Chapter III: Kamala Das As a Confessional Poet 3.1 Introduction

Total Page:16

File Type:pdf, Size:1020Kb

Chapter III: Kamala Das As a Confessional Poet 3.1 Introduction Chapter III: Kamala Das as a Confessional Poet Chapter III: Kamala Das as a Confessional Poet 3.1 Introduction: Kamala Das, is one of the well-known of her confessional writings, has all the time been disparaged for her extreme honesty as well as commonness, other than, the comprehensive investigation of her poetic works demonstrate how she has attain her objective in presenting the genuine portrait of women in a male-dominated humanity. When other writers challenged to provide an attractive outline of women in the humanity of Kerala, Kamala Das determined on the consciousness of women-her imaginings as well as objectives which would be unpleasant to patriarchal culture. Her poetry are not concerning instructive the confidential life of a women but it seeks at presentation the “true women”; the women along with power as well as might to challenge the societal standards to set-up her self-identity as a human being, and an residence of love along with warmth. As a confessional poet, Kamala Das, truthfully and courageously, articulates prejudice and embarrassment sourced to her. Female is, every larger than the earth, visage unfairness, with no province, no motherland and yet no area of her individual. She does not have her self-identity, but the identity is prearranged by her male-companion to supply him. In patriarchal society, a pitiable gentleman living in a shed imagines himself to be in a citadel, while a prosperous woman’s corpse is not herself, as she is wholly in the pedals of her male-companion. This has, for all time, troubled herself as well as her own identity. She endeavors during her writings to find out the women unconventional from the restraints of patriarchal culture as well as found their own identity. Woman’s identity is, all the time, a problem as she has no independent life. Her position is not fine clear in the society; silent, she constantly struggles to discover a location for her own personality. Prejudice has been uttered in terms of independence, wisdom, individuality and influence. In her three volumes, as an Indian poet, Kamala Das evidence her understandings and efforts in her different poems; she seeks to define female’s bias in gentleman leaning earth. 3.2 Confessionalism in Kamala Das’ Poetry: 98 Chapter III: Kamala Das as a Confessional Poet The confessional poets are footage their feelings resting on manuscript, craft and construction. They are tremendously imperative to their effort. It is a division of contemporary verse. There is no position intended for belief as well as principles inside this verse. The versifier may not imagine some emancipation or vengeance. This is because there is no sorrow. It is immediately that they put up with their spirit to search out a supernatural release. It is of various beneficial significances. Indian writing in English is an extraordinarily demanding form of English writing. It is exceedingly multifaceted form of English writing. This Indian English writing is interested observable fact with moderately elongated antique of more than 1070 years. The verse of this moment trembles through powerful nationalism as well as political consciousness. Kamala das has donated Indian English writings through opening a new-fangled landscape of human environment along with male-female connection as well as socio-political realization. She carries out framework on her personal self-identity as well as on her individual feminine mind. Her self- identity comes out; strongly within her poems that until now, the declining arrangement, deceitful obscured under the communal inviolability, is completely puncture by her dangerous physical attack. The carnal develops that a female is subjected to humanly, is completely as well as entirely uncovered. The poetess, Kamala Das is one of the most excellent known contemporary Indian women writers. Writing in both languages like English as well as her mother tongue, Malayalam, She writes various autobiographical works as well as fiction, more than a few well acknowledged collections of poems in English, copious volumes of dumpy tales, in addition to other writings similar to essays on an extensive variety of themes. “I also know that by confessing By peeling off my layers I reach closer to the soul… I shall someday see My world de-flashed, de-veined, de-blooded…” [1] 99 Chapter III: Kamala Das as a Confessional Poet On top of stanza demonstrates that Kamala Das is a Confessional poet. Her poetic works are evaluates with well-known poets like Robert Lowell, Anne Sexton, as well as Sylvia Plath. A famous writer, William Walsh says about Kamala das and her works: “Her poems stand for identity centered as well as unabashedly sexual category. Even though, the sexuality is appeared further mesmerizing to the poet. This is because it is hers than because it is sexual characteristics”. She articulates of