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The Sydney Morning Herald
Forget polling voters, just ask the punters - Opinion - smh.com.au http://www.smh.com.au/news/opinion/forget-polling-voters-just-ask-the... Home » Opinion » Article Forget polling voters, just ask the punters John Garnaut February 9, 2007 THIS week three years ago, David Cox, Labor's slightly dishevelled member for the Adelaide seat of Kingston, stopped to contemplate his fortune in the parliamentary corridor. His party had surged to a 6 percentage point lead in the opinion polls, after years of wretched irrelevance. Publicly, Labor had been talking with caution and humility; privately it was a different story. Cox, a hard-headed economist and strategist, allowed a schoolboy grin to spread across his usually deadpan face. "It's amaaaaazing," he said. That was February 2004. Nine months later, voters threw Cox out of his seat and gave his party another thrashing. Now, Labor is led by a cautious workhorse with none of Mark Latham's fissile characteristics. John Howard has aged three years; and with Iraq, climate change and perhaps interest rates, the times that famously suited him appear to have shifted. Labor's opinion poll lead is now 10 points, not six. Yet there is none of the premature celebration that marked Labor three years ago, and only a hint of the panic that rippled through the Coalition. Chastened by their Latham exuberance, press gallery reporters are falling over themselves to show sagacious restraint and predict a Howard comeback. The pundits now know better than to be swept around by opinion polls. As economists such as Justin Wolfers and Andrew Leigh have shown, polls can have almost zero predictive value so far out from an election. -
Chapter 13: Drama and Theatre in and for Schools:
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Commons@Waikato http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Drama and Theatre in and for Schools: Referencing the nature of theatre in contemporary New Zealand A thesis submitted in partial fulfilment of the requirements for the degree of Degree Master of Arts in Theatre Studies) at The University of Waikato by Jane Isobel Luton _________ The University of Waikato 2010 Abstract This thesis considers the nature of drama and theatre in and for schools and references the nature of theatre in contemporary New Zealand. Drama in schools in New Zealand has developed from the earliest school productions in the 1800's, through its perceived role to enrich lives, to becoming a discrete Arts subject within the New Zealand educational curriculum in 1999. -
AN Smith Lecture by Michael Gawenda
A N Smith Lecture in Journalism The University of Melbourne __________________________________________________________________ Do newspapers have a future? And how long is that future? Michael Gawenda Thank you all for coming and thank you Vice Chancellor Glyn Davis for asking me to give this lecture. I am in the company of some very distinguished people who have given the A.N. Smith lecture in the past. I hope I can be somewhere near as interesting and provocative as some of them were. I want to start with a couple of quotes from dead old white men, a demographic I am bound, sooner or later, to join. That’s my future taken care of. I state the obvious of course, but do so because how journalists and editors like me regard the future of newspapers depends on how much of a future we ourselves have--in newspapers and in life. Most these quotes come from books and articles I have not read. They are quotes I have found by using the Google search engine. The Google search engine has now become a widespread research tool in journalism. The effects are not always benign. Still, I have, at times, succumbed to its seductiveness. In 1961, the American playwright Arthur Miller said: `A good newspaper, I suppose, is a nation talking to itself.’ I think that with a small edit, the sort a sub- editor of a certain type could easily perform, this Miller attempt at wisdom about newspapers could have said something that would be as true today as it would have been almost a half century ago : `A bad newspaper, I suppose, is a newspaper talking to itself’. -
