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Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): 41–56 ISSN 0210-6124 Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality Christopher Rollason Metz, France [email protected] This article shows how the poetry and prose of Edgar Allan Poe (1809-1849) cast a long shadow over the work of America’s greatest living songwriter, Bob Dylan (1941-). The work of both artists straddles the dividing-line between ‘high’ and ‘mass’ culture by pertaining to both: read through Poe, Dylan’s work may be seen as a significant manifestation of American Gothic. It is further suggested, in the context of nineteenth- century and contemporary debates on alleged ‘plagiarism’, that the textual strategy of ‘embedded’ quotation, as employed by both Poe and Dylan, points up the need today for an open and inclusive model of intertextuality. Keywords: culture; Dylan; Gothic; intertextuality; Poe; quotation Tell-tale signs - Edgar Allan Poe y Bob Dylan: hacia un modelo de intertextualidad Este artículo explica cómo la poesía y la prosa de Edgar Allan Poe (1809-1849) proyectan una larga sombra sobre la obra del mayor cantautor vivo de Estados Unidos, Bob Dylan (1941-). Ambos artistas se ubican en una encrucijada entre la cultura ‘de elite’ y la ‘de masas’, puesto que la obra de cada uno se sitúa en ambos dominios a la vez: leída a través de Poe, la obra dylaniana aparece como una importante manifestación del gótico norteamericano. Se plantea igualmente la hipótesis de que, en el marco de los debates, tanto decimonónicos como contemporáneos, sobre el supuesto ‘plagio’, la estrategia textual, empleada tanto por Poe como por Dylan, de la cita ‘encajada’ señala la necesidad urgente de plantear un modelo abierto y global de la intertextualidad. -
Atlantis 31.2
Revista de la Asociación Española de Estudios Anglo-Norteamericanos Vol. 31, núm. 2 Diciembre 2009 31.2 (December 2009) 31.2 (Diciembre 2009) EDITORS Editores General Editor: Angela Downing Universidad Complutense de Madrid Assistant Editor: Ludmila Urbanová Managing Editor: Carmen Méndez University of Brno Universidad Complutense de Madrid Book Reviews Editor: Clara Calvo Editor’s Assistant: Juan Rafael Zamorano Universidad de Murcia Universidad Complutense de Madrid Universität Bremen Copy Editor: Jorge Arús Hita Universidad Complutense de Madrid EDITORIAL BOARD Consejo de Redacción BOARD OF ADVISORS Consejo Asesor Andrew Blake Heinz Ickstadt University of Winchester Freie Universität Berlin Martin Bygate J. Hillis Miller Lancaster University University of California at Irvine Teresa Fanego Susheila M. Nasta Universidad de Santiago de Compostela Open University Fernando Galván Francisco J. Ruiz de Mendoza Universidad de Alcalá de Henares Universidad de La Rioja BOARD OF REFEREES Consejo Científico y Evaluador Joan C. Beal Rachel Bowlby Graham D. Caie University of Sheffield University College London University of Glasgow Jesús Benito Sánchez Kris Van den Branden Gordon Campbell Universidad de Valladolid Katholieke Universiteit Leuven University of Leicester Marcella Bertuccelli Papi Mario Brdar Isabel Carrera Università di Pisa Josip Juraj Strossmayer University Universidad de Oviedo Nilufer E. Bharucha Laurel J. Brinton Shirley Chew University of Mumbai University of British Columbia University of Leeds Clare Birchall Manuel Broncano Robert Clark Middlesex University Universidad de León University of East Anglia Anita Biressi Jorge Luis Bueno Alonso Thomas Claviez Roehampton University University of Vigo University of Bern Maggie Ann Bowers Christopher S. Butler Tom Cohen University of Portsmouth Swansea University University of Albany Juan Camilo Conde-Silvestre David Johnson Victor J. -
Michel Montecrossa Sings Bob Dylan and Related Artists