her gender familiarities during a quality that “you may not consider sweetheart”, which are together self-pitying as well as disobedient: “Ask me, everybody, ask me, What he sees in me, ask me why he is Called a lion”. [2] After the publication of her first anthology of poems, Summer in Calcutta (1965), Kamala Das has been well thought-out an imperative influence of her age group. She also demonstrates a fracture from the earlier period by writing in a definitely in Indian temperament rather than adopting the modus operandi of the English modernist. Her individual disturbing understandings in worship as well as sexual category are honestly confessional furthermore completely fortnight. But poetry provides her the strongest outlet to give vent to her pent-up feelings for poetry, for her is very individual as well as confidential. So far efforts have been made by me to prove that Kamala Das’ poems are engaged of the rudiments of confessionals, in addition to taking apart from her authentic contentment. Kamala Das raises her confessional qualities to the height of a detailed worldwide application. Portrayal ahead spiritual as well as household metaphors to travel around an intelligence of individuality, Kamala Das enlightens of her powerfully individual understandings, together with her development into adulthood, her infertile seek for adore within as well as outer surface of wedding ceremony, as well as her existence in matriarchal countryside South India following come into her familial residence. On the whole, the move violently about the self-identity eventually turns into the fight back to the full civilization as well as in this put down her strong point; intended for, the most excellent confessional poetry is that which increase more than idea to realize various variety of triumph larger than hurting as well as beat. Her poetry is lustrous on the conquest of existence. 100 Chapter III: Kamala Das as a Confessional Poet Kamala das attains elegiac sublimity principally. This is because uncontaminated outcome as well as partially due to achieve accomplishment during diverse ingredient of sublimity. Fundamentally sublime work stands for: stimulating yawning admiration, terror, or inspiring feeling. This is because its attractiveness, graciousness, magnificence, or hugeness. The sublime, they let know, “is instinctive into a gentleman, as well as not to be get hold of through commands: mastermind is the merely master who may instruct it.”[3] He observes that it symbolizes overpower rather than a superiority during sublime work. The well-known critic, Longinus observes that a number of citizens refute this absolute. This is because they imagine that sublimity is a reward of environment. It has not anything to carry out with fine art. They articulate, “A haughty quality is inborn, as well as it does not approach by schooling. An environment is the simply fine art that may range it”.[3] On the whole post-colonial Indian English poems have been urbanized by the breathtaking aptitude of Kamala Das. She has an enormous individuality which is the starting place of the potency of her poems. She is attributed as a mainly honest as well as still notorious author; Kamala Das receives reputation as influence, the influence of female’s sexual category. She is put down the custom spring, conventional civilization; it is always unsympathetic on her conservative way of life. The booklover habitually undergoes that he is in the attendance of an author who is exceedingly exceptional as well as dexterous for the most part touching as well as prejudiced. She is always distinguished the trinkets of the corpse and the starvation of the sexual characteristics with no receiving him uninterested even for a though. The poetess estimably moves toward during the aphorism of great critic, William Wordsworth when he definite that high-quality poetry is “the spontaneous overflow of powerful feelings.”[4] All right, Kamala Das declares a number of equipments completely connected to her individual self-identity as female with her physically powerful womanly deep feelings. Self- identity stands for as a human being with authoritative inclination as well as hostility, impulse as well as urge whams. She does not undergo bashful of her infirmity in addition to qualities as feminine. Her weak points are similar to free-thinking travel companion to an open-minded male-companion as well as so on and so forwards. On the subject of her male-partner she articulates that: “my male-companion is engrossed in his office-duty, as well as after finishing his work he is the banquet go behind through sexual category where is at all attach missing for him to yearn for to observe the marine or the gloomy confuses the inclines?”[5] As a high-quality 101 Chapter III: Kamala Das as a Confessional Poet poet of love as well as sexual characteristics, Kamala Das is barely increasingly conservative or old-fashioned. Summer in Calcutta has a moderately high-quality number of verse about love as well as sexual category.
