Croesus Track Heritage Assessment and Baseline Inspection Report
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The Colonial Reinvention of the Hei Tiki: Pounamu, Knowledge and Empire, 1860S-1940S
The Colonial Reinvention of the Hei Tiki: Pounamu, Knowledge and Empire, 1860s-1940s Kathryn Street A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in History Victoria University of Wellington Te Whare Wānanga o te Ūpoko o te Ika a Māui 2017 Abstract This thesis examines the reinvention of pounamu hei tiki between the 1860s and 1940s. It asks how colonial culture was shaped by engagement with pounamu and its analogous forms greenstone, nephrite, bowenite and jade. The study begins with the exploitation of Ngāi Tahu’s pounamu resource during the West Coast gold rush and concludes with post-World War II measures to prohibit greenstone exports. It establishes that industrially mass-produced pounamu hei tiki were available in New Zealand by 1901 and in Britain by 1903. It sheds new light on the little-known German influence on the commercial greenstone industry. The research demonstrates how Māori leaders maintained a degree of authority in the new Pākehā-dominated industry through patron-client relationships where they exercised creative control. The history also tells a deeper story of the making of colonial culture. The transformation of the greenstone industry created a cultural legacy greater than just the tangible objects of trade. Intangible meanings are also part of the heritage. The acts of making, selling, wearing, admiring, gifting, describing and imagining pieces of greenstone pounamu were expressions of culture in practice. Everyday objects can tell some of these stories and provide accounts of relationships and ways of knowing the world. The pounamu hei tiki speaks to this history because more than merely stone, it is a cultural object and idea. -
When the Periphery Became More Central: from Colonial Pact to Liberal Nationalism in Brazil and Mexico, 1800-1914 Steven Topik
When the Periphery Became More Central: From Colonial Pact to Liberal Nationalism in Brazil and Mexico, 1800-1914 Steven Topik Introduction The Global Economic History Network has concentrated on examining the “Great Divergence” between Europe and Asia, but recognizes that the Americas also played a major role in the development of the world economy. Ken Pomeranz noted, as had Adam Smith, David Ricardo, and Karl Marx before him, the role of the Americas in supplying the silver and gold that Europeans used to purchase Asian luxury goods.1 Smith wrote about the great importance of colonies2. Marx and Engels, writing almost a century later, noted: "The discovery of America, the rounding of the Cape, opened up fresh ground for the rising bourgeoisie. The East-Indian and Chinese markets, the colonisation of America [north and south] trade with the colonies, ... gave to commerce, to navigation, to industry, an impulse never before known. "3 Many students of the world economy date the beginning of the world economy from the European “discovery” or “encounter” of the “New World”) 4 1 Ken Pomeranz, The Great Divergence , Princeton: Princeton University Press, 2000:264- 285) 2 Adam Smith in An Inquiry into the Nature and Causes of the Wealth of Nations (1776, rpt. Regnery Publishing, Washington DC, 1998) noted (p. 643) “The colony of a civilized nation which takes possession, either of a waste country or of one so thinly inhabited, that the natives easily give place to the new settlers, advances more rapidly to wealth and greatness than any other human society.” The Americas by supplying silver and “by opening a new and inexhaustible market to all the commodities of Europe, it gave occasion to new divisions of labour and improvements of art….The productive power of labour was improved.” p. -
The Golden Sands of Jerusalem Creek: Early Beach Placer Mining on the North Coast of New South Wales
Journal of Australasian Mining History, Vol. 18, October 2020 The golden sands of Jerusalem Creek: Early beach placer mining on the north coast of New South Wales By KEN MCQUEEN University of Canberra Key Words: McAulay’s Lead, heavy mineral sands, gold, platinum. he history of gold mining on beaches and back-beach areas along the east coast of Australia is not widely known. Between 1870 and 1935 something in excess of 30,000 oz of gold was produced from these deposits, found between Currumbin T 1 in southern Queensland and inland of Bermagui on the New South Wales south coast. One of the largest producing areas was around Jerusalem Creek, between Iluka and Evans Head on the north coast of New South Wales (Fig. 1). Figure 1: Map of the north coast region of Early beach placer mining used New South Wales showing key beach gold simple equipment, mostly cradles, mining sites, including the area of Jerusalem sluice boxes, shovels and Creek and McAulay’s Lead. wheelbarrows, and the fields were worked as ‘poor man’s’ diggings for gold and minor platinum (Fig. 2). Mining was commonly intermittent or seasonal, often by local farmers and part-time workers in the sugar industry. From 1904 there were attempts at larger scale mining, particularly using various types of dredges, but these attempts were largely unsuccessful. The demand for titanium and zirconium minerals through the twentieth century, focused attention on the possibility of mining the associated and extensive black sand placer deposits for the contained rutile and zircon. Improvements in dredging and mineral processing technologies allowed this concept to successfully develop on a large scale. -
The Luminaries: a D—Ned Fine Tale, but of What?
