DOCSLIB.ORG

Road Trip New Zealand Close View

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Road Trip New Zealand Close View PROGRAMNR 51585 /ra6 Road Trip New Zealand Close View Script, words and questions Script: Speaker: Hi and welcome to Close View. Today we’re going to three different places on the North Island of New Zealand. We start in the north, on K Road in Auckland, where we visit a new and different kind of art gallery. Deirdre: My name is Deirdre Dawson. I’m the managing director of Disruptiv Limited. We’re New Zealand’s only four element hip hop company. We specialize in graffiti art and we have this gallery here on K Road. We also manage the Disruptiv All-star Breakers which are some of New Zealand’s most talented break dancers. We’ve got MC:s and DJ:s and we also publish a magazine, Disrupt Magazine, which is distributed all around the world. Music: MC Loki from Disruptiv Magazine mixtape no. 3 “New Zealand hip hop all exclusive from the north to the south. Yeah, Disruptiv, listen up, listen up, listen up…” Deirdre: I think hip hop’s at a pretty… very healthy state in New Zealand. Our graffiti is, like, is really strong, comparatively to the rest of the world, our break dancers are some of the finest in the world. Yeah, we’re just representing really well for a country of such a small size. I’d like to say we definitely have a, sort of, Maori/Polynesian flavour within our hip hop but it’s still influenced a lot by American culture, obviously, as all hip hop is. Music: Wanderers from Disruptiv Magazine mixtape no. 3 “D-I-S-R-U-P-T-I-V motherfucker D-I-S-R-U-P-T-I-V Wanderers D-I-S-R-U-P-T-I-V gonna fuck with me D-I-S-R-U-P-T-I-V I am the MC” 1 Deirdre: Yeah, so we registered the company three and a half years ago. We opened up this gallery about a year and a half ago. Since then we’ve probably had about 20 exhibitions. This current show is a t-shirt exhibition of nine Auckland designers that have designed about four or five t-shirts each so it’s a really interesting show. We like to try and keep it interesting and fresh all the time. We’ll never just be a sole…, sorry, just a graffiti art space because just graffiti gets boring as well and New Zealand is still a very small country so obviously the market will demand more than just graffiti. Our ultimate goal is to travel the world doing what we love like taking a four element showcase around the world; hopefully you’ll see us in Sweden one day. Speaker: The Disruptiv gallery is a big white room and on the walls hang about 40 or 50 different t- shirts – just like paintings would in an ordinary art gallery. Huge windows on one side of the room let the visitors look down on the always busy K Road. While Deirdre is busy on the phone we take a look around the rest of Disruptiv. In a side room we find the local guys from DMN practicing some rhymes for an upcoming gig. Music: DMN Speaker: Surrounding us in the room are hundreds of graffiti paintings of all sizes, colours and styles. Music: DMN DMN: Dirty Mac Nasty crushes uppers 2005, my man boss 1, Michael Pipes, got my boss Dresda coming here, up in Disruptiv chilling out, Auckland central styles, K road baby, uptown life, uptown. All original stuff. Reporter: So, is it released, or? DMN: Not yet, but it will probably end up getting released some time next year I’d hope, or we’d all hope I’d say, but don’t quote me on that. Reporter: But here at Disruptiv, or? DMN: I’m not sure, it’s all in the works; let’s just say that and it is a bit of a mystery. We’re gonna get back to practicing now. Deirdre: Disruptiv, we’re the only company in New Zealand that specializes in all four elements of hip hop and we feel that is really important because often hip hop is just assumed to be, like, rap music and the other elements are overlooked. So, we’re really proud to represent all four elements of hip hop within Disruptiv. We’re probably the strongest in graffiti, because that’s how we started. I think we’re pretty unique. We’ve done a bit of research around the world and it doesn’t really seem to be any other company doing what we do, I think, in such a large scale. Speaker: We leave Deirdre and the Disruptiv gallery and hit the road out of Auckland. Music: The Phoenix