A Study of Contemporary Women's Book Clubs
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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Deconstruction on Feminism in Arthur Golden's Geisha
DECONSTRUCTION ON FEMINISM IN ARTHUR GOLDEN’S GEISHA A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Sarjana Humaniora in English and Literature Department of the Faculty of Adab and Humanities of UIN Alauddin Makassar By RIDHA SYAFRIANY RIDWAN Reg. No. 40300106056 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY MAKASSAR 2010 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penyusun yang bertanda tangan dibawah ini, menyatakan bahwa skripsi ini benar adalah hasil karya penyusun sendiri, dan jika dikemudian hari terbukti ia merupakan duplikat, tiruan, plagiat, atau dibuat oleh orang lain secara keseluruhan ataupun sebagian, maka skripsi ini dan gelar yang diperoleh batal demi hukum. Makassar, Desember 2010 Penyusun, RIDHA SYAFRIANY RIDWAN NIM 40300106047 ABSTRACT Title : Deconstruction on Feminism in Arthur Golden’s Geisha Researcher : Ridha Syafriany Ridwan Reg number : 40300106056 Consultant I : Dr. H. Barsihannor, M. Ag Consultant II : Syahruni Junaid, S.S., M. Pd The main aim of this research is to find out the meaning of a true Geisha. The problem statements in this thesis are, (1) “how Arthur Golden represented a true Geisha in his work “, (2) “are there the changes of meaning of Geisha in the work of Arthur Golden “ This research is consisted of 35 chapters on the novel Memoirs of a Geisha by Arthur Golden as the sample. To get the data, this research used the feminism approach to deconstruct the meaning of true Geisha, because when we talked about women, one of theories which commonly appear is feminism. Besides that, the writer read the novel of Memoirs of a Geisha as the main source of the data, and then to analyze this data, the writer used descriptive method which described accurately the meaning of a true Geisha. -
Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
Writing the Research Paper the Research Paper Is the Capstone Project of the English Composition Sequence. It Demonstrates the S
Writing the Research Paper The research paper is the capstone project of the English composition sequence. It demonstrates the student’s understanding of the course objectives, serving as documentation that he or she is ready for the demands of the transfer institution and workplace in regard to managing information efficiently, analyzing and evaluating it accurately, and communicating it effectively. The paper’s primary purpose is to examine an issue from multiple perspectives and reach a research-driven conclusion based on the analysis and evaluation of evidence that represents those perspectives. Each claim the paper makes must have supporting evidence from multiple sources which are credible and relevant. Prior to the drafting process the student is required to compose a research proposal that identifies the focus of the research along with strategies and sources that will be employed. An annotated bibliography is also required. One Student’s Research Paper Experience For her research paper topic, Haley Akeson and her classmates are asked to choose a historical event and argue a claim about its consequences, supporting the claim with evidence that might change or alter the audience’s point of view. As one possibility for focusing the paper, Haley is encouraged to choose a Hollywood film that focuses on a historical issue and argue how accurately or ineffectively the film addresses the issue. After some deliberation, Haley chooses the film, Memoirs of a Geisha, released by Columbia pictures in 2005 and based on author Arthur Golden’s novel, published in 1997. In her proposal written prior to her research, Haley expresses her reasons for selecting her topic noting the misunderstanding that varying perspectives often present: Fascination with the differences of culture has always been a part of my life. -
2016TYCASE Program Web.Pdf
TYCA-SE Friends and Colleagues, In 1982, the international community assembled in Knoxville, Tennessee to celebrate the World’s Fair. Over a period of 6 months, more than 11 million visitors toured a variety of exhibits created by 16 countries, all focused on the theme of “Energy Turns the World.” For a short time, the world’s nations gathered in Knoxville to showcase their best and brightest innovations. In 2016, we have asked you to join us in Knoxville for another auspicious gathering, the 51st annual TYCA-SE conference. Over the next three days, we will showcase the best and brightest teaching techniques that our Southeast region has to offer, all centered on the theme “Intentional Teaching Turns the World.” Just as the World’s Fair encouraged the exchange of cutting edge ideas, so, too, we hope to fire your creative spark with engaging sessions, fascinating speakers, and fantastic parties. Our theme’s play on that of the 1982 World’s Fair invites you to spend the next 72 hours considering the ways in which our profession provides enormous opportunity for positive influence and change. On behalf of the combined faculty of Pellissippi State Community College and Chattanooga State Community College, we want to welcome you to Knoxville, Tennessee for TYCA-SE 2016. The following pages are your guide to our 51st annual gathering. Within, you’ll find an exciting array of professional develop- ment and networking opportunities that will allow you to step away from the quotidian responsibilities of your academic semester. Please let us know if you have any questions or if there is anything we can do to enhance your experi- ence in Knoxville. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Oltreoceano15 Tagliato
