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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Oltreoceano15 Tagliato
ITALIAN CANADIAN WRITING: THE DIFFERENCE A FEW DECADES MAKE* Linda Hutcheon** The article explores the changes in the last 40 years both in the language of Canadian ethnic literature itself and in its authors’ self-identifying as Italian Canadian in light of the deve- lopments of those years both in ‘identity politics’ and in Canada’s national sense of selfhood. En route it tests the usefulness of various labels used, over time, to identify these writings against the literary corpus produced for almost thirty years now by Nino Ricci, born and raised in Canada, by Italian immigrant parents. Scrittura italo-canadese: pochi decenni possono fare la differenza Il contributo analizza i cambiamenti che negli ultimi quaranta anni si sono verificati nel lin- guaggio, utilizzato per definire la letteratura etnica canadese, e nel modo in cui gli autori si sono identificati come italo-canadesi a fronte sia delle mutate politiche identitarie sia degli sviluppi nel senso nazionale di identità canadese, susseguitisi in quell’arco temporale. Per testare la validità delle varie etichette utilizzate via via per definire tale letteratura, viene esaminato il corpus letterario, ormai trentennale, prodotto da Nino Ricci, scrittore nato e cresciuto in Canada da genitori immigranti di origine italiana. To Begin With a Story In the mid-1990s – in another century and in another country – I was invited to participate in a panel dedicated to the topic of “Ethnicity and Writing/ Reading” at the annual conference of the Modern Language Association of * This article began life as the Pugliese-Zorzi Italian Canadian Studies Lecture presented in February 2018 to the Canadian Studies Program and the University College Alumni, Uni- versity of Toronto. -
Governor General's Literary Awards
Bibliothèque interculturelle 6767, chemin de la Côte-des-neiges 514.868.4720 Governor General's Literary Awards Fiction Year Winner Finalists Title Editor 2009 Kate Pullinger The Mistress of Nothing McArthur & Company Michael Crummey Galore Doubleday Canada Annabel Lyon The Golden Mean Random House Canada Alice Munro Too Much Happiness McClelland & Steward Deborah Willis Vanishing and Other Stories Penguin Group (Canada) 2008 Nino Ricci The Origins of Species Doubleday Canada Rivka Galchen Atmospheric Disturbances HarperCollins Publishers Ltd. Rawi Hage Cockroach House of Anansi Press David Adams Richards The Lost Highway Doubleday Canada Fred Stenson The Great Karoo Doubleday Canada 2007 Michael Ondaatje Divisadero McClelland & Stewart David Chariandy Soucoupant Arsenal Pulp Press Barbara Gowdy Helpless HarperCollins Publishers Heather O'Neill Lullabies for Little Criminals Harper Perennial M. G. Vassanji The Assassin's Song Doubleday Canada 2006 Peter Behrens The Law of Dreams House of Anansi Press Trevor Cole The Fearsome Particles McClelland & Stewart Bill Gaston Gargoyles House of Anansi Press Paul Glennon The Dodecahedron, or A Frame for Frames The Porcupine's Quill Rawi Hage De Niro's Game House of Anansi Press 2005 David Gilmour A Perfect Night to Go to China Thomas Allen Publishers Joseph Boyden Three Day Road Viking Canada Golda Fried Nellcott Is My Darling Coach House Books Charlotte Gill Ladykiller Thomas Allen Publishers Kathy Page Alphabet McArthur & Company GovernorGeneralAward.xls Fiction Bibliothèque interculturelle 6767, -
Book Club Sets
Book Club Sets Fiction TitleHeading Author 13 Ways of Looking at a Fat Girl Mona Awad The 100-Year-Old Man Who Climbed Out the Window and Disappeared Jonas Jonasson Accusation Catherine Bush The Alchemist Paulo Coelho NEW! Alice & Oliver Charles Bock All My Puny Sorrows Miriam Toews All Our Names Dinaw Mengestu All the Light We Cannot See Anthony Doerr American Dervish Ayad Akhtar Atonement Ian McEwan NEW! Be Frank With Me Julia Claiborne Johnson The Beauty of Humanity Movement Camilla Gibb NEW! Before the Fall Noah Hawley NEW! The Best Kind of People Zoe Whittall The Best Laid Plans Terry Fallis The Betrayers David Bezmozgis NEW! Big Little Lies Liane Moriarty NEW! Birdie Tracey Lindberg The Bishop's Man Linden MacIntyre The Book of Negroes Lawrence Hill NEW! The Bookshop on the Corner Jenny Colgan NEW! Britt-Marie Was Here Fredrick Backman Brooklyn Colm Tóibín NEW! Calling Me Home Julie Kibler The Casual Vacancy J. K. Rowling The Cat's Table Michael Ondaatje The Cellist of Sarajevo Steven Galloway China Dolls Lisa See City of Thieves David Benioff Close to Hugh Marina Endicott Cockroach Rawi Hage A Complicated Kindness Miriam Toews Coventry Helen Humphreys The Creator's Map Emilio Calderón The Curious Incident of the Dog in the Night- Mark Haddon Time Book Club Sets @ Kitchener Public Library Book Club Sets @ Kitchener Public Library Title Author NEW! Dark Matter Blake Crouch De Niro's Game Rawi Hage Delicious! Ruth Reichl NEW! Did You Ever Have a Family Bill Clegg Dietland Sarai Walker Digging to America Anne Tyler Elizabeth Costello J.M. -