Foundation – Sea World Speaker: The New Zealand landscape is green and hilly. On the curvy and narrow roads we pass a dead possum every two minutes. Almost everywhere we see cows and sheep roaming the hills. And 2 there are a lot of sheep in the country! More than 40 million, about ten times as many as there are people. We stop at a sheep farm in Mamaku about two hours south of Auckland and half an hour north of Rotorua, where we find 19-year old Kane Fredrickson busy shearing one of the farm’s sheep. Noise: Sheep shearing Reporter: Kane, that was pretty fast! Kane: Yeah! Reporter: So, how long does it take normally to shear a sheep? Kane: About two to three minutes depending on the… how good my gear is going and how good the sheep cuts, I suppose. Reporter: How many can you do a day? Kane: Between 200 and 220. This year I’ll try and go for 250. Reporter: So, what’s the world record? Kane: 856, I think. Yeah, nine hour day. It’s a lot of sheep. I think it’s two marathons, I reckon, running two marathons, yeah… Reporter: Is that something you’re aiming for yourself? Kane: Well yeah, I’d like to do that many sheep but I’d like to do, I’d probably do 500… I’d like to do the 500 mark, yeah. Good money… Good money, shearing. Reporter: How long have you been doing this for? Kane: Well I started when I was fifteen, but I sort of haven’t gone out and shore for proper shearing gang before, I’ve just sort of done a bit here and a bit there and do… shear the sheep on the farm and that’s about it, yeah. Reporter: So, when did you start working at this farm? Kane: When I was fifteen I started working on the farm here. Reporter: Full time? Kane: Yeah! Left school. Left school and… didn’t like it, didn’t get on with some of the teachers. My dad said well, if you left school now you got to get out and get a job, so… You can’t sit around home doing nothing. Reporter: Farmer; was that something that you wanted to be or was it just the solution at hand? 3 Kane: No, I wanted to be on the farm because I can’t stand being cooped up in an office all day, staying inside all day. I’m an outdoor person and, yep… Reporter: Are there a lot of young people here in New Zealand doing like you, leaving school and going farming? Kane: Yeah, but probably not so young. Yeah, there’s a lot of people that are going into farming and it’s good lifestyle. Reporter: But normally they don’t leave school for that? Kane: No, they sort of like to stick around school so that they don’t have to work, I think. Yeah… Speaker: Kane has to go back to the shearing so we get back in the car and drive down to Wellington, the capital of New Zealand. On our way we pass towns and places with names such as Taupo, Waitomo and Wanganui, all reminding us of the country’s Maori heritage. The Maori ancestors came from Polynesia about a thousand years ago. By the end of the 18th century the Europeans, the Pakeha, started to colonize the land. In central Wellington we find two young people relaxing and hanging out and we discuss life in the city and how the Maori and European culture mix. David: My name is David, David Kohai. I’m from Newtown, we’re in Wellington and I’m seventeen. Robert: I’m Robert Miller, originally from Australia and I’m sixteen. Reporter: What are you guys doing here right now? David: We’re pretty much… you know, it’s a pretty really really nice day, we’ve got a guitar, pretty just relaxing, you know, chilling out, pretty much hanging out. Yeah… that’s pretty much it, eh? Robert: Yeah, we just finished exams, so we’re just chilling at the moment and we’ve got sports and stuff, so… Reporter: What’s life like here, being young in Wellington, New Zealand? David: I’d say, you know, there’s not really any other places I think I’d rather live, you know, I think it’s a pretty nice place. I’d say it’s pretty fun, you know, really good socially and a lot of opportunities, you know, around here. It’s really culturally diverse, you know, there’s a lot of different cultures, particularly in Newtown. You know there’s Somali African, African, you know, African American, Polynesian, and you know, just… Maori, I suppose, tradition and Pakeha, you know, European, a mix of a lot of cultures and you can see the Chinese influence and stuff.
Load more

Recommended publications
  • Registered Master Rights Holders (Labels)
    RECORDED MUSIC NZ - REGISTERED MASTER RIGHTS HOLDERS (LABELS) As at AUGUST 2021 #23 RECORDS ADAM HATTAWAY ALEXANDER WILDWOOD *JOY* ADAM HATTAWAY AND THE ALIEN WEAPONRY HAUNTERS @PEACE ALISTAIRFRASER ADAM MCLEAN 1814 ALIZARIN LIZARD ADAM TUKIRI 2 AM ORCHESTRA ALKEMY THEATRE ADAM WHAUWHAU 2POP LIMITED ALL THE COLOURS ADELAIDE CARA 2XM ALLAN WILKINS ADORE 1996 303 ENT LTD ALLAN WILSON ADRIAN HOLLAY 37 HZ LIMITED ALLANA GOLDSMITH AEROPLANE MUSIC 4SAYKEN SERVICES LIMITED AllGOOD ABSOLUTE ALTERNATIVE RECORDS 60/40 RECORDS AFFSID AND JEFF PREME LTD 60LIVE ENTERTAINMENT AFFSID KIDJHAGIFFY ALPHA BETA GAMMA LTD AFTA DINA MINT ALPHABETHEAD 6EMBLANCE AFTER OURS ALPHADOGG 8 STEPS TO MADNESS AGE PRYOR ALPHAMAX RECORDS LTD 8 YEARS ROUND AGENT ALSJAY 80HD RECORDS AHJAY STELINO ALY COOK 833 RECORDS AHORANGI ALYX 9-5ERS LIMITED AIDAN FINE AMAMELIA A BIT NIGEL AJ CRAWSHAW AMBA HOLLY A DEAD FOREST INDEX AKCEPT AMBEDO A LABEL CALLED SUCCESS AL INGHAM AMBER MAYA A MOVING PRODUCTION LTD ALAE AMELIA MCNABB A THOUGHT THAT CAME TO ALAN AND ALANA AMESSOFI MIND ALAN BROWN AMMP A.C. FREAZY ALAN BROWN TRIO AMNESIA JAMES AARON CARPENTER AND THE REVELATORS ALAYNA POWLEY ANABAC AARON DUTTON ALCHEMY MINE ANABEL JAMIESON AARONJURY ALEX CLOVER ANALISE TWEMLOW ABBY WOLFE ALEX TZ AND WHAT ABIGAIL KNUDSON ALEXA CASINO ANDIVERSE ABOUT THE DEADLINES ALEXANDER HARMER ANDREW MASSEURS ABOVE THE CIRCLE ALEXANDER LUCK ANDREW MOCKLER ACIDMORPH ALEXANDER LUCK AND WET ANDREW PAPAS BANDITS ANDREW RUTHERFORD RECORDED MUSIC NZ - REGISTERED MASTER RIGHTS HOLDERS (LABELS) As at AUGUST 2021 AND$UM ARCH DYNASTY AVON DADS ANDY BLUE THE ROCK ARCH HILL RECORDINGS AVYA GRACE TOYS ARISE CHURCH AWA MUSIC LTD ANDY DWYER ARJUNA OAKES AZURE ANDY GARTRELL ARKH LTD B-LUSH ANDYGIBSON ARLO MAC B O K E H ANGELFISH KIDS ARMA DEL AMOR B.A.D.S ANGEL STAR PUBLISHING HOUSE LTD ARMED IN ADVANCE BABY SITTERS CIRCUS ANGELO KING JONO DAS ARO BABY TEETH ANGELS GATE RECORDS ARRAYS BABY ZIONOV ANIKA MOA ART INC NZ LIMITED My BACKYARD MUSIC Tools ANITA A.R.T.
    [Show full text]
  • Mongrel Media
    Mongrel Media Presents BOY A Film by Taika Waititi (90 min., New Zealand, 2011) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html FACT SHEET Title: BOY Writer/Director: Taika Waititi Producers : Ainsley Gardiner, Cliff Curtis, Emanuel Michael Co-Producer : Merata Mita Associate Producer: Richard Fletcher Production Company : Whenua Films, Unison Films In association with : The New Zealand Film Production Fund Trust, The New Zealand Film Commission, NZ On Air, Te Mangai Paho. Running Time : 90 minutes approx Starring : James Rolleston, Te Aho Eketone-Whitu, Taika Waititi Director of Photography : Adam Clark Editor : Chris Plummer Music : The Phoenix Foundation Production Designer : Shayne Radford Hair and Makeup: Danelle Satherley Costume Designer : Amanda Neale Casting: Tina Cleary SHORT SYNOPSIS The year is 1984, and on the rural East Coast of New Zealand “Thriller” is changing kids’ lives. Inspired by the Oscar nominated Two Cars, One Night, BOY is the hilarious and heartfelt coming-of-age tale about heroes, magic and Michael Jackson. BOY is a dreamer who loves Michael Jackson. He lives with his brother ROCKY, a tribe of deserted cousins and his Nan. Boy’s other hero, his father, ALAMEIN, is the subject of Boy’s fantasies, and he imagines him as a deep sea diver, war hero and a close relation of Michael Jackson (he can even dance like him).