Recommended publications
  • Literature of Review: Introduction: India Is the Land of Beauty And
    Literature of Review: Introduction: India is the land of beauty and diversity. There exist number of poetic forms, styles and methods. Many poets from india are bilingual who carried the treasures from Indian languages to Europeans and English literature to Indian readers. The present work aims at critically analyzing Arun Kolatkar’s Jejuri. Thus it becomes a matter of immense importance to study and take review of Indian poetry written in English to locate Arun Kolatkar in the poetry tradition. Meaning of Indo-English Poetry: According to Oxford Dictonary Indo is the combination form (especially in linguistic and ethological forms) Indian. Indo- English poetry is the poems written by Indian poets in English. It is believed that the English literature began as an intresting by-product of an eventful encounter in the late 18th century between Britain and India. It has been known by different term such as ‘Indo-Anglican literature’, ‘Indian writing in English ‘ and ‘Indo- English literature .However , the Indian English literarture is defined as literature written originally in English by authors Indian by birth,ancestry or nationality. This literature is legitimately a part of Indian literature, since its differntia is the expression in it of an Indian ethos .The poetry written in English in india is classified differently by different scholars; however , it is mainly classified as Early poetry , Poetry written during Gandhian Age, Poetry after Independence. Early Poetry: The first Indian English poet who is considered seriously is Henry Louis Vivian Derozio(1809-31). He was the son of an Indo-Portuguese father and an English mother.
    [Show full text]
  • Paper-1: Indian Writing in English (Core Paper)
    University of Pune M. A. English (Part-II) (External Students-Annual Pattern) Revised Course Structure of English subject at Post Graduate level to be implemented from the academic year 2014-15- Paper-1: Indian Writing in English (Core Paper) Any three papers out of the following eight options: Paper-2: English Language and Literature Teaching Paper-3: Poetry in English Paper-4: Drama in English Paper-5: Linguistics and Stylistics Paper-6: Semantics and Pragmatics Paper-7: Cultural Studies Paper-8: American Literature Paper-9: Research Methodology Paper-1: Indian Writing in English (Core Paper) (1) Objectives 1) To introduce students to major movements and figures of Indian Literature in English through the study of selected literary texts 2) To create literary sensibility and emotional response to the literary texts and implant sense of appreciation of literary text 3) To expose students to the artistic and innovative use of language employed by the writers 4) To instill values and develop human concern in students through exposure to literary texts 5) To enhance literary and linguistic competence of students (2) Course Contents 1) The Princes- Manohar Malgaonkar 2) A Fine Balance- Rohinton Mistry 3) The Shadow Lines- Amitav Ghosh 4) The Inheritance of Loss- Kiran Desai 5) Derozio to Aurobindo Henry Derozio: 1) The Harp of India, 2) India-My Country 3) To the Pupils of the Hindu College Toru Dutt: 1) Lakshman 2) The Lotus 3) Our Casuarina Tree Swami Vivekananda: Kali the Mother (Complete Works of Swami Vivekananda, vol.4, p.384 Advaita Ashram, 14th rpt. 1992) Tagore: Playthings Joseph Furtado: The Fortune Teller (Available in Gems of English Prose and Poetry, Orient Blackswan, 2013) Sri Aurobindo: 1) The Pilgrim of the Night 2) The Stone Goddess 3) Surreal Science (An Anthology of Commonwealth Poetry edited by C D Narasimhaiah, Macmillan, 1990) 6) Dom Moraes to Present Day Dom Moraes: 1) Letter to my Mother 2) Future Plans Nissim Ezekiel: 1) Background, casually, 2) Enterprise 3) Poet, Lover,Birdwatcher 4) Goodbye Party for Miss Pushpa T.
