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Mareşalul Alexandru Averescu, Un Om Pentru Istorie
Magazin al Fundaţiei “Mareşal Alexandru Averescu” Străjer în calea Cadranfurtunilor militar buzoian Anul III, nr. 5, 9 martie 2009 Mareşalul 150 de ani de la naştere Alexandru Averescu, un om pentru istorie http://www.jointophq.ro ------------------- Străjer în calea furtunilor Magazin trimestrial Numai generalii care fac jertfe folositoare pătrund în Adresa: Buzău, str. Independenţei nr. 24 sufletul maselor. Tel. 0238.717.113 www.jointophq.ro Director : gl. bg. Dan Ghica-Radu COLECTIVUL DE REDACŢIE Redactor-şef: Redactor-şef adjunct: mr. Romeo Feraru Secretar de redacţie: col. (r) Constantin Dinu Redactori: - col (r) Mihai Goia - col. (r) Mihail Pîrlog - preot militar Alexandru Tudose - Emil Niculescu - Viorel Frîncu Departament economie: lt. col. (r) Gherghina Oprişan Departament difuzare: plt. adj. Dan Tinca Tipar: ISSN: 1843-4045 Responsabilitatea pentru conţinutul materialelor publicate aparţine exclusiv autorilor, conform art. 205- 206 Cod penal. Reproducerea textelor şi fotografiilor este permisă numai în condiţiile prevăzute de lege. Manuscrisele nu se înapoiază. Revista pune la dispoziţia celor interesaţi spaţii de publicitate. Numărul curent al revistei se găseşte pe site-ul fundaţiei, în format pdf. Revista se difuzează- 2 la - toate structurile militare din judeţul Buzău, la asociaţiile şi fundaţiile militare locale, precum şi la instituţiile civile interesate de conţinutul său. ------------------- Străjer în calea furtunilor Pro domo Numai generalii Evocarea unor personalităţi ale istoriei naţionale, rescrierea biografiei lor, radiografierea epocii şi, mai ales, a faptelor săvârşite de ei, precum care fac jertfe şi consemnarea acestor întâmplări în documente, jurnale, memorii şi iconografie, contribuie, esenţial, la o mai atentă evaluare a ceea ce am folositoare reprezentat şi, încă, mai reprezentăm în această parte a Europei. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Anexă La Dispoziţia Nr. SECTORUL 1 AL MUNICIPIULUI BUCUREŞTI
Anexă la dispoziţia nr. SECTORUL 1 AL MUNICIPIULUI BUCUREŞTI DELIMITAREA ŞI SEDIUL SECŢIILOR DE VOTARE Secţia de votare nr. 1 cu sediul în LICEUL TEORETIC "NICOLAE IORGA" din Bld. Ion Mihalache Nr. 126; CP 011203, unde vor vota alegătorii domiciliaţi pe arterele: Int. 1 MAI Pța. DOMENII Bld. ION MIHALACHE, (fost 1 MAI) nr. 64-96, 75-113 Str. Adresă inexistentă, cu domiciliul pe raza sec. 1 Nr. 0 Secţia de votare nr. 2 cu sediul în LICEUL TEORETIC " NICOLAE IORGA " din Bld. Ion Mihalache Nr. 126; CP 011203, unde vor vota alegătorii domiciliaţi pe arterele: Bld. ION MIHALACHE, (fost 1 MAI) nr. 98-146A, 115-299B, 299 BIS Secţia de votare nr. 3 cu sediul în LICEUL TEORETIC " NICOLAE IORGA " din Bld. Ion Mihalache Nr. 126; CP 011203, unde vor vota alegătorii domiciliaţi pe arterele: Bld. ION MIHALACHE, (fost 1 MAI) nr. 148-148B, 301-319, 319 B Ale. Lt. GHEORGHE STÂLPEANU Secţia de votare nr. 4 cu sediul în LICEUL TEORETIC " NICOLAE IORGA " din Bld. Ion Mihalache Nr. 126; CP 011203, unde vor vota alegătorii domiciliaţi pe arterele: Bld. ION MIHALACHE, (fost 1 MAI) nr. 150-160A, 160B Secţia de votare nr. 5 cu sediul în LICEUL GRECO-CATOLIC "TIMOTEI CIPARIU" din Str. Bucegi Nr. 97; CP 012315, unde vor vota alegătorii domiciliaţi pe arterele: Int. ALPINIŞTILOR Str. BIRUINŢEI Str. Cpt. MIRCEA PETRE Str. DUMITRU FLORESCU Str. ELIE CARAFOLI, (fostă PENTELEU) Str. GALILEIA Str. IONEL FERNIC, (fostă FERMEI) Str. ISER IOSIF Str. Lt. GRIGORE STAMATESCU Str. Lt. VASILE FUICĂ Str. Mr. NICOLAE CAPŞA Str. PARÂNGULUI Str. POPIŞTEANU Str. -
The Piano Equation
Edward T. Cone Concert Series ARTIST-IN-RESIDENCE 2020–2021 Matthew Shipp The Piano Equation Saturday, November 21 2020 8:00 p.m. ET Virtual Concert, Live from Wolfensohn Hall V wo i T r n tu so osity S ea Institute for Advanced Study 2020–2021 Edward T. Cone Concert Series Saturday, November 21, 2020 8:00 p.m. ET MATTHEW SHIPP PROGRAM THE PIANO EQUATION Matthew Shipp Funding for this concert is provided by the Edward T. Cone Endowment and a grant from the PNC Foundation. ABOUT THE MUSIC David Lang writes: Over the summer I asked Matthew Shipp if he would like to play for us the music from his recent recording The Piano Equation. This album came out towards the beginning of the pandemic and I found myself listening to it over and over—its unhurried wandering and unpredictable changes of pace and energy made it a welcome, thoughtful accompaniment to the lockdown. My official COVID soundtrack. Matthew agreed, but he warned me that what he would play might not sound too much like what I had heard on the recording. This music is improvised, which means that it is different every time. And of course, that is one of the reasons why I am interested in sharing it on our season. We have been grouping concerts under the broad heading of ‘virtuosity’–how music can be designed so that we watch and hear a musical problem being overcome, right before our eyes and ears. Improvisation is a virtuosity all its own, a virtuosity of imagination, of flexibility, of spontaneity. -