A Few Tips for Opinion Piece Writers Andrew Leigh
A Few Tips for Opinion Piece Writers Andrew Leigh Updated February 2008 In Australia, opinion pieces are more important than they probably should be. Lacking broad-based expert-written policy magazines like the New Republic, Atlantic Monthly or Spectator, much of the discussion about ideas in Australia occurs on our opinion pages.1 And there isn’t much space for it. We have five broadsheets in Australia: the Sydney Morning Herald, Age, Australian, Canberra Times and the Australian Financial Review (the last a tabloid-sized broadsheet). Given that most have their own regular columnists, this means only about five to ten places for new voices each day. There are two implications of this. First, if you have something to say that’s of interest to a generalist audience, it’s worth trying to write an opinion piece and get it placed. While academic articles are important, most will only be read by a few thousand people. The same goes for online journals. By contrast, the Age and Sydney Morning Herald have a circulation of over 200,000. Second, there is a lot of competition for Australia’s limited opinion page territory, so you will need to be persistent, and may need to send it to more than one paper before it gets a run. What follows was originally written as the basis for a training session that I conducted in 2004 for OzProspect fellows, a talented bunch of young Aussies who are working to get their ideas into the public domain. A couple of people afterwards expressed interest in a document that aimed to demystify the opinion piece game. -
Jackie Clarke In
JACKIE CLARKE IN BOOK BY NEIL SIMON MUSIC BY CY COLEMAN LYRICS BY DOROTHY FIELDS BASED ON AN ORIGINAL SCREENPLAY BY FEDERICO FELLINI, TULLIO PINELLI AND ENNIO FLAIANO PRODUCED FOR THE BROADWAY STAGE BY FRYER, CARR AND HARRIS CONCEIVED, STAGED AND CHOREOGRAPHED BY BOB FOSSE PREMIER PARTNER MAJOR FUNdERS MAJOR SUPPORTERS MEDIA PARTNERS SUPPORTING PARTNERS Air New Zealand Maidment Theatre Auckland Art Gallery Toi O Tãmaki SKYCITY Theatre BDO Spicers The Castle Trust Canon The Great Catering Company The Hyperfactory NBR Illy Screentime ADDRESS SUBSCRIBER DIRECTLINE WEBSITE AUCKLAND THEATRE COMPANY 09 309 3395 WWW.ATC.CO.NZ LEVEL 2, 108 QUAY STREET ADMINISTRATION WWW.SWEETCHARITY.CO.NZ PO BOX 105-941, AUCKLAND CITY 09 309 0390 EMAIL AUCKLAND [email protected] ARTISTIC DIRECTOR / AUCKLAND THEATRE COMPANY COLIN McCOLL Welcome to the final offering in our 2006 Things We Do For Love season. Sweet Charity really is an act of love. Legendary Italian film-maker Federico Fellini created the filmNights of Cabiria for his wife Giulietta Masina. The famous American choreographer Bob Fosse then turned it into a Broadway musical for his wife Gwen Verdon. Perhaps best known from the iconic 1966 film starring Shirley McLaine, Sweet Charity is a feel-good dance musical in the best sense. I love Jackie Clarke’s work and have been looking for something to showcase her talents for some time. The New Zealand Post Season of Sweet Charity is the perfect vehicle for her great voice, her playfulness, her mimicry, her extraordinary understanding of musical styles and her irrepressible energy. I’m also privileged to work with two of New Zealand’s finest and most committed artists, choreographer Shona McCullagh, and musical director/arranger (and composer in his own right), John Gibson. -
Registered Master Rights Holders (Labels)