    [Show full text]
  • William Carlos Williams' Indian Son(G)
    The News from That Strange, Far Away Land: William Carlos Williams’ Indian Son(g) Graziano Krätli YALE UNIVERSITY 1. In his later years, William Carlos Williams entertained a long epistolary relationship with the Indian poet Srinivas Rayaprol (1925-98), one of a handful who contributed to the modernization of Indian poetry in English in the first few decades after the independence from British rule. The two met only once or twice, but their correspondence, started in the fall of 1949, when Rayaprol was a graduate student at Stanford University, continued long after his return to India, ending only a few years before Williams’ passing. Although Williams had many correspondents in his life, most of them more important and better known literary figures than Rayaprol, the young Indian from the southeastern state of Andhra Pradesh was one of the very few non-Americans and the only one from a postcolonial country with a long and glorious literary tradition of its own. More important, perhaps, their correspondence occurred in a decade – the 1950s – in which a younger generation of Indian poets writing in English was assimilating the lessons of Anglo-American Modernism while increasingly turning their attention away from Britain to America. Rayaprol, doubly advantaged by virtue of “being there” (i.e., in the Bay Area at the beginning of the San Francisco Renaissance) and by his mentoring relationship with Williams, was one of the very first to imbibe the new poetic idiom from its sources, and also one of the most persistent in trying to keep those sources alive and meaningful, to him if not to his fellow poets in India.
    [Show full text]
  • Background to Indian English Poetry
    Chapter : 1 Background to Indian English Poetry 1.0 Objectives 1.1 Introduction 1.2. History of Indian English Poetry 1.2.1 Poetry of first phase 1.2.2 Poetry of second phase 1.2.3 Post independence poetry 1.3. Major Indian English Poets 1.3.1 Pre- independence poets 1.3.2 Post - Independence Poets 1.4. Major themes dealt in Indian English Poetry 1.4.1 Pre-independence Poetry Themes 1.4.2 Post - Independence Poetry Themes 1.5 Conclusion 1.6 Summary - Answers to Check Your Progress - Field Work 1.0 Objectives Friends, this paper deals with Indian English Literature and we are going to begin with Indian English verses. After studying this chapter you will be able to - · Elaborate the literary background of the Indian English Poetry · Take a review of the growth and development of Indian English verses · Describe different phases and the influence of the contemporary social and political situations. · Narrate recurrent themes in Indian English poetry. Background to Indian English Poetry / 1 1.1 Introduction Friends, this chapter will introduce you to the history of Indian English verses. It will provide you with information of the growth of Indian English verses and its socio-cultural background. What are the various themes in Indian English poetry? Who are the major Indian English poets? This chapter is an answer to these questions with a thorough background to Indian English verses which will help you to get better knowledge of the various trends in Indian English poetry. 1.2 History of Indian English Poetry Poetry is the expression of human life from times eternal.
    [Show full text]
  • Towards an Alternative Indian Poetry Akshaya K. Rath
    Towards an Alternative Indian Poetry Akshaya K. Rath One of the debates that has kept literary scholars of the present generation engaged and has ample implication for teaching pedagogy is the problem of canon-formation in Indian English poetry. One of the ways in which such canon- making operates is through the compilation, use and importance of anthologies. Anthology making is a conscious political act that sanctions a poet or poem its literary status. It has given rise to the publication of numerous anthologies in the Indian scenario and in the recent decades we have witnessed the emergence of a handful of alternative anthologies. Anthologies in general remain compact; they are convenient and often less expensive than purchasing separate texts. Those are some of the reasons for their popularity. However, as the case has been, inclusion of a poet or poem is hardly an innocent phenomenon. We have witnessed that canonical anthologies in India are exclusive about their selection of poets and poems, and in most cases the editor‘s profession remains central to anthology making. Hence, there is a need to address the issue of anthology making in Indian scenario that decides the future of poetry/poets in India. This paper explores the historiography of anthology making in India in the light of the great Indian language debate put forward by Buddhadeva Bose. It also highlights that there a significant transition in the subject of canon-formation at the turn of the century with the rise of an alternative canon. The politics of inclusion and exclusion—of anthologizing and publishing Indian English poetry—will be central to the discussion of anthologizing alternative Indian English poetry.
