Percy Reginald Stephensen Ml Mss 1284

Total Page:16

File Type:pdf, Size:1020Kb

Percy Reginald Stephensen Ml Mss 1284 PERCY REGINALD STEPHENSEN ML MSS 1284 Papers, 1905—1965, together with the papers of, among others, Winifred Sarah Stephensen, 1908, 192--1969, John W. (Jack) Lockyer, 1934-1972, William Baylebridge, 1908-1941, -and Frank Clune, 1930s-1963 MS., typescript, carbon typescript, duplicated typescript, photocopies, proofs, printed, newscuttings. Illus 124 boxes, 2 volumes, 1 'X' item; 21.13 m. The papers were initially acquired in 1966 from P.R. Stephensen's widow, Winifred Stephensen, and further papers were presented to the Library by his stepson, John W. Lockyer, between 1970 and 1979. The collection was restricted in the Library until 1977. COPYRIGHT IN P.R. STEPHENSEN AND WINIFRED STEPHENSEN'S UNPUBLISHED WORKS AND LETTERS IS HELD BY THE MITCHELL LIBRARY AND COPYING FOR REFERENCE PURPOSES IS PERMITTED. Percy Reginald Stