DOCSLIB.ORG

Contributors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contributors INTERNATIONAL JOURNAL OF TRAVEL WRITING Sep ’13, No. 2.4 | www.coldnoon.com Contributors Vihang A. Naik studied at the M.S. University of Baroda in Philosophy, Indian and English Literature. He teaches at Shree Ambaji Arts College, North Gujarat. His poems have appeared in literary journals such as Indian P.E.N., Indian Literature (Sahitya Akademi’s Bi-Monthly Journal) , Kavya Bharati , Poeisis : A Journal of Poetry Circle , The Journal of The Poetry Society (India), Journal of Literature and Aesthetics, Brown Critique, and Poetry Chain among others. His books of English poetry are City Times and Other Poems (1993), Making a Poem (Allied Publishers, 2004), Poetry Manifesto (IndiaLog Publications, 2010). His Gujarati collection of poems includes Jeevangeet (Gujarati Poems, pub. Navbharat Sahitya Mandir, 2001) dedicated to the victims of the Gujarat Earthquake of 2001. He also translates poetry from Gujarati into English. His personal website is: <http://www.vihang.org>. Pritha Kejriwal is the Editor-in-Chief of Kindle Magazine, a national, political and cultural monthly journal, published from Kolkata since August 2008. She has completed Masters in Journalism from Calcutta University and was employed at the Hindustan Times and NDTV, before she founded Kindle Magazine along with Maitreyi Kandoi. She is currently working on two collections of poetry – The Book of Questions and The Book of Dreams. Poems from both the collections have been published in Contemporary World Poetry Journal and Pens on Fire. Ankita Haldar is a PhD student at the Center for English Studies, Jawaharlal Nehru University, New Delhi. Her area of research is Culinary Fiction. An amateur photographer and painter, she is also passionate about travelling, art history and art iconography. Another minor research interest of hers is symbolism in prehistoric rock cave paintings. Christopher Reilley is the current poet laureate of Dedham, MA, and founder of the Dedham Poet Society. He is the author of Grief Tattoos and the Contributors | p. 167 Coldnoon: Travel Poetics (Print ISSN 2278-9650 | Online ISSN 2278-9650) INTERNATIONAL JOURNAL OF TRAVEL WRITING Sep ’13, No. 2.4 | www.coldnoon.com upcoming One Night Stanza (Big Table Publishing), and a contributing editor at Acoustic Ink. His poems have appeared in many magazines and reviews, such as Boston Literary Magazine, Word Salad, Frog Croon and Poetry Review. His works have been featured in several anthologies, including Sanctuary, Hot Summer Nights, and Dark Imaginings. James I. McDougall, PhD is Associate Professor of American Studies at Shantou University’s Center for International Studies in Guangdong Province, China where he teaches courses on cultures of globalization, literature, and critical theory. He has recently published on the connections between US and Chinese modern poetry in American Modernist Poetry and the Chinese Encounter, and the globalization of higher education in The American-Style University at Large: Transplants, Outposts, and the Globalization of Higher Education. Ranjit Hoskote is a poet, cultural theorist and curator. His poems have appeared in numerous journals including Akzente, Boulevard Magenta, fieralingue.com, Fulcrum, The Green Integer Review, The Iowa Review, nthposition.com, Poetry Review, Poetry Wales, Prairie Schooner, sangamhouse.org, Wasafiri, and Wespennest. Hoskote’s poetry has been published in many anthologies, including Short Fuse (Todd Swift and Philip Norton eds., Rattapallax, 2002) The Bloodaxe Book of Contemporary Indian Poets (Jeet Thayil ed., Bloodaxe, 2008), Language for a New Century (Tina Chang, Nathalie Handal and Ravi Shankar eds., W. W. Norton, 2008), The HarperCollins Book of English Poetry (Sudeep Sen ed., HarperCollins, 2012), These My Words: The Penguin Book of Indian Poetry (Eunice de Souza and Melanie Silgardo eds., Penguin, 2012), and Another Country: An Anthology of Post-Independence Indian Poetry in English (Arundhathi Subramaniam ed., Sahitya Akademi, 2013). Hoskote’s collections of poetry include Vanishing Acts: New & Selected Poems 1985-2005 (Penguin, 2006) and Die Ankunft der Vögel (Carl Hanser Verlag, 2006). His translation of the 14th-century Kashmiri mystic Lal Ded has been published as I, Lalla: The Poems of Lal Ded (Penguin Classics, 2011). He is the editor of Dom Moraes: Selected Poems (Penguin Modern Classics, 2012), the first annotated critical edition of a major