    [Show full text]
  • Research Scholar Department of English University of Rajasthan Jaipur, Rajasthan
    ISSN 2320 – 6101 Research S cholar www.researchscholar.co.in An International Refereed e-Journal of Literary Explorations RELIGIOUS EXPEDITION WITH SECULAR UNDERTONES: A MATERIALIST CRITIQUE OF PILGRIMAGE IN INDIAN POETRY IN ENGLISH Kavita Research Scholar Department of English University of Rajasthan Jaipur, Rajasthan Abstract Pilgrimage or visit to a holy place has been an interesting but debatable topic in Indian English poetry. Though Pilgrimage is generally associated with faith in God and religion, but poetry written on this topic has revealed contradictory ideas. Critics have divergent views about the poet’s reasons behind writing poetry on pilgrimage. It is a paradox that poets undertaking religious journeys either propagate secular feelings or they mock the prevailing ideas associated with the site. Through this research paper, attempts have been made to understand that whether it is a matter of mockery or the poet wants to reveal some hidden truth through his critical poetry. The present paper tries to focus on poetry written on or during a pilgrimage and have propagated sceptic ideas; the ideas which are based upon personal experience during a religious journey, but have generated universal philosophical concerns. Pilgrimage has always been considered as a refuge into the other world. Apart from being a strenuous journey to a holy place, pilgrimage also acts as a shelter to the tired mind against the harsh heat of life. Being away from the hustle and bustle of life, the pilgrim affords to contemplate on some serious issues like spirituality, religion, humanity, idealism and the goal of life. But sometimes it transports one to the world which is away from the mainstream pattern of thinking and believing.
    [Show full text]
  • Evolving Poetic Maturity in the Poetry of Shiv K.Kumar
    American Research Journal of English and Literature Original Article ISSN 2378-9026 Volume 1, Issue 3, June-2015 Evolving Poetic Maturity in the Poetry of Shiv K.Kumar Goutam Karmakar1 Assistant Teacher, Department of English, Bhagilata High School (H.S), Raiganj, Uttar dinajpur, West Bengal, India Abstract: Among the new poets, Shiv K.kumar is considered as one of the major poets of Indian English Poetry. His poetry gives a new sense of direction and identity to Indian English Poetry. Like a true modern poet, his poetry also deals with pain, suffering, hopes, agonies, contemporary reality, love, sex, national identity and many other elements. His subject matter is very simple and he treats every natural object in a vivid way. A kind of liveliness in expression is found in his poetry. Like other Indian English poets, his poetry also shows Indianness in both in his themes and contents. Close looks to his poems show that there is a gradual poetic development and maturity found in his poetry. His poetic consciousness is evolving and his maturity as a poet both in thought and perception is clearly visible. This paper attempts to highlight Kumar‟s growing consciousness and maturity coupled with reason, thought, irony and wisdom throughout his volumes. Keywords: Love, Death, Landscape, Irony, Reason, Wisdom. I. INTRODUCTION Shiv K.Kumar is one of the leading poets of Indian English literature and the source of inspiration for the poets of younger generation. But what the poet he is now not was the case in the beginning point. He was a late bloomer and his devastating experience of divorce seta the tone for the creative writing of the poet.
