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NZSA Bulletin of New Zealand Studies
NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington, -
2014 Annual Report
2014 Annual Report SOLD Five sell-out seasons,including Bellini’s Norma, new OUT Australian opera The Riders, Sondheim’s Into the Woods, children’s production Hansel and Gretel and youth opera The Play of Herod. In partnership with Arts Centre Melbourne, Victorian Opera staged the first ‘relaxed performance’ for children with disabilities attempted in Victoria with children’s production Hansel and Gretel. Two new works staged: Iain Grandage and Alison Croggon’s The Riders, co-produced with Malthouse Theatre, and Richard Mills’ The Play of Herod. Children’s production Hansel and Gretel was staged in a special performance at The Royal Children’s Hospital. Aspiring singers from across Melbourne and regional Victoria joined Victorian Opera and Orchestra Victoria to perform in The Big Sing at Hamer Hall. Regional community choir workshops and masterclasses conducted in Mildura, Wodonga, Stawell, Bendigo and Warragul. The Riders received critical acclaim and two Green Room Awards including ‘New Australian Opera’. The second intake of the National Graduate Opera Program, including seven opera singers and a répétiteur, commenced their Master of Music (Opera Performance) delivered in partnership between Victorian Opera and Melbourne Conservatorium of Music, The University of Melbourne. Victorian Opera launches Australia’s first year-round youth Opera Chorus VOYCE (Victorian Opera Youth Chorus Ensemble). [Image credit: The Riders (cover) photograph by Jeff Busby.] Contents Company Profile 2 Mission 2 Chairman’s Report 3 Artistic Director’s Report 5 Managing Director’s Report 7 Education and Community Engagement Report 9 Activities 2014 11 Artists & Creatives 2014 19 Individual Giving 21 Partners 23 Victorian Opera Board, Staff & Developing Artists 24 Financial Report 27 1 / Victorian Opera Annual Report // 2014 2 Company Mission Profile Victorian Opera: Uniquely Victorian, Victorian Opera aspires to present Uniquely Australian. -
Participating Artists
The Flowers of War – Participating Artists Christopher Latham and in 2017 he was appointed Artist in Ibrahim Karaisli Artistic Director, The Flowers of War Residence at the Australian War Memorial, Muezzin – Re-Sounding Gallipoli project the first musician to be appointed to that Ibrahim Karaisli is head of Amity College’s role. Religion and Values department. Author, arranger, composer, conductor, violinist, Christopher Latham has performed Alexander Knight his whole life: as a solo boy treble in Musicians Baritone – Re-Sounding Gallipoli St Johns Cathedral, Brisbane, then a Now a graduate of the Sydney decade of studies in the US which led to Singers Conservatorium of Music, Alexander was touring as a violinist with the Australian awarded the 2016 German-Australian Chamber Orchestra from 1992 to 1998, Andrew Goodwin Opera Grant in August 2015, and and subsequently as an active chamber Tenor – Sacrifice; Race Against Time CD; subsequently won a year-long contract with musician. He worked as a noted editor with The Healers; Songs of the Great War; the Hessisches Staatstheater in Wiesbaden, Australia’s best composers for Boosey and Diggers’ Requiem Germany. He has performed with many of Hawkes, and worked as Artistic Director Born in Sydney, Andrew Goodwin studied Australia’s premier ensembles, including for the Four Winds Festival (Bermagui voice at the St. Petersburg Conservatory the Sydney Philharmonia Choirs, the Sydney 2004-2008), the Australian Festival of and in the UK. He has appeared with Chamber Choir, the Adelaide Chamber Chamber Music (Townsville 2005-2006), orchestras, opera companies and choral Singers and The Song Company. the Canberra International Music Festival societies in Europe, the UK, Asia and (CIMF 2009-2014) and the Village Building Australia, including the Bolshoi Opera, La Simon Lobelson Company’s Voices in the Forest (Canberra, Scala Milan and Opera Australia. -
