Women's Position in Memoirs of a Geisha Written by Arthur Golden
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Deconstruction on Feminism in Arthur Golden's Geisha
DECONSTRUCTION ON FEMINISM IN ARTHUR GOLDEN’S GEISHA A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Sarjana Humaniora in English and Literature Department of the Faculty of Adab and Humanities of UIN Alauddin Makassar By RIDHA SYAFRIANY RIDWAN Reg. No. 40300106056 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY MAKASSAR 2010 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penyusun yang bertanda tangan dibawah ini, menyatakan bahwa skripsi ini benar adalah hasil karya penyusun sendiri, dan jika dikemudian hari terbukti ia merupakan duplikat, tiruan, plagiat, atau dibuat oleh orang lain secara keseluruhan ataupun sebagian, maka skripsi ini dan gelar yang diperoleh batal demi hukum. Makassar, Desember 2010 Penyusun, RIDHA SYAFRIANY RIDWAN NIM 40300106047 ABSTRACT Title : Deconstruction on Feminism in Arthur Golden’s Geisha Researcher : Ridha Syafriany Ridwan Reg number : 40300106056 Consultant I : Dr. H. Barsihannor, M. Ag Consultant II : Syahruni Junaid, S.S., M. Pd The main aim of this research is to find out the meaning of a true Geisha. The problem statements in this thesis are, (1) “how Arthur Golden represented a true Geisha in his work “, (2) “are there the changes of meaning of Geisha in the work of Arthur Golden “ This research is consisted of 35 chapters on the novel Memoirs of a Geisha by Arthur Golden as the sample. To get the data, this research used the feminism approach to deconstruct the meaning of true Geisha, because when we talked about women, one of theories which commonly appear is feminism. Besides that, the writer read the novel of Memoirs of a Geisha as the main source of the data, and then to analyze this data, the writer used descriptive method which described accurately the meaning of a true Geisha. -
Woman's Position in Memoirs of Geisha
WOMEN’S POSITION IN MEMOIRS OF A GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH RESEARCH PAPER Submitted as a Partial Fulfilment of the Requirements for Getting Bachelor Degree of Education in English Department by: NANANG MUHAMMAD MAHFUDH A 320 060 176 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION FACULTY MUHAMADIYAH UNIVERSITY OF SURAKARTA 2010 APPROVAL WOMEN’S POSITION IN MEMOIRS OF GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH Research Paper Written by: NANANG MUHAMMAD MAHFUDH A 320 060 176 Had been approved by: Consultant I Consultant II (Dr. Phil. Dewi Candraningrum, S.Pd. M. Ed.) (Titis Setyabudi, S.S) ii WOMEN’S POSITION IN MEMOIRS OF A GEISHA WRITTEN BY ARTHUR GOLDEN (1997): A FEMINIST APPROACH Accepted by the Board Examiners School of Teacher Training and Education Muhammadiyah University of Surakarta On November, 2010 The Board of Examiners: 1. Dr. Phil. Dewi Candraningrum, S.Pd. M. Ed ( ) Chairperson 2. Titis Setyabudi, S.S ( ) Member I 3. Drs. H. Abdillah Nugroho M.Hum ( ) Member II School of Teacher Training Education Dean, Drs. H. Sofyan Anif, Msi. iii TESTIMONY In this occasion, the writer states that there is no work had been submitted to degree in any University in this research paper and as far as the writer concerns there is no work or opinion had been written or published by someone else except the written references which are referred in this paper and mentioned in the bibliography. If only there will be any incorrectness proven in the future in the writer’s statement above, the writer will be fully responsible for that. -
The Sexual Life of Japan : Being an Exhaustive Study of the Nightless City Or the "History of the Yoshiwara Yūkwaku"
Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924012541797 Cornell University Library HQ 247.T6D27 1905 *erng an exhau The sexual life of Japan 3 1924 012 541 797 THE SEXUAL LIFE OF JAPAN THE SEXUAL LIFE OF JAPAN BEING AN EXHAUSTIVE STUDY OF THE NIGHTLESS CITY 1^ ^ m Or the "HISTORY of THE YOSHIWARA YUKWAKU " By J, E. DE BECKER "virtuous men hiive siitd, both in poetry and ulasslo works, that houses of debauch, for women of pleasure and for atreet- walkers, are the worm- eaten spots of cities and towns. But these are necessary evils, and If they be forcibly abolished, men of un- righteous principles will become like ravelled thread." 73rd section of the " Legacy of Ityasu," (the first 'I'okugawa ShOgun) DSitl) Niimrraiia SUuatratiuna Privately Printed . Contents PAGE History of the Yosliiwara Yukwaku 1 Nilion-dzutsumi ( 7%e Dyke of Japan) 15 Mi-kaeri Yanagi [Oazing back WUlow-tree) 16 Yosliiwara Jiuja ( Yoahiwara Shrine) 17 The "Aisome-zakura " {Chen-y-tree of First Meeting) 18 The " Koma-tsunagi-matsu " {Colt tethering Pine-tree) 18 The " Ryojin no Ido " {Traveller's Well) 18 Governmeut Edict-board and Regulations at the Omen (Great Gate) . 18 The Present Omon 19 »Of the Reasons why going to the Yosliiwara was called " Oho ve Yukn " ". 21 Classes of Brothels 21 Hikite-jaya (" Introducing Tea-houses"') 28 The Ju-hachi-ken-jaya (^Eighteen Tea-houses) 41 The " Amigasa-jaya -
