (1718–1776) was born of Huguenot quented. In the weeks prior to De Moivre’s death, parentage in the city of Utrecht, in Holland. He stud- Maty began to interview him in order to write his ied medicine and philosophy at the University of biography. De Moivre died shortly after giving his Leiden before immigrating to England in 1740. Af- reminiscences up to the late 1680s and Maty com- ter a decade in London, he edited for six years the pleted the task using only his own knowledge of the Journal britannique, a French-language publication man and De Moivre’s published work. -
Voltaire's Radicalism
Diametros 40 (2014): 5–21 doi: 10.13153/diam.40.2014.627 VOLTAIRE’S RADICALISM – Zbigniew Drozdowicz – Abstract. This article reminds the reader of the views of Voltaire, one of the most prominent and influential philosophers of the Age of Enlightenment. Voltaire’s radicalism manifested itself mainly in anticlericalism which was consistent, uncompromising and voiced without mincing words. A general aim of this article is to demonstrate to his contemporary imitators, who can be found in different countries including Poland, that they are in fact more or less accurate copies of him and they are not always aware of whom they imitate and what value this imitation has. Perhaps this article can make them, if not more restrained in their statements and practical actions, at least more self-critical and taking into account what is expressed in public discourse. Keywords: anticlericalism, deism, radicalism, Voltairianism. 1. Introductory remarks No significant cultural epoch has ever lacked radicals. Naturally, their radicalism would develop under different conditions and find diverse forms of expression.1 If the Enlightenment stands out in this respect, it is due to the actual abundance of radicals as well as the diversity that this group exhibited. This necessitates their localised appreciation within the context of those particular countries that proved to be most influential when it came to the formation of enlightened standards of thought, life and mutual co-existence. I have considered these problems at length in my monograph Philosophy of the Enlightenment (in Polish),2 and in the present context I want to remind us that France seems 1 Radicalism is typically associated with principled firmness and an uncompromising stance in thought and action. -
Denis Diderot's Anglophilia and Its Impact Upon His Salons William Judson Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2017 Denis Diderot's Anglophilia and its Impact upon his Salons William Judson Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Judson, William, "Denis Diderot's Anglophilia and its Impact upon his Salons" (2017). LSU Master's Theses. 4399. https://digitalcommons.lsu.edu/gradschool_theses/4399 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. DENIS DIDEROT’S ANGLOPHILIA AND ITS IMPACT UPON HIS SALONS A Thesis Submitted to the Graduate Faculty of Louisiana State University and the School of Art in partial fulfillment of the requirements for the degree of Master of Arts in Art History in The School of Art by William E. Judson III B.A., Louisiana State University, 2013 May 2017 ACKNOWLEDGMENTS AND DEDICATION I wish to thank my committee – Doctors Elena FitzPatrick Sifford, Suzanne Marchand, and Darius Spieth – scholars all. My gratitude also goes out to the scholars cited herein whose commitment to their work has made my own possible. Professor Spieth, my advisor, has worked tirelessly to earn himself an enviable professional legacy, but I hope he is equally proud of another legacy: the knowledge he has imparted upon the thousands of students fortunate enough to have taken his classes at LSU, myself included. -
The Death of the Book Through the Ages - Nytimes.Com
The Death of the Book Through the Ages - NYTimes.com http://www.nytimes.com/2012/08/12/books/review/the-death-of-the... August 10, 2012 Dead Again By LEAH PRICE Two decades ago, the Book Review ran an essay, “The End of Books,” in which the novelist Robert Coover questioned whether print could survive the age of “video transmissions, cellular phones, fax machines, computer networks, and in particular out in the humming digitalized precincts of avant-garde computer hackers, cyberpunks and hyperspace freaks.” Was the book as “dead as God”? Coover’s answer was noncommittal, but his metaphor launched a thousand eulogies for the book as we knew it: a gathering of printed pages mass-produced on spec to be sold to anonymous strangers for financial gain. Back then, hyperlinks were the killer app. Coover’s title punned on the page-turning powers of the codex, which sweeps novel readers inexorably from Page 1 to The End. (He ignored how many codices, like the Yellow Pages, are designed for random access; millenniums before the advent of Bible.com, the codex allowed the first Christians to cross-reference their Scriptures.) Now, succession planners have shifted their sights from the lowly hyperlink to the seemingly indomitable e-reader. Earlier this year, the Pew Research Center calculated that the percentage of Americans who own e-reading devices doubled last December. Christmas, for centuries the publishing industry’s busiest season, became a gift to hardware manufacturers. And last year, Amazon announced it was selling more e-books than print books — hardcover and paperback combined. -
The European Enlightenment HI 215/PO 393
