DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 32,1912-1913, Trip

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 32,1912-1913, Trip FOURTH CONCERT OF THE ELLIS COURSE MECHANICS HALL . WORCESTER Utasimt ^ptplfotttj ©rrff?0ira Thirty-second Season, {9(2-1913 Dr. KARL MUCK, Conductor •programme of % SECOND CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, FEBRUARY 11 AT 8.00 COPYRIGHT, 1912, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER This Piano is Endorsed by Hundreds of the Leading Music Teachers of New England They know the satisfaction of owning pianos that come up to the highest standards. They appreciate the wonderful Jewett tone. THE JEWETT IS THE FAVORITE PIANO OF NEW ENGLAND More Jewett Pianos are bought by the people of New England each year than of any other make of equal cost. PRICES : Notwithstanding many important improvements ~ in the past two years, the various Jewett Pianos are sold at the same prices — from $375 up, and on the same easy terms if desired. Sold exclusively at our own Stores throughout New England M. STEINERT & SONS CO. 308 MAIN STREET, WORCESTER Owing to the illness of Dr. Muck, Mr. Otto Urack will conduct. H H 1 MECHANICS HALL . WORCESTER Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor SECOND CONCERT TUESDAY EVENING, FEBRUARY 1 AT 8.00 PROGRAMME Sibelius .... Symphony No. i, in E minor, Op. 39 I. Andante ma non troppo; Allegro energico. II. Andante, ma non troppo lento. III. Allegro. IV. Finale (Quasi una fantasia) : Andante; Allegro molto. " Weber Overture to the Opera " Der Freischutz Xaver Scharwenka . Concerto for Pianoforte No. 1, in B-flat minor, Op. 32 I. Allegro patetico. II. Allegro assai. III. Allegro non tanto: Allegro molto e passionato. Berlioz . Overture to the Opera "Benvenuto Cellini," Op. 23 SOLOIST XAVER SCHARWENKA Baldwin Piano Used There will be an intermission of ten minutes after the symphony 3 ifaxm&Iainlm Boston 's Great Art Product Q Everywhere recognized as musically the most beautiful piano the world has ever seen 3S0TT ESTABLISHED 1854 492 Boylston Street Boston Symphony in E minor, No. i, Op. 39 . Jan Sibeuus (Born at Tavastehus, Finland, December 8, 1865; now living at Helsingfors.) Sibelius has thus far composed four symphonies. The first was composed in 1899 and published in 1902. The first performance of it was probably at Helsingfors, but I find no record of the date. The symphony was played in Berlin at a concert of Finnish music, led by Kejanus, in July, 1900. The first performance in Boston was at a concert of the Boston Symphony Orchestra, January 5, 1907, when Dr. Muck conducted. The symphony is scored for two flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, bass tuba, kettledrums, bass drum, cymbals, triangle, harp, and strings. I. Introduction: Andante ma non troppo, E minor, 2-2. Over a drum-roll that rises and falls in intensity a clarinet sings a mournful melody, which is of much importance in the Finale of the symphony. The first violins, after the short introduction, give out the first theme with imitative passages for violas and violoncellos. Allegro energico, E minor, 6-4. There are two subsidiary motives, one for wind instruments and one, derived from this last, for strings. A crescendo leads to a climax, with the proclamation of the first chief theme by full orchestra with a furious drum-roll. The second and contrasting chief motive is given to the flutes, piano ma marcato, against tremulous violins and violas and delicate harp chords. The conclusion of this theme is developed and given to the flutes with syncopated rhythm for the strings. The pace is quickened, and there is a crescendo, which ends in B minor. The free fantasia is of a passion- ate nature with passages that suggest mystery; heavy chords for wind instruments are bound together with chromatic figures for the strings; wood-wind instruments shriek out cries with the interval of a fourth, Worcester County Music School DAY BUILDING, 4 WALNUT STREET WORCESTER, MASS. Elevators: 4 Walnut Street and 306 Main Street Pianoforte — Vocal — Organ — Violin — Harmony — Ensemble — Sight Reading School year begins second week in September. Pupils received at any time during School year. Term begins with first