Australian Music Calendar Queensland : January – December 2012
australian music calendar Queensland : January – December 2012 The Australian Music Calendar lists events from around Australia which feature music by one or more Australian composers, sound artists or improvisers. Below are events in Queensland in 2012. * denotes World premiere ; ** denotes Australian premiere QUEENSLAND 8 January 2012 - Music inspired by Sandgate : composed by Sarah Hopkins Venue: Sandgate Town Hall, Sandgate, Brisbane, 10am Program: Sarah Hopkins - Invocation, Sonic blue, Remember the joy, Honour the earth, Call to the ancestors, Blessings for world peace, Ancient forests once stood here*. Performers: Geoffrey Fabila, Bronwyn Gibbs, Sarah Hopkins, JAFA Community Choir, Jenni Lake, Moreton Bay Symphony Orchestra. 26 January 2012 - Australia Day Concert Venue: Outdoor Rotunda, Upper Moora Park, Shorncliffe - Brisbane, 2pm Program: Sarah Hopkins - Deep whirly heart song, Sonic blue, Remember the joy, Blessings for world peace. Performers: Geoffrey Fabila, Sarah Hopkins. 24 February 2012 - Topology: The Lady from the Sea Venue: Powerhouse Theatre - Brisbane Powerhouse, New Farm Program: Robert Davidson - Sagarakanyaka* 8 March 2012 - Australian String Quartet : Towards Light Venue: Conservatorium Theatre, Brisbane - Queensland Conservatorium Griffith University, 16 Russell St, South Brisbane, 7.00 pm. Program: Peter Sculthorpe - String quartet no. 11. Also: Dvorak, Shostakovich. Performers: Australian String Quartet, Daniel de Borah. 10 March 2012 - The Australian Voices in concert Venue: Redland Performing Art Centre -
December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: the Dance of Life – an Interview with Jan Bolwell
December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: The Dance of Life – an interview with Jan Bolwell Also In This Issue: Fulbright in the News | Awards and Appointments of Note | Grantee Experience: A Year in the Life of a Māori Geneticist with Aneska Hoskin | Alumni Spotlight: Fulbright Teachers Return to their Classrooms with Expanded World Views | Kai and Korero | Fulbright NZ Scholar Shona Munro on Kiwi Policing | Fulbright Announcement: Introducing Fulbright Good Works – a New Alumni Seminar Series THE TEAM FROM THE EXECUTIVE DIRECTOR This is our final issue of Bright Sparks for the Bright Sparks. Fulbright Science and Innovation PIP CLIMO JAMIE ROBERTSON year, and what a year it has been! Whereas 2019 was graduate Hamish Prince has been busy research- PROGRAMME MANAGER EXECUTIVE AND CORPORATE [email protected] SERVICES ASSISTANT full of firsts—the first ever Fulbright rebrand, the ing the vast storms known as “atmospheric rivers” [email protected] first global meeting of Fulbright Executive Direc- while he waits to take up his Fulbright scholar- tors in Washington DC, the first year our grantees ship next year. Geneticist Aneska Hoskin, also a were able to enjoy the benefits of increased fund- member of this year’s graduate cohort, outlines ing from MFAT—2020 has been characterised by some of the key lessons learnt during her year THERESE LLOYD JULIE WILLIAMS thwarted expectations and continual challenges. spent as a research assistant at Ngati Porou SENIOR COMMUNICATIONS ADVISOR CORPORATE SERVICES MANAGER [email protected] [email protected] But it has also been transformative. -
SYDNEY SYMPHONY UNDER the STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair
SYDNEY SYMPHONY Photo: Photo: Jamie Williams UNDER THE STARS SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA PROGRAM Dmitri Shostakovich (Russian, 1906–1975) SYDNEY Festive Overture SYMPHONY John Williams (American, born 1932) Hedwig’s Theme from Harry Potter UNDER THE Wolfgang Amadeus Mozart (Austrian, 1756–1791) Finale from the Horn Concerto No.4, K.495 STARS Ben Jacks, horn SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA THE CRESCENT Hua Yanjun (Chinese, 1893–1950) PARRAMATTA PARK Reflection of the Moon on the Lake at Erquan 8PM, 19 JANUARY 120 MINS John Williams Highlights from Star Wars: Imperial March Benjamin Northey conductor Cantina Music Diana Doherty oboe Main Title Ben Jacks horn INTERVAL Sydney Symphony Orchestra Gioachino Rossini (Italian, 1792–1868) Galop (aka the Lone Ranger Theme) from the overture to the opera William Tell Percy Grainger (Australian, 1882–1961) The Nightingale and the Two Sisters from the Danish Folk-Song Suite Edvard Grieg (Norwegian, 1843–1907) Highlights from music for Ibsen’s play Peer Gynt: Morning Mood Anitra’s Dance In the Hall of the Mountain King Ennio Morricone (Italian, born 1928) Theme from The Mission Diana Doherty, oboe Josef Strauss (Austrian, 1827–1870) Music of the Spheres – Waltz Pyotr Ilyich Tchaikovsky (Russian, 1840–1893) 1812 – Festival Overture SYDNEYSYDNEY SYMPHONY SYMPHONY UNDER UNDER THE STARS THE STARS SYDNEY SYMPHONY UNDER THE STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair Benjamin Northey is Chief Conductor of the Christchurch Diana Doherty joined the Sydney Symphony Orchestra as Symphony Orchestra and Associate Conductor of the Principal Oboe in 1997, having held the same position with Melbourne Symphony Orchestra. -
Registered Master Rights Holders (Labels)
RECORDED MUSIC NZ - REGISTERED MASTER RIGHTS HOLDERS (LABELS) As at AUGUST 2021 #23 RECORDS ADAM HATTAWAY ALEXANDER WILDWOOD *JOY* ADAM HATTAWAY AND THE ALIEN WEAPONRY HAUNTERS @PEACE ALISTAIRFRASER ADAM MCLEAN 1814 ALIZARIN LIZARD ADAM TUKIRI 2 AM ORCHESTRA ALKEMY THEATRE ADAM WHAUWHAU 2POP LIMITED ALL THE COLOURS ADELAIDE CARA 2XM ALLAN WILKINS ADORE 1996 303 ENT LTD ALLAN WILSON ADRIAN HOLLAY 37 HZ LIMITED ALLANA GOLDSMITH AEROPLANE MUSIC 4SAYKEN SERVICES LIMITED AllGOOD ABSOLUTE ALTERNATIVE RECORDS 60/40 RECORDS AFFSID AND JEFF PREME LTD 60LIVE ENTERTAINMENT AFFSID KIDJHAGIFFY ALPHA BETA GAMMA LTD AFTA DINA MINT ALPHABETHEAD 6EMBLANCE AFTER OURS ALPHADOGG 8 STEPS TO MADNESS AGE PRYOR ALPHAMAX RECORDS LTD 8 YEARS ROUND AGENT ALSJAY 80HD RECORDS AHJAY STELINO ALY COOK 833 RECORDS AHORANGI ALYX 9-5ERS LIMITED AIDAN FINE AMAMELIA A BIT NIGEL AJ CRAWSHAW AMBA HOLLY A DEAD FOREST INDEX AKCEPT AMBEDO A LABEL CALLED SUCCESS AL INGHAM AMBER MAYA A MOVING PRODUCTION LTD ALAE AMELIA MCNABB A THOUGHT THAT CAME TO ALAN AND ALANA AMESSOFI MIND ALAN BROWN AMMP A.C. FREAZY ALAN BROWN TRIO AMNESIA JAMES AARON CARPENTER AND THE REVELATORS ALAYNA POWLEY ANABAC AARON DUTTON ALCHEMY MINE ANABEL JAMIESON AARONJURY ALEX CLOVER ANALISE TWEMLOW ABBY WOLFE ALEX TZ AND WHAT ABIGAIL KNUDSON ALEXA CASINO ANDIVERSE ABOUT THE DEADLINES ALEXANDER HARMER ANDREW MASSEURS ABOVE THE CIRCLE ALEXANDER LUCK ANDREW MOCKLER ACIDMORPH ALEXANDER LUCK AND WET ANDREW PAPAS BANDITS ANDREW RUTHERFORD RECORDED MUSIC NZ - REGISTERED MASTER RIGHTS HOLDERS (LABELS) As at AUGUST 2021 AND$UM ARCH DYNASTY AVON DADS ANDY BLUE THE ROCK ARCH HILL RECORDINGS AVYA GRACE TOYS ARISE CHURCH AWA MUSIC LTD ANDY DWYER ARJUNA OAKES AZURE ANDY GARTRELL ARKH LTD B-LUSH ANDYGIBSON ARLO MAC B O K E H ANGELFISH KIDS ARMA DEL AMOR B.A.D.S ANGEL STAR PUBLISHING HOUSE LTD ARMED IN ADVANCE BABY SITTERS CIRCUS ANGELO KING JONO DAS ARO BABY TEETH ANGELS GATE RECORDS ARRAYS BABY ZIONOV ANIKA MOA ART INC NZ LIMITED My BACKYARD MUSIC Tools ANITA A.R.T. -
The Bone Feeder
THE BONE FEEDER COMMISSIONED BY AUCKLAND ARTS FESTIVAL PRESENTED IN ASSOCIATION WITH NEW ZEALAND OPERA COMPOSER GARETH FARR LIBRETTIST RENEE LIANG CONDUCTOR PETER SCHOLES DIRECTOR SARA BRODIE FREE PROGRAMME IN ASSOCIATION WITH WWW.AAF.CO.NZ / #AKLFEST FACEBOOK.COM/AKLFESTIVAL WITH SUPPORT FROM PLATINUM PATRONS @AKLFESTIVAL SIR RODERICK AND GILLIAN, LADY DEANE BILL AND FRANCES BELL SIR JAMES WALLACE - THE WALLACE FOUNDATION @AKLFESTIVAL WITH SUPPORT FROM THE BONE FEEDER COMMISSIONED & PRODUCED BY AUCKLAND ARTS FESTIVAL PRESENTED IN ASSOCIATION WITH NEW ZEALAND OPERA ASB WATERFRONT THEATRE THURSDAY 23 MARCH – SATURDAY 25 MARCH, 8.00PM SUNDAY 26 MARCH, 6.30PM 1 HOUR 15 MINS WITH NO INTERVAL POST-SHOW TALK FRIDAY 24 MARCH NAU MAI, HAERE MAI, KI TE AHUREI TOI Ō TAMAKI WELCOME TO AUCKLAND ARTS FESTIVAL 2017 Great artists cause controversy, start revolutions and little by little change the world. Festivals like ours are a catalyst for change creating opportunities for artists to communicate with audiences and audiences to respond to artists’ work. Throughout the Festival you will find small threads that deal with our world today. We hope that the work in the Festival can make you think, laugh, scream a little and perhaps even cry. It has been a long journey for the opera The Bone Feeder to get from an idea to the stage. A number of years ago I saw Renee Liang’s play. I liked the surreal nature of it and thought it would make an interesting opera with its story in different worlds. I approached Renee, and was delighted she agreed to consider writing the libretto, which is an enormous step for a playwright. -
Saluteremembering WW1: Four Dance Works
EDUCATION RESOURCE Education rnzb.org.nz facebook.com/nzballet SALUTERemembering WW1: Four dance works NATIONAL SPONSOR SUPPORTED BY MAJOR SUPPORTER SUPPORTING EDUCATION CURRICULUM In this unit you and your students will: LEARNING OBJECTIVES FOR • Learn about the elements that come LEVELS 7 & 8 together to create a theatrical ballet experience. Level 7 students will learn how to: • Identify the processes involved in making a • Understand dance in context – Investigate theatre production. and evaluate the effects of individual, social, cultural, and technological influences on the development of a variety of dance genres and styles. CURRICULUM LINKS IN THIS • Develop practical knowledge – UNIT Extend skills in the vocabulary, practices, Values and technologies of selected dance genres Students will be encouraged to value: and styles. • Innovation, inquiry and curiosity, by thinking • Communicate and interpret – Analyse, critically, creatively and reflectively. explain, and discuss aspects of performance • Diversity, as found in our different cultures and choreography in a range of dance and heritages. works. • Community and participation for the common good. Level 8 students will learn how to: • Understand dance in context – Investigate, analyse, and discuss the features, history, KEY COMPETENCIES issues, and development of dance in New Zealand, including the contribution of • Using language, symbols and text – selected individuals and groups. Students will recognise how choices of • Develop practical knowledge – language and symbols in live theatre affect Extend and refine skills, practices, and use people’s understanding and the ways in of technologies in a range of dance genres which they respond. and styles. • Relating to others – Students will develop • Communicate and interpret – Critically the ability to listen actively and share ideas analyse, interpret, and evaluate the artistic regarding theatrical ballet performances. -
Gareth Farr Text Only
sion by the 2003 Auckland Festival resulted in Stone and Ice, “Gareth is the most composed for the combined forces of the NZSO and the Auck- amazingly prolific land Philharmonia Orchestra. In 2006 Gareth was made an and talented Officer of the New Zealand Order of Merit, for his services to composer. music and entertainment, and in 2010 he was a recipient of the He makes music prestigious NZ Arts Laureate Award. very accessible to young and Farr’s music is particularly influenced by his extensive study of old alike” percussion, both Western and non-Western. Rhythmic elements of his compositions can be linked to the complex and Helen Clark exciting rhythms of Rarotongan log drum ensembles, Balinese Gareth Farr (1968) is a New Zealand Former Prime Minister gamelan and other percussion music of the Pacific Rim. of New Zealand composer and