ETERNAL CIRLCE CD-PLUS AUDIO-TRACKS: 1. Eternal Circle 4:09 2. Knockinʻ On Heavenʻs Door 3:58 3. Sitting On A Barbed Wire Fence 6:59 4. Blowinʻ In The Wind 6:35 5. Mixed Up Confusion 4:25 6. Tomorrow Is A Long Time 4:58 7. Love Minus Zero / No Limit 4:19 8. On The Road Again 4:33 9. All Along The Watchtower 4:17 10. Bob Dylanʻs Dream 5:22 11. Couple More Years (From the movie Hearts of Fire) 1:53 MPEG-VIDEO 1. Quinn, The Eskimo (The Mighty Quinn) 4:14 (All songs Bob Dylan except Track 11) PICTURE-EVENTS INTERNETDATA P 1998 © Mira Sound Germany / MCD-266 BORN IN TIME CD-PLUS AUDIO-TRACKS: 1. Born In Time 5:41 2. The Groomʻs Still Waiting At The Altar 3:52 3. Quinn, The Eskimo (The Mighty Quinn) 3:48 4. Forever Young 2:55 5. Paths Of Victory 4:04 6. I And I 4:36 7. Dark Eyes 2:59 8. Political World 3:19 9. Can You Please Crawl Out Of Your Window 4:12 10. Angelina 3:58 11. Donʻt Think Twice Itʻs All Right 2:23 12. Like A Rolling Stone 5:50 13. Most Of The Time 3:28 14. Man In The Long Black Coat 3:55 15. Series Of Dreams 5:54 16. Lone Pilgrim (Traditional) 2:29 17. Abandoned Love 2:54 MPEG-VIDEO: 1. I Shall Be Released 2:43 (All songs Bob Dylan except Track 16) PICTURE-EVENTS INTERNETDATA P 1999 © Mira Sound Germany / MCD-301 Michel Montecrossa sings other Artists / Bob Dylan and related Artists – 1 E1 JET PILOT CD-PLUS AUDIO-TRACKS: 1. -
No. 502 • April 10, 2014 • Outwordmagazine.Com COLOR COLOR
No. 502 • April 10, 2014 • outwordmagazine.com COLOR COLOR $ . COLOR Our agents have extensive knowledge of the Sacramento market, with expertise in Short Sales, Bank Owned, Residential Resale, New Homes, Investment Properties, Land and Land Development, Apartments, Commercial Space for Sale & or Lease. Visit us online at: www.BHGhome.com/Midtown Located at: 1819 K Street in Midtown Sacramento | (916) 491-1516 | BRE#00834597 Joan Dunn Brian McMartin Kristina McBurney Luis Sumpter Clyde Brown & Michael Triglia Rich Wilks Bridget Davis Jose Rodriguez Cheryl Rouse 916.716.5584 916.402.4160 916.212.9211 916.455.2188 916.616.1391 916.826.8449 916.706.4663 916.207.1428 916.705.7144 BRE#: 01372320 BRE#: 00997069 BRE#: 01365631 BRE#: 01256900 BRE#: 01434049; 01493778 BRE#: 01257104 BRE#: 01171026 BRE#: 01857562 BRE#: 01467945 4 Outword Magazine April 10, 2014 - April 24, 2014 • Volume 27 • Issue 7 • No. 502 outwordmagazine.com City Launches Food Waste to Fuel Pilot Program in Elmhurst Letters hearts. Please join our circle. Space is limited. nder the leadership of Councilmember Kevin McCarty, Get Discovered at the 2014 Pre-registration required. Sacramento County Fair Facilitated by Jehfree Spirit, the Circle will be the City of Sacramento has begun a one-year pilot project The 2014 Sacramento County Fair is now held for eight weeks from 7 - 9 p.m., May 1 to collect food scraps from residents in the Elmhurst accepting applications for entertainers of all ages – June 26, at One Yoga Life, in Midtown U interested in performing at the 2014 Fair. This is Sacramento. For more information, email: jehfree. -
Joan Baez Live in Europe 83
Joan baez live in europe 83 click here to download Live Europe '83 is a recording by Joan Baez, taken from performances during her previous year's tour. It found Baez beginning to update her image by. Children Of The Eighties - Kinder Der 80er Jahre - Live In Concert (Cass, Club) Children Of The Eighties - Kinder Der 80er Jahre - Live In Concert (LP, Album, Club) Live Europe 83 - Children Of The Eighties (CD, Album, RE). Find a Joan Baez - Live Europe 83 - Children Of The Eighties first pressing or reissue. Complete your Joan Baez collection. Shop Vinyl and CDs. An unusual performance from the folk legend as she toured Europe in , as she sings songs of the lands she visits as well as standards of her era like. Official website for Joan Baez-Discography Pages. LIVE EUROPE '83 (CHILDREN OF THE EIGHTIES). Original release date: Produced by: Gerard. Le 15 juillet 83, Joan Baez avait donné un concert sur la place de la Concorde à Paris. Le thème était la non. Concert live de Joan Baez à Paris en - Duration: Jean-Marc Potier , views · · Joan. Find album reviews, stream songs, credits and award information for Live in Concert: European Tour - Joan Baez on AllMusic - - Not the greatest Joan. Listen free to Joan Baez – Live Europe 83 - Children of the Eighties (Farewell, Angelina, Warriors of the Sun and more). 14 tracks (). Discover more music. Find great deals for Live in Europe ' Children of the Eighties by Joan Baez (CD, Aug, Bmg/Ariola). Shop with confidence on eBay! Joan Baez: Live Europe 83,album, review, tracklist, mp3, lyrics. -