lesson. A three-manual organ with full set of pedals and electric motor for lessons and practice. Churches supplied with singers and organists for permanent positions, and substitutes secured at short notice. School is open each evening for the benefit of those who are unable to take lessons during the day. Graded preparatory department for young children at reduced rates. Parents having small children, wishing to avail themselves of the method taught in the School, can have lessons given at their homes by one of the teachers of the School. For further information address Telephones: School Park 415s; House Cedar 1552-M. EDWARD L. SUMNER, Director. 5 — " After the Symphony Concert 99 a prolonging of musical pleasure by home-firelight awaits the owner of a "Baldwin." The strongest impressions of the concert season are linked with Baldwintone, exquisitely exploited by pianists eminent in their art. Schnitzer, Pugno, Scharwenka, Bachaus De Pachmann! More than chance attracts the finely-gifted amateur to this keyboard. Among people who love good music, who have a culti- vated knowledge of it, and who seek the best medium for producing it, the Baldwin is chief. In such an atmosphere it is as happily "at home" as are the Preludes of Chopin, the Liszt Rhapsodies upon a virtuoso's programme. THE BOOK OF THE BALDWIN free upon request. No. 366 FIFTH AVENUE, NEW YORK cries that are taken from one in the Introduction; the final section of the second theme is sung by two violins with strange figures for the strings, pianissimo, and with rhythms taken from the second chief theme. These rhythms in the course of a powerful crescendo dom- inate at last. The first chief theme endeavors to assert itself, but it is lost in descending chromatic figures. Again there is a crescendo, and the strings have the second subsidiary theme, which is developed until the wild entrance of the first chief motive. The orchestra rages until, after a great outburst and with clash of cymbals, a diminuendo leads to gentle echoes of the conclusion of the second theme. Now the second theme tries to enter, but without the harp chords that first accompanied it. Rhythms that are derived from it lead to defiant blasts of the brass instruments, and the movement ends in this mood. II. Andante, ma non troppo lento, E-flat major, 2-2. Muted violins and violoncellos an octave lower sing a simple melody of resignation. A motive for wood-wind instruments promises a more cheerful mood, but the promise is not fulfilled. The first bassoon, un poco meno andante, and other wood-wind instruments take up a lament which becomes vigorous in the employment of the first two themes. A motive for strings is treated canonically. There are triplets for wood- wind instruments, and the solo violoncello endeavors to take up the first song, but it gives way to a melody for horn with delicate figuration DIAMOND JEWELRY M PEARLS AND OTHER PRECIOUS STONES WALKER & CO- PEARL NECKLACES 149 TREMONT ST. BOSTON ENGAGEMENT RINGS Telephone, Oxford 729 EXCLUSIVE SETTINGS IN PLATINUM for violins and harp, molto tranquillo. The mood of this episode governs the measures that follow immediately in spite of an attempt at more forcibly emotional display, and it is maintained even when the first theme returns. Trills of wood-wind instruments lead to a more excited mood. The string theme that was treated canonically re- appears heavily accented and accompanied by trombone chords. The orchestra rages until the pace is doubled, and the brass instruments sound the theme given at the beginning of the movement to the wood- wind. Then there is a return to the opening mood with its gentle theme. III. Allegro, C major, 3-4. The chief theme of the scherzo may be said to have the characteristically national humor which seems to Southern nations wild and heavily fantastical. The second theme is of a lighter and more graceful nature. There is also a theme for wood- wind instruments with harp arpeggios. These themes are treated capriciously. The trio, E major, is of a somewhat more tranquil nature. IV. Finale (Quasi una fantasia), K minor. The Finale begins with the melody of the introduction of the first movement. It is broadly treated (violins, violas, and violoncellos in