Soe Documents About Grigore Gafencu 'S Situation in 1944-1945
Volume XXII 2019 ISSUE no.1 MBNA Publishing House Constanta 2019 SBNA PAPER • OPEN ACCESS Soe documents about Grigore Gafencu ‘s situation in 1944-1945 To cite this article: M. Zidaru, Scientific Bulletin of Naval Academy, Vol. XXII 2019, pg. 122-127. Available online at www.anmb.ro ISSN: 2392-8956; ISSN-L: 1454-864X doi: 10.21279/1454-864X-19-I1-016 SBNA© 2019. This work is licensed under the CC BY-NC-SA 4.0 License SOE DOCUMENTS ABOUT GRIGORE GAFENCU ‘S SITUATION IN 1944-1945 Associated Professor Phd Marian ZIDARU1 Abstract. After Grigore Gafencu finished his mission in Moscow in 1941, he decided to go to Switzerland, where he lived during the Second World War. After 23rd August 1944 Romania was occupied by the Soviet Union’s Red Army. The problem of the return of Gafencu in Romania became very complicated. This article presents the story of the contacts of Grigore Gafencu with SOE during the year 1944-1945 and his attempts to return in the country. Key words: Grigore Gafencu, SOE, Red Army, Romania, Soviet Union. Gafecu’s attempt to return in the country. In a meeting with a SOE agent, at 31st August 1944, Gafencu has expressed his anxiety to return as soon as possible to Romania, where he believed his presence would be usefully influence the political tone of new regime. He believed the most practical as well as politically, the most desirable route, would be by air to London via Paris as soon as the facilities are available. On arrival in London he would endeavor to obtain the permission of the USSR to proceed via USSR. -
Romania: List of Archival Holdings at the Hoover Institution Archives
Romania: List of Archival Holdings at the Hoover Institution Archives Lista colectiilor din arhive Maica Alexandra (Principesa Ileana) Fiica regelui Ferdinand si a Reginei Maria, Stareta a Manastirii ‘Schimbarea la fata’, Elwood City, Pennsylvania Colectia sa include manuscrise, fotografii si corespondenta cu privire la Familia Regala Romana si Biserica Ortodoxa Romana din SUA, cit si fotocopii ale corespondentei particulare a Reginei Maria. (Scrisorile sale originale se gasesc si in colectii ca Breed, sau Duca). Antoniade, Constantin Diplomat roman. Colectia sa include o scrisoare de autorizare din partea lui Iuliu Maniu si Dinu Bratianu pentru formarea contactelor in strainatate ale PNT si PNL. Bacon, Walter Political scientist american. Colectia sa include documente referitoare la Titulescu. Bayne, Joseph B. Chirurg american ce a lucrat in cadrul Crucii Rosii romane. Colectia sa include fotografii si fotocopii ale unor documente referitoare la spitalele civile si militare din Romania in timpul Primului Razboi Mondial. Beane, James Locotenent colonel, Fortele Aeriene SUA. Colectia sa include documente referitoare la conditiile de viata aleprizonierilor americani in Romania, in timpul celui de-al Doilea Razboi Mondial. Berthelot, Henry General in armata franceza. Colectia sa include fotocopii ale jurnalului personal cuprinzind informatii referitoare la misiunile militare franceze in Romania in timpul Primului Razboi Mondial. Blank si Bunescu Cele doua colectii includ colectii de ziare, buletine, note si pamflete referitoare la Romania in secolul XX. Bossy, Raul Diplomat roman, ambasador in Austria (1931-1934), Finlanda (1934-1936), Ungaria (1936-1939), Italia (1939-1940) si Germania (1940-1941). Colectia sa include memorii referitoare la Romania antebelica si situatia emigratiei 1 romanesti postbelice. -
John Tchicai Discography