Bob Dylan Musician, Keith Negus. This File Contains the Pre-Proof
Bob Dylan Musician, Keith Negus. This file contains the pre-proof versions of Chapter One and Chapter Five from Bob Dylan, presented here in this format with the permission of Equinox Publishing. I have called this text Bob Dylan Musician because this was the original agreed title of the book right up to the moment just before publication when pressure from the US publisher resulted in the term ‘musician’ being reluctantly (from my perspective) expunged from the title. That word – musician – was there to concisely signal how my approach differs from most other books on Bob Dylan. I am interested in his work and practice as a musician, rather than his lyrics as poetry or the relationship between his biography and musical art. The book contains five chapters, so these two chapters introduce and conclude the study. If anyone would like electronic copies of additional chapters I am happy to provide these, as long as they are used only for research and teaching. Keith Negus June 2013 CHAPTER ONE Surroundings On 31 October 1964 Bob Dylan performed at the Philharmonic Hall in New York City, just two years after signing a recording contract and with four albums already released. Having quickly gained recognition as a folk ‘protest singer’ he was rapidly moving away from songs of social commentary and ‘finger pointing’. Dylan was beginning to use the popular song in a new and radical manner to explore more internal or subjective experiences, whilst experimenting with the sound, meaning and rhythm of words. Within three months, when recording his fifth album, no longer performing alone with acoustic guitar and harmonica, he was beginning to create an abrasive yet ethereal sonority, mixing the acoustic and electric textures of folk, electric blues, rock’n’roll, gospel, country and pop. -
The 119 Show - Live in London
The 119 Show - Live In London Available as: Blu-ray+DVD+2CD, 2CD+DVD, Digital Album Release Date: November 9th, 2018 DON’T BELIEVE IN TOMORROW The two-decade mark will be smashed. Twenty years young will be noted. And a vicennial triumph will be celebrated. For Italy’s LACUNA COIL, turning 20 will be a once-in-a-lifetime experience, not only for the Milan-based outfit, but also for their diehard fans around the globe. Together, they’ll commemorate the past—with a super-special one-off show in London and a new book titled Nothing Stands in Our Way—to venture bravely into the future. While the big Two-O is often an unkind benchmark, LACUNA COIL are facing down decade two with renewed strength, unfettered passion, and relentless drive. “We never thought we’d get to this point,” beams LACUNA COIL co-vocalist Cristina Scabbia. “That we’re still an active and growing band—we got a lot of new fans on Delirium—is exciting. I’m excited about the 20th Anniversary of LACUNA COIL. I’m excited about the book, the special show we have in London, and the shows to come. We look forward to accomplishing more things in the years to come with LACUNA COIL.” The road to now wasn’t always paved with lofty chart positions, high-profile tours, and viral music videos. LACUNA COIL worked tirelessly for their position as global metal phenoms. That they’re Italy’s top metal export shouldn’t surprise anyone. Amazingly, it all started in 1994, then as Sleep of Right and briefly as Ethereal. -
Eyolf Østrem
thingsTT twice Eyolf Østrem Contents Preface vii IYou’ve Been With the Professors 1 1 Analysing Dylan Songs 3 Methodological Considerations The Object............................ 3 The harmony........................... 7 Analysing an Idea......................... 8 2 ‘Beauty may Only Turn to Rust’ 13 The Beautiful world of Bob Dylan................ 14 Beauty and the Beast....................... 16 Proportion and expression..................... 20 Expression and style........................ 22 3 ‘Going Through All These Things Twice’ 25 The Ritual of a Bob Dylan Concert The External Similarites: Ceremony................ 27 The Rolling Thunder Revue................... 