Anglophone Indian poet’s work. Contributors | p. 168 Coldnoon: Travel Poetics (Print ISSN 2278-9650 | Online ISSN 2278-9650) INTERNATIONAL JOURNAL OF TRAVEL WRITING Sep ’13, No. 2.4 | www.coldnoon.com Hoskote has curated or co-curated numerous exhibitions, including the 7th Gwangju Biennale (Korea, 2008). He curated India’s first-ever national pavilion at the Venice Biennale, under the title ‘Everyone Agrees: It’s About to Explode’ (2011). He was a Fellow of the International Writing Program, University of Iowa, and has been writer-in-residence at Villa Waldberta, Munich; Theater der Welt, Essen-Mülheim; and the Polish Institute, Berlin. He holds a research residency at BAK/ basis voor actuele kunst, Utrecht. Jerrold Yam is an undergraduate law student at University College, London and the author of two poetry collections, Scattered Vertebrae (Math Paper Press, 2013) and Chasing Curtained Suns (Math Paper Press, 2012). His poems have been published in more than sixty literary journals and anthologies worldwide, including Antiphon, Counterexample Poetics, Mascara Literary Review, Prick of the Spindle, The New Poet, Third Coast and Washington Square Review. He has been awarded poetry prizes from the Arts Council England, British Council and National University of Singapore. He is the youngest Singaporean to be nominated for the Pushcart Prize. <http://www.jerroldyam.com >. Anne Lovering Rounds is Assistant Professor of English at Hostos Community College, City University of New York. She has a PhD in Comparative Literature from Harvard University and a BA in English and Classics from the University of Chicago. Her work has appeared in Literary Imagination and Studies in the Novel. She is a co-managing editor of Modernism/modernity, the journal of the Modernist Studies Association. Elsa Mathews is a Master of Arts in Media, Communication and Cultural Studies from the Universite Stendhal, Grenoble, France and the University of Aarhus, Denmark. She has worked as a journalist at The Pioneer and The Indian Express. She currently works at the United Nations as Communication Consultant. James I. McDougall, PhD, is Associate Professor of American Studies at Shantou University’s Centre for International Studies in Guangdong Province, China where he teaches courses on cultures of globalization, literature, and Contributors | p. 169 Coldnoon: Travel Poetics (Print ISSN 2278-9650 | Online ISSN 2278-9650) INTERNATIONAL JOURNAL OF TRAVEL WRITING Sep ’13, No. 2.4 | www.coldnoon.com critical theory. He has recently published on the connections between US and Chinese modern poetry in American Modernist Poetry and the Chinese Encounter, and the globalization of higher education in The American-Style University at Large: Transplants, Outposts, and the Globalization of Higher Education. He currently lives in South China with his wife, Liulu, and sons, Colin and Sean. Sébastien Doubinsky is a French bilingual writer, born in Paris. Having lived in the United States in his early childhood, Doubinsky has always been closely tied to American culture and literature. He has published more than 24 novels and 6 poetry collections in France, the UK and the USA. His last three novels are: Goobye Babylon, Absinth and The Song of Synth. His fiction can be seen as a mosaic of different styles and subjects, although they always are centered on the questions of freedom and identity. Doubinsky’s poetry is a mixture of “poésie du quotidien” (“daily poetry”) and a deeper approach of language and meaning. He currently lives and teaches in Aarhus, in Denmark, with his wife and their two children. He the Editor/Publisher of Le Zaporogue. Elwin Susan John is a PhD student in the Centre for Comparative Literature at University of Hyderabad. She is a UGC Junior Research Fellow; she submitted her MPhil dissertation at the Department of English at University of Hyderabad in 2011. Her academic interests include travel writing and body studies. Elisabetta Marino is tenured Assistant Professor of English literature at the University of Rome “Tor Vergata.” She published three monographs - Tamerlano dalla letteratura inglese alla letteratura Americana (Tamerlane in English and American literature), Introduzione alla letteratura bangladese britannica (an introduction to British Bangladeshi literature), Mary Shelley e l’Italia (Mary Shelley and Italy). She edited or co-edited four volumes (among which, Transnational, National, and Personal Voices: New Perspectives on Asian American and Asian Diasporic Women Writers, and Positioning the New: Chinese American Literature and the Changing Image of the American Literary Canon). She has published extensively on travel literature. Contributors | p. 170 Coldnoon: Travel Poetics (Print ISSN 2278-9650 | Online ISSN 2278-9650) INTERNATIONAL JOURNAL OF TRAVEL WRITING Sep ’13, No. 2.4 | www.coldnoon.com Chin-yuan Hu is Associate Professor of English and Director of Centre for Cross-cultural Studies at National Chengchi University, Taipei, Taiwan. She has offered courses of “Travel Narrative” and “Travel: Literature and Visual Arts” to graduate and undergraduate students since 1994. In addition