JOHN TCHICAI DISCOGRAPHY Introduction This discography is the result of a special project following the preparation of the ”Danish Jazz Discography 1945-2000”. In the first phase John Tchicai did supply a lot of information on his recordings. However – because of the complications after he suffered a stroke in June 2012 – he did not see the final result. Edited by Erik Raben Please mail all corrections and comments to [email protected]. Content The Discography covers John Tchicai’s recordings 1962 – 2012. Available video recordings are also included. The Detailed Listing of Issues has information on the issues (LP/CD names etc.) – followed by the year of recording. An overview of some of the most relevant issues is found in the Selective Listing of Issues. LP/CD titles as well as the titles played are generally written with initial capital letters – except for titles in Scandinavian languages. It has to be remembered that this discography – like most other discographies – is not faultless! The above mentioned listings are separate .pdf documents and the Adobe search functions can therefore be used to locate specific musi- cians, issues etc. Instrumental abbreviations acc accordion hsc harpsichord alth alto horn keyb keyboards arr arranger ldr leader as alto saxophone mand mandolin b bass mar marimba barh baritone horn mcs maracas bars baritone saxophone mel mellophone band-vcl vocal by members of the band org organ bassax bass saxophone p piano bcl bass clarinet perc percussion bg bongo drum(s) picc piccolo flute bj banjo sax (unspecified) -
Recording Sessions Concert Series Focusing on Recording Projects of Free Improvisation, Free Jazz, Electro- Acoustic Improvisation and Contemporary Compositions
PROGRAMME #5 Recording Sessions Concert series focusing on recording projects of free improvisation, free jazz, electro- acoustic improvisation and contemporary compositions. Tom Chant – saxophones John Edwards – Double Bass Eddie Prevost – Drums + Interview with Philip Clark IKLECTIK Art Lab, Old Paradise, 20 Carlisle Lane, London, SE1 7LG Saturday 10th March 2018, doors open 7:30pm - starts 8:00pm. Entry: £12. Website: http://www.giovannilarovere.co.uk/recording-sessions/ This concert series is made possible through the goodwill of the musicians involved and the support of IKLECTIK Art Lab. Curated by Giovanni La Rovere Recording Sessions #5 – Chant / Edwards / Prevost Recording Sessions Recording Sessions is a concert series focusing on live recordings of free improvisation, free jazz, electro- acoustic improvisation and experimental composition projects. This series of events works with musicians and artists to develop an idea (or project), undertake research, capture a specific meeting of particular musicians and ultimately to explore the creative resource that is listening and the differences between the two predominant modes of making music: composition & improvisation. Experimental music and recording technology has undeniably influenced 20th and 21st century music making and developing a culture of listening to experimental music. Recording sessions intends to explore the interconnections among the aesthetics of Experimental Music and the aesthetics of sound recording with a focus on the act of Listening to research & explore our responses to music as it is experienced at live events (or when listening to recordings). Tom Chant, John Edwards, Eddie Prévost Trio Eddie created the trio in the spring of 1997 for a recording session that was to be used for their first disc “Touch.” This was followed in the year 2000 with “The Virtue In If” and 2003 with “The Blackbirds Whistle.” Their fourth disc, titled “All Change” was recorded beneath Waterloo Station in London in the summer of 2012. -
128 CHAPTER 6 CRISIS with GERMANY It Was Shortly After New Year's Day, 1939. I Was Sitting at My Desk at the Foreign Ministry, G
128 CHAPTER 6 CRISIS WITH GERMANY It was shortly after New Year's day, 1939. I was sitting at my desk at the Foreign Ministry, going through the routine chores of a Secretary General, a post to which I had just been appointed. Suddenly the door opened without the ' customary knock. I raised my eyes; my eyebrows went up. The unannounced intruder was a slim, youngish, remarkably hand- some man. He was wearing a magnificent uniform, the like of which I had never seen before: royal blue, with red facings and pipings, and gold epaulettes and insignia. I started to rub my un- believing eyes. Was this a dream? What stage apparition was this? Would this gay musical comedy star break out in a song- and-dance act? But no. It was none other than the newly appointed Foreign Minister, my good friend Grigore Gafencu. Very far from sing- ing and dancing, he felt atrociously self-conscious in this fancy uniform, which King Carol had suddenly decided to impose on his cabinet ministers, and which shortly would become obligatory for all state officials without exception. Gafencu had decided to enter the government after some hesi- tation, yielding to the pressing requests of Carol whose intimate friend he had been in their youth. He had no part in the estab- lishment of the king's dictatorial regime.We were at a perilous crossroads: a grave crisis had broken out with Hitler, and Romania was under bereft of the effec- . direct threat, seemingly tive support of her allies and friends. Gafencu must have accepted this burden against his better judgment; but once he had done so, he had resolutely shouldered the load. -