ITALIAN CANADIAN WRITING: THE DIFFERENCE A FEW DECADES MAKE* Linda Hutcheon** The article explores the changes in the last 40 years both in the language of Canadian ethnic literature itself and in its authors’ self-identifying as Italian Canadian in light of the deve- lopments of those years both in ‘identity politics’ and in Canada’s national sense of selfhood. En route it tests the usefulness of various labels used, over time, to identify these writings against the literary corpus produced for almost thirty years now by Nino Ricci, born and raised in Canada, by Italian immigrant parents. Scrittura italo-canadese: pochi decenni possono fare la differenza Il contributo analizza i cambiamenti che negli ultimi quaranta anni si sono verificati nel lin- guaggio, utilizzato per definire la letteratura etnica canadese, e nel modo in cui gli autori si sono identificati come italo-canadesi a fronte sia delle mutate politiche identitarie sia degli sviluppi nel senso nazionale di identità canadese, susseguitisi in quell’arco temporale. Per testare la validità delle varie etichette utilizzate via via per definire tale letteratura, viene esaminato il corpus letterario, ormai trentennale, prodotto da Nino Ricci, scrittore nato e cresciuto in Canada da genitori immigranti di origine italiana. To Begin With a Story In the mid-1990s – in another century and in another country – I was invited to participate in a panel dedicated to the topic of “Ethnicity and Writing/ Reading” at the annual conference of the Modern Language Association of * This article began life as the Pugliese-Zorzi Italian Canadian Studies Lecture presented in February 2018 to the Canadian Studies Program and the University College Alumni, Uni- versity of Toronto. -
Women's Position in Memoirs of a Geisha Written by Arthur Golden
WOMEN’S POSITION IN MEMOIRS OF A GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH RESEARCH PAPER Submitted as a Partial Fulfilment of the Requirements for Getting Bachelor Degree of Education in English Department by: NANANG MUHAMMAD MAHFUDH A 320 060 176 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION FACULTY MUHAMADIYAH UNIVERSITY OF SURAKARTA 2010 CHAPTER I INTRODUCTION A. Background of the Study The novel, "Memoirs of a Geisha", was written by Arthur Golden. Published in 1997 in the United States, it was a bestseller of the year. For a few years after reading it, Steven Spielberg worked on a film adaptation version of the book and was attached as the director. Being busy with other projects, Spielberg decided to drop the director title in early 2002. The project had a few other director candidates during 2002 and 2003 including Spike Jonze and Kimberley Peirce, and eventually settled with Rob Marshall (Chicago). Spielberg is now one of the producers of the film. Memoirs of a Geisha, published in 1997, is Arthur Golden's debut novel. The bestselling novel was a long time in the making, Golden spent more than ten years on the novel, throwing out the first two drafts before finding his "voice" in the first person account that was a publishing success. Golden was born in 1957 in Chattanooga, Tennessee, to a family of journalists. His parents, Ben and Ruth, published the Chattanooga Times, and in the early 2000 his cousin, Arthur Ochs Sulzberger, published the New York Times. Golden's parents divorced when he was eight, and his father died five years later. -
Governor General's Literary Awards
Bibliothèque interculturelle 6767, chemin de la Côte-des-neiges 514.868.4720 Governor General's Literary Awards Fiction Year Winner Finalists Title Editor 2009 Kate Pullinger The Mistress of Nothing McArthur & Company Michael Crummey Galore Doubleday Canada Annabel Lyon The Golden Mean Random House Canada Alice Munro Too Much Happiness McClelland & Steward Deborah Willis Vanishing and Other Stories Penguin Group (Canada) 2008 Nino Ricci The Origins of Species Doubleday Canada Rivka Galchen Atmospheric Disturbances HarperCollins Publishers Ltd. Rawi Hage Cockroach House of Anansi Press David Adams Richards The Lost Highway Doubleday Canada Fred Stenson The Great Karoo Doubleday Canada 2007 Michael Ondaatje Divisadero McClelland & Stewart David Chariandy Soucoupant Arsenal Pulp Press Barbara Gowdy Helpless HarperCollins Publishers Heather O'Neill Lullabies for Little Criminals Harper Perennial M. G. Vassanji The Assassin's Song Doubleday Canada 2006 Peter Behrens The Law of Dreams House of Anansi Press Trevor Cole The Fearsome Particles McClelland & Stewart Bill Gaston Gargoyles House of Anansi Press Paul Glennon The Dodecahedron, or A Frame for Frames The Porcupine's Quill Rawi Hage De Niro's Game House of Anansi Press 2005 David Gilmour A Perfect Night to Go to China Thomas Allen Publishers Joseph Boyden Three Day Road Viking Canada Golda Fried Nellcott Is My Darling Coach House Books Charlotte Gill Ladykiller Thomas Allen Publishers Kathy Page Alphabet McArthur & Company GovernorGeneralAward.xls Fiction Bibliothèque interculturelle 6767, -