DOI: http://dx.doi.org/10.5007/2175-8026.2017v70n1p123 THE LUMINARIES: A D—NED FINE TALE, BUT OF WHAT? John Scheckter* Long Island University Brooklyn, US Abstract he Luminaries (2013), Eleanor Catton’s novel of nineteenth-century New Zealand, has won wide international acclaim, including the Man Booker Prize. Yet many readers ind the work exasperating to read—a “nightmare,” to use a term Catton herself suggests. In large measure, this response emerges from Catton’s use of heavy structuring devices, particularly astrology and mathematics, that pertain to the time period of her iction. hese frameworks tend to make totalizing claims, oten through causal or linear progression, and to support modernist and realistic protocols of reading. As this essay demonstrates, Catton undercuts those claims, and frustrates such readings, by emphasizing multiple paths of comprehension and multiple voices of narration. he Luminaries embraces its multiple structural mechanisms, but is not dominated by any of them. Keywords: New Zealand; Historical Fiction; Australasia/Southern Hemisphere heory; Commodity Circulation; Postmodern Structure he characteristics that make he Luminaries (2013) upon, nineteenth-century structures of understanding such a good book are the same things that frustrate or that almost succeed at totalizing vision, but fall just annoy many readers. Certainly, the accolades came short of certainty. hat is, he Luminaries succeeds quickly. he Luminaries, Eleanor Catton’s second novel, through its manipulation of paradox, its calculated and brought her the Man Booker Prize at age twenty-eight. It incremental failure. he novel is framed by a heavy won the Governor General’s Literary Award for Fiction armature of astrology that suggests visible intrusion in Canada, where she was born, and it brought her wide and thorough predetermination, but actually encloses acclaim in New Zealand, where she lives, including free-loating demonstrations of randomness and an honorary doctorate from Victoria University of confusion that the structure cannot resolve. -
Senior Seminar on the Wealth and Well-Being Of
Senior Seminar on The Wealth and Well-Being of Nations: Each year, seniors in the department of economics participate in a semester-long course that is built around the ideas and influence of that year’s Upton Scholar. By the time the Upton Scholar arrives in October, students will have read several of his or her books and research by other scholars that has been influenced by these writings. This advanced preparation provides students the rare opportunity to engage with a leading intellectual figure on a substantive and scholarly level. Endowed Student Internship Awards: A portion of the Miller Upton Memorial Endowments supports exceptional students pursuing high-impact internship experiences. Students are encouraged to pursue internships with for-profit firms and non-profit research organizations dedicated to advancing the wealth and well-being of nations. Charles G. Koch Student Research Colloquium and Speaker Series: With generous support from the Charles G. Koch Charitable Foundation, the department has initiated a research colloquium that gives students the opportunity to read and discuss seminal articles aimed at deepening their understanding of the market process. Students also develop original analysis that applies economic ideas to novel contexts. Colloquium participants receive close mentoring as they craft an article with the eventual goal of publication in a newspaper, magazine, or academic journal. The themes of the research colloquium and annual forum are supported with a speaker series featuring the next generation of scholars working on questions central to our understanding of the nature and causes of wealth and well-being. Annual Proceedings of The Wealth and Well-Being of Nations: The keynote address presented by the Upton Scholar is an important contribution to the public discourse on the nature and causes of wealth and well-being. -
NCEA Level 3 History (90657) 2012
NCEA Level 3 History (90657) 2012 — page 1 of 28 Assessment Schedule – 2012 History: Examine a significant decision made by people in history, in an essay (90657) Evidence Statement Achievement Achievement with Merit Achievement with Excellence Through the candidate’s response to Through the candidate’s response to Through the candidate’s response to the first part of the essay question, the first part of the essay question, the first part of the essay question, they have accurately described they have accurately explained they have accurately and factors that contributed to the factors that contributed to the perceptively explained factors that decision. decision. contributed to the decision. (See content guidelines for (See content guidelines for (See content guidelines for examples of relevant historical examples of relevant historical examples of relevant historical information that could be included in information that could be included in information that could be included in the candidate’s answer). the candidate’s answer). the candidate’s answer). Through the candidate’s response to Through the candidate’s response to Through the breadth, depth and/or the second part of the essay the second part of the essay range of ideas in the candidate’s question, they have accurately question, they have evaluated the response to the second part of the described the consequences of the consequences of the decision. question, they have decision. comprehensively evaluated the consequences of the decision. (See content guidelines for (See content guidelines for examples of relevant historical examples of relevant historical information that could be included in (See content guidelines for information that could be included in the candidate’s answer). -