30 The Gospel Years......................... 33 The Voice of a Generation.................... 33 Secular Ritual........................... 37 Functions and means....................... 41 Dylan and ritual revisited..................... 45 Postscript............................. 49 4 The Momentum of Standstill 51 or: Time Out Of Mind and the Blues Dylan and the Blues....................... 53 i ii CONTENTS In the Evening.......................... 53 I Pity The Poor Immigrant.................... 55 Standing (Still) in the Doorway.................. 57 Ring Them Bells......................... 62 Highlands............................ 65 II Harmony and Understanding 67 5 ‘What I learned from Lonnie’ 69 An exploration of some remarks in Chronicles Secrets in the back room..................... 69 Melodies out of triplets – Axioms and numbers.......... 71 Rhythm: The Link Wray ‘Rumble’ -
Foreign Visitors and the Post-Stalin Soviet State
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Porous Empire: Foreign Visitors And The Post-Stalin Soviet State Alex Hazanov Hazanov University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons Recommended Citation Hazanov, Alex Hazanov, "Porous Empire: Foreign Visitors And The Post-Stalin Soviet State" (2016). Publicly Accessible Penn Dissertations. 2330. https://repository.upenn.edu/edissertations/2330 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2330 For more information, please contact [email protected]. Porous Empire: Foreign Visitors And The Post-Stalin Soviet State Abstract “Porous Empire” is a study of the relationship between Soviet institutions, Soviet society and the millions of foreigners who visited the USSR between the mid-1950s and the mid-1980s. “Porous Empire” traces how Soviet economic, propaganda, and state security institutions, all shaped during the isolationist Stalin period, struggled to accommodate their practices to millions of visitors with material expectations and assumed legal rights radically unlike those of Soviet citizens. While much recent Soviet historiography focuses on the ways in which the post-Stalin opening to the outside world led to the erosion of official Soviet ideology, I argue that ideological attitudes inherited from the Stalin era structured institutional responses to a growing foreign presence in Soviet life. Therefore, while Soviet institutions had to accommodate their economic practices to the growing numbers of tourists and other visitors inside the Soviet borders and were forced to concede the existence of contact zones between foreigners and Soviet citizens that loosened some of the absolute sovereignty claims of the Soviet party-statem, they remained loyal to visions of Soviet economic independence, committed to fighting the cultural Cold War, and profoundly suspicious of the outside world. -
I!Jlilljcll1rials ~ the SOCIETY of Architecfural HISTORIANS ~ Ifiiiffimlljjffi~ Founded 1940 • Incorporated 1947 = September 1961 ; Llljleii1llui~Ms ~ Vol
~CHnECTUR"~ ~ I!JlillJCll1rIAlS ~ THE SOCIETY OF ARCHITECfURAL HISTORIANS ~ IFIIIffimllJjffi~ Founded 1940 • Incorporated 1947 = September 1961 ; lllJlEII1llUI~mS ~ Vol. 5, No.3 Vas· Ig.fO • S~~ NEWSLETTER NEWS OF OFFICERS - President Wriston is moving to Chicago to assume her new position, Sept. 1, of Head, Museum Education, Art. Institute of Chicago. Treasurer Robert Walker and Agnes Gilchrist are Co-Chairrnen of the Manhattan Bus Tour, Sept. 10, which SAH is offering the members from abroad who ore attending the The XX International Congress of Art History in New York. They have prepared a guide, extra copies of which may be obtained from Mrs. Roseann Berry, Box 94, Media, Po., for $1.00, each. -- -- SAH NEWS - The Fall SAH Directors' meeting will be in New York on Saturday, Oct. 14. Anyone having suggestions for SAH tours or any other suggestions for the Society should write President Wriston before Oct. 1. Dr. Edward De Zurko, Architecture, Rice University, Houston, Texas, is Chairman of the Nominating Committee and all who want to work for SAH should write to him promptly. The ANNUAL MEETING is to be in Boston, Jan. 25-27, 1962. The headquarters wi II be at the Statler Hotel. Vice-President J. D. Forbes, University of Virginia, Charlottesville, is Chairman of the program. Anyone wishing to present a paper, write Dr. Forbes before Oct. J. This wi II be the first January meeting without the College Art Association, which is meeting in September after the International Congress in New York. SUMMER TOURS - For the third summer SAH has had a tour in Europe. -