Inside the Secret World of the Geisha
2019 Spring Semester Inside the Secret World of the Geisha Section 1 Instructor/Title Professor Arif Iqball 【Course Outline / Description】 Painted by Picasso, sculpted by Rodin, entertainers to Queen Elizabeth, Prince Charles, and US Presidents, yet the role and image of the Japanese Geisha has often been misinterpreted outside Japan, and has shaped Western stereotypes about Japan and Japanese women. Being historically closed in a world of secrecy, not many Japanese either have been able to get access to this world with its own rules and etiquette, and with very little documentation. This course examines the primary role of the Geisha in Japan as an artist and an entertainer encompassing a variety of important social, cultural, and historical elements. Leveraging the instructor’s personal connections and research, a field trip to a seasonal dance performance, and conversations with current Geisha, as well as use of academic literature and visual documentation including historical photographs, documentaries and movie representations, this course attempts to provide a complete cultural experience to the Asian and Japanese Studies student on the true role and place of these artists in Japanese culture, and in a traditional world which runs parallel (and yet is completely different than) to the modern Japanese world of manga, anime, and robots. With emphasis on the Geisha of the five Kagai (performance districts) in Kyoto, this course not only explores the historical and cultural elements, but also introduces this relatively unknown and closed -
Writing the Research Paper the Research Paper Is the Capstone Project of the English Composition Sequence. It Demonstrates the S
Writing the Research Paper The research paper is the capstone project of the English composition sequence. It demonstrates the student’s understanding of the course objectives, serving as documentation that he or she is ready for the demands of the transfer institution and workplace in regard to managing information efficiently, analyzing and evaluating it accurately, and communicating it effectively. The paper’s primary purpose is to examine an issue from multiple perspectives and reach a research-driven conclusion based on the analysis and evaluation of evidence that represents those perspectives. Each claim the paper makes must have supporting evidence from multiple sources which are credible and relevant. Prior to the drafting process the student is required to compose a research proposal that identifies the focus of the research along with strategies and sources that will be employed. An annotated bibliography is also required. One Student’s Research Paper Experience For her research paper topic, Haley Akeson and her classmates are asked to choose a historical event and argue a claim about its consequences, supporting the claim with evidence that might change or alter the audience’s point of view. As one possibility for focusing the paper, Haley is encouraged to choose a Hollywood film that focuses on a historical issue and argue how accurately or ineffectively the film addresses the issue. After some deliberation, Haley chooses the film, Memoirs of a Geisha, released by Columbia pictures in 2005 and based on author Arthur Golden’s novel, published in 1997. In her proposal written prior to her research, Haley expresses her reasons for selecting her topic noting the misunderstanding that varying perspectives often present: Fascination with the differences of culture has always been a part of my life. -
2016TYCASE Program Web.Pdf
TYCA-SE Friends and Colleagues, In 1982, the international community assembled in Knoxville, Tennessee to celebrate the World’s Fair. Over a period of 6 months, more than 11 million visitors toured a variety of exhibits created by 16 countries, all focused on the theme of “Energy Turns the World.” For a short time, the world’s nations gathered in Knoxville to showcase their best and brightest innovations. In 2016, we have asked you to join us in Knoxville for another auspicious gathering, the 51st annual TYCA-SE conference. Over the next three days, we will showcase the best and brightest teaching techniques that our Southeast region has to offer, all centered on the theme “Intentional Teaching Turns the World.” Just as the World’s Fair encouraged the exchange of cutting edge ideas, so, too, we hope to fire your creative spark with engaging sessions, fascinating speakers, and fantastic parties. Our theme’s play on that of the 1982 World’s Fair invites you to spend the next 72 hours considering the ways in which our profession provides enormous opportunity for positive influence and change. On behalf of the combined faculty of Pellissippi State Community College and Chattanooga State Community College, we want to welcome you to Knoxville, Tennessee for TYCA-SE 2016. The following pages are your guide to our 51st annual gathering. Within, you’ll find an exciting array of professional develop- ment and networking opportunities that will allow you to step away from the quotidian responsibilities of your academic semester. Please let us know if you have any questions or if there is anything we can do to enhance your experi- ence in Knoxville. -