    [Show full text]
  • ANNUAL Report for the Year Ended 30 June 2013
    ANNUAL REPORT For the year ended 30 june 2013 NZ On Air / Irirangi Te Motu Annual REPORt 2013 / TABLE OF CONTENTS Part 1 / Highlights 2 Chair's Introduction 4 Who We Are 5 Achieving Our Outcomes 6 Audiences / Focus On Online 8 Audiences / Focus On Prime-Time 10 Audiences / Focus On Documentaries 13 Audiences / Focus On New Zealand Music 14 Audiences / Focus On Ma- ori 18 Audiences / Focus On Pasifika 19 Audiences / Focus On Special Interest 20 Environment 21 Research 22 Operations 24 Part 2 / AccoUntabILITY StateMents Independent Auditor’s Report 30 Statement Of Comprehensive Income 31 Statement Of Financial Position 32 Statement Of Changes In Equity 33 Statement Of Cash Flows 34 Notes To The Financial Statements 35 Statement Of Service Performance 51 APPENDICES 56 DIRECTORY 72 NZ On Air / Annual Report 2013 1 HIGHLIGHTS N g a- Taumata Diversity Nga- Rerenga We focused the Digital Media Fund on Our MakingTracks funding scheme We delivered something for everyone content for special interest audiences backed 247 recordings and videos, on television – with more than 93 hours because these audiences are less well both mainstream and alternative. of drama and comedy, 169 hours of served by mainstream media. This documentary and current affairs, and 600 The funded songs span a wide range year we offered special opportunities to hours of childrens’ and special interest of genres including pop, rock, folk, create Pacific content. programmes. country, te reo, roots and reggae, The successful web-series musical The heavy metal, urban and hip hop. We maintained a balance of mainstream Factory created a strong community and special interest programming.
    [Show full text]
  • Lyttelton Harbour Review “ Community News from Port Lyttelton to Port Cooper
    “ lyttelton harbour review “ community news from port lyttelton to port cooper www.lytteltonharbour.info 15 April 2013 E88 Local Hero’s Just Keep Giving Sky Tower Climb for Leukaemia At any moment our volunteer fire fighters might be called out to a control a blaze on the port hills, save a life from a burning building, or even prevent someone’s home from flooding. When the siren blasts across this village these local hero’s drop what they are doing, leave the family or workplace behind and answer the call to help. This is why we find it so inspiring that on Saturday May 11 four members of the Lyttelton Volunteer Fire Brigade will be giving even more by racing up the 1103 stairs of the Auckland Sky Tower in full kit and breathing apparatus to help raise money for Leukaemia and Blood Cancer New Zealand. This is the fourth year that brigade members have joined this gut busting event which has become a phenomenally popular challenge for fulltime and volunteer fire fighters from all over the country. Fifty one flights of stairs with nearly 25kg of extra weight, makes the finish area on the Sky Tower viewing platform look like a casualty clearing station. And to show the dedication New Zealand fire fighters have to this cause, when entries opened online in February, it took less than an hour to fill the nearly five hundred places available. Glen Walker, Paul McCulla, Kevin Hurl and Craig Smith have all been training on steps and steep streets around Lyttelton. Competition in three different age groups is intense, but the fire fighters never lose sight of the main goal which is to raise as much as possible for Leukaemia and Blood Cancer New Zealand.
    [Show full text]
  • Page 1 N Z S LET's BEGIN. N E W Z E a L a N D S Y M P H O N Y O
    NEW ZEALAND S YMPHONY O RCHESTRA N Z S LET’S BEGIN. MUCH TO SO EXPERIENCE WHEN DOES IT START? IT DOES WHEN SO SO WHAT YOU EXPECT YOU WHAT THRILLING SO NOT SO MUCH WANT TO SEE TO AGAIN IT WANT TO GET EXCITED ABOUT SO FOR EVERYONE FOR SO S NZ BREATHTAKING SO COOL SO SO EXHILARATING MUCH TO SO EXPERIENCE SO THRILLING SEASON 2018 Season after season we bring together the best New Zealand musicians and MUCH world-renowned soloists and conductors to perform timeless classics and new-found favourites. Delivered with passion and excellence, a night at the NZSO is an TO GET EXCITED ABOUT experience as good as anywhere in the world. And again this season, it will be SO. SO SO is a question that opens your mind to new possibilities, transporting you to new places and new worlds, beyond all your expectations. SO is the amplifier that adds gravitas to a mood, a feeling and an emotion. So exhilarating. So mind-blowing. So much more than you imagined. A night at the NZSO will be all this and so much more. We’ll so see you there. NZ SO LET’S BEGIN. SO MANY PERFORMANCES EXHILARATING SO 01 NZSO PATRON: Kia ora koutou. It’s good to know that the over Her Excellency, the Rt Hon I was delighted to be invited to 90 concerts to be offered in Dame Patsy Reddy GNZM QSO become Patron of the NZSO. 15 centres in the 2018 season represent a significant increase GOVERNOR-GENERAL OF NEW ZEALAND Supporting leadership and excellence in the arts is one of from previous years.
