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April 1923) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1923 Volume 41, Number 04 (April 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 04 (April 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/700 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. >< T? <1 Theodore Presser Co., Publishers, Philadelphia, Pa. for Child Pianists Teachers Little Albums of Children .ptaliW P“e‘h Send for our interesting Pearls of Instruction in L “Catalogue of Juvenile •ollections makes them children and the Musical Publications This catalogue ha. many helpful The very appearance of these charming wotk8d«Cirfed._Thck.ndertgc9tK nd the covers are just as delightful. little musical gems beh ■ niiMc MOW HELPFUL WITH JUVEN1LES_ TEACHERS WILL FIND THESE / The World of Music Old Rhymes with New Tunes Birthday Jewels THE ETUDE APRIL 1923 Page 219 THE ETUDE AN UP-TO-THE-MINUTE LIST OF 1922-1923 New Music Etude Prize Contest Piano Solos and Duets, Vocal Solos, Sacred and Secular, PIANO SOLOS-VOCAL SOLOS Vocal Duets, Violin and Piano Numbers, ANTHEMS — PART SCfNGS $1,250.00 in Prizes PIANO SOLOS UTE TAKE pipleasure in making the following offer our Etude Prize Contest, being WsKSf of the real value of a contest of this der interest in composition and of of composers. -
June 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1911 Volume 29, Number 06 (June 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 06 (June 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/570 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 361 THE ETUDE -4 m UP-TO-DATE PREMIUMS _OF STANDARD QUALITY__ K MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. Edited by JAMES FRANCIS COOKE », Alaska, Cuba, Porto Kieo, 50 WEBSTER’S NEW STANDARD 4 DICTIONARY Illustrated. NEW U. S. CENSUS In Combination with THE ETUDE money orders, bank check letter. United States postage ips^are always received for cash. Money sent gerous, and iponsible for its safe T&ke Your THE LAST WORD IN DICTIONARIES Contains DISCONTINUANCE isli the journal Choice o! the THE NEW WORDS Explicit directions Books: as well as ime of expiration, RENEWAL.—No is sent for renewals. The $2.50 Simplified Spelling, „„ ...c next issue sent you will lie printed tile date on wliicli your Webster’s Synonyms and Antonyms, subscription is paid up, which serves as a New Standard receipt for your subscription. -
Vol. 18, No. 1 April 2013
Journal April 2013 Vol.18, No. 1 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2013 Vol. 18, No. 1 Editorial 3 President Julian Lloyd Webber FRCM Julia Worthington - The Elgars’ American friend 4 Richard Smith Vice-Presidents Redeeming the Second Symphony 16 Sir David Willcocks, CBE, MC Tom Kelly Diana McVeagh Michael Kennedy, CBE Variations on a Canonical Theme – Elgar and the Enigmatic Tradition 21 Michael Pope Martin Gough Sir Colin Davis, CH, CBE Dame Janet Baker, CH, DBE Music reviews 35 Leonard Slatkin Martin Bird Sir Andrew Davis, CBE Donald Hunt, OBE Book reviews 36 Christopher Robinson, CVO, CBE Frank Beck, Lewis Foreman, Arthur Reynolds, Richard Wiley Andrew Neill Sir Mark Elder, CBE D reviews 44 Martin Bird, Barry Collett, Richard Spenceley Chairman Letters 53 Steven Halls Geoffrey Hodgkins, Jerrold Northrop Moore, Arthur Reynolds, Philip Scowcroft, Ronald Taylor, Richard Turbet Vice-Chairman Stuart Freed 100 Years Ago 57 Treasurer Clive Weeks The Editor does not necessarily agree with the views expressed by contributors, Secretary nor does the Elgar Society accept responsibility for such views. Helen Petchey Front Cover: Julia Worthington (courtesy Elgar Birthplace Museum) Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Editorial required, are obtained. -