Load more

Recommended publications
  • Paper-1: Indian Writing in English (Core Paper)
    University of Pune M. A. English (Part-II) (External Students-Annual Pattern) Revised Course Structure of English subject at Post Graduate level to be implemented from the academic year 2014-15- Paper-1: Indian Writing in English (Core Paper) Any three papers out of the following eight options: Paper-2: English Language and Literature Teaching Paper-3: Poetry in English Paper-4: Drama in English Paper-5: Linguistics and Stylistics Paper-6: Semantics and Pragmatics Paper-7: Cultural Studies Paper-8: American Literature Paper-9: Research Methodology Paper-1: Indian Writing in English (Core Paper) (1) Objectives 1) To introduce students to major movements and figures of Indian Literature in English through the study of selected literary texts 2) To create literary sensibility and emotional response to the literary texts and implant sense of appreciation of literary text 3) To expose students to the artistic and innovative use of language employed by the writers 4) To instill values and develop human concern in students through exposure to literary texts 5) To enhance literary and linguistic competence of students (2) Course Contents 1) The Princes- Manohar Malgaonkar 2) A Fine Balance- Rohinton Mistry 3) The Shadow Lines- Amitav Ghosh 4) The Inheritance of Loss- Kiran Desai 5) Derozio to Aurobindo Henry Derozio: 1) The Harp of India, 2) India-My Country 3) To the Pupils of the Hindu College Toru Dutt: 1) Lakshman 2) The Lotus 3) Our Casuarina Tree Swami Vivekananda: Kali the Mother (Complete Works of Swami Vivekananda, vol.4, p.384 Advaita Ashram, 14th rpt. 1992) Tagore: Playthings Joseph Furtado: The Fortune Teller (Available in Gems of English Prose and Poetry, Orient Blackswan, 2013) Sri Aurobindo: 1) The Pilgrim of the Night 2) The Stone Goddess 3) Surreal Science (An Anthology of Commonwealth Poetry edited by C D Narasimhaiah, Macmillan, 1990) 6) Dom Moraes to Present Day Dom Moraes: 1) Letter to my Mother 2) Future Plans Nissim Ezekiel: 1) Background, casually, 2) Enterprise 3) Poet, Lover,Birdwatcher 4) Goodbye Party for Miss Pushpa T.
    [Show full text]
  • William Carlos Williams' Indian Son(G)
    The News from That Strange, Far Away Land: William Carlos Williams’ Indian Son(g) Graziano Krätli YALE UNIVERSITY 1. In his later years, William Carlos Williams entertained a long epistolary relationship with the Indian poet Srinivas Rayaprol (1925-98), one of a handful who contributed to the modernization of Indian poetry in English in the first few decades after the independence from British rule. The two met only once or twice, but their correspondence, started in the fall of 1949, when Rayaprol was a graduate student at Stanford University, continued long after his return to India, ending only a few years before Williams’ passing. Although Williams had many correspondents in his life, most of them more important and better known literary figures than Rayaprol, the young Indian from the southeastern state of Andhra Pradesh was one of the very few non-Americans and the only one from a postcolonial country with a long and glorious literary tradition of its own. More important, perhaps, their correspondence occurred in a decade – the 1950s – in which a younger generation of Indian poets writing in English was assimilating the lessons of Anglo-American Modernism while increasingly turning their attention away from Britain to America. Rayaprol, doubly advantaged by virtue of “being there” (i.e., in the Bay Area at the beginning of the San Francisco Renaissance) and by his mentoring relationship with Williams, was one of the very first to imbibe the new poetic idiom from its sources, and also one of the most persistent in trying to keep those sources alive and meaningful, to him if not to his fellow poets in India.