    [Show full text]
  • AUSTRALIAN SINGLES REPORT July 10, 2017 Compiled by the Music Network© FREE SIGN UP
    AUSTRALIAN SINGLES REPORT July 10, 2017 Compiled by The Music Network© FREE SIGN UP Hot 100 Aircheck spins, weighted with audience data & time of spins #1 hot 100 despacito (remix) 1 Luis Fonsi | UMA despacito (remix) Slow hands Luis Fonsi & Daddy Yankee ft. Justin Bieber | UMA 2 Niall Horan | EMI There's nothing holdin' me b... 3 Shawn Mendes | UMA Niall Horan makes a move up the Top 10 this week on TMN’s Hot 100 with ‘Slow Hands’ landing at #2 Malibu from #7, boosted by his recent Australian promo visit. 4 Miley Cyrus | SME Strip That down After flirting on the fringes of the Top 10 for the past few weeks, Jonas Blue’s ‘Mama’ finally breaks 5 Liam Payne | EMI the barrier at #10, a peak position for the track. It’s the DJ’s highest Hot 100 position since ‘Perfect i'm the one Strangers’ hit #5 in September 2016. 6 DJ Khaled | SME/UMA galway girl ‘Versace On The Floor (Remix)’, originally off Bruno Mars’ 24K Magic, has enjoyed a somewhat belated 7 Ed Sheeran | WMA bullet-ride to the top as a result of Guetta’s delicate touch. It rose 81 places to reach #16 from #97 – wild thoughts 8 DJ Khaled | SME an unprecedented rise in the Hot 100 chart’s history. your song 9 Rita Ora | WMA MAMA 10 Jonas Blue | EMI 2U 11 David Guetta | UMA/WMA feels 12 Calvin Harris | SME #1 MOST ADDED TO RADIO something just like this Sun COmes up 13 The Chainsmokers & Coldp... Rudimental ft. James Arthur | ATL/WMA Bad Liar 14 Selena Gomez | UMA ATTENTION 15 Charlie Puth | WMA July’s survey break made for an unusual week at radio.
    [Show full text]
  • Outcomes & Impacts 2011-2015
    OUTCOMES & IMPACTS 2011-2015 October 2015 PURPOSE This is a report on the results of our Making Tracks music funding scheme over the four years since the scheme was established. The report is in two parts. Part A reports on the broadcast “mileage” achieved by Making Tracks-funded songs, on air and online, over the last four years. Part B reports on the artists we have funded and the impact on the airplay charts of Making Tracks-funded songs and artists. PART A: SPINS & STREAMS INTRODUCTION 1. The Making Tracks music funding scheme is now four years old. Every year, we do a count of the number of times Making Tracks-funded songs have played, both on air and online, giving us a raw measure of broadcast “mileage” achieved via the Making Tracks scheme. 2. This report gives a gauge of audience reached and from a financial point of view, value for money. We use it to review trends and spot strengths and weaknesses. 3. We have now completed our count for the first four years of the scheme. The count includes not only songs funded and released in the last financial year but also updates the spins and stream counts for songs funded in 2011-2012, 2012-2013 and 2013-2014. TOPLINE RESULTS 4. In the four years to 30 June 2015, we have funded 980 songs (after writebacks). So far, 831 or 85% of those songs have been released (with the rest still in production at time of writing). 5. Those 831 songs have amassed 109,557,019 spins on radio or music television, and streams online on measured platforms over the last four years.