unison, accompanied by heavy chords for the brass). It is now of an epic, tragic nature, and not merely melancholy. There are hints in the lower strings at the chief theme, which at last appears, 2-4, in the wood-wind. This theme has a continuation which later has much importance. The prevailing mood of the Finale is one of wild and passionate restlessness, but the second chief theme, Andante assai, is a broad, dignified, melodious motive for violins. The mood is soon turned to one of lamentation, and the melody is now derived from the first theme of the second movement. A fugato passage, based on the first theme with its con- tinuation in this movement, rises to an overpowering climax. There is a sudden diminuendo, and the clarinet sings the second theme, but it now has a more anxious and restless character. This theme is de- veloped to a mighty climax. From here to the end the music is tem- pestuously passionate. JESSIE DELL LEWIS THE HERMANN LUCKE CO. PLATFORM READER Incorporated and TEACHER of EXPRESSION and DRAMATIC ART DIAMONDS WATCHES AND JEWELRY Studio, No. 910 Slater Building WORCESTER, MASS. Telephone, Park, 6658-M. WORCESTER, MASSACHUSETTS 8 Overture, " Der Freischutz" Carl Maria von Weber (Born atEutin, Oldenburg, December 18, 1786; died at London, June 5, 1826.) "Der Freischutz, " a romantic opera in three acts, book by Friedrich Kind, music by Weber, was first performed at Berlin, June 18, 1821.
Load more

Recommended publications
  • Vol. 18, No. 1 April 2013
    Journal April 2013 Vol.18, No. 1 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2013 Vol. 18, No. 1 Editorial 3 President Julian Lloyd Webber FRCM Julia Worthington - The Elgars’ American friend 4 Richard Smith Vice-Presidents Redeeming the Second Symphony 16 Sir David Willcocks, CBE, MC Tom Kelly Diana McVeagh Michael Kennedy, CBE Variations on a Canonical Theme – Elgar and the Enigmatic Tradition 21 Michael Pope Martin Gough Sir Colin Davis, CH, CBE Dame Janet Baker, CH, DBE Music reviews 35 Leonard Slatkin Martin Bird Sir Andrew Davis, CBE Donald Hunt, OBE Book reviews 36 Christopher Robinson, CVO, CBE Frank Beck, Lewis Foreman, Arthur Reynolds, Richard Wiley Andrew Neill Sir Mark Elder, CBE D reviews 44 Martin Bird, Barry Collett, Richard Spenceley Chairman Letters 53 Steven Halls Geoffrey Hodgkins, Jerrold Northrop Moore, Arthur Reynolds, Philip Scowcroft, Ronald Taylor, Richard Turbet Vice-Chairman Stuart Freed 100 Years Ago 57 Treasurer Clive Weeks The Editor does not necessarily agree with the views expressed by contributors, Secretary nor does the Elgar Society accept responsibility for such views. Helen Petchey Front Cover: Julia Worthington (courtesy Elgar Birthplace Museum) Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Editorial required, are obtained.
    [Show full text]
  • Portland • Oregon
    AMICAMICAA 20032003 PORPORTLTLANDAND •• OREGOOREGONN The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2003 VOLUME 40, NUMBER 1 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. ROBIN PRATT, PUBLISHER, 630 EAST MONROE ST., SANDUSKY, OH 44870-3708 -- Phone 419-626-1903, e-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 40, Number 1 January / February 2003 AMICA BULLETIN Display and Classified Ads FEATURES Articles for Publication Letters to the Publisher A Grand Event — 10 Chapter News AMICA - Italy— 11 Upcoming Publication DEADLINES Pseudonym’s — 12 The ads and articles must be received Oliver Denton — 13 by the Publisher on the 1st of the Odd number months: Coenraad V. Bos — 14 January July March September Chickering Pianoforte Manufactory — 22 May November Carry On — 30 Bulletins will be mailed on the 1st week of the even months. Letter from Mrs. Bartier — 31 Robin Pratt, Publisher Convention — 33 630 East Monroe Street Sandusky, Ohio 44870-3708 Phone: 419-626-1903 e-mail: [email protected] DEPARTMENTS AMICA International — 2 MEMBERSHIP SERVICES President’s Message — 3 New Memberships . $42.00 From the Publisher’s Desk — 3 Renewals . $42.00 Calendar of Events — 4 Additional $5.00 due if renewed past the Jan. 31 deadline Letters —5 Address changes and corrections Tech Tips —32 Directory information updates Chapter News — 38 Additional copies of Classified Ads — 50 Member Directory .