Book Club in a Box TITLES AVAILABLE – NOVEMBER 2019 (Please Destroy All Previous Lists)
49-99 Book Club in a Box TITLES AVAILABLE – NOVEMBER 2019 (Please destroy all previous lists) FICTION, CONTEMPORARY AND HISTORICAL After You – by JoJo Moyes – (352 p.) – 15 copies Moyes’ sequel to her bestselling Me Before You (2012)—which was about Louisa, a young caregiver who falls in love with her quadriplegic charge, Will, and then loses him when he chooses suicide over a life of constant pain— examines the effects of a loved one’s death on those left behind to mourn. It's been 18 months since Will’s death, and Louisa is still grieving. After falling off her apartment roof terrace in a drunken state, she momentarily fears she’ll end up paralyzed herself, but Sam, the paramedic who treats her, does a great job—and she's lucky. Louisa convalesces in the bosom of her family in the village of Stortfold. When Louisa returns to London, a troubled 16- year-old named Lily turns up on her doorstep saying Will was her father though he never knew it because her mother thought he was "a selfish arsehole" and never told him she was pregnant. (Abbreviated from Kirkus) The Alchemist – by Paulo Coehlo – (186 p.) – 15 copies + Large Print "The boy's name was Santiago," it begins; Santiago is well educated and had intended to be a priest. But a desire for travel, to see every part of his native Spain, prompted him to become a shepherd instead. He's contented. But then twice he dreams about hidden treasure, and a seer tells him to follow the dream's instructions: go to Egypt to the pyramids, where he will find a treasure. -
Title Sub-Title Author
Title Sub-Title Author Call #1 Call #2 Call #3 "A" Is For Alibi A Kinsey Millhone Mystery Grafton, Sue FMY GRA "B" Is For Burglar Grafton, Sue FMY GRA "C" Is For Corpse A Kinsey Millhone Mystery Grafton, Sue FMY GRA "D" Is For Deadbeat A Kinsey Millhone Mystery Grafton, Sue FMY GRA "E" Is For Evidence A Kinsey Millhone Mystery Grafton, Sue FMY GRA "F" Is For Fugitive Grafton, Sue FMY GRA "G" Is For Gumshoe A Kinsey Millhone Mystery Grafton, Sue FMY GRA "H" Is For Homicide Grafton, Sue FMY GRA "I" Is For Innocent Grafton, Sue FMY GRA "J" Is For Judgement Grafton, Sue FMY GRA "K" Is For Killer Grafton, Sue FMY GRA "L" Is For Lawless Grafton, Sue FMY GRA "M" Is For Malice Grafton, Sue FMY GRA "N" Is For Noose Grafton, Sue FMY GRA "O" Is For Outlaw Grafton, Sue FMY GRA "S" Is For Silence Grafton, Sue F GRA 10-lb Penalty Francis, Dick F FRA 10 Best Questions For Living With Alzheimer's, The The Script You Need To Take Control Of Bonner,Your Health Dede 616 .831 Bon 10 Best Things About My Dad, The Loomis, Christine E/F Loo 10 Drowsy Dinosaurs Auger, Wendy Frood E/F AUG 10 Fat Turkeys Johnston, Tony E/F Joh 10 For Dinner Bogart, Jo Ellen E/F BOG 10 Little Rubber Ducks Carle, Eric E/F Car 10 Trick-or-treaters A Halloween Counting Book Schulman, Janet [E] Sch 10% Happier How I Tamed The Voice In My Head, ReducedHarris, Stress Dan Without Losing158 My Edge,.1 And FoundHAR Self-Help That Actually Works : A True Story 10,000 Dreams Interpreted What's in a Dream Miller, Gustavus Hindman 135 3 MIL 10:04 Lerner, Ben F LER 100 Amazing Magic Tricks Good, Arthur I/793 .8 GOO 100 Colorful Granny Squares To Crochet [dozens Of Mix And Match Combos AndMorgan, Fabulous Leonie Projects] 746 .432 MOR 100 Hikers 100 Hikes From Tobermory to Kilimanjaro Camani, Andrew 796 51 CAM 100 Mistakes That Changed History Backfires And Blunders That Collapsed Empires,Fawcett, Crashed Bill Economies,909 And AlteredFAW The Course Of Our World 100 Most Important Women Of The 20th Century. -
Book Club Kits
Book Club Kits Book Club Kits are created from the Ransom Library’s Book Discussion Group’s previous book talks. After a book has been discussed by the group, its multiple copies become a book kit. In each Book Club Kit, you will find: • 6 to 10 copies of the book • One copy of "Good books lately" • One page of questions for discussion • One page of guidelines Borrowing Guidelines: • Book Club Kits are open to all Ransom District Library cardholders. • Book Club Kits may be reserved. • A Book Club Kit may be checked out for eight weeks. • Kits may NOT be renewed. • A patron may check out only one kit at a time. • The person who checks out the Book Club Kit is financially responsible for returning the entire kit. • Please check the number of books before borrowing. Returning Guidelines: • Please check the number of books before returning kit to the library. • Book Club Kits must be returned inside the library. They may not go into the drop box. • Borrowers will be charged $1.00 per day for an overdue Book Club Kit. • Replacement cost of an entire Book Club Kit is $100.00 • Replacement cost of individual parts of the bag will depend on the cost of each particular item. RANSOM DISTRICT LIBRARY - BOOK CLUB KITS Utilizing the Catalog to find these items: - A list of all book kit records can be found by searching “Book Kit” under Subject. - A list of all formats (book, kit form, DVD, audiobook, etc.) in which the item is available can be found by searching the title.