A Methodology for Analysis of Historic Textiles Ancon, Peru
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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Cremation Grave Textiles Examples from Vendel Upper Class in the Vendel and Viking Periods
Journal of Nordic Archaeological Science 13, pp. 59–74 (2002) Cremation grave textiles Examples from Vendel upper class in the Vendel and Viking Periods Anita Malmius Few are aware of the fact that organic material such as textiles and leather can survive in cremation graves. Even fewer are aware that charred textile fragments contain almost the same information as unburnt prehistoric textiles. This fact provides the opportunity for comparing textiles from different groups in society, for studying textile development, and for gaining access to a much greater textile material based on the numerous crema- tion graves. In this article the outfits of the men buried in the cremation graves in “Vendla’s Mound”, dated to the Vendel and Viking Periods, are compared with those buried in the contemporaneous boat-graves in Vendel. Introduction strong materialistic attitudes to death and life thereafter. The In an overview of Scandinavian textile- and leatherworking, buried person has been provided with a full set of equipment Eva Andersson (1995: 16) observes that the textile craft for the after-life. Thanks to the custom of equipping the tends to be mentioned only in passing in the archaeological dead with rich grave-goods, we can today obtain insights literature and research discussions, and that dress is primar- into some aspects of the culture of buried persons. But only ily seen as a complement to buckles and other ornaments. certain categories of objects have been laid down in the The reason for this would seem to be ‘the shortage of finds graves – already their contempories made choices as to what and other evidence’, but also, ‘poor knowledge of what has was at the time considered suitable and representative. -
Spinning Alpaca: Fiber from Huacaya Alpaca to Suri Alpaca (And Beyond)
presents A Guide to Spinning Alpaca: Fiber from Huacaya Alpaca to Suri Alpaca (and beyond) ©F+W Media, Inc. ■ All rights reserved ■ F+W Media grants permission for any or all pages in this issue to be copied for personal use Spin.Off ■ spinningdaily.com ■ 1 oft, long, and available in a range of beautiful natural colors, alpaca can be a joy to spin. That is, if you know what makes it different from the sheep’s wool most spinners start with. It is Sa long fiber with no crimp, so it doesn’t stretch and bounce the way wool does. Sheep’s wool also contains a lot of lanolin (grease) and most spinners like to scour the wool to remove excess lanolin before they spin it. Alpaca doesn’t have the same grease content, so it can be spun raw (or unwashed) pretty easily, though it may contain a lot of dust or vegetable matter. Alpaca fiber also takes dye beautifully—you’ll find that the colors will be a little more muted than they would be on most sheep’s wool because the fiber is not lustrous. Because alpaca fiber doesn’t have crimp of wool, the yarn requires more twist to stay together as well as hold its shape over time. If you spin a softly spun, thick yarn, and then knit a heavy sweater, the garment is likely to grow over time as the fiber stretches. I hadn’t much experience spinning alpaca until I started volunteering at a school with a spinning program and two alpacas on the working farm that is part of the campus. -
Alpaca Fiber What We Know What We Need to Know the Huacaya
Alpaca Fiber What We Know What We Need to Know The Huacaya Huacaya fiber has loft and is well suited for knitted and crocheted products as well as woven applications. Huacaya fiber has brightness and crimp. THE SURI Suri fiber is smooth and heavy. Because of its lack of loft, suri is best used in lighter weight woven applications. Suri has a very smooth scale structure which gives it its luster. Alpaca fleece comes in 18 official natural colors with 100s of shade variations Official Natural Colors: White Beige Fawn – light, medium, dark Brown – light, medium, dark Bay Black True Black Silver Grey – light, medium, dark Rose Grey – light, medium, dark Indeterminate Dark Indeterminate Light Micron Relationships to End Uses 18-20 – underwear, high fashion fabric, suiting 20-23 – fine to medium knit-wear, men’s suiting, lightweight worsteds, hand knitting yarn 23-26 – woven outwear, machine and hand knitting yarns 24-29 – socks, fine felting, and heavy woven outerwear 30+ interior textiles, carpets, and industrial felting AOBA Fiber Characteristics Study 2009-2012 Three Phase Study Managed and coordinated by AOBA Fiber Committee Validation of Fiber Characteristics Claims Utilization of College and University Testing/Use of Standard Methods Literature Search for Research Papers Goals of the Study To validate claims made about alpaca fiber using scientific data Intrinsic Values of Alpaca Fiber Characteristic Values of Alpaca Fiber as compared to other fibers Phase One Literature Review Locating studies performed on alpaca fiber worldwide Locating studies and values for wool, cotton, silk and synthetic fibers Establishing values and charts for comparison purposes Pertinent Alpaca Studies Wang, X.; Wang, L.; and Liu, X. -