150 Canadian Books to Read
150 CANADIAN BOOKS TO READ Books for Adults (Fiction) 419 by Will Ferguson Generation X by Douglas Coupland A Better Man by Leah McLaren The Girl who was Saturday Night by Heather A Complicated Kindness by Miriam Toews O’Neill A Fine Balance by Rohinton Mistry The Handmaid’s Tale by Margaret Atwood Across The Bridge by Mavis Gallant Helpless by Barbara Gowdy Alias Grace by Margaret Atwood Home from the Vinyl Café by Stuart McLean All My Puny Sorrows by Miriam Toews Indian Horse by Richard Wagamese And The Birds Rained Down by Jocelyne Saucier The Island Walkers by John Bemrose Anil’s Ghost by Michael Ondaatje The Jade Peony by Wayson Choy Annabel by Kathleen Winter jPod by Douglas Coupland As For Me and My House by Sinclair Ross Late Nights on Air by Elizabeth Hay The Back of the Turtle by Thomas King Lives of the Saints by Nino Ricci Barney’s Version by Mordecai Richler Love and Other Chemical Imbalances by Adam Beatrice & Virgil by Yann Martel Clark Beautiful Losers by Leonard Cohen Luck by Joan Barfoot The Best Kind of People by Zoe Whittall Medicine Walk by Richard Wagamese The Best Laid Plans by Terry Fallis Mercy Among The Children by David Adams The Birth House by Ami McKay Richards The Bishop’s Man by Linden MacIntyre No Great Mischief by Alistair Macleod Black Robe by Brian Moore The Other Side of the Bridge by Mary Lawson Blackfly Season by Giles Blunt The Outlander by Gil Adamson The Book of Negroes by Lawrence Hill The Piano Man’s Daughter by Timothy Findley The Break by Katherena Vermette The Polished Hoe by Austin Clarke The Cat’s Table by Michael Ondaatje Quantum Night by Robert J. -
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University of Groningen 'Aaron' d'Yves Thériault ou comment transgresser l'entre-deux den Toonder, J. M. L. Published in: Canadian Literature IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2010 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): den Toonder, J. M. L. (2010). 'Aaron' d'Yves Thériault ou comment transgresser l'entre-deux. Canadian Literature, 206(Autumn), 74-87. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 12-11-2019 Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number !"#, Autumn !"$" Published by %e University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Larissa Lai (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock ($&'&–$&((), W.H. -
Longlisted & Shortlisted Books 1994-2018
Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G. -
A Chat with a Translator How to Successfully Pitch to Book Bloggers Writing Through Mental Illness
WRITE THE MAGAZINE OF THE WRITERS’ UNION OF VOLUME 47 NUMBER 4 CANADA WINTER 2020 A Chat with a Translator 7 How to Successfully Pitch to Book Bloggers 8 Writing Through Mental Illness 17 WRITE AD 2020 Spring_Layout 1 20-01-09 1:08 PM Page 1 THE EXCELSIS GROUP A CANADIAN EDUCATIONAL NOT-FOR-PROFIT /CHARITABLE ORGANIZATION ADVANCING CREATIVE EXCELLENCE AND ENGAGEMENT IN THE LITERARY AND VISUAL ARTS WE ARE ALSO THE NEW PUBLISHERS OF EXILE QUARTERLY ABOUT WHICH JOYCE CAROL OATES RECENTLY TWEETED “ONE OF THE GREAT NORTH AMERICAN LITERARY MAGAZINES” AND WE ADMINISTER THE FOLLOWING EDUCATIONAL PROGRAMS AND INITIATIVES: WRITER MENTORING AND WORKSHOPS / AWARDS AND COMPETITIONS EXILE QUARTERLY IN THE CLASSROOM / THE ARTS VIA SOCIAL MEDIA TRAINING THE NEXT GENERATION REQUEST A FREE INTRODUCTORY SUBSCRIPTION, AND FIND OUT ALL ABOUT US AT TheExcelsisGroup.org From the Chair By Anita Daher Early this morning, I gave the cats their cookies, poured my tea, and opened my email. TWUC member Arthur Slade’s monthly note was there, along with too many “Act now!” “Huge Discount!” and “You are eligible for” messages. I deleted the spam and settled in to read Art’s personable update. We know from reports and personal anecdote that Canadians are That he finds time for a monthly letter astounds me, but even interested in reading Canadian stories, whether set in this country more impressive is his mastery. He begins with a grin and ends or elsewhere, whether rooted in history or current physical, with a respectful: “Thanks for being a reader.” political, and social landscapes. -
The Road Past Altamont