    [Show full text]
  • Background to Indian English Poetry
    Chapter : 1 Background to Indian English Poetry 1.0 Objectives 1.1 Introduction 1.2. History of Indian English Poetry 1.2.1 Poetry of first phase 1.2.2 Poetry of second phase 1.2.3 Post independence poetry 1.3. Major Indian English Poets 1.3.1 Pre- independence poets 1.3.2 Post - Independence Poets 1.4. Major themes dealt in Indian English Poetry 1.4.1 Pre-independence Poetry Themes 1.4.2 Post - Independence Poetry Themes 1.5 Conclusion 1.6 Summary - Answers to Check Your Progress - Field Work 1.0 Objectives Friends, this paper deals with Indian English Literature and we are going to begin with Indian English verses. After studying this chapter you will be able to - · Elaborate the literary background of the Indian English Poetry · Take a review of the growth and development of Indian English verses · Describe different phases and the influence of the contemporary social and political situations. · Narrate recurrent themes in Indian English poetry. Background to Indian English Poetry / 1 1.1 Introduction Friends, this chapter will introduce you to the history of Indian English verses. It will provide you with information of the growth of Indian English verses and its socio-cultural background. What are the various themes in Indian English poetry? Who are the major Indian English poets? This chapter is an answer to these questions with a thorough background to Indian English verses which will help you to get better knowledge of the various trends in Indian English poetry. 1.2 History of Indian English Poetry Poetry is the expression of human life from times eternal.
    [Show full text]
  • Research Scholar Department of English University of Rajasthan Jaipur, Rajasthan
    ISSN 2320 – 6101 Research S cholar www.researchscholar.co.in An International Refereed e-Journal of Literary Explorations RELIGIOUS EXPEDITION WITH SECULAR UNDERTONES: A MATERIALIST CRITIQUE OF PILGRIMAGE IN INDIAN POETRY IN ENGLISH Kavita Research Scholar Department of English University of Rajasthan Jaipur, Rajasthan Abstract Pilgrimage or visit to a holy place has been an interesting but debatable topic in Indian English poetry. Though Pilgrimage is generally associated with faith in God and religion, but poetry written on this topic has revealed contradictory ideas. Critics have divergent views about the poet’s reasons behind writing poetry on pilgrimage. It is a paradox that poets undertaking religious journeys either propagate secular feelings or they mock the prevailing ideas associated with the site. Through this research paper, attempts have been made to understand that whether it is a matter of mockery or the poet wants to reveal some hidden truth through his critical poetry. The present paper tries to focus on poetry written on or during a pilgrimage and have propagated sceptic ideas; the ideas which are based upon personal experience during a religious journey, but have generated universal philosophical concerns. Pilgrimage has always been considered as a refuge into the other world. Apart from being a strenuous journey to a holy place, pilgrimage also acts as a shelter to the tired mind against the harsh heat of life. Being away from the hustle and bustle of life, the pilgrim affords to contemplate on some serious issues like spirituality, religion, humanity, idealism and the goal of life. But sometimes it transports one to the world which is away from the mainstream pattern of thinking and believing.