    [Show full text]
  • Musicking in Groningen. Towards a Grounded Theory of the Uses And
    Musicking in Groningen Towards a Grounded Theory of the Uses and Functions of Music in a Modern Western Society Dissertation zur Erlangung des Doktorgrades der Sozialwissenschaftlichen Fakultät der Georg-August-Universität Göttingen vorgelegt von Evert Hendrik Bisschop Boele geboren in Leeuwarden (NL) Göttingen, 2013 Musicking in Groningen Towards a Grounded Theory of the Uses and Functions of Music in a Modern Western Society Evert Bisschop Boele 4 "I have been thinking about existence lately. In fact, I have been so full of admiration for existence that I have hardly been able to enjoy it properly. As I was walking up to the church this morning, I passed that row of big oaks by the war memorial – if you remember them – and I thought of another morning, fall a year or two ago, when they were dropping their acorns thick as hail almost. There was all sorts of thrashing in the leaves and there were acorns hitting the pavement so hard they'd fly past my head. All this in the dark of course. I remember a slice of moon, no more than that. It was a very clear night, or morning, very still, and then there was such energy in the things transpiring among the trees, like a storm, like travail. I stood there a little out of range, and I thought, It is all still new to me. I have lived my life on the prairie and a line of oak trees can still astonish me."1 1 Marylinne Robinson, Gilead. New York: FSG, 2004, pp. 56-57. 5 6 Table of Content Erklärung...........................................................................................................................
    [Show full text]
  • The Delius Society Journal
    The Delius Society Journal April 1981,Number 7l The Delius Society Full Membership97.00 per year Studentsf,3.50 Subscription to Libraries (Journal only) f,5.00 per year USA and CanadaUS S17.00per year President Eric Fenby OBE, Hon D Mus, Hon D Litt, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix Aprahamian Hon RCO Roland Gibson M Sc, Ph D (Founder Member) Sir Charles Groves CBE Stanford Robinson OBE, ARCM (Hon), Hon CSM Meredith DaviesMA, B Mus, FRCM, Hon RAM Norman Del Mar CBE, Hon D Mus Vernon Handley MA, FRCM, D Univ (Surrey) Chairman R B Meadows 5 WestbourneHouse, Mount Park Road, Harrow, Middlesex Treasurer Peter Lyons 1 Cherry Tree Close,St. Leonards-on-Sea,Sussex TN37 6EX Secretary Miss Estelle Palmley 22 Kingsbury Road, London NW9 ORR Editor Stephen Lloyd 4l MarlboroughRoad, Luton, BedfordshireLU3 IEF Tel: Luton (0582\ 20075 Contents Editorial 3 The President'sAddress 6 Beecham:The Delius Repertoire 9 An Eveningwith Norman Del Mar l9 Book Review 2l Obituary: Robert Aickman 23 Forthcoming Events 23 Cover lllustration An early sketch of Delius by Edvard Munch reproducedby kind permissionof the Curator of the Munch Museum,Oslo, Norway. Additional copiesof this issuef,l each,inclusive of postage. ISSN-0306-0373 Editorial No recent publication can have commandedsuch widespreadcritical attention in the musical world as The New Grove whose additional adjectivein its title might seemdesigned to bestow eternal youth on this fountain of musicalknow- ledge. One wonders what they will name the seventh edition years hence. Its twenty volumesare an impressiveachievement and a pleasureto read and handle, though for the purchaserat f,850 a set a costly touch.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 33,1913-1914, Trip