Why Can't She Stay Home? Expatriation and Back-Migration in the Work Of
WHY CAN’T SHE STAY HOME? Expatriation and Back-migration in the Work of Katherine Mansfield, Robin Hyde, Janet Frame and Fleur Adcock Emma Jane Neale University College London Thesis Submitted for PhD Degree 1999 ProQuest Number: 10014874 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10014874 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract My thesis examines changing conceptions of colonial, artistic and female identity. I build on the work of previous critics (including Ash, Parkin-Gounelas, Pride, Sandbrook, Wevers), but I seek to place renewed emphasis on literary-historical context and questions of aesthetic value. My introductory chapter grounds the twentieth-century works in literary analyses of a sample of published nineteenth-century accounts by British women of their emigration to New Zealand. These women ahgn expatriation with bereavement, yet advocate the colony’s new egalitarianism. The chapter ends with a reading of Victorian fiction by ' Ahen' (Louisa Baker: once popular, but now seldom read), for whom expatriation was already a complex matter. For ' Ahen’, the New Zealander’s return to England connotes artistic self betterment and women’s entry into valuable work: themes crucial to Mansfield, in whose early prose expatriation represents similar hberation. -
The Big Reset
REVISED s EDITION Willem s Middelkoop s TWarh on Golde and the Financial Endgame BIGs s RsE$EAUPTs The Big Reset The Big Reset War on Gold and the Financial Endgame ‘Revised and substantially enlarged edition’ Willem Middelkoop AUP Cover design: Studio Ron van Roon, Amsterdam Photo author: Corbino Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 027 3 e-isbn 978 90 4852 950 6 (pdf) e-isbn 978 90 4852 951 3 (ePub) nur 781 © Willem Middelkoop / Amsterdam University Press B.V., Amsterdam 2016 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. To Moos and Misha In the absence of the gold standard, there is no way to protect savings from confiscation through inflation. There is no safe store of value. If there were, the government would have to make its holding illegal, as was done in the case of gold. If everyone decided, for example, to convert all his bank deposits to silver or copper or any other good, and thereafter declined to accept checks as payment for goods, bank deposits would lose their purchasing power and government-created bank credit would be worthless as a claim on goods. -
Nicholas Chevalier Anartist's Journey Through Canterburyin 1866
Nicholas Chevalier AnArtist's Journey Through Canterburyin 1866 Neil Roberts A Robert McDougall Art Gallery exhibition presented ill association with Trust Bank Canterbury Credits Exhibition: Exhibition Curator - Neil Roberts Exhibition Preparation - Les F'ibbens, Hubert Klaassens, Simon Mulligan, Martin Young, Registration - Anna Crighton Publication: Photography - National Library of New Zealand, Museum of New Zealand Te Papa Tongarewa, National Library of Australia,Wollongong City Gallery, Redfern Photographics, Art Gallery of New South Wales Typesetting: The Caxton Press Printing: The Caxton Press @ 1992 Robert McDougall Art Gallery ISBN 0·908874-11-1 '.. Robert McDougall Art Gallery. PO Box 2626. Christchurch, New Zealand Telephone (03) 365-0915. Fax (03) 365-3942. Corer: Crossing the Teramakau, 1868 (detail) Oil on Canvas: 460 x 613nun Collection: Wollongong City Gallery. Gi1\ ofBob Sredersas 1976. NICHOLAS CHEVALIER An Artist's Journey Through Canterbury in 1866 NICHOLAS CHEVALIER An Artist's Journey Through Canterbury in 1866 Neil Roberts A Robert McDougall Art Gallery Exhibition presented in association with Trust Bank Canterbury G TRUST BANK CANTERBUFfY Contents List of Plates 6 l··oreword 6 Acknowledgements 7 Introduction 9 Nicholas Chevalier 1828-1902 12 Banks Peninsula 18 The Journey West 21 Hokitika 27 The Journey East 29 The Journey South - Mt Cook and Lake Wanaka 34 Footnotes 40 Selected Bibliography 43 Catalogue 45 Diary of The Journey 53 5 List ofPlates Cover Crossing the Teramakau, 1868 (detail) Oil on Canvas: 460 x 613mm Collection: Wollongong City Gallery Gift of Bob Sredersas 1976. Map The Routes taken by Nicholas Chevalier between April and June 1866. Page 10 Plate I. Self Portrait 1857 Page 14 Oil on Canvas: 350 x 255mm Collection: Art. -
The Luminaries: Ad—Ned Fine Tale, but of What?