AOA 2021 Show System Handbook
Dear Show Participant, I am pleased to present the 2021 AOA Show System Handbook to you! AOA is excited to release the “Spotlight on the Show Ring” initiative in 2021. Spotlight on the Show Ring will provide education and guidance on topics ranging from getting ready to show to the final activity of presenting your alpaca in the ring for competition.This will be helpful to those experienced at showing and especially wonderful for those newer to competition. All updates for this year are in bold type so please look through each section to learn of the changes for 2021. The Alpaca Owners Association Show System will certify outstanding livestock competitions for alpacas all over the United States. Come join us and experience the alpaca community! Thank you to all of you who submitted ideas and comments to the show office for the Show Rules Committee to review. Your feedback, as exhibitors, is important to us as we work to continually adjust the show system to meet your needs. Additionally, thank you to the members of the AOA Show Rules Committee. This handbook requires hundreds of hours to complete. I truly appreciate their tireless effort as they worked through the annual updates, revisions, and rule changes. As you read through this handbook, you should also consider another valuable tool: The Art and Science of Alpaca Judging. This textbook, written by industry experts and available on AOA’s website, helps readers expand their understanding of alpaca fleece and conformational characteristics.These books, combined with the AOA Expected Progeny Differences (EPD) program and other information (e.g., histograms, skin biopsies) assists owners in not only preparing for shows, but in making better breeding and buying decisions. -
Sett Decisions
TRANSCRIPT Sett Decisions Before we begin weaving cloth, there is a bit of crucial information that we need that determines the feel and the function of the fabric, and that is sett. Sett is to weaving what gauge is to knitting. In knitting, you can take a yarn, say like a fingering weight yarn, and you can knit it on tiny, skinny needles to produce tiny, little stitches that will produce a very tight, firm fabric. That might be suitable for something like socks, like I knit my socks on 2.25 millimeter needles and I make a fabric that’s so firm and stiff that it can stand up like cardboard. You want that because that kind of fabric that is firm and stuff affords a certain kind of durability that you want for your socks. You may not want that kind of durability for any other garment that you’re gonna be wearing. So you can take that same fingering weight yarn and then knit it on much larger size needles and produce a larger stitch which then produces a loose, draped, soft fabric that is perfect for a shawl. It’s the same idea with weaving. Sett is kind of like gauge. Think about the range of fabrics that you could create with a loom. Think about a very firm, stiff, durable, tightly woven fabric. What would that be good for? That might be good for something like upholstery fabric something that needs a lot of durability. And think about something like the cloth that you wear in your shirt. -
'How the Corpse of a Most Mighty King…' the Use of the Death and Burial of the English Monarch
1 Doctoral Dissertation ‘How the Corpse of a Most Mighty King…’ The Use of the Death and Burial of the English Monarch (From Edward to Henry I) by James Plumtree Supervisors: Gábor Klaniczay, Gerhard Jaritz Submitted to the Medieval Studies Department and the Doctoral School of History Central European University, Budapest in partial fulfillment of the requirements for the degree of Doctor of Philosophy CEU eTD Collection Budapest 2014 2 Table of Contents TABLE OF CONTENTS .................................................................................................... 2 TABLE OF FIGURES ........................................................................................................ 3 ABBREVIATIONS ............................................................................................................ 4 INTRODUCTION .............................................................................................................. 6 1. ‘JOYFULLY TAKEN UP TO LIVE WITH GOD’ THE ALTERED PASSING OF EDWARD .......................................................................... 13 1. 1. The King’s Two Deaths in MS C and the Vita Ædwardi Regis .......................... 14 1. 2. Dead Ends: Sulcard’s Prologus and the Bayeux Tapestry .................................. 24 1. 3. The Smell of Sanctity, A Whiff of Fraud: Osbert and the 1102 Translation ....... 31 1. 4. The Death in Histories: Orderic, Malmesbury, and Huntingdon ......................... 36 1. 5. ‘We Have Him’: The King’s Cadaver at Westminster ....................................... -
Get to Know Exotic Fiber!