Get Ready for Bob Dylan's Set at ACL Fest with Our Dylan Primer You Might Wonder Which Bob Dylan You're Going to Hear at ACL; Here's Our Advice for Tuning In
Get ready for Bob Dylan's set at ACL Fest with our Dylan primer You might wonder which Bob Dylan you're going to hear at ACL; here's our advice for tuning in By Thomas G. Palaima SPECIAL TO THE AMERICAN-STATESMAN http://www.austin360.com/news/content/music/stories/2007/09/0902dylan.html Sunday, September 02, 2007 "But me, I'm still on the road Headin' for another joint" - Bob Dylan, "Tangled Up in Blue" Bob Dylan is heading to Austin to close the ACL Festival on Sept. 16. Troubadour, blues songster, pop balladeer, old-timey minstrel, singer of gospel hymns and country and western tunes - and introduced in concerts now as "the man who forced folk into bed with rock" - Dylan and his evolving traveling band are in their 20th year of what his fans call the Never Ending Tour. If you are heading to the festival, you might wonder which Dylan you are going to hear. The straight answer is none and all of the above - and more. Forty-five years into his recording career and bearing down on 50 official albums, Dylan has mined virtually every American musical genre. His songwriting, singing and playing are always in the moment and full of experiment. Credited with writing more than 450 songs, Dylan has performed live at least that many songs by other artists. He has sung Ricky Nelson's "Lonesome Town," Gordon Lightfoot's "Early Morning Rain," the Davis Sisters' No. 1 1953 country hit "I Forgot More Than You'll Ever Know," Hank Williams' "House of Gold," Woody Guthrie's "Deportees" and the White Stripes' "Ball and Biscuit." When Warren Zevon was dying of lung cancer, Dylan on tour sang moving versions of Zevon's "Mutineer" and "Accidentally Like a Martyr." One of Dylan's birthday gifts for Willie Nelson's Big Six-O was a pathos-laden rendering of Stephen Foster's "Hard Times." No wonder that in his first major film, Dylan played a character named Alias ("Pat Garrett & Billy the Kid"). -
May Activity Highlights
May Activity Highlights Sun 1 Hulda Klager Lilac Gardens & Breakfast ~ In honor of May Day, we will start the day off with old-fashion Sunday no-host breakfast at Spiffy’s Restaurant & Bakery and then continue on to Woodland, WA to the National Historic Site- Hulda Klager Gardens for their Lilac Days. $25.00, BL 8:00AM. Mon 2 Quilters Show & Tell ~ Bring favorite books and magazines to share, along with your quilts. Pinwheel block of the month squares are due. 10:00AM, QAS. Mon 2 Home Goods & World Market ~ Enjoy shopping at or checking out the Home Goods Store (Home Goods is where savvy shoppers of every style discover an ever changing selection of exciting top brands and home fashions from around the world, at prices generally 20%-60% below department and specialty store regular prices) or World Market (from furniture and accessories, to food and drink, their assortment never falls short of authenticity or affordability. Browse the multicultural home decor pieces, find unique party favors and gifts, or simply peruse our diverse collection of specialty goods; their products offer premium quality and craftsmanship from sources all over the world), enjoy a no-host lunch on your own time. $3.00, BL 11:00AM. Mon 2 The Great Courses presents Art Across Ages (Video) ~ begins with segments exploring: What is Art? 1:30PM, PAT. Mon 2 Monday Night Program presents Randy Linder ~ The presentation by Randy Linder and his band as a tribute to Creedence Clearwater Revival (CCR) is second to none. They play the beloved hits that came from CCR between the years of 1968 and 1972 and a few of John Fogerty’s solo hits.