    PARSONS THEATRE HARTFORD i©itoi Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE i 11 i I !'<?. \L WEDNESDAY EVENING, NOVEMBER 26 AT 8.15 COPYRIGHT, 1913, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER llllliiinilii No Piano of American make has been so favored by the musical pub- lic as this famous old Boston make. The world's greatest musicians have demanded it and discriminating people have purchased it. THE CHICKERING PIANO enjoys the distinction of being the recipient of 129 First Medals and Awards for Superiority Its wonderful tone and action call it to the studio to stimulate and encourage the pupil, and it is sought by teachers and musical people when the best is desired. 269 ASYLUM STREET HARTFORD, CONN. PARSONS THEATRE HARTFORD Forty-first Concert in Hartford Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor FIRST CONCERT WEDNESDAY EVENING, NOVEMBER 26 AT 8.15 PROGRAMME Glazounoff . Symphony in B-flat major, No. 5, Op. 55 I. Moderato maestoso; Allegro. II. Scherzo: Moderato; Pochissimo meno mosso. III. Andante. IV. Allegro maestoso. Smetana . Overture to "The Sold Bride" Saint-Saens . Concerto in B minor for Violin and Orchestra, No. 3, Op. 61 I. Allegro non troppo. II. Andantino quasi allegretto. III. Molto moderato e maestoso: Allegro non troppo. Dvorak . Dramatic Overture, "Husitska," Op. 67 SOLOIST SYLVAIN NOACK There will be an intermission of ten minutes after the symphony 3 A NEW STYLE OF THE NEW ENGLAND'S FAVORITE PIANO GIVE YOUR CHILDREN this piano. Its full, rich tone will be a delight to you and an education to them.
    [Show full text]
  • Volume 36, Number 01 (January 1918) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1918 Volume 36, Number 01 (January 1918) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 36, Number 01 (January 1918)." , (1918). https://digitalcommons.gardner-webb.edu/etude/642 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 1 JANUARYr 1918 Haddon Hall ATLANTIC CITY ALWAYS OPEN RIGHT ON THE BEACH AND THE BOARDWALK Appeals particularly to cultivated people who seek rest and recreation at the Sea Shore, Summer or Winter. From every section of the country such guests have come to Haddon Hall for 40 years—and come back again and again—it is so satisfying, so free from ostentation, so comfortable and sufficient. Every facility is offered young and old for enjoyment. Fascinating shops and a thousand amusements are Teach your pupils offered along the far1^ a Boardwalk. Privileges of fine golf and yacht clubs. Rooms are comfortable and the secret of attractive—there is delightful music—and always interesting people.
    [Show full text]
  • Women in Silent Cinema
    ANNETTE FÖRSTER WOMEN IN THE SILENT CINEMA Histories of Fame and Fate FRAMING FILM EYE FILMMUSEUM WOMEN IN THE SILENT CINEMA FRAMING FILM FRAMING FILM is a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of EYE Filmmuseum. With this series, Amsterdam University Press and EYE aim to support the academic research community, as well as practitioners in archive and restoration. SERIES EDITORS Giovanna Fossati, EYE Filmmuseum & University of Amsterdam, the Netherlands Leo van Hee, EYE Filmmuseum Frank Kessler, Utrecht University, the Netherlands Patricia Pisters, University of Amsterdam, the Netherlands Dan Streible, New York University, United States Nanna Verhoeff, Utrecht University, the Netherlands EDITORIAL BOARD Richard Abel, University of Michigan, United States Jane Gaines, Columbia University, United States Tom Gunning, University of Chicago, United States Vinzenz Hediger, Goethe University Frankfurt, Germany Martin Koerber, Deutsche Kinemathek, Germany Ann-Sophie Lehmann, University of Groningen, the Netherlands Charles Musser, Yale University, United States Julia Noordegraaf, University of Amsterdam, the Netherlands William Uricchio, Massachusetts Institute of Technology, United States Linda Williams, University of California at Berkeley, United States ANNETTE FÖRSTER WOMEN IN THE SILENT CINEMA Histories of Fame and Fate AMSTERDAM UNIVERSITY PRESS Published by EYE Filmmuseum / Amsterdam University Press Cover illustration: Top: Nell Shipman in baree, son of kazan (fragment, see page 329) Middle: Musidora, publicity portrait (fragment, see page 136) Bottom: Adriënne Solser in an unidentified film (fragment, see page 98) Cover design and lay-out: Magenta Ontwerpers, Bussum Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press.