Get to know Exotic Fiber! In this article we will go over how camel, alpaca, yak and vicuna fiber is made into yarn. As we have all been learning, we can make fiber out of just about anything. These exotic fibers range from great everyday items to once in a lifetime chance to even see. In this article we will touch on camel, alpaca, yak and vicuna fiber. Camelids refers to the biological family that contain camels, alpacas and vicunas. In general, camelids are two-toed, longer necked, herbivores that have adapted to match their environment. Yaks are part of the bovidae family which also contain cattle, sheep, goats, antelopes and several other species. Yaks can get up to 7 feet tall and weight upwards of 1,300 pounds. Domesticated yaks are considerably smaller. Lets start with Camels! The Bactrian Camel, which produces the finest fiber, are commonly found in Mongolia. They can live up to 50 years and be over 7 feet tall at the hump. These two-humped herbivores hair is mainly imported from Mongolia. In ancient times, China, Iraq, and Afghanistan were some of the first countries to utilize camel fiber. Bactrian Camels are double coated to withstand both high mountain winters and summers in the desert sand. The coarse guard hairs can be paired with sheep wool, while the undercoat is very soft and a great insulator. Every spring Bactrian Camels naturally shed their winter coats, making it easier to turn into yarn. Back when camel caravans were the main form of transportation of people and goods, a "trailer" was a person that followed behind the caravan collecting the fibers. -
Most of the Main Window Is Naturally Used for Drawing Your Pattern
WeavePoint 7 Version 7.0 User’s Guide Copyright © 1998-2011 B.T. Myhre/AVL Looms, Inc All rights reserved B.T. Myhre | www.weavepoint.com www.avlusa.com | AVL Looms, Inc WeavePoint License Agreement and Warranty Program License You have the non exclusive right to use WeavePoint on a single computer. You may not install this program on more than one computer, or use it over a network, without the written permission from B.T. Myhre by a multi-user, network or site license. As an exception to the above, you may install this program on more than one computer, as long as it under no circumstance is used on more than one computer at the same time. For example, if you have one computer at the workshop and one at home, you can use the program on both computers, but only if no other person can use the program in the workshop when you may use it at home. If more than one person want to use the program independently, each user must have a license. You may not modify or translate the software in any way or manner. No part of this manual may be reproduced or transmitted in any form or by any means. Electronic, mechanical, by photocopying or otherwise without the prior written consent of B.T. Myhre. Backup and Transfer You may make one archival copy of WeavePoint for the sole purpose of backing up the software for your own use. You may sell the program with your license right to another party. If you sell your license, you must transfer the complete program with disks and documentation, including any existing backup copy. -
United States, Canada, and UK Fiber Processors V2.4 February 2010
United States, Canada, and UK Fiber Processors V2.4 February 2010 CALIFORNIA Morro Fleece Works Alpaca Angora Llama Pygora Sheep Exotic Mohair Other 1920 Main Street Fibers: Yes No Yes Yes* Yes Yes Yes Dog Morro Bay, CA 93442 Dehair Yarn Packaging Roving Batts Felt Minimums Owner: Shari McKelvy Services: No No Yes Yes Yes Yes Yes 805-772-9665 ℡ 805-772-9662 Fax Notes: Fibers: *Pygora Goat – Dehaired Only; Suri Alpaca; Roving: Pin drafted roving; Minimum: 2-lbs [email protected] www.morrofleeceworks.com CALIFORNIA Ranch of the Oaks Alpaca Angora Llama Pygora Sheep Exotic Mohair Other 3269 Crucero Rd Fibers: Yes Yes Yes Yes Yes No Yes No Lompoc, CA 93436 Dehair Yarn Packaging Roving Batts Felt Minimums Owner: Tom & Mette Goehring Services: Yes Yes No Yes Yes Yes Yes 805-740-9808 ℡ 805-451-4104 Cell Notes: Fibers: Blend with silk & Bamboo; Roving: 50 yd. Bumps and 100-200 yard skeins; Minimum: 3-lbs. 805-714-2068 Cell #2 [email protected] www.ranchoftheoaks.com CALIFORNIA Suri-Al Pacas & Fibers Alpaca Angora Llama Pygora Sheep Exotic Mohair Other 54123 Dogwood Dr. Fibers: Yes No Yes Yes No* Yes Yes Yes North Fork, CA 93643 Dehair Yarn Packaging Roving Batts Felt Minimums Owner: Pat Peddicord Services: Yes Yes -- Yes No No Yes 559-877-7712 ℡ Notes: Fibers: *Wool No – Except in blends; Allergic to wool; Other: Bamboo, Camel, Soy, [email protected] Silk; Minimum: 8-oz. but minimum charge is 1-lb www.surialpacas.com Prepared by the Donaty’s for the benefit of those who love Fiber and Fiber Arts Page 1 of 17 Forward all updates to Mary Donaty at: [email protected] February 2010 Disclaimer on Page 17 United States, Canada, and UK Fiber Processors V2.4 February 2010 COLORADO DVA Fiber Processing, LLC Alpaca Angora Llama Pygora Sheep Exotic Mohair Other 1281 S. -