RECORDED MUSIC NZ - REGISTERED MASTER RIGHTS HOLDERS (LABELS) As at AUGUST 2021 #23 RECORDS ADAM HATTAWAY ALEXANDER WILDWOOD *JOY* ADAM HATTAWAY AND THE ALIEN WEAPONRY HAUNTERS @PEACE ALISTAIRFRASER ADAM MCLEAN 1814 ALIZARIN LIZARD ADAM TUKIRI 2 AM ORCHESTRA ALKEMY THEATRE ADAM WHAUWHAU 2POP LIMITED ALL THE COLOURS ADELAIDE CARA 2XM ALLAN WILKINS ADORE 1996 303 ENT LTD ALLAN WILSON ADRIAN HOLLAY 37 HZ LIMITED ALLANA GOLDSMITH AEROPLANE MUSIC 4SAYKEN SERVICES LIMITED AllGOOD ABSOLUTE ALTERNATIVE RECORDS 60/40 RECORDS AFFSID AND JEFF PREME LTD 60LIVE ENTERTAINMENT AFFSID KIDJHAGIFFY ALPHA BETA GAMMA LTD AFTA DINA MINT ALPHABETHEAD 6EMBLANCE AFTER OURS ALPHADOGG 8 STEPS TO MADNESS AGE PRYOR ALPHAMAX RECORDS LTD 8 YEARS ROUND AGENT ALSJAY 80HD RECORDS AHJAY STELINO ALY COOK 833 RECORDS AHORANGI ALYX 9-5ERS LIMITED AIDAN FINE AMAMELIA A BIT NIGEL AJ CRAWSHAW AMBA HOLLY A DEAD FOREST INDEX AKCEPT AMBEDO A LABEL CALLED SUCCESS AL INGHAM AMBER MAYA A MOVING PRODUCTION LTD ALAE AMELIA MCNABB A THOUGHT THAT CAME TO ALAN AND ALANA AMESSOFI MIND ALAN BROWN AMMP A.C. FREAZY ALAN BROWN TRIO AMNESIA JAMES AARON CARPENTER AND THE REVELATORS ALAYNA POWLEY ANABAC AARON DUTTON ALCHEMY MINE ANABEL JAMIESON AARONJURY ALEX CLOVER ANALISE TWEMLOW ABBY WOLFE ALEX TZ AND WHAT ABIGAIL KNUDSON ALEXA CASINO ANDIVERSE ABOUT THE DEADLINES ALEXANDER HARMER ANDREW MASSEURS ABOVE THE CIRCLE ALEXANDER LUCK ANDREW MOCKLER ACIDMORPH ALEXANDER LUCK AND WET ANDREW PAPAS BANDITS ANDREW RUTHERFORD RECORDED MUSIC NZ - REGISTERED MASTER RIGHTS HOLDERS (LABELS) As at AUGUST 2021 AND$UM ARCH DYNASTY AVON DADS ANDY BLUE THE ROCK ARCH HILL RECORDINGS AVYA GRACE TOYS ARISE CHURCH AWA MUSIC LTD ANDY DWYER ARJUNA OAKES AZURE ANDY GARTRELL ARKH LTD B-LUSH ANDYGIBSON ARLO MAC B O K E H ANGELFISH KIDS ARMA DEL AMOR B.A.D.S ANGEL STAR PUBLISHING HOUSE LTD ARMED IN ADVANCE BABY SITTERS CIRCUS ANGELO KING JONO DAS ARO BABY TEETH ANGELS GATE RECORDS ARRAYS BABY ZIONOV ANIKA MOA ART INC NZ LIMITED My BACKYARD MUSIC Tools ANITA A.R.T. -
Griffith REVIEW Editon 43: Pacific Highways
Griffith 43 A QUARTERLY OF NEW WRITING & IDEAS GriffithREVIEW43 Pacific Highways ESSAY HINEMOANA BAKER Walking meditations BERNARD BECKETT School report DAVID BURTON A Kiwi feast HAMISH CLAYTON The lie of the land RE KATE DE GOLDI Simply by sailing in a new direction LYNN JENNER Thinking about waves FINLAY MACDONALD Primate city LYNNE McDONALD Cable stations V GREGORY O’BRIEN Patterns of migration ROBERTO ONELL To a neighbour I am getting to know IE ROD ORAM Tectonic Z REBECCA PRIESTLEY Hitching a ride W HARRY RICKETTS On masks and migration JOHN SAKER Born to run CARRIE TIFFANY Reading Geoff Cochrane MATT VANCE An A-frame in Antarctica 43 IAN WEDDE O Salutaris LYDIA WEVERS First, build your hut DAMIEN WILKINS We are all Stan Walker ALISON WONG Pure brightness Highways Pacific ASHLEIGH YOUNG Sea of trees MEMOIR KATE CAMP Whale Road PAMELA ‘JUDY’ ROSS Place in time PETER SWAIN Fitting into the Pacific LEILANI TAMU The beach BRIAN TURNER Open road MoreFREE great eBOOKstories and KATE WOODS Postcard from Beijing poetry are available in PACIFIC HIGHWAYS Vol. 2 REPORTAGE as a free download at SALLY BLUNDELL Amending the map www.griffithreview.com STEVE BRAUNIAS On my way to the border GLENN BUSCH Portrait of an artist FICTION WILLIAM BRANDT Getting to yes EMILY PERKINS Waiheke Island CK STEAD Anxiety POETRY JAMES BROWN GEOFF COCHRANE CLIFF FELL PACIFIC DINAH HAWKEN YA-WEN HO BILL MANHIRE GREGORY O’BRIEN HIGHWAYS VINCENT O’SULLIVAN CO-EDITED BY JULIANNE SCHULTZ ‘Australia’s most stimulating literary journal.’ & LLOYD JONES Cover design: Text Publishing design: Text Cover Canberra Times JOURNAL QUARTERLY Praise for Griffith REVIEW ‘Essential reading for each and every one of us.’ Readings ‘A varied, impressive and international cast of authors.’ The Australian ‘Griffith REVIEW is a must-read for anyone with even a passing interest in current affairs, politics, literature and journalism. -
Sydney Is Singularly Fortunate in That, Unlike Other Australian Cities, Its Newspaper History Has Been Well Documented
