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The Reliquaries of Hyrule: a Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time
Press Start The Reliquaries of Hyrule The Reliquaries of Hyrule: A Semiotic and Iconographic Analysis of Sacred Architecture Within Ocarina of Time Jared Hansen University of Oregon Abstract This study is a semiotic and iconographic analysis of the sacred architecture in The Legend of Zelda: Ocarina of Time (Nintendo, 1998). Through an analysis of the visual elements of the game, the researcher found evidence of visual metaphors that coded three temples as sacred spaces. This coding of the temples is accomplished through the symbolism of progression that matches the design of shrines and cathedrals, drawing on iconography and other symbolism associated with Shinto, Buddhist, and Christian sacred architecture. Such indications of sacred spaces highlight the ways in which these virtual environments are designed to symbolize the progression of the player from secular to sacred, much like the player’s progression from zero to hero. By using the architecture and symbolism of the three aforementioned belief systems, Ocarina of Time signifies these temples as reliquaries—that is, sacred places that house reverential items as part of the apotheosis of the player. Keywords Art history; The Legend of Zelda; sacred space; symbolism; temple. Press Start 2021 | Volume 7 | Issue 1 ISSN: 2055-8198 URL: http://press-start.gla.ac.uk Press Start is an open access student journal that publishes the best undergraduate and postgraduate research, essays and dissertations from across the multidisciplinary subject of game studies. Press Start is published by HATII at the University of Glasgow. Hansen The Reliquaries of Hyrule Introduction The video game experiences that I remember and treasure most are the feelings I have within the virtual environments. -
JAPAN's MOST UNFORGETTABLE SHRINES Relaxing Is One Thing
JAPAN’S MOST UNFORGETTABLE SHRINES Relaxing is one thing, but to feel at peace, you need to step away from the neon signs and busy streets and explore the spiritual side of Japan. Shrines are an integral part of Japanese cultural tapestry. You will find these places of worship hidden in forest sandwiched between office towers on busy streets or clinging into mountain tops visiting them can be a spiritual experience, a chance to gain insights into Japanese tradition and history, or simply enjoy serene escape from the busy city life. Shrines are considered to be the residences of Kami (Shinto gods) and are used as places of worship. The names of Shinto shrines in Japan can end in –jinja, jingu (for Imperial shrines), or taisha. Shrines are built to serve the Shinto religious tradition and are characterized by a Torii gate at the entrance decorated with vermillion, and are guarded by fox, dog, or other animal statues. The architecture of a shrine typically includes a main sanctuary (honden), where the shrine’s sacred object is kept, and a worship hall (haiden), where people make prayers and offerings. Some shrines may have treasury buildings and stages for dance or theatre performances. There are close to 80,000 Shinto shrines in Japan and are of several different categories like: • Sengen shrines- dedicated to the Shinto deity of Mt. Fuji • Hachiman shrines- dedicated to the Kami of war • Inari shrines- dedicated to the Kami of huge harvest of grains • Kumano shrines - dedicated to the twelve Kami, three Grand Shrines in the three Kumano mountains • Tenjin shrines- dedicated to the Kami of Sugawara No Michizane, a politician and scholar FUSHIMI INARI SHRINE Fushimi Inari Shrine (伏見稲荷大社, Fushimi Inari Taisha) is an important Shinto shrine in southern Kyoto. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
Inland Sea of Ja An
Ancient traditions of the Inland Sea of Ja an Kyoto ◆ Hiroshima ◆ Miyajima ◆ Matsue ◆ Himeji ◆ Osaka A voyage aboard the Exclusively Chartered Small Ship Five-Star M.S. L’AUSTRAL April 30 to May 10, 2017 Dear Bryn Mawr Alumnae/i and Friends, Konnichiwa! Experience the timeless splendor of Japan and South Korea by sea and on land, the best way to see the richness of this beautiful region. During this custom-designed nine-night itinerary enjoy two nights on land and seven nights cruising while you explore enthralling ports steeped in the traditions of ancient Buddhist shoguns and Samurai warriors, and admire landscapes dotted with Shinto shrines, imperial castles and meticulous Japanese gardens. Spend two nights in the enchanting city of Kyoto, its serene landscape brimming with fragrant cherry blossom trees. It was the imperial capital of Japan from A.D. 794 until the mid-19th century and has been the cultural capital of this island nation for more than 1000 years. See its historic UNESCO World Heritage-designated monuments, visit the opulent temples of Ry ¯oan-ji and Kinkaku-ji, the imperial Nij ¯o Castle and stroll through the iconic red-orange torii gates and temple grounds of the Fushimi Inari Shrine. On board the exclusively chartered, Five-Star small ship M.S. L’AUSTRAL, featuring only 110 ocean-view Suites and Staterooms, cruise for seven nights from Himeji, Japan, along the coast of the tranquil Inland Sea and South Korea, and visit captivating port calls that showcase fi ve UNESCO World Heritage sites. See the impressive 14th-century Himeji Castle complex, the oldest surviving feudal structure of medieval Japan; walk through the poignant Peace Memorial Park and Museum in Hiroshima following President Obama’s recent historic visit; and tour picturesque Itsukushima Shrine in Miyajima with its awe-inspiring Great Torii Gate. -