August 1909) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1909 Volume 27, Number 08 (August 1909) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 27, Number 08 (August 1909)." , (1909). https://digitalcommons.gardner-webb.edu/etude/550 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. AUGUST 1QCQ ETVDE Forau Price 15cents\\ i nVF.BS nf//3>1.50 Per Year lore Presser, Publisher Philadelphia. Pennsylvania THE EDITOR’S COLUMN A PRIMER OF FACTS ABOUT MUSIC 10 OUR READERS Questions and Answers on the Elements THE SCOPE OF “THE ETUDE.” New Publications ot Music By M. G. EVANS s that a Thackeray makes Warrington say to Pen- 1 than a primer; dennis, in describing a great London news¬ _____ _ encyclopaedia. A MONTHLY JOURNAL FOR THE MUSICIAN, THE THREE MONTH SUMMER SUBSCRIP¬ paper: “There she is—the great engine—she Church and Home Four-Hand MisceUany Chronology of Musical History the subject matter being presented not alpha¬ Price, 25 Cent, betically but progressively, beginning with MUSIC STUDENT, AND ALL MUSIC LOVERS. -
July 1934) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1934 Volume 52, Number 07 (July 1934) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 52, Number 07 (July 1934)." , (1934). https://digitalcommons.gardner-webb.edu/etude/824 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE * <Music *%Cagazine PADEREWSKI July 1934 Price 25 Cents n WHERE SHALL I GO Information for Etude Readers & Advertisers TO STUDY? THE ETUDE MUSIC MAGAZINE THE ETUDE Founded by Theodore Presser, 1883 The Etude Music Magazine “Music for Everybody” tJXCusic <^J)(Cagazine Private Teachers THEODORE PRESSER (Eastern) Philadelphia, Pa. Copyright, ISS4. by Theodore Presser Co. for U. S. A. and Oreca Britain Entered as second-class matter January lfi 1 II // WILLIAM C. CARL, Dir. 1884, at the P. 0. at Phila., Pa f^n- ’ A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT AND ALL MUSIC LOVERS der the Act of March 3, 1879. Copy- Guilmant Organ School 51 FIFTH AVENUE, NEW YORK VOLUME LII. -
Native American Elements in Piano Repertoire by the Indianist And
NATIVE AMERICAN ELEMENTS IN PIANO REPERTOIRE BY THE INDIANIST AND PRESENT-DAY NATIVE AMERICAN COMPOSERS Lisa Cheryl Thomas, B.M.E., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2010 APPROVED: Adam Wodnicki, Major Professor Steven Friedson, Minor Professor Joseph Banowetz, Committee Member Jesse Eschbach, Chair of the Division of Keyboard Studies Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Michael Monticino, Dean of the Robert B. Toulouse School of Graduate Studies Thomas, Lisa Cheryl. Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers. Doctor of Musical Arts (Performance), May 2010, 78 pp., 25 musical examples, 6 illustrations, references, 66 titles. My paper defines and analyzes the use of Native American elements in classical piano repertoire that has been composed based on Native American tribal melodies, rhythms, and motifs. First, a historical background and survey of scholarly transcriptions of many tribal melodies, in chapter 1, explains the interest generated in American indigenous music by music scholars and composers. Chapter 2 defines and illustrates prominent Native American musical elements. Chapter 3 outlines the timing of seven factors that led to the beginning of a truly American concert idiom, music based on its own indigenous folk material. Chapter 4 analyzes examples of Native American inspired piano repertoire by the “Indianist” composers between 1890-1920 and other composers known primarily as “mainstream” composers. Chapter 5 proves that the interest in Native American elements as compositional material did not die out with the end of the “Indianist” movement around 1920, but has enjoyed a new creative activity in the area called “Classical Native” by current day Native American composers. -
Portland • Oregon
AMICAMICAA 20032003 PORPORTLTLANDAND •• OREGOOREGONN The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2003 VOLUME 40, NUMBER 1 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. ROBIN PRATT, PUBLISHER, 630 EAST MONROE ST., SANDUSKY, OH 44870-3708 -- Phone 419-626-1903, e-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 40, Number 1 January / February 2003 AMICA BULLETIN Display and Classified Ads FEATURES Articles for Publication Letters to the Publisher A Grand Event — 10 Chapter News AMICA - Italy— 11 Upcoming Publication DEADLINES Pseudonym’s — 12 The ads and articles must be received Oliver Denton — 13 by the Publisher on the 1st of the Odd number