    [Show full text]
  • Akasha Absher Is a Consultant with Syntrinsic Investment Counsel In
    Akasha Absher is a Consultant with Syntrinsic Investment Counsel in Denver, CO, where she provides investment advice and strategic guidance to foundations, public charities, and philanthropic private clients. Syntrinsic Investment Counsel is a boutique investment consulting firm with $1.1billion in assets under advisement and clients located across the United States. Akasha serves a Lead Consultant on client relationships while also interfacing with the firm’s Consulting and Research Group to develop and deliver allocation and investment manager recommendations. Akasha joined Syntrinsic in October 2013 as an Associate Consultant and was promoted to Consultant in April 2014. She also serves as a member of the firm’s Investment Committee. Prior to joining Syntrinsic in 2013, Akasha worked for several years in New York as an analyst, trader, and portfolio manager at Caxton Associates and its affiliate Lucidus Capital Partners. At Lucidus, Akasha actively managed and traded US$100mn of long/short capital across the spectrum of the credit markets, from high yield to investment grade. Prior, Akasha was Vice President and senior publishing analyst in high yield debt research at JPMorgan. Akasha has had extensive community involvement in New York and Colorado. While in New York she served as the Board Chair and President of The Phoenix Foundation and on the Board of Graham Windham. She currently is serving as a Board Member of Florence Crittenton Services of Colorado, a Co-Chair of the Women’s Foundation of Colorado Power of Extended Philanthropy Club, and is a mentor with Minds Matter Denver. Akasha attended Clark Atlanta University and graduated with honors with a Bachelor’s degree in Finance.
    [Show full text]
  • Slug and Lettuce: a Zine Supporting the Do-It- Yourself Ethics of the Punk Community Christine Larson
    Rhode Island College Digital Commons @ RIC AS220 Digital Archive 6-1-2003 Slug and Lettuce: A Zine Supporting the Do-It- Yourself Ethics of the Punk Community Christine Larson Follow this and additional works at: https://digitalcommons.ric.edu/as220_root Part of the Arts and Humanities Commons Recommended Citation Larson, Christine, "Slug and Lettuce: A Zine Supporting the Do-It-Yourself Ethics of the Punk Community" (2003). AS220 Digital Archive. 1625. https://digitalcommons.ric.edu/as220_root/1625 This is brought to you for free and open access by Digital Commons @ RIC. It has been accepted for inclusion in AS220 Digital Archive by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. , ' ' ' . ' SIC , 'ZINE & BOOK REVIEWS • CLASSIFIEDS • COLUMNS • PHOTOCiRAPHY • PUNK ART out ot the crty Being an eco punk and all, tuned into nature and the seasons, and to thinking back on old SOME 'IHOUQITS FROM THE EDITOR them, or intrmidated because we are atraid they won't know who we sens~ive to thrngs around me, I got to talkrng wrth my mom about the kind of people revie ws I did, an d tee ling This all go, no sleep routine rs starting to take rt's toll. You can only push for so long before are, or care, or because we enjoythe~rwriting or music, but face it, the yourse~ we are. She's super into birds and dreams at flying I'm territied ot heights and cringe like they just were not you start to crash But that rsn't stopping me yet This issue has been put together in a frenzy of beauty at punk rock is that we are all supposed to be standing on the at the thought at being oul in the open high spaces.
    [Show full text]
  • Annual Report 2006-2007 PDF 3.3 MB
    2006-07 Annual Report TABLE OF CONTENTS Who we are 0 Mission Statement 0 Purpose 0 PART 1: Our Year 1 Highlights 1 Chair’s introduction 2 Key achievements 2 Television funding 2 NZ On Air TV funding by broadcaster and producer 5 Maori programmes 6 Radio funding 7 NZ Music funding 9 Archiving funding 12 Research 12 Transmission funding 13 Governance 13 Management 13 Statement of Responsibility 15 PART 2: Financial and Accountability Statements 16 Statement of accounting policies 16 Statement of financial performance 18 Statement of movements in equity 19 Statement of financial position 20 Statement of cash flows 21 Statement of commitments 22 Notes to the financial statements 22 Statement of service performance 27 Statement of management procedures 40 Audit report 44 Appendix 1: Funded television programmes 45 Appendix 2: Funded radio projects 49 Appendix 3: Funded NZ music videos 49 Appendix 4: NZ music production 51 Directory 53 Printed in New Zealand on 100% recycled paper WHO WE ARE NZ On Air celebrates New Zealand identity and culture by funding a unique range of broadcast programmes and broadcasting entities. We support New Zealand content for a wide range of audiences on an unmatched number of public, commercial and community broadcast outlets. We concentrate on contestable MISSION STATEMENT funding to enhance wise spending of taxpayer funds. This stimulates To be an independent leader in promoting the creative sector to produce the local content and diversity in broadcasting. most widely accessible cultural product in the country. We also Kia tu hei ngarahu motuhake, hei whakatairanga research and analyse developments in broadcasting so we can provide i nga‚ hotaka no te paetata, hei whakanui hoki i te an authoritative voice across the kanorau i te ao papaho.