Two hundred years of Sydney newspapers: A SHORT HISTORY By Victor Isaacs and Rod Kirkpatrick 1 This booklet, Two Hundreds Years of Sydney Newspapers: A Short History, has been produced to mark the bicentenary of publication of the first Australian newspaper, the Sydney Gazette and New South Wales Advertiser, on 5 March 1803 and to provide a souvenir for those attending the Australian Newspaper Press Bicentenary Symposium at the State Library of New South Wales, Sydney, on 1 March 2003. The Australian Newspaper History Group convened the symposium and records it gratitude to the following sponsors: • John Fairfax Holdings Ltd, publisher of Australia’s oldest newspaper, the Sydney Morning Herald • Paper World Pty Ltd, of Melbourne, suppliers of original newspapers from the past • RMIT University’s School of Applied Communication, Melbourne • The Printing Industries Association of Australia • The Graphic Arts Merchants Association of Australia • Rural Press Ltd, the major publisher of regional newspapers throughout Australia • The State Library of New South Wales Printed in February 2003 by Rural Press Ltd, North Richmond, New South Wales, with the assistance of the Printing Industries Association of Australia. 2 Introduction Sydney is singularly fortunate in that, unlike other Australian cities, its newspaper history has been well documented. Hence, most of this short history of Sydney’s newspapers is derived from secondary sources, not from original research. Through the comprehensive listing of relevant books at the end of this booklet, grateful acknowledgement is made to the writers, and especially to Robin Walker, Gavin Souter and Bridget Griffen-Foley whose work has been used extensively. -
Bend the Underwater Melon Man Mp3, Flac, Wma
Bend The Underwater Melon Man mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Underwater Melon Man Country: New Zealand Released: 1999 Style: Alternative Rock, Pop Rock, Parody MP3 version RAR size: 1610 mb FLAC version RAR size: 1134 mb WMA version RAR size: 1280 mb Rating: 4.9 Votes: 975 Other Formats: AU MIDI MMF MOD FLAC TTA WMA Tracklist Hide Credits The Underwatermelon Man 1 Drums – Jim LawrieGuitar, Vocals – Fane FlawsVocals – Chris Knox Melon - Cauli Baby 2 Backing Vocals – Jenny Morris, Tony BackhousePerformer [Ollie] – Fane FlawsPerformer [Wally] – Shaan FlawsPiano – Peter DasentVocals – Tim Finn The Girl With The Porcupine Coat 3 Performer [Banker] – Don McGlashanVocals – Jenny Morris The Man With The Cast Iron Belly 4 Drums – Hamish Stuart Guitar – Ian DatePiano – Peter DasentVocals – George WashingmachineWritten-By, Double Bass – Zwartz* Neville The Enchanted Rug 5 Bass – George BarrisDrums – Jim LawrieGuitar – Darren Watson , Fane FlawsPerformer [Louise] – Linda Topp*Piano – Peter DasentVocals – Neil Finn The Hide & Seeky Bird 6 Backing Vocals – The Four Squares Bass Drum – Fane FlawsVoice – John Clarke The Girl With The Empty Head 7 Vocals – Bic Runga, Boh Runga The Wicked Conjuror 8 Double Bass – Jonathan ZwartzDrums – Hamish Stuart Organ – Peter DasentSaxophone – Tim Hopkins*Vocals – Dave Dobbyn Pottie Training 9 Performer [Ringmaster] – Mikey HavocVocals – Jackie Clarke Money Trees 10 Backing Vocals – Shaan Flaws, Steve Roche Double Bass – Patrick BleakleyDrums – Jim LawrieVocals – Fane Flaws Thirteen -
An Exploratory Case Study of a Regional Screen Production
An exploratory case study of a regional screen production business developing fiscal sustainability, commercial responsibility, and competitive advantage in the market Thesis submitted by Gerard Anthony Reed BA (University of NSW); MA (University of the Arts, London); Master of Entrepreneurship (The University of Adelaide); Member, Screen Producers Australia (SPA), Action Learning, Action Research Association (ALARA), Small Enterprise Association of Australia & New Zealand (SEAANZ) The University of Adelaide Faculty of the Professions Entrepreneurship, Commercialisation and Innovation Centre (ECIC) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy October 2016 Table of Contents Table of Contents ii List of