Description of Fences
Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Team 障害馬術団体 / Saut d'obstacles par équipes SAT 7 AUG 2021 Jump-Off) ジャンプオフ / Barrage Description of Fences フェンスの説明 / Description des obstacles Fence 1 – The Great Wave off Kanagawa. Hokusai. Author: (Katsushika Hokusai) Original Title: (Kanagawa-oki nami ura) Year: 1829 – 1832 Base/stand: Colour-engraved upon a wooden block. Japanese ukiyo-e master. The Great Wave is the most recognized piece by Japanese painter Katsushika Hokusai, who specializes in ukiyo-e. Published between 1830 and 1833 during the Edo period, it forms part of the collection “Thirty-six views of Mount Fuji”, even though Mount Fuji is the smallest element. The wave references the relentless force of nature, the sea, and the importance this event has in Japan’s economy and its cultural development, given the country is formed by 4 islands. EQUO JUMPTEAM----------FNL-0002RR--_03B 1 Report Created SAT 7 AUG 2021 16 :45 Page 1/7 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Team 障害馬術団体 / Saut d'obstacles par équipes SAT 7 AUG 2021 Jump-Off) ジャンプオフ / Barrage Fence 4 – Mascot of the Tokyo 2020 Olympics Japanese illustrator Ryo Taniguchi. Manga and gamer references are seen, in representation of the Japanese contemporary visual culture and with a character design inspired by the Tokyo 2020 Olympic Games’ Logo. The pair of futuristic characters combine tradition and innovation. The name of the Olympics mascot, Miraitowa, fuses the Japanese words for future and eternity. Someity, the Paralympics mascot, is derived from Somei-yoshino, a type of cherry blossom, cherry blossom variety "Someiyoshino" and is a play on words with the English phrase “So mighty”. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Seto Inland Sea: Hiroshima, Miyajima, Sensuijima Sea Kayaking, Free-Roaming Deer and UNESCO World Heritage
Seto Inland Sea: Hiroshima, Miyajima, Sensuijima Sea kayaking, free-roaming deer and UNESCO World Heritage EXPERIENCE / TOUR EXTENSION 4 days Highlights • Sea kayaking in Tomonoura Bay around Sensui- • Immerse yourself in the local island food culture jima Island • Kayaking around Miyajima Island with amazing • Explore the UNESCO World Heritage of Miyajima close-up view of the iconic red Torii Gate of Island Itsukushima Shrine • Experiencing relaxing detox bathing in a • Meet the free-roaming deer on the sacred island of traditional Japanese inn Miyajima The Seto Inland Sea or Seto-nai-kai is one of the most scenic parts of Japan; the Seto-nai-kai National Park was one of the first to be registered in Japan in 1934. On this tour, you will enjoy two opportunities for sea kayaking on the Seto Inland Sea - first off the lovely fishing village of Tomonoura and then off Miyajima, a UNESCO World Heritage island. You will also have a unique traditional detox bathing experience on Sensui-jima Island. The sea kayaking is led by a local expert and is suitable for those without previous experience. ITINERARY DAY 1 ➤ Sea Kayaking and Sensui-jima Island If the weather does not permit sea kayaking, you can Travel to Tomonoura Bay and the lovely thousand year- instead spend more time exploring Sensuijima Island old port town of Tomonoura, which inspired Studio Ghibli and the relaxed environs of Tomonoura. director Hayao Miayazaki when he created the animated Accommodation: Minshuku (Family-run Guesthouse) film “Ponyo”. Tomonoura has the old title Shiomachi- no-minato or ‘’port awaiting a favourable tide’’ and has preserved its lovely old-fashioned fishing townscape. -
The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
Stamp Rally Locations
StampGood Rally scenery! Locations Mt. Misen Observatory Major renovations have Enjoy a 360-degree panoramic been completed on the view of the many beautiful islands ropeway. Through the large that dot the Seto Inland Sea. windows you can enjoy Shishiiwa Station spectacular views of the Mt. Misen Virgin Forest and the Seto Inland Sea. I’m The "eternal flame" has burned continuously tired. Me for more than 1200 years. It was used to light Let's walk too! downhill. the "Flame of Peace" in Hiroshima Peace Memorial Park. Reikado Hall Three demons, Japan's only demon-gods, are enshrined here. It is said that they answer I want to see prayers for well-being of one's family and monkeys. prosperity in business. Fantastic Sankido Hall Flame! Momijidani Station I’m a treasure hunter ! Misen Hondo Hall (Main Hall) Itsukushima Shrine Treasure Hall This is the location where Kobo Daishi completed 100 days of Gumonji training (a Buddhist practice) after returning from Tang (China). Daishoin Temple Part of the main building of the former residence of This unique structure of concrete covered Egami family is used to in lacquer contains 260 national treasures exhibit registered tangible and important cultural properties. cultural properties of Japan. I just want Instagram a shika-senbei... Miyajima History and with deer! Folklore Museum This is the largest wooden structure on This is the most prestigious temple on the island. It would take 857 tatami mats Itsukushima. It was established by Kobo Daishi, to cover the entire floor, which is why it and had close links with the Imperial Family. -