    [Show full text]
  • Growing Indian Literature in English
    International Journal of Humanities and Social Science Invention ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org Volume 3 Issue 7 ǁ July. 2014 ǁ PP.29-30 Growing Indian Literature in English Rashid Hussain Research Scholar English (Teacher school Education Doda J&K) ABSTRACT: Literature represents a language or a people: culture and tradition. Indian literature in English (IEL) has been witnessed an impressive expansion in the more than six decades of its existence. Literature is used to describe written or spoken material. It is used to describe anything from creative writing to more technical or scientific works, but the term is most commonly used to refer to works of the creative imagination, including works of poetry, drama, fiction and nonfiction. In Indian English literature it introduces us to new world of experiences at the same time we are enjoying the comedies and the tragedies of poems, stories, and plays; and we may even grow and evolve through our literary journey with books. I. INTRODUCTION Indian English Literature (IEL) refers to the body of work by writers in India who write in the English language and whose native or co-native language could be one of the numerous languages of india. It is frequently referred to as Indo-Anglian literature. (Indo-Anglian is a specific term in the sole context of writing that should not be confused with the term Anglo-Indian). Literature, in its broadest sense, is any writing work; etymologically the terms derived from Latin literatura/litteratura “writing formed with letters”, although some definitions include spoken oe sung texts.
    [Show full text]
  • Reconstructing Australian Literature in India
    University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 2010 Seen through other eyes: Reconstructing Australian literature in India Paul Sharrad University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Sharrad, Paul, Seen through other eyes: Reconstructing Australian literature in India 2010, 1-15. https://ro.uow.edu.au/artspapers/1075 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Seen Through Other Eyes: Reconstructing Australian Literature in India PAUL SHARRAD University of Wollongong Australian Literature (as a body of intellectual inquiry and curriculum) had its beginnings in nationalist self-assertion against the cultural domination of this country by British texts and colonialist attitudes. Since then, we have complicated the idea of national culture and literary canons by recognising the existence of ‘migrant’ and then ‘multicultural’ and ‘Aboriginal’ writing, along with critiques and remodelling of the literary corpus from popular culture, gender and sexualities frameworks. One marker of this shift was the Bicentenary revision of Geoffrey Dutton’s The Literature of Australia (1964) as The Penguin New Literary History of Australia (1988) edited by Laurie Hergenhan. ‘Aust. Lit.’ was consolidated and institutionalised in a historical moment of conjunction between publishing markets, politics and educational reforms, and carried with it certain hidden assumptions of hegemonic structures at that time (as illustrated in Leigh Dale’s The English Men, 1997).
    [Show full text]
  • Bombay Modern: Arun Kolatkar and Bilingual Literary Culture
    Postcolonial Text, Vol 12, No 3 & 4 (2017) Bombay Modern: Arun Kolatkar and Bilingual Literary Culture Anjali Nerlekar 292 pages, 2016, $99.95 USD (hardcover), $34.95 USD (paperback), $34.95 USD (e-book) Northwestern University Press Reviewed by Graziano Krätli, Yale University Anjali Nerlekar’s Bombay Modern is the second book-length study of the Indian poet Arun Kolatkar (1931-2004) to be published within the past couple of years, coming right after Laetitia Zecchini’s Arun Kolatkar and Literary Modernism in India (2014). The two scholars worked independently yet in awareness of each other’s research, which resulted in two books that are distinct and complementary, and equally indispensable to a better understanding of Indian poetic culture in postcolonial Bombay and beyond. Kolatkar is the quintessential posthumous poet. Wary of intercourse with commercial publishers and media in general, he carefully and selectively cultivated the art of reclusion, avoiding all kinds of publicity, shying away from interviews, and publishing very little in his lifetime. Only after he was diagnosed with terminal cancer, and largely thanks to the encouragement of friends - especially the poets Adil Jussawalla and Arvind Krishna Mehrotra, and the publisher Ashok Shahane - did he agree to the publication of two collections, Kala Ghoda Poems and Sarpa Satra, not long before he died in September 2004. These were followed by the New York Review of Books edition of Jejuri (2005); Arun Kolatkarchya Char Kavita (2006; a reprint of four Marathi poems originally published in 1977), and The Boatride & Other Poems (2009), both published by Pras Prakashan. The latter was edited by Mehrotra, who is also responsible for Collected Poems in English (Bloodaxe, 2010), and the forthcoming Early Poems and Fragments (Pras Prakashan).