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 223, Winter 214, Agency & Affect Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Joël Castonguay-Bélanger (Francophone Writing), Stephen Collis (Poetry), Glenn Deer (Reviews), Kathryn Grafton (CanLit Guides), Daniel Laforest (Francophone Writing), Laura Moss (Reviews), Karis Shearer (Reviews) Assistant Editor: Tiffany Johnstone (Reviews) Past Editors: George Woodcock (1959-1977), W. H. New (1977-1995), Eva-Marie Kröller (1995-23), Laurie Ricou (23-27) Editorial Board Heinz Antor University of Cologne Kristina Fagan Bidwell University of Saskatchewan Alison Calder University of Manitoba Carrie Dawson Dalhousie University Cecily Devereux University of Alberta Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Lucie Hotte University of Ottawa Coral Ann Howells University of Reading Smaro Kamboureli University of Toronto Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Linda Morra Bishop’s University Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University of Queensland David Williams University of Manitoba Mark Williams Victoria University, New Zealand Herb Wyile Acadia University Editorial Margery Fee Spies in the House of Literary Criticism 6 Articles Ranbir K. -
Sunday, September 22, 2019 10Am-5Pm | Harbourfront Centre
SUNDAY, SEPTEMBER 22, 2019 10AM-5PM | HARBOURFRONT CENTRE Celebrating Reading. Advocating Literacy. @torontoWOTS • #WOTS30 • thewordonthestreet.ca/toronto WANT TO WRITE? THE HUMBER SCHOOL FOR WRITERS’ CORRESPONDENCE PROGRAM Creative Writing – Fiction, Creative Non-Fiction, Poetry Looking for personalized feedback on your new manuscript? The Humber School for Writers’ Correspondence Program can help! Our 30-week distance studio program is customized to address the needs of your book-length project. Work from the comfort of home under guidance of our exceptional mentors. Apply as soon as possible in order to improve your chance of being paired with your preferred mentor: · David Bergen · Ashley Little · Giles Blunt · Colin McAdam · Karen Connelly · Pamela Mordecai · Elisabeth de Mariaffi · Tim Wynne-Jones · Elizabeth Duncan · Alissa York · Camilla Gibb APPLY NOW FOR JAN 2020! humberschoolforwriters.ca TABLE OF CONTENTS 3 WANT TO WRITE? HOW TO USE THIS PROGRAM Review the Festival at a Glance on pages 8–12, or go directly to the venue THE HUMBER SCHOOL FOR descriptions. Want to see our kids programming? Pick up a TD Kidstreet guide at WOTS! WRITERS’ CORRESPONDENCE PROGRAM Creative Writing – Fiction, Creative Non-Fiction, Poetry WELCOME TO WOTS 2 MEET THE TEAM 3 LETTERS OF GREETING 4-5 Looking for personalized feedback on your new manuscript? FESTIVAL PARTNERS 6-7 FESTIVAL AT A GLANCE 8-12 The Humber School for Writers’ Correspondence Program can ASL PROGRAMMING 13-14 help! Our 30-week distance studio program is customized to #WOTS30 ANNIVERSARY SERIES 15 OFFICIAL BOOKSELLERS 16 address the needs of your book-length project. Work from the AMAZON.CA BESTSELLERS 18-24 comfort of home under guidance of our exceptional mentors. -
(Title of the Thesis)*
SCIENCE IMAGINED | LITERATURE REALIZED: TRUTH AND FICTION IN CANADA by Marc André Fortin A thesis submitted to the Department of English In conformity with the requirements for the degree of PhD Queen‟s University Kingston, Ontario, Canada (January, 2012) Copyright © Marc André Fortin, 2012 Abstract In Canada, writers of long fiction have recently begun to employ representations of science and to use scientific theories to construct narratives that investigate issues of class, race, sexuality, faith, truth and the ontological understanding of human existence. This turn towards science in creative works of art suggests that scientific discourse in the early twenty-first century has become a space from which to respond to questions about the search for truth after the rise of poststructuralist theory and postmodern culture. My work investigates this recent turn towards science in contemporary Canadian literature as a way of reevaluating the idea that science is associated with a teleological movement towards human progress, and to analyze how scientific representations re-imagine faith and ethics from a secular perspective. The recent shift towards science in the literature of Canada in English suggests a questioning of social conditions which place the human within epistemological spectrums between truth and fiction, faith and reason, and the individual and the universal. In my dissertation questions related to belief and truth are bound up in a cross-textual study that looks at how Canadian literature reevaluates important debates among