    [Show full text]
  • THE RECORD COLLECTOR MAGAZINE Given Below Is the Featured Artist(S) of Each Issue (D=Discography, B=Biographical Information)
    PRINTED MATERIAL DISCOGRAPHICAL & REFERENCE BOOKS, BIOGRAPHIES; RECORD CATALOGUES & SUPPLEMENTS Books are all in good, used condition (no damage unless described). DJ = includes Paper Dust Jacket This year’s book list includes a number of important and desirable items. The minimum bids have been kept very low, considering the scarcity of some items and the cost of others which still might be in print. While bargains are indeed possible, I’d suggest, as usual, to bid realistically for those items of particular interest. Bids of any amount are, of course, welcomed. MUSICIAN BIOGRAPHIES/AUTOBIOGRAPHIES 3574. [FRANCES ALDA]. MEN, WOMEN AND TENORS. Autobiography. Riverside Press, Cambridge, MA. 1937. 307 pp. Illustrated. Quite candid jottings for the period. Fun and informative reading. Blank front page removed. Cons. 2. $7.00. 3622. MARIAN ANDERSON – A PORTRAIT (Kosti Vehanen). Whittlesey House, NY. 1941. 270 pp. Blank book plate on inside cover. Just about 1-2. $10.00. 3535. [MARIAN ANDERSON]. MY LORD, WHAT A MORNING. Autobiography. Viking Press, NY. 1956. DJ. Illustrated. 312 pp. Light DJ wear. Book gen. 1-2. $7.00. 3581. MARIAN ANDERSON – A SINGER’S JOURNEY (Allan Keiler). Scribner, NY. 2000. 447 pp. DJ. Just about 1-2. $10.00. 3542. [Sir THOMAS] BEECHAM – A CENTENARY DISCOGRAPHY (Michael Gray). Duckworth, Norwich. 1979. DJ. 129 pp. Light signs of use on DJ. Book is just about 1-2 except for numerous pencil check marks. $6.00. 3550. THE ACCOMPANIST – AN AUTOBIOGRAPHY OF ANDRÉ BENOIST (ed. John Anthony Maltese). Paganiniana Pub., Neptune City, NJ. 1978. 383 pp. Profusely illustrated. A fascinating and extremely candid look at dozens of the vocal and instrumental celebrities with whom Benoist was associated.