Memoirs of a Geisha by Arthur Golden Discussion Questions Taken From
Memoirs of a Geisha by Arthur Golden Discussion Questions 1. Many people in the West think of geisha simply as prostitutes. After reading Memoirs of a Geisha, do you see the geisha of Gion as prostitutes? What are the similarities, and what are the differences? What is the difference between being a prostitute and being a "kept woman," as Sayuri puts it [p. 291]? 2. "The afternoon when I met Mr. Tanaka Ichiro," says Sayuri, "really was the best and the worst of my life" [p. 7]. Is Mr. Tanaka purely motivated by the money he will make from selling Chiyo to Mrs. Nitta, or is he also thinking of Chiyo's future? Is he, as he implies in his letter, her friend? 3. In his letter to Chiyo, Mr. Tanaka says "The training of a geisha is an arduous path. However, this humble person is filled with admiration for those who are able to recast their suffering and become great artists" [p. 103]. The word "geisha" in fact derives from the Japanese word for art. In what does the geisha's art consist? How many different types of art does she practice? 4. Does Sayuri have a better life as a geisha than one assumes she would have had in her village? How does one define a "better" life? Pumpkin, when offered the opportunity to run away, declines [p. 53]; she feels she will be safer in Gion. Is her decision wise? 5. How does Sayuri's status at the Nitta okiya resemble, or differ from, that of a slave? Is she in fact a slave? 6. -
Prolegomenon to Geisha As a Cultural Performer: Miyako Odori, the Gion School and Representation of a Traditional" Japan
(159) Prolegomenon to Geisha as a Cultural Performer: Miyako Odori, The Gion School and Representation of a Traditional" Japan Manko Okada 1. Introduction In this paper, I would like to present an aspect of geisha that has been largely ignored in English literature. ′rhat is the geisha's professional identity as a "performer" of Japanese culture. ¶le common-run image of geisha is exotic, mysterious, and sexual, but is not sufficiently cultural. In the West, the image of geisha has been created through stage performances,丘Ims, and novels. Puccini's famous opera Madame Butterfly, John Huston's五Im The Barbarian and a Geisha (1958) and Jack Cardiff's My Geisha (1962) are the famous examples that have helped to formulate the image of geisha. People recognize geisha as a hostess who serves alcohol at banquets and entertains her guests with witty conversations and heart-warming care. Sometimes, a geisha is recognized as a high-class prostitute who seeks a chance to become a mistress of a wealthy man. I do not mean to say these images are incorrect, but I would like to emphasize that血ey alone cannot caphre the whole picture of a woman who works as a geisha. 2. Dominant Image of Geisha ¶lere is one example that has shown this strong bias. In 2001, an ex-geisha, Mineko Iwasaki sued the novelist Arthur Golden and the publishing company Alfred A. Knopf for defamation, breach of contract and copyright violation.1 Golden is the author of Memoirs of Geisha, which was the 1997 best-selling novel. Golden referred to Iwasaki in the acknowledgments as the most helpful informant for the novel. -
The Alienation and Manipulation of Geisha in Cultural Structures of Japan with Special Reference to Arthur Golden's Memoirs Of
The Criterion: An International Journal in English Vol. 8, Issue-VIII, July 2017 ISSN: 0976-8165 The Alienation and Manipulation of Geisha in Cultural Structures of Japan with Special Reference to Arthur Golden’s Memoirs of a Geisha Smriti Thakur Ph.D Research Scholar Centre for Languages and Comparative Literature Central University of Punjab, Bathinda & Dr. Alpna Saini Associate Professor Centre for Languages and Comparative Literature Central University of Punjab, Bathinda Article History: Submitted-02/06/2017, Revised-18/07/2017, Accepted-19/07/2017, Published-31/07/2017. Abstract: Arthur Golden’s Memoirs of a Geisha is an account of Geisha’s life; a life of struggle, and surrounded by various artistic practices where Geisha have no time for themselves. Their life seems glamorous and exciting to the outside world, however, in reality, it is pathetic and an isolated one. The aim of this paper is to focus on the origin of Geisha tradition, which is considered as a cultural heritage of Japan. Simultaneously, the paper throws light on various issues such as the role of tradition, culture, history, economy, and prostitution which contribute to the marginalisation of Geisha in personal as well as social arenas. The paper also deals with the reasons which blur the distinction between Geisha tradition and prostitution. To facilitate the interpretation of Geisha tradition, cultural construction of gender roles has been taken into account. Keywords: Geisha, Tradition, Prostitution, Economy, Culture. Introduction: Arthur Golden’s Memoirs of a Geisha (1998) is a fictional account of Geisha’s life set in the Gion district of Kyoto between the 1930s and 1950s. -