Studia Politica: Romanian Political Science Review, 14(2), 261-274
www.ssoar.info The english political model in Barbu Catargiu's public discourse Vlad, Laurenţiu Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Vlad, L. (2014). The english political model in Barbu Catargiu's public discourse. Studia Politica: Romanian Political Science Review, 14(2), 261-274. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-446330 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de The English Political Model in Barbu Catargiu’s Public Discourse ∗∗∗ LAUREN ŢIU VLAD INTRODUCTION Local historiography has often insisted on the models that have influenced Romanian civilization in the 19 th and 20 th centuries, in its various manifestations, cultural, economic, social or political. In a brief article of 1993, Lucian Boia outlined the destinies of some Western models which had come in contact with the Romanian culture; a Belgian model, seen as an appendage of the French, an English one, which in his opinion was completely marginal, and others that enjoyed a more or less brilliant fate (German, Italian, etc.) 1. Please note that each of the topics mentioned above enjoyed special attention in Romanian historiography; see for instance the studies authored by Aurel Filimon, Gheorghe Platon and even my own, dedicated to the Romanian- Belgian relations; those by Dan Berindei, Pompiliu Eliade, Nicolae Iorga and Nicolae Isar for the French case; those by Zigu Ornea regarding the German influences on the political and literary thought of the Junimea group; those by Eugen Denize and George L ăzărescu, on the cultural and political interferences between Italy and Romania, etc. -
Cold War Perceptions
Cold War Perceptions Cold War Perceptions Romania’s Policy Change towards the Soviet Union, 1960-1964 By Elena Dragomir Cold War Perceptions: Romania’s Policy Change towards the Soviet Union, 1960-1964 By Elena Dragomir This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Elena Dragomir All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7073-0 ISBN (13): 978-1-4438-7073-3 TABLE OF CONTENTS List of Tables ............................................................................................. vii Abstract .................................................................................................... viii Acknowledgements ..................................................................................... x Abbreviations ............................................................................................ xii Introduction ................................................................................................. 1 The research problem Theory and method Previous research Sources of the study Structure of the study Chapter One .............................................................................................. -
Press Release Art & Language Letters to the Jackson Pollock Bar in The
Press Release Art & Language Letters to The Jackson Pollock Bar in the Style of The Red Krayola Featuring Matthew Jesse Jackson John Coxon and J. Spaceman Thursday, October 24, 2019 504 West 24th Street, New York Doors: 6pm Performances: 6.30 – 8.30pm RSVP required: [email protected] Lisson Gallery New York is pleased to present a night of performance, discussion and music inspired by the pioneering work of Art & Language and their 40-year collaboration with The Red Krayola, a punk band founded in Houston, Texas, by Mayo Thompson and Frederick Barthelme in 1966. The evening will also feature a discussion with Art & Language, hosted by art historian Matthew Jesse Jackson, as well as a newly commissioned homage to some of The Red Krayola’s earliest live shows, composed by musicians J. Spaceman (of Spacemen 3 and Spiritualized) and John Coxon (from Spring Heel Jack and the Treader label). After the conceptual art group known as Art & Language was formed in 1968 at Coventry College of Art in the UK, it quickly spread to New York where it centered on two important journals, Art-Language (1969-85) and then later The Fox (1975-76), by which time some 20 artists were connected in various ways with the name. It was around this time that an album entitled Corrected Slogans came out, marking the first collaboration between Art & Language in the UK and The Red Krayola, in which snippets and slogans from conceptual art theory and philosophical tracts were sung or chanted over music composed in response by Thompson’s band.