    [Show full text]
  • Evolving Poetic Maturity in the Poetry of Shiv K.Kumar
    American Research Journal of English and Literature Original Article ISSN 2378-9026 Volume 1, Issue 3, June-2015 Evolving Poetic Maturity in the Poetry of Shiv K.Kumar Goutam Karmakar1 Assistant Teacher, Department of English, Bhagilata High School (H.S), Raiganj, Uttar dinajpur, West Bengal, India Abstract: Among the new poets, Shiv K.kumar is considered as one of the major poets of Indian English Poetry. His poetry gives a new sense of direction and identity to Indian English Poetry. Like a true modern poet, his poetry also deals with pain, suffering, hopes, agonies, contemporary reality, love, sex, national identity and many other elements. His subject matter is very simple and he treats every natural object in a vivid way. A kind of liveliness in expression is found in his poetry. Like other Indian English poets, his poetry also shows Indianness in both in his themes and contents. Close looks to his poems show that there is a gradual poetic development and maturity found in his poetry. His poetic consciousness is evolving and his maturity as a poet both in thought and perception is clearly visible. This paper attempts to highlight Kumar‟s growing consciousness and maturity coupled with reason, thought, irony and wisdom throughout his volumes. Keywords: Love, Death, Landscape, Irony, Reason, Wisdom. I. INTRODUCTION Shiv K.Kumar is one of the leading poets of Indian English literature and the source of inspiration for the poets of younger generation. But what the poet he is now not was the case in the beginning point. He was a late bloomer and his devastating experience of divorce seta the tone for the creative writing of the poet.
    [Show full text]
  • JAYANTA MAHAPATRA (B.L928)
    POETRY OF JAY ANT A MAHAPATRA: A STUDY IN THE PATTERN OF IMAGERY A THESIS SUBMITTED TO THE NORTH BENGAL UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISl-I Submitted by: 711\.TT A l\lfTTR !l L ..... LI. ...l "'I .l..i l. j.1'J.J. J. J.'J \. Under the supervision of: Prof. B. K. BANERJEE DEPARTMENT OF ENGLISH UNIVERSITY OF NORTH BENGAL RAJARAMMOHANPUR DARJEELING November, 2006 eo~z 83::1 1 t S202:0Z d789W G·IZ8 ·Ja;~[~ d POETRY OF JAY ANT A MAHAPATRA: A STUDY IN THE PATTERN OF IMAGERY submiltccl lJy: Zinia Mitra l!nder the supervision of: Prof.B.K.Bancrjce Department of English University of North Bengal Eaja Eammohanpur, Darjeeling. November, 2006. Certification Certified that this is a bona fide work. Signature: , R~:;t '4. 8c:1.~-:j~, Date: 16. IJ. d Prof..B.K.Banerjee Department of English North Bengai University JAYANTA MAHAPATRA (b.l928) Crossing life . often the tired lines seem to run under my palms. Someone talks of a work of arl, looking into its little secret: Oayanta Mahapatra. 1\ Hain of Hites : 36) CONTENTS Pages Preface 1- JX Introduction. 1-12 Chapter I. Imagery -- Concept and Function 13-48 Chapter II. Mapping Mahapatra 49-91 Chapter Ill. Pattern of Imagery in Jayanta Mahapatra's Poetry (i} Experimental Stage. 92-114 (ii) Experiential Stage. 115-161 Chapter IV. The Poet as a Social Critic. 1f)2-187 Chapter V. Jayanta Mahapatra Vis-a vis His Contemporaries 188-238 Conclusion. 239- 246 Works Cited & Bibliography 24 7 - 259 Appendix PF~EFACE You said poetry cont<1ins us both.
    [Show full text]
  • Indian Sense and Sensibility in Nissim Ezekiel's Poems
    International Journal of Applied Research 2015; 1(11): 327-330 ISSN Print: 2394-7500 ISSN Online: 2394-5869 Indian Sense and Sensibility in Nissim Ezekiel’s Poems Impact Factor: 5.2 IJAR 2015; 1(11): 327-330 www.allresearchjournal.com Received: 16-08-2015 K Pramila Accepted: 18-09-2015 Abstract Dr. K Pramila Prof. V.K. Gokak defines Indianness as, “A composite awareness in the matter of race, milieu, Head, Department of English language and religion.” But Indianness has been interpreted differently by different critics. It can be PSG Institute of Technology described as the author’s feeling of being an Indian, whether he lives in India or lives abroad Indian and Applied Research writing in English reflects the authors’ cultural, socio-political and religious background. Whatever the Coimbatore genre; poetry, drama, fiction or even essays, this unique identity of the Indian author is mirrored. K.N. Daruwalla rightly says; “Nissim Ezekiel was the first Indian poet to express modern Indian sensibility in a modern idiom.” Ezekiel has experimented with the use of typical Indian English. The poems reveal the common Indian mistakes of using present progressive tense in place of the simple present. Indianness is a vital element in Ezekiel’s thoughts and feeling and imagery. Indianness has become one of the major themes of Ezekiel which he treats as an intensely personal exploration. Ezekiel’s poetry is noticeable for the depiction of typical Indian atmosphere. He has committed himself to Indian values, culture, people and language, and Indianness has always been in his blood and writing. Keywords: Indianness, sense and sensibility, Indian idiom Introduction Indianness has been interpreted differently by different critics.