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Scheckter, John THE LUMINARIES : A D—NED FINE TALE, BUT OF WHAT? Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, vol. 70, núm. 1, enero-abril, 2017, pp. 123-134 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478355266012 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative DOI: http://dx.doi.org/10.5007/2175-8026.2017v70n1p123 THE LUMINARIES: A D—NED FINE TALE, BUT OF WHAT? John Scheckter* Long Island University Brookville, US Abstract he Luminaries (2013), Eleanor Catton’s novel of nineteenth-century New Zealand, has won wide international acclaim, including the Man Booker Prize. Yet many readers ind the work exasperating to read—a “nightmare,” to use a term Catton herself suggests. In large measure, this response emerges from Catton’s use of heavy structuring devices, particularly astrology and mathematics, that pertain to the time period of her iction. hese frameworks tend to make totalizing claims, oten through causal or linear progression, and to support modernist and realistic protocols of reading. As this essay demonstrates, Catton undercuts those claims, and frustrates such readings, by emphasizing multiple paths of comprehension and multiple voices of narration. -
Westland Cultural Heritage Tourism Project (Wchtp)
WESTLAND CULTURAL HERITAGE TOURISM PROJECT (WCHTP) PROJECT REPORT June 2021 Table of Contents 1. Introduction ……………………………………………………………………………………….. 3 2. Key Project Outcomes …………………………………………………………………………… 4 3. Financial Position …………………………………………………………………………………. 5 4. Projects Going Forward ……………………………………………………………………….. 6 5. Next Steps ……………………………………………………………………………………………. 7 Appendices 1. Westland Culture and Heritage Tourism Development Plan 2. Overview of Westland Culture and Heritage Tourism Development Project 3. Hokitika Revitalisation Plan 4. Hokitika CBD Wayfinder and Directional Signage 5. Cultural Heritage Walkway Upgrade 6. Beachfront Development 7. North Spit/Sunset Point and Gibson Quay 8. WAI/ Seats Project 9. Mahinapua Project Overview 10. The Mahinapua Loop Concept Plan 11. Ross Goldfields Destination Plan and Action Points 12. Ross Goldfields Information and Heritage Centre – Develop and Detail Design Plan 13. Priority Project Identification Plan – 7 Golden Gullies Project 2 1. Introduction This report presents the outcomes of what has been a challenging but productive project. Covid-19 put a halt to all work in projects involving the international and much of the domestic market. We have moved forward with the projects that are relatively unaffected, or likely to be less affected, by the Covid situation. These are important to the district in adding attractions for the recovery. Sadly, my partner in this project, David Stapleton, was diagnosed with cancer in August 2020 and passed away in February. This had a major impact on our work last year and his knowledge and thinking is missed. Recapping the foundation of the project, the aim was to develop the culture and heritage tourism assets in the district from the perspective of three pillars: 1. Commercial Business Development 2. -
Assessment Schedule – 2009 History: Examine a Significant Historical Situation in the Context of Change, in an Essay (90658) Evidence Statement
NCEA Level 3 History (90658) 2009 — page 1 of 31 Assessment Schedule – 2009 History: Examine a significant historical situation in the context of change, in an essay (90658) Evidence Statement Achievement Achievement with Merit Achievement with Excellence Through her / his response to the first Through her / his response to the Through the breadth, depth and / or part of the essay question, the first part of the essay question, the range of the ideas in her / his candidate has described a significant candidate has described in detail response to the first part of the situation in the context of change. a significant situation in the context essay question, the candidate has of change. comprehensively described a significant situation in the context of change. (See content guidelines for examples (See content guidelines for (See content guidelines for of relevant historical information that examples of relevant historical examples of relevant historical could be included in the candidate’s information that could be included information that could be included answer.) in the candidate’s answer.) in the candidate’s answer.) Through her / his response to the Through her / his response to the Through the breadth, depth and / or second part of the question the second part of the question the range of the ideas in her / his candidate has described the candidate has evaluated the response to the second part of the influence of the situation on people influence of the situation on people question the candidate has comprehensively evaluated the This evaluation should involve influence of the situation on people analysis which may include weighing up the influences that this This evaluation should involve situation had on people, eg analysis and comprehensive positive influences weighed up weighing up the influences that this against negative ones or one situation had on people, eg theory about the influence positive influences weighed up contrasted with another.