tables iv List of figures v Statement of originality viii List of recent activity ix Acknowledgements x List of abbreviations xi Abstract xiii Introduction 2 1.1 Context and rationale for the study 2 1.1.1 On location in Adelaide, SA 1.1.2 The nature of the problem 1.2 Conceptual framework and method 18 1.2.1 Experiencing the parabolic scramble: The filmmaker as entrepreneur 1.2.2 Method: Using Remo Media/Reed Films to conduct action research 1.3 Limitations of the study 32 1.4 The significance of the study 33 1.5 Organisation of the thesis 33 Chapter 1: Introduction Chapter 2: Methodology and methods Chapter 3: Literature as data Chapter 4: Research activity and results Chapter 5: Conclusion Methodology and methods 37 2.1 Subjectivism in research about entrepreneurship 38 2.2 Background for -
Mongrel Media
Mongrel Media Presents BOY A Film by Taika Waititi (90 min., New Zealand, 2011) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html FACT SHEET Title: BOY Writer/Director: Taika Waititi Producers : Ainsley Gardiner, Cliff Curtis, Emanuel Michael Co-Producer : Merata Mita Associate Producer: Richard Fletcher Production Company : Whenua Films, Unison Films In association with : The New Zealand Film Production Fund Trust, The New Zealand Film Commission, NZ On Air, Te Mangai Paho. Running Time : 90 minutes approx Starring : James Rolleston, Te Aho Eketone-Whitu, Taika Waititi Director of Photography : Adam Clark Editor : Chris Plummer Music : The Phoenix Foundation Production Designer : Shayne Radford Hair and Makeup: Danelle Satherley Costume Designer : Amanda Neale Casting: Tina Cleary SHORT SYNOPSIS The year is 1984, and on the rural East Coast of New Zealand “Thriller” is changing kids’ lives. Inspired by the Oscar nominated Two Cars, One Night, BOY is the hilarious and heartfelt coming-of-age tale about heroes, magic and Michael Jackson. BOY is a dreamer who loves Michael Jackson. He lives with his brother ROCKY, a tribe of deserted cousins and his Nan. Boy’s other hero, his father, ALAMEIN, is the subject of Boy’s fantasies, and he imagines him as a deep sea diver, war hero and a close relation of Michael Jackson (he can even dance like him). -
Apra Silver Scroll Awards Winners
APRA SILVER SCROLL AWARDS/50years 65 66 67 68 69 70 71 72 73 74 Wayne Kent-Healey Ray Columbus Roger Skinner David Jordan David Jordan Wayne Mason Corben Simpson Stephen Robinson Ray Columbus & Mike Harvey John Hanlon Teardrops I Need You Let’s Think of Something I Shall Take My Leave Out of Sight, Out of Mind Nature Have You Heard a Man Cry? Lady Wakes Up Jangles, Spangles and Banners Lovely Lady 75 76 77 78 79 80 81 82 83 84 John Hanlon Mike Harvey Lea Maalfrid Steve Allen Sharon O’Neill Paul Schreuder Phil Judd, Wayne Stevens Stephen Young Stephen Bell-Booth Hammond Gamble Windsongs All Gone Away Lavender Mountain Why Do They? Face In a Rainbow You’ve Got Me Loving You & Mark Hough I Can’t Sing Very Well All I Want Is You Look What Midnight’s Counting The Beat Done to Me 85 86 87 88 89 90 91 92 93 94 Malcom Black Tony Waine Dave Dobbyn Shona Laing Stephen Bell-Booth Guy Wishart Rikki Morris Shona Laing Dave Dobbyn Don McGlashan & Nick Sampson Abandoned By Love You Oughta Be In Love Soviet Snow Hand It Over Don’t Take Me For Granted Heartbroke Mercy of Love Belle of the Ball Anchor Me For Today 95 96 97 98 99 00 01 02 03 04 Strawpeople Bic Runga Greg Johnson Dave Dobbyn Bill Urale Chris Knox Neil Finn Che Ness & Godfrey de Grut Nesian Mystik Scribe Sweet Disorder Drive Liberty Beside You Reverse Resistance My Only Friend Turn and Run Misty Frequencies For the People Not Many 05 06 07 08 09 10 11 12 13 14 Evermore Don McGlashan Brooke Fraser Opshop James Milne & Luke Buda The Naked and Famous Dave Baxter Stephanie Brown Ella Yelich-O’Connor Tami & Joshua Neilson It’s Too Late Bathe In the River Albertine One Day Apple Pie Bed Young Blood Love Love Love Everything To Me & Joel Little Walk (Back To Your Arms) Royals.