    [Show full text]
  • ​Ottorino Respighi (Geb. Bologna, 9. Juli 1879 — Gest. Rom, 18. April 1936)
    ​Ottorino Respighi (geb. Bologna, 9. Juli 1879 — gest. Rom, 18. April 1936) Concerto all’antica per violino ed orchestra (1908) I – Allegro p. 2 II – Adagio non troppo p. 71 III – Vivace – Minuetto – Vivace p. 83 Vorwort Der junge Ottorino Respighi war ein exzellenter Geiger. So berichtet Elsa Respighi (in Ottorino Respighi: dati biografici ordinati; Ricordi, Milano, 1962): „Am 25. Juni 1899 wurde der Name Respighi, gelegentlich einer Prüfung am Liceo musicale, zum erstenmal in den Zeitungen Bolognas genannt: ‚Unter einer Anzahl sehr guter Geiger ragte Respighi hervor. Die beseelte Kraft seines Tones, die ausdrucksvolle Phrasierung und nicht zuletzt seine Sicherheit im Rhythmus machten ihn der allgemeinen Bewunderung am würdigsten. Der Beifall des Publikums steigerte sich schließlich zu einer wahren Ovation.’ (Resto del Carlino am 25. Juni 1899.) Unter demselben Datum berichtete La Gazzetta dell’Emilia: ‚Respighi ist das Risiko eingegangen, das Bravoustück Le Streghe von Paganini zu spielen. Er bewies in der Art und Weise, wie er die Schwierigkeiten meisterte, dass er das Zeug zum konzertierenden Künstler hat und imstande ist, wahren Enthusiasmus zu entfachen.’ […] Als Respighi 1900 Mitglied des Orchesters der Stadt Bologna war, kam ihm zu Ohren, ein Impressario suche einige Kräfte für die Stagione der Opera italiana im kaiserlichen Theater zu Petersburg. Sofort bewarb er sich dort um eine Anstellung, und da er als renommierter Geiger und ebenso guter Bratschist bekannt war, erlangte er ohne Schwierigkeit einen Kontrakt. Zusammen mit drei
    [Show full text]
  • Madame Marianne Mathy-Frisdane | by Toni Mcrae 8 April 1982 Aussing.Org.Au MANNHEIM, Southern Germany , a Decade Before the Birth of the New Century
    Madame Marianne Mathy-Frisdane | by Toni McRae 8 April 1982 aussing.org.au MANNHEIM, Southern Germany , a decade before the birth of the new century... It was in this bustling commercial town, already renowned for its Marianne Mathy was a Opera House – where resident conductors of the ilk of Kleiber, distinguished teacher of Gordinsky and Furtwängler gave life to the old classics and the new opera and classical singing in Sydney, Australia for works of the moderns, Schiller, Wieland and Lessing — where the almost forty years. greatest lieder singer of them all, Julia Culp, presented splendid recitals and art and theatre breathed out of the very pores of the Her legacy, the Marianne city that a child was born. Mathy Scholarship, has become internationally Martha Kahn, nee Fuerth, the daughter of Saly and Mathilde Fuerth, recognised as one of the shopkeepers of Mainz, gave birth to a daughter, Marianne Helene most prestigious awards of Sara, on June 23 in the year 1890. its kind given to young singers – and enters its The proud father, Dr Richard Michael Kahn, son of Emil and Anna, third decade in 2011. nee Hirsch, also of Mannheim, was already a wealthy and influential lawyer in the town, but his real love was music. His brother Robert, Also known as ‘The Mathy’ was a well-known chamber and choral music composer of the day, after its namesake bronze statuette, the Marianne while he himself was president of the local Philharmonic Society and Mathy Scholarship is the a patron of the arts. He adored opera, soon tucking his young featured award in the IFAC daughter under his musical wing, escorting her to all the opening Australian Singing nights - many of them in other parts of Germany.