The European Enlightenment HI 215/PO 393 Fall Term 2014 Professor James Schmidt Tuesday & Thursday 2:00-3:30 - 2:00, Shaw 201 745 Comm. Ave., Room 618A Office Hours: Tues 11:30AM-1:00PM & 617-358-1781 ([email protected]) Thurs. 3:45PM – 5 PM During the eighteenth century, Europe became modern. As a result of a transnational movement known as the Enlightenment many of the ideas, practices, and attitudes that have come to define what it means to be “modern” first began to take root in Europe and on the eastern coast of North America. This course explores how this change came about by tracing the transformation of European culture and society between the last decades of the seventeenth century and the end of the eighteenth century. Readings will be quite diverse in their concerns, their style, and their approach. Texts assigned include political tracts, philosophical essays, theological treatises, as well as a few examples from the “literary underground” of the eighteenth century. They will draw rather heavily on a few major figures — Voltaire, Diderot, Condorcet, Lessing, and the Scottish moralists — but will also pay attention to important eighteenth-century figures who are sometimes overlooked in introductory surveys (e.g., Moses Mendelssohn, Richard Price, and Joseph Priestley). Requirements and Grading Policy: There will be a mid-term exam during class on October 21 and a final exam on Tuesday, December 16 from 3:00-5:00 PM. Both will consist of a combination of short answers and somewhat more extended responses. You can expect questions that call upon you to discuss central concepts, institutions, and individuals covered in the readings or lectures. -
Topics and Debates a Companion to Science Fiction Edited by David Seed Copyright © 2005 by Blackwell Publishing Ltd
A Companion to Science Fiction Edited by David Seed Copyright © 2005 by Blackwell Publishing Ltd PART II Topics and Debates A Companion to Science Fiction Edited by David Seed Copyright © 2005 by Blackwell Publishing Ltd 5 Utopia Phillip E. Wegner Any discussion of Utopian in relationship to science fiction needs to begin by first distinguishing between the specific genre of Utopian literature and what we can describe as a more general Utopian impulse. The latter refers to the deeply human desire for an utterly transformed, radically other, and/or redeemed existence, a desire that manifests itself in a wide range of cultural documents. Being that which remains fully alien to our current form of life, Utopia in this first sense is fundamentally unrep- resentable, and thus becomes evident only indirectly through figures, images, signs, or traces scattered throughout a text. While such notable students of Utopia as Ernst Bloch and Fredric Jameson point out the ubiquity of such figures of the Utopian impulse – which we can find in everything from children’s toys and classical music to fascist propaganda, free market ideologies, and Hollywood films like The Godfather – they have a specially prominent role in the imaginative worlds of science fiction. To point toward only a few examples, manifestations of this Utopian impulse occur in the image of the postinvasion world of H.G. Wells’ War of the Worlds (1898), in the new and unexpected realm of freedom announced at the end of Alfred Bester’s The Stars My Destination (1956), in the collective entity Man seen in Joe Haldeman’s Forever War (1975), in the declarations that conclude the Strugatsky brothers’ Roadside Picnic (1977), and in the Earthseed project of Octavia Butler’s Parable novels (1993 and 1998). -
Voltaire (Francois Marie Arouet)
Letters on England by Voltaire (Francois Marie Arouet) A Penn State Electronic Classics Series Publication Letters on England by Voltaire (Francois Marie Arouet) is a publication of the Pennsylvania State University. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Faculty Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Letters on England by Voltaire (Francois Marie Arouet), the Pennsylvania State University, Electronic Classics Series, Jim Manis, Faculty Editor, Hazleton, PA 18202-1291 is a Portable Document File produced as part of an ongoing student publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Cover Design: Jim Manis Copyright © 2002 The Pennsylvania State University The Pennsylvania State University is an equal opportunity university. Contents LETTER I.—ON THE QUAKERS .............................................................................................................................. 6 LETTER II.—ON THE QUAKERS .......................................................................................................................... 10 LETTER III.—ON THE QUAKERS ........................................................................................................................ -
Micromegas, by Voltaire This Ebook Is for the Use of Anyone Anywhere at No Cost and with Almost No Restrictions Whatsoever
The Project Gutenberg EBook of Romans -- Volume 3: Micromegas, by Voltaire This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Romans -- Volume 3: Micromegas Author: Voltaire Translator: Peter Phalen Release Date: September 28, 2009 [EBook #30123] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK ROMANS -- VOLUME 3: MICROMEGAS *** Produced by Peter Phalen. HTML version by Al Haines. [Transcriber's note: this etext is a translation of Project Gutenberg's #4649.] THE WORKS OF VOLTAIRE. VOLUME XXXIII FROM THE PRINTING HOUSE OF A. FIRMIN DIDOT, RUE JACOB, No 24. THE WORKS OF VOLTAIRE PREFACES, CAUTIONS, NOTES, ETC. BY M. BEUCHOT. VOLUME XXXIII. NOVELS. VOLUME I. IN PARIS, LEFÈVRE, BOOKSELLER, RUE DE L'ÉPERON, Ko 6. WERDET ET LEQUIEN FILS, RUE DU BATTOIR, No 20. MDCCCXXIX. MICROMEGAS, PHILOSOPHICAL HISTORY. Publisher's preface. Voltaire's lengthy correspondences do not contain anything that might indicate the period in which Micromegas was published. The engraved title of the edition that I believe to be the original displays no date. Abbot Trublet, in his Biography of Fontenelle, does not hesitate to say that Micromegas is directed against Fontenelle; but does not speak of the date of publication. I have therefore retained that given by the Kehl editions: 1752. However there is an edition carrying the date of 1700. Is this date authentic? I would not make this claim; far from it.