    [Show full text]
  • Mapping the Cultural Landscape of Indian English Poetry
    International Journal of Scientific & Innovative Research Studies ISSN : 2347-7660 (Print) | ISSN : 2454-1818 (Online) MAPPING THE CULTURAL LANDSCAPE OF INDIAN ENGLISH POETRY Dr. Vipin Singh Chauhan, Assistant Professor, Department of English, Sri Aurobindo College (Evening), University of Delhi. ABSTRACT The Paper “Mapping the Cultural Landscape of Indian English Poetry” is an attempt to critically look at the major Indian English poets starting from the early nineteenth century. The paper traces the poets and their contribution along with their cultural response to the ways in which Indian nation responds to the colonial rule and to the emergence of English as a language in India. All the major poets of the Indian English tradition are being touched upon to explore their cultural response as well as to understand the ways what trajectory Indian English poetry took in its journey of about two hundred years. Key Words: British, Colonial, Gandhi, Indian English, New Poetry, Poetry, Post Colonial, Post- independence poets. Indian English literature happened in India as a May come refined with th’ accents that are ours. byproduct of the British colonial rule for about two (Samuel Daniel, quoted in Naik, History, 1) hundred years. It can be said that Indian English, and Literature concerned with it, is a cultural impact of Samuel Daniel’s prophecy to some extent has come the colonial forces. As the British colonized other true as Indian English literature today exists as a parts of the world, the spread and impact of English distinct identity and flourishes in the whole world. Language can be seen throughout the world where As for its title “Indian English Literature, probably it English language flourished in their own ways.
    [Show full text]
  • JAYANTA MAHAPATRA (B.L928)
    POETRY OF JAY ANT A MAHAPATRA: A STUDY IN THE PATTERN OF IMAGERY A THESIS SUBMITTED TO THE NORTH BENGAL UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISl-I Submitted by: 711\.TT A l\lfTTR !l L ..... LI. ...l "'I .l..i l. j.1'J.J. J. J.'J \. Under the supervision of: Prof. B. K. BANERJEE DEPARTMENT OF ENGLISH UNIVERSITY OF NORTH BENGAL RAJARAMMOHANPUR DARJEELING November, 2006 eo~z 83::1 1 t S202:0Z d789W G·IZ8 ·Ja;~[~ d POETRY OF JAY ANT A MAHAPATRA: A STUDY IN THE PATTERN OF IMAGERY submiltccl lJy: Zinia Mitra l!nder the supervision of: Prof.B.K.Bancrjce Department of English University of North Bengal Eaja Eammohanpur, Darjeeling. November, 2006. Certification Certified that this is a bona fide work. Signature: , R~:;t '4. 8c:1.~-:j~, Date: 16. IJ. d Prof..B.K.Banerjee Department of English North Bengai University JAYANTA MAHAPATRA (b.l928) Crossing life . often the tired lines seem to run under my palms. Someone talks of a work of arl, looking into its little secret: Oayanta Mahapatra. 1\ Hain of Hites : 36) CONTENTS Pages Preface 1- JX Introduction. 1-12 Chapter I. Imagery -- Concept and Function 13-48 Chapter II. Mapping Mahapatra 49-91 Chapter Ill. Pattern of Imagery in Jayanta Mahapatra's Poetry (i} Experimental Stage. 92-114 (ii) Experiential Stage. 115-161 Chapter IV. The Poet as a Social Critic. 1f)2-187 Chapter V. Jayanta Mahapatra Vis-a vis His Contemporaries 188-238 Conclusion. 239- 246 Works Cited & Bibliography 24 7 - 259 Appendix PF~EFACE You said poetry cont<1ins us both.
    [Show full text]