months: Coenraad V. Bos — 14 January July March September Chickering Pianoforte Manufactory — 22 May November Carry On — 30 Bulletins will be mailed on the 1st week of the even months. Letter from Mrs. Bartier — 31 Robin Pratt, Publisher Convention — 33 630 East Monroe Street Sandusky, Ohio 44870-3708 Phone: 419-626-1903 e-mail: [email protected] DEPARTMENTS AMICA International — 2 MEMBERSHIP SERVICES President’s Message — 3 New Memberships . $42.00 From the Publisher’s Desk — 3 Renewals . $42.00 Calendar of Events — 4 Additional $5.00 due if renewed past the Jan. 31 deadline Letters —5 Address changes and corrections Tech Tips —32 Directory information updates Chapter News — 38 Additional copies of Classified Ads — 50 Member Directory . -
Musicking in Groningen. Towards a Grounded Theory of the Uses And
Musicking in Groningen Towards a Grounded Theory of the Uses and Functions of Music in a Modern Western Society Dissertation zur Erlangung des Doktorgrades der Sozialwissenschaftlichen Fakultät der Georg-August-Universität Göttingen vorgelegt von Evert Hendrik Bisschop Boele geboren in Leeuwarden (NL) Göttingen, 2013 Musicking in Groningen Towards a Grounded Theory of the Uses and Functions of Music in a Modern Western Society Evert Bisschop Boele 4 "I have been thinking about existence lately. In fact, I have been so full of admiration for existence that I have hardly been able to enjoy it properly. As I was walking up to the church this morning, I passed that row of big oaks by the war memorial – if you remember them – and I thought of another morning, fall a year or two ago, when they were dropping their acorns thick as hail almost. There was all sorts of thrashing in the leaves and there were acorns hitting the pavement so hard they'd fly past my head. All this in the dark of course. I remember a slice of moon, no more than that. It was a very clear night, or morning, very still, and then there was such energy in the things transpiring among the trees, like a storm, like travail. I stood there a little out of range, and I thought, It is all still new to me. I have lived my life on the prairie and a line of oak trees can still astonish me."1 1 Marylinne Robinson, Gilead. New York: FSG, 2004, pp. 56-57. 5 6 Table of Content Erklärung........................................................................................................................... -
The Delius Society Journal
The Delius Society Journal April 1981,Number 7l The Delius Society Full Membership97.00 per year Studentsf,3.50 Subscription to Libraries (Journal only) f,5.00 per year USA and CanadaUS S17.00per year President Eric Fenby OBE, Hon D Mus, Hon D Litt, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix Aprahamian Hon RCO Roland Gibson M Sc, Ph D (Founder Member) Sir Charles Groves CBE Stanford Robinson OBE, ARCM (Hon), Hon CSM Meredith DaviesMA, B Mus, FRCM, Hon RAM Norman Del Mar CBE, Hon D Mus Vernon Handley MA, FRCM, D Univ (Surrey) Chairman R B Meadows 5 WestbourneHouse, Mount Park Road, Harrow, Middlesex Treasurer Peter Lyons 1 Cherry Tree Close,St. Leonards-on-Sea,Sussex TN37 6EX Secretary Miss Estelle Palmley 22 Kingsbury Road, London NW9 ORR Editor Stephen Lloyd 4l MarlboroughRoad, Luton, BedfordshireLU3 IEF Tel: Luton (0582\ 20075 Contents Editorial 3 The President'sAddress 6 Beecham:The Delius Repertoire 9 An Eveningwith Norman Del Mar l9 Book Review 2l Obituary: Robert Aickman 23 Forthcoming Events 23 Cover lllustration An early sketch of Delius by Edvard Munch reproducedby kind permissionof the Curator of the Munch Museum,Oslo, Norway. Additional copiesof this issuef,l each,inclusive of postage. ISSN-0306-0373 Editorial No recent publication can have commandedsuch widespreadcritical attention in the musical world as The New Grove whose additional adjectivein its title might seemdesigned to bestow eternal youth on this fountain of musicalknow- ledge. One wonders what they will name the seventh edition years hence. Its twenty volumesare an impressiveachievement and a pleasureto read and handle, though for the purchaserat f,850 a set a costly touch. -
UNIVERSITY of CINCINNATI August 2005 Stephanie Bruning Doctor Of