    [Show full text]
  • Postmodern Sensibility in the Poetry of Keki N.Daruwalla
    International Journal of Innovative Studies in Sociology and Humanities (IJISSH) ISSN 2456-4931 (Online) www.ijissh.org Volume: 3 Issue: 3 | March 2018 Postmodern Sensibility in the Poetry of Keki N.Daruwalla Md Ataur Rahaman Research Scholar, Department of English, Tilka Majhi Bhagalpur University, Bhagalpur, Bihar, India Abstract : Postmodernism in Indian English poetry is a recent trend which began to emerge after 1980. A group of poets like Nissim Ezekiel, Kamala Das, A.K.Ramanujan, R. Parthasarathy, Shiv K.Kumar brought in a wave of resurgence and lended “ a local habitation and a name” to India English poetry. If Salman Rushdie’s ‘Midnight’s Children’ marked the beginning of postmodernism in Indian English fiction, the works of the above mentioned poets can be said to embody the postmodern characteristics in the field of poetry. There is also another significant name and he is Keki N.Daruwalla who also shows his inclination towards postmodernism both in form and content. His poetry shows originality and Indian sensibility in respect of his frequent use of irony, humour, satire, intertextuality, new idiom, pastiche etc.Besides this, his presentation of human passion, love,nature, Indian landscape, socio-cultural scenario and above all his dramatic detachment from his subjects, open thinking etc registers his place among the postmodernists. The purpose of my present paper is to probe the postmodern sensibility in Keki N.Daruwalla’s poetry Keywords: Postmodernism ,Indian sensibility, Irony, Humour, Passion, Nature. 1. INTRODUCTION Tennyson once said - “Old order changeth yielding place to new, And God fulfils himself in many ways, Lest one good custom should corrupt the world.”(‘Idylls of the King’) Literature goes through constant process of change since time immemorial.
    [Show full text]
  • Anglophone in Colonial India, 1780-1913: a Critical Anthology
    Introduction d D n 1799, a British o2cer took it upon himself to catalog and celebrate “the most distinguished men of the Asiatic society” of Calcutta. the society, then Ijust 0fteen years old, had already changed the landscape of European litera- ture, giving impetus to a new kind of orientalism in British poetry. British verse, imbued with orientalist tropes and themes, in its turn was shaping English lan- guage poetry written in India. At the beginning of this complex formation of literary culture, that same English o2cer—one John horsford, former fellow of st. Johns, Oxford—commemorated sir William Jones, the founder of the Asiatic society. Jones, horsford wrote, had been commissioned by Britannia herself to explore the “mystic mines of Asiatic Lore.”1 Horsford’s panegyric captured an important moment in the creation of English language letters, for Jones’s excursions into “Asiatic Lore” brought Europeans and north Americans access to Persian and sanskrit verse. Jones’s translations inlu- enced the English romantic poets and inspired Goethe and schiller, Emerson and thoreau. In the decades following Jones’s death in 1794, poets born in India, in turn, made poems shaped by Persian, sanskrit, and vernacular poetry as well as by the poetic practices of British romanticism. Over the course of the nineteenth century, the range of English language poetic production in India widened, draw- ing poets from varied backgrounds and moving into realms domestic, religious, and political. Anglophone Poetry in Colonial India, 1780–1913 traces these arcs of cultural exchange from the beginnings of English language literature in India through the long nineteenth century.