Organic Architecture and Frank Lloyd Wright
Elizabethtown College First Year Seminar FYS100 Section A ORGANIC ARCHITECTURE and FRANK LLOYD WRIGHT Fall 2021 Basic principles of architecture and urban design including sustainable design and mitigating environmental impacts. Major emphasis on Frank Lloyd Wright’s “Organic Architecture” and his life and selected works (from his ~500 built designs) in Wisconsin (mostly rural), Illinois (mostly Chicago), New York, Pennsylvania, California, Arizona, Japan (a major influence), and Italy (Tuscany). Born in 1867 soon after the Civil war, he lived through two World Wars and the Great Depression. He died in 1959 at the beginning of the Space Race. An Introduction to Site Analysis & Design, Landscape Architecture, Architecture Theory, Architectural Materials & Methods, and Passive Architectural Illumination, Solar, HVAC, and Acoustical Design. Joseph T Wunderlich PhD Mondays 11:00AM-12:20 in E273 Wednesdays 11:00AM at locations stated below Fridays 11:00AM-12:20 in E273 All lectures, readings, and videos may be tested; and many should be referenced in your semester paper. Some content may be duplicated for fault-tolerance, variable access (software & device), and availability to the public on My website and My YouTube channel. Assignments, readings, and announcements will be posted in Canvas. Pre-semester Orientation (8/20-8/22) ▪ Sat: “Roundtable #1: Electronic Resources” (with your peer mentors) – look for announcement from Peer-Mentor for location WEEK 1 (8/23-8/27) ▪ Mon: LECTURE: Course expectations Upcoming Wunderlich book on Frank Lloyd -
MATERIAL and ORNAMENT in KATSURA and Nlkko DANABUNTROCK University of Illinois at Chicago
I1996 ACSA European Conference Copenhagen MATERIAL AND ORNAMENT IN KATSURA AND NlKKO DANABUNTROCK University of Illinois at Chicago INTRODUCTION tea master. Robert Treat Paine and Alexander Soper dated it to the Momoyama period, which is generally agreed to have ended The Katsura Detached Palace and the Toshogu at around 1617, while others date the earliest construction to about Nikko could not be more different. Katsura, a retrear outside 1616, under the supervision ofprince Toshihito, with construc- Kyoto constructed in the early seventeenth century, was built for tion continuing through 1655, supervised by Prince Toshitada. Prince Hachijo Toshihito, the younger brother of Emperor The recent two-volume encyclopedia published by Kodansha Goyozei; built in the shoin and sukiya styles, materials are used dates the original Old Shoin and some small structures to plainly and left unpainted; ornament and color are kept to a between 1620 and 1625 and remainingconstruction to between minimum.' By contrast, the Toshogu, built between I616 and 1641 and 1662, again splitting credit for supervision between 1617 to enshrine Tokugawa Ieyasu and reconstructed between the two princes.Wther recent scholarship roughly shares this 1634 and 1636 by the third Shogun, Tokugawa Iemitsu, is an dating and sequence. ornamental orgy: there are a total of 5,173 distinct carvings and At Katsura, ornament is minimal and limited; instead, surfaces are a riot of color.' materials are used decoratively to achieve a rich effect. Although Yet these two buildings share a place in time and some the paulownia and the chrysanthemum, both signifying Prince of the best artisans ofthe day are known to have worked on both. -
Watanabe, Tokyo, E
Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Hiroshi Watanabe The Architecture of Tokyo 348 pp. with 330 ill., 161,5 x 222 mm, soft-cover, English ISBN 3-930698-93-5 Euro 36.00, sfr 62.00, £ 24.00, US $ 42.00, $A 68.00 The Tokyo region is the most populous metropolitan area in the world and a place of extraordinary vitality. The political, economic and cultural centre of Japan, Tokyo also exerts an enormous inter- national influence. In fact the region has been pivotal to the nation’s affairs for centuries. Its sheer size, its concentration of resources and institutions and its long history have produced buildings of many different types from many different eras. Distributors This is the first guide to introduce in one volume the architec- ture of the Tokyo region, encompassing Tokyo proper and adja- Brockhaus Commission cent prefectures, in all its remarkable variety. The buildings are pre- Kreidlerstraße 9 sented chronologically and grouped into six periods: the medieval D-70806 Kornwestheim period (1185–1600), the Edo period (1600–1868), the Meiji period Germany (1868–1912), the Taisho and early Showa period (1912–1945), the tel. +49-7154-1327-33 postwar reconstruction period (1945–1970) and the contemporary fax +49-7154-1327-13 period (1970 until today). This comprehensive coverage permits [email protected] those interested in Japanese architecture or culture to focus on a particular era or to examine buildings within a larger temporal Buchzentrum AG framework. A concise discussion of the history of the region and Industriestraße Ost 10 the architecture of Japan develops a context within which the indi- CH-4614 Hägendorf vidual works may be viewed.