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ The Indian Character Piece for Solo Piano (ca. 1890–1920): A Historical Review of Composers and Their Works D.M.A. Document submitted to the College-Conservatory of Music, University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Piano Performance August 2005 by Stephanie Bruning B.M. Drake University, Des Moines, IA, 1999 M.M. College-Conservatory of Music, University of Cincinnati, 2001 1844 Foxdale Court Crofton, MD 21114 410-721-0272 [email protected] ABSTRACT The Indianist Movement is a title many music historians use to define the surge of compositions related to or based on the music of Native Americans that took place from around 1890 to 1920. Hundreds of compositions written during this time incorporated various aspects of Indian folklore and music into Western art music. This movement resulted from many factors in our nation’s political and social history as well as a quest for a compositional voice that was uniquely American. At the same time, a wave of ethnologists began researching and studying Native Americans in an effort to document their culture. In music, the character piece was a very successful genre for composers to express themselves. It became a natural genre for composers of the Indianist Movement to explore for portraying musical themes and folklore of Native-American tribes. -
January 1912) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1912 Volume 30, Number 01 (January 1912) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 30, Number 01 (January 1912)." , (1912). https://digitalcommons.gardner-webb.edu/etude/576 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. The Greatest Educational Workj)f_thg_Ag8 1 THE ETUDE STANDARD GRADED New Publications COURSE Preparatory School of Technic Imaginary Biographical Letters Life Stories of Great Studies A SPLENDID FEBRUARY ISSUE FOR--- THE PIANOFORTE from Great Masters of Music By I. PHILIPP Composers FOR THE PIANOFORTE Owing to our very great success in securing remarkably fine material upon Price, 81.00 to Young People Price, 81.50 Compiled by W. S. MATHEWS the subject of Grand Opera it was found that it would be necessary to issue V splendid volume for use In daily pr By Alethea Crawford Cox and Alice Chapin A • comprehensive and interesting collec- A MONTHLY JOURNAL FOR THE MUSICIAN, THE e, containing all technical csscntii lon of musical biographies, prepared bv a second section in February. -
Boston Symphony Orchestra Concert Programs, Season 33,1913-1914, Trip
PARSONS THEATRE HARTFORD i©itoi Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE i 11 i I !'<?. \L WEDNESDAY EVENING, NOVEMBER 26 AT 8.15 COPYRIGHT, 1913, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER llllliiinilii No Piano of American make has been so favored by the musical pub- lic as this famous old Boston make. The world's greatest musicians have demanded it and discriminating people have purchased it. THE CHICKERING PIANO enjoys the distinction of being the recipient of 129 First Medals and Awards for Superiority Its wonderful tone and action call it to the studio to stimulate and encourage the pupil, and it is sought by teachers and musical people when the best is desired. 269 ASYLUM STREET HARTFORD, CONN. PARSONS THEATRE HARTFORD Forty-first Concert in Hartford Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor FIRST CONCERT WEDNESDAY EVENING, NOVEMBER 26 AT 8.15 PROGRAMME Glazounoff . Symphony in B-flat major, No. 5, Op. 55 I. Moderato maestoso; Allegro. II. Scherzo: Moderato; Pochissimo meno mosso. III. Andante. IV. Allegro maestoso. Smetana . Overture to "The Sold Bride" Saint-Saens . Concerto in B minor for Violin and Orchestra, No. 3, Op. 61 I. Allegro non troppo. II. Andantino quasi allegretto. III. Molto moderato e maestoso: Allegro non troppo. Dvorak . Dramatic Overture, "Husitska," Op. 67 SOLOIST SYLVAIN NOACK There will be an intermission of ten minutes after the symphony 3 A NEW STYLE OF THE NEW ENGLAND'S FAVORITE PIANO GIVE YOUR CHILDREN this piano. Its full, rich tone will be a delight to you and an education to them.