    [Show full text]
  • The Unvarnished Reality in KN Daruwalla's River Poems
    Painting Riverscapes with the colour of Poetry: the Unvarnished Reality in K N Daruwalla’s River Poems Bidhan Mondal Burdwan University Abstract In present times, poetry as a genre is gaining less popularity as writers, and researchers are hankering after lucrative fictions, and hence under such circumstance, this work essays to ensure the progression of Indian English poetry by ascertaining the poetic oeuvre of Keki N Daruwalla’s river poems under study, in which the poet skillfully portrays riverscapes with the colour of his poetry. Historically, the Post-Independence Indian English poets can be grouped together according to their affinity in issues, sensibility, poetic style, or geographical location as they have tried especially to maintain the harmonious relationship between socio-economic values and environmental values. The social milieu which dominated their creative process hasn’t completely blurred their concern for natural and environmental influences and inflexions. Nar Deo Sharma opines, “New Indian English poets are sincerely committed to social, political and religious perspectives to the extent that they do not feel shy of poetizing stark realities which might not satisfy the parochial norms of the good and the beautiful altogether, but highlight the unvarnished truth in poetry” (Sharma 1984: 49-50). Since, there has been an emergence of innumerable poets in the last sixty years; the researcher’s focus is restricted to K N Daruwalla, who has a distinct poetic quality in manufacturing landscapes and more importantly painting riverscapes. Anguished over the decay of the profaneness of the Indian rivers, the poet seems to convey the idea that nature has made everything beautiful but man has rendered it ugly because he has lost the sense of wonder and beauty and the poet has succeeded in presenting this idea through contrastive pen-pictures.
    [Show full text]
  • Nissim Ezekiel: "Enterprise" and Other Poems Subject: English Lesson
    Nissim Ezekiel: "Enterprise" and Other Poems Subject: English Lesson: Nissim Ezekiel: "Enterprise" and Other Poems Course Developer: Anjana Neira Dev University/Department: Gargi College, University of Delhi 1 Institute of Lifelong Learning, University of Delhi Nissim Ezekiel: "Enterprise" and Other Poems Life and Works Nissim Ezekiel was born in Bombay to Moses and Diana Ezekiel, on the 16th of December 1924. His was a Bene-Israeli Jewish inheritance (links: http://adaniel.tripod.com/beneisrael.htm) and this remained a personal and thematic concern in his poems. Esther David’s Book of Rachel (2006) gives a fictionalised account of the history of this community, while her other novels, The Walled City (1997), Book of Esther (2002) and Shalom India Housing Society (2007) reveal the contemporary situation of the life of the members of this community in Ahemadabad, Gujarat, A motif that recurs through his poems is that of the search – for a home, for love, for understanding, for belief, and for belonging. This could be related to his descent from a community that travelled in search of a new homeland and in the process had to redefine its identity in order to identify with their new compatriots and at the same time retain a sense of self. Education Ezekiel studied in the Convent of Jesus and Mary and the Antonio Desouza High School and graduated with a First Class in English from Wilson College, University of Bombay (Insert picture of Wilson College from www.wilsoncollege.edu). He began his career as a teacher of English and the fact of both his parents being educationists could be partly responsible for this.
    [Show full text]
  • Sudeep Sen: an Interview Ziaul Karim
    Sudeep Sen: An Interview Ziaul Karim Sudeep Sen by Sara Bowman ‘Art in its purest form never reveals all,’ writes Sudeep Sen, as evident in the unfathomable depth and beauty of a ‘Bharatanatyam Dancer’. This inspired line from his poem serves as a fascinating commentary on his poetry. Sen essentially loves to express himself in a clear, crisp, logical fashion, while building his ideas line-by-line and stanza-by-stanza. The belief that ambiguity is at the core of poetic beauty is not true for Sudeep Sen. His poetic beauty works at a very different level. However he may conceive a poem, the final result is always a well-knit fabric. If you try unravelling the threads of the fabric itself, it will gently reveal subtle layers, which otherwise go unnoticed to an everyday eye. It is worth comparing his poems to a treasure-chest – one that appears simple, concrete, and well-constructed but, upon opening, starts to ‘slow-release’ its many secrets, splendours, and gifts. The voice in his poems is soft, gentle, though persuasive – one which murmurs and hums its mantra into our ear, a mantra that is, to quote the end of the same poem, ‘poetic, passionate, and ice-pure’. This poem, dedicated to India’s foremost ‘Bharatanatyam Dancer’ – Leela Samson – is quoted below in full: Spaces in the electric air divide themselves in circular rhythms, as the slender grace of your arms and bell-tied ankles describe a geometric topography, real, cosmic, one that once reverberated continually in a prescribed courtyard of an ancient temple in South India.
    [Show full text]