percussionist. In addition to his music for the concert chamber, Farr has writ- ten music for dance, theatre and television. In 2003 Farr won the Chapman Tripp theatre award for his soundtrack to Vula – a Gareth Farr was born in Wellington, New Zealand. He began his NZ/Pacific Island theatre piece – that went on to perform studies in composition and percussion performance at Auck- extensively overseas including Australia, the Netherlands and land University. The experience of hearing a visiting gamelan London. orchestra prompted his return to Wellington to attend Victoria University, where the characteristic rhythms and textures of In 2006, the Royal New Zealand Ballet toured the country with the Indonesian gamelan rapidly became the hallmarks of his their brand new work The Wedding, featuring a score by Gareth own composition. -
Gareth Farr (1968) Is a New Zealand Composer and Percussionist
In 2006 Gareth was made an Officer of the New Zealand Order of Merit, for his services to music and entertainment, in 2010 he was a recipient of the prestigious NZ Arts Laureate Award, and in 2014 he was awarded the Distinguished Alumni Award from The University of Auckland. Farr’s music is particularly influenced by his extensive study of percussion, both Western and non-Western. Rhythmic elements of his compositions can be linked to the complex and exciting rhythms of Rarotongan log drum ensembles, Balinese gamelan and other percussion music of the Pacific Rim. In addition to his music for the concert chamber, Farr has written music Gareth Farr (1968) is a New Zealand for dance, theatre, television and film. He has won four Chapman Tripp theatre awards including his soundtrack to Vula, a NZ/Pacific Island composer and percussionist. theatre piece that went on to perform extensively overseas including Australia, the Netherlands and London. Gareth Farr was born in Wellington, New Zealand. He began his “Gareth is the most studies in composition and percussion at the University of Auckland amazingly prolific In 2006, the Royal New Zealand Ballet toured the country with their in 1986. The experience of hearing a visiting gamelan orchestra in and talented brand new work The Wedding, featuring a score by Gareth Farr. 1988 prompted his return to Wellington to attend Victoria University, At 90 minutes, it was among the ballet company’s most ambitious where the characteristic rhythms and textures of the Indonesian composer. projects, and brought Farr together with prominent New Zealand gamelan rapidly became the hallmarks of his own composition. -
Mongrel Media
Mongrel Media Presents BOY A Film by Taika Waititi (90 min., New Zealand, 2011) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html FACT SHEET Title: BOY Writer/Director: Taika Waititi Producers : Ainsley Gardiner, Cliff Curtis, Emanuel Michael Co-Producer : Merata Mita Associate Producer: Richard Fletcher Production Company : Whenua Films, Unison Films In association with : The New Zealand Film Production Fund Trust, The New Zealand Film Commission, NZ On Air, Te Mangai Paho. Running Time : 90 minutes approx Starring : James Rolleston, Te Aho Eketone-Whitu, Taika Waititi Director of Photography : Adam Clark Editor : Chris Plummer Music : The Phoenix Foundation Production Designer : Shayne Radford Hair and Makeup: Danelle Satherley Costume Designer : Amanda Neale Casting: Tina Cleary SHORT SYNOPSIS The year is 1984, and on the rural East Coast of New Zealand “Thriller” is changing kids’ lives. Inspired by the Oscar nominated Two Cars, One Night, BOY is the hilarious and heartfelt coming-of-age tale about heroes, magic and Michael Jackson. BOY is a dreamer who loves Michael Jackson. He lives with his brother ROCKY, a tribe of deserted cousins and his Nan. Boy’s other hero, his father, ALAMEIN, is the subject of Boy’s fantasies, and he imagines him as a deep sea diver, war hero and a close relation of Michael Jackson (he can even dance like him).