Report on International Travel to Latin America to Participate in the Development Op Pan-American Standards for Textiles
NATIONAL BUREAU OF STANDARDS REPORT 8645 REPORT ON INTERNATIONAL TRAVEL TO LATIN AMERICA TO PARTICIPATE IN THE DEVELOPMENT OF PAN-AMERICAN STANDARDS FOR TEXTILES October 26 - November 14> 1964 s^i/ / By > ^ Josephine M. Blandford ^ Technologist (Textiles) / A/ Materials Evaluation Laboratory r? n <nb|> II. S. DEPARTMENT OF COMMERCE NATIONAL BUREAU OF STANDARDS <? Ci’ ^ d / ^ THE NATIONAL BUREAU OF STANDARDS The National Bureau of Standards is a principal focal point in the Federal Government for assuring maximum application of the physical and engineering sciences to the advancement of technology in industry and commerce. Its responsibilities include development and maintenance of the national stand- ards of measurement, and the provisions of means for making measurements consistent with those standards; determination of physical constants and properties of materials; development of methods for testing materials, mechanisms, and structures, and making such tests as may be necessary, particu- larly for government agencies; cooperation in the establishment of standard practices for incorpora- tion in codes and specifications; advisory service to government agencies on scientific and technical problems; invention and development of devices to serve special needs of the Government; assistance to industry, business, and consumers in the development and acceptance of commercial standards and simplified trade practice recommendations; administration of programs in cooperation with United States business groups and standards organizations for the development of international standards of practice; and maintenance of a clearinghouse for the collection and dissemination of scientific, tech- nical, and engineering information. The scope of the Bureau’s activities is suggested in the following listing of its four Institutes and their organizational units. -
Proceedings of the 2Nd Biennial Research Through Design Conference | RTD 2015
2121STST CENTURYCENTURY MAKERSMAKERS ANDAND MAMATERIALITIESTERIALITIES Proceedings of the 2nd Biennial Research Through Design Conference | RTD 2015 Scott, J. 2015. Mutate: The Evolution of a Responsive Knit Design System. In: Proceedings of the 2nd Biennial Research Through Design Conference, 25-27 March 2015, Cambridge, UK, Article 5. DOI: 10.6084/m9.figshare.1327974. Mutate: The Evolution of a Responsive Knit Design System Jane Scott hygromorph, and the hierarchical nature of plant materials. This framework is mapped against the fundamental components of a knitted fabric to establish a hierarchical model of knitting. Using this model a collection Textile Futures Research Centre, Central Saint Martins, University of The Arts, of knitted prototypes, constructed exclusively from natural fibres have London, UK been developed. These fabrics transform from 2D to 3D in response to [email protected] changing moisture levels. Whilst potential applications span the textiles sector, the impact of this Abstract: This smart textile design research is located at the intersection of research is more profound. This work represents a shift in thinking about biomimicry and responsive material systems. Using the inherent properties responsive textiles. Rather than applying complex synthetics or e-textiles, of natural fibres and knit structure, the aim is to develop responsive knitted my practice re-examines natural fibres and textile processes. Through the fabrics, which question the conventional material systems necessary for systematic application of a hierarchical model derived from biomimicry, smart textile design. a zero energy, 100% natural, responsive material system has been established. The work is informed by biological models derived from biomimetic research. Underpinning design research is a functional analysis of the Keywords: Knitting; Biomimicry; Responsive material systems; Smart responsive capacities of plants.