    [Show full text]
  • Ottorino Respighi
    OTTORINO RESPIGHI Catalogo delle opere pubblicate da CASA RICORDI - BMG RICORDI S.p.A. Catalogue of the works published by CASA RICORDI - BMG RICORDI S.p.A. Catalogue des oeuvres publiées par CASA RICORDI - BMG RICORDI S.p.A. Katalog der Werke die bei CASA RICORDI - BMG RICORDI S.p.A. veröffentlicht wurden (1997) 1 Le edizioni precedute da un asterisco sono in vendita The editions marked by an asterisk are on sale Les editions précédées d’un astérisque sont en vente Die mit einem Sternchen bezeichneten Ausgaben sind im Verkauf Translation by Nigel Jamieson Traduction de Sophie Le Castel Ü bersetzung von Wolfgang Kück © Copyright 1997 by CASA RICORDI - BMG RICORDI S.p.A. - Milano Anno 1997 Tutti i diritti riservati - All rights reserved Printed in Italy 2 IL NOVECENTO DI OTTORINO RESPIGHI Il catalogo delle opere di Ottorino Respighi redatto da Potito Pedarra e il lavoro di questo studioso su Il pianoforte nella produzione giovanile di Respighi han- no portato alla luce, schedato e in buona parte esaminato un centinaio di inediti perlopiù giovanili. Tali lavori, una ventina dei quali pubblicati in questi anni da Ricordi, provengono nella maggior parte dal Civico Museo Bibliografico “G. B. Martini” di Bologna cui li donò Elsa Respighi perché nel Liceo bologne- se il marito aveva compiuto gli studi di violino con Federico Sarti e di composi- zione con Cesare Dall’Olio, Luigi Torchi e Giuseppe Martucci conseguendo i rispettivi diplomi nel 1899 e nel 1901. Sono titoli compresi fra il 1893 e i primi due lustri del Novecento (nel ’13 il musicista si trasferirà a Roma, divenuto titolare della Classe di Fuga e Compo- sizione a Santa Cecilia) secondo un’attitudine precoce — solo nel ‘96 Respighi inizia studi regolari di composizione — e un’applicazione ferrea che ricordano quelle di Felix Mendelssohn anche nell’analogo assimilare la tradizione.
    [Show full text]
  • Virtual Conference At
    Program of the Forty-Fourth Annual Conference German Studies Association September 29-October 4, 2020 A Virtual Conference at GSA Virtual Conference (https://thegsa2020.secure-platform.com/a/ ​ organizations/main/home) ​ 1 German Studies Association PO Box 1287 Indian Rocks Beach, FL 33785 USA Tel.: (269) 267-7585 www.thegsa.org e-mail: [email protected] President Johannes von Moltke (2019-2020) University of Michigan Vice President Janet Ward (2019-2020) University of Oklahoma Treasurer Thomas O. Haakenson California College of the Arts Secretary David Imhoof Susquehanna University Executive Director David E. Barclay Kalamazoo College Operations Director Benita Blessing Oregon State University GSA Board: Christina Gerhardt, University of Hawaii (2020) ​ ​ Donna Harsch, Carnegie Mellon University (2020) ​ ​ Todd Herzog, University of Cincinnati (2022) Priscilla Layne​ , University of North Ca​ rolina, Chapel Hill (2021) ​ ​ Thomas Lekan, University of South Carolina (2020) ​ ​ Christiane Lemke, Leibniz Universität Hannover (2022) ​ ​ Benjamin Marschke, Humboldt State University (2021) ​ ​ Damani Partridge, University of Michigan (2021) ​ ​ Eli Rubin, Western Michigan University (2022) ​ ​ Student Member: Christy Wahl, University of Wisconsin (2020) Sabine Hake, University of Texas​ at Austin, ex officio no​ n-voting ​ ​ Mary Lindemann, University of Miami (2020), ex officio non-voting ​ ​ 2 Former Presidents of the Association David Kitterman, 1976–78 Reece Kelley, 1979–80 Charles Burdick, 1981–82 Wulf Koepke, 1983–84 Konrad Jarausch, 1985–86 Ehrhard Bahr, 1987–88 Ronald Smelser, 1989–90 Frank Trommler, 1991–92 Jay W. Baird, 1993–94 Jennifer E. Michaels, 1995–96 Gerhard L. Weinberg, 1997–98 Gerhard H. Weiss, 1999–2000 Henry Friedlander, 2001–02 Patricia Herminghouse, 2003–04 Katherine Roper, 2005–06 Sara Lennox, 2007–08 Celia Applegate, 2009–10 Stephen Brockmann, 2011–12 Suzanne Marchand, 2013-2014 Irene Kacandes, 2015-2016 Mary Lindemann, 2017-2018 Editors of German Studies Review Gerald R.
    [Show full text]