    [Show full text]
  • The Grand Budapest Hotel Change, He’S Fighting Against Being Recounts the Adventures of Gustave Pigeonholed
    THE ESSENTIAL GUIDE TO SHIT WORTH DOING IN NEW ZEALAND FREE The Grand Budapest Hotelp24 p22 p14 p9 RECORD STORE DAY WATERFRONT REEL BRAZIL FILM FEST. WED 16 APR - TUE 29 APR 2014 . ISSUE 501 . GROOVEGUIDE.CO.NZ CONVERSE.CO.NZ CONVERSE.CO.NZ SAT 24TH MAY VECTOR ARENA TICKETMASTER.CO.NZ | 0800 111 999 TICKETS ON SALE THURS 17TH APRIL GROOVEGUIDE. CO.NZ SCAN THE QR CODE WITH YOUR Top 5 SMARTPHONE TO GO TO GROOVE GUIDE’S MOBILE WEBSITE FOR BREAKING NEWS, REVIEWS, INTERVIEWS AND MORE FEATURES. news WHERE’S THE LOVE? As much as it seemed like an April WE ALSO DO THIS COOL SOCIAL MEDIA STUFF. Fools joke, it’s not! Hanson are heading @GROOVEGUIDE & FACEBOOK.COM/GROOVEGUIDE to Auckland for one show. This tour will mark the band’s first ever appearance GROOVE GUIDE IS NEW ZEALAND’S LEADING MUSIC in New Zealand. 2013 marked the 21st AND ENTERTAINMENT PUBLICATION. 11,000 FREE anniversary of Hanson’s formation. COPIES ARE AVAILABLE FORTNIGHTLY AT MUSIC STORES, CAFES, FAST FOOD OUTLETS, NIGHTCLUBS, The band celebrated the anniversary BARS, RESTAURANTS, CINEMAS AND RETAIL STORES with the launch of their own craft beer, THROUGHOUT NEW ZEALAND. IF YOU WOULD LIKE Mmmhops, inspired by the title of their TO STOCK GROOVE GUIDE PLEASE CONTACT JAMIE@ SCROLLING breakout single. HARKENTERTAINMENT.COM OR CALL (09) 3664616. APRA AMCOS have announced that SEE THEM LIVE: HANSON the 2014 APRA Silver Scroll Awards SUN 17 AUG THE POWERSTATION, AUCKLAND Publisher will be held in Wellington on Thu the Grant Hislop 30 Oct. Now in its 49th year, the Editorial Manager APRA Silver Scroll Awards is a highly Tyler Hislop [email protected] anticipated annual event that recognises Head Writer and celebrates outstanding achievement Hugo Clark in the craft of songwriting.
    [Show full text]
  • Annual Report 2015 NZ on Air Annual Report 2015 Highlights
    Annual Report 2015 NZ On Air Annual Report 2015 Highlights This year we marked 25 years of NZ On Air supporting diverse, local content of a type that the market cannot deliver alone. We committed nearly $132m to support local content on television, radio and online. We funded 916 hours of television, made by 58 different production companies. In a fast-changing environment NZ On Air’s key success is providing quality local 100% of content completed this year is being released. cultural content that appeals to many different people. Funded content is appreciated Our top 10 funded television programmes attracted audiences of more than by audiences who actively choose it over the high volume of foreign content available. 400,000 people each. 1 The largest audience was just under 600,000 people for an episode of Country We finished the year with a small planned deficit, funded from reserves, so we could Calendar. maintain output in an environment of static funding. With careful investment, we still Songs funded in the past year achieved 11.5 million spins or streams; 109.5 million met our targeted outputs. over the four years of the Making Tracks scheme. Funded community radio programming featured over 40 different languages. NZ On Air Expenditure 916 spins/streams of songs funded this year hours of TV content 11.5m 40 largest TV audience different languages 600k on community radio (for an episode of Country Calendar) NZ On Air Annual Report 2015 Contents part 1: This Annual Report is the print version of our first online Board overview 3 Annual Report.
    [Show full text]