The Masks of Commedia Del'arte, Noh Theater and Classical Greece
Parkland College A with Honors Projects Honors Program 2012 The aM sks of Commedia Del’Arte, Noh Theater and Classical Greece: The ulturC al Meanings, Influences and Similarities Makena Bennett Parkland College Recommended Citation Bennett, Makena, "The askM s of Commedia Del’Arte, Noh Theater and Classical Greece: The ulturC al Meanings, Influences and Similarities" (2012). A with Honors Projects. 72. http://spark.parkland.edu/ah/72 Open access to this Article is brought to you by Parkland College's institutional repository, SPARK: Scholarship at Parkland. For more information, please contact [email protected]. Makena Bennett December 5th 2012-12 Dr. Amy Stoch Theater 104-001 The Masks of Commedia Del’Arte, Noh Theater and Classical Greece: The Cultural Meanings, Influences and Similarities. Masks have been used for centuries by countless countries, ethnic groups and religions. The oldest mask today is over 9,000 years old and is held in Jerusalem. It is estimated that masks date back as far as 40,000 years ago thanks to literature and biblical references . One of the most places to find masks in history and still today is the stage. Almost every type of theatre has used masks at one point, in Rome for example the word persona meant mask, but it also meant to be a citizen of Rome. Masks play a huge role is cultural norms, and references and often reflects historical significance. Three types of Masks, Commedia Dell`Arte, Noh Theatre and Classical Greek, reflect not only the emotion an actor is trying to convey but also rules and expectations of society (Nunley 21-25). -
Reading Fiction for What It Is: Ideologies Vs Plot Devices in Arthur Goldenʼs Memoirs of a Geisha
Hitotsubashi Journal of Arts and Sciences 58 (2017), pp.55-66. Ⓒ Hitotsubashi University READING FICTION FOR WHAT IT IS: IDEOLOGIES VS PLOT DEVICES IN ARTHUR GOLDENʼS MEMOIRS OF A GEISHA MARIE ORISE When Arthur Goldenʼs novel Memoirs of a Geisha was published in 1997, it became an overnight success. It stayed on the New York Times bestseller list for more than a year (Smith), and had sold four million copies in English and had been translated into 32 languages by June 2001 (Sims). The novel received critical acclaim worldwide, and inspired a successful eponymous Hollywood film released in 2005, whose worldwide box office sales amounted to 161.5 million USD (The Numbers). Goldenʼs tale of Sayuri, who is sold to a geisha house at a young age, but who overcomes all obstacles, becomes a star geisha, and wins an extramarital partnership with the man she has loved since girlhood, has been applauded by readers from different parts of the world. However, the authenticity of the presentations of Japanese culture as well as geisha culture in the novel has been questioned. Scholars and journalists alike have commented that Golden has had three barriers to overcome in writing the novel. Dinitia Smith observes: To write “Memoirs of a Geisha,” the fictional reminiscences of a geisha in Kyoto during the 1930ʼs and 40ʼs, Arthur Golden, a 42-year-old father of two, and an American at that, had to cross three great boundaries, gender, nationality and history. (Smith) Michiko Kakutani, writing for the ʻBooks of the Timesʼ column of The New York Times, describes -
The Omotenashi of an English-Speaking Geisha in Kyoto
Feature The Art of Emotion: Japanese Entertainment and Hospitality THE OMOTENASHI OF AN ENGLISH-SPEAKING GEISHA IN KYOTO Speaking English allows Tomitsuyu to share the culture of Kyoto's "flower towns" with international visitors NFLUENCED by her family of TOMOKO NISHIKAWA kimono craftsmen, the geiko I known as Tomitsuyu grew up The “flower town” district of Gion in Kyoto is wheregeiko and feeling close to Japanese traditional maiko in glamorous kimono enchant people with their talents, cultural elements such as kimono elegance and grace. In this district representative of Kyoto, one geiko and period plays. However, the in particular shines through her use of two languages: kyo-kotoba, a young girl was also interested in vernacular of Japanese only spoken in this area, and English. the world unknown to her. Wanting to learn about different cultures, she left Kyoto where she’d been born and raised and flew to attend a school in New Zealand. In the lilting tones of the Kyoto dialect, Tomitsuyu explains why she chose to return to Japan and become a geiko after experiencing the world outside Japan. “There were many international students from various countries at the school I attended, including Germany, Brazil and China,” she recalls. “They all knew Tomitsuyu believes that being adaptable to the requirements of about their own countries very well, the moment is at the heart of true hospitality but I knew nothing about Japan. 14 highlighting japan “I was born in Kyoto, a city blessed with history and tradition, and knowing nothing about it embarrassed me,” she continues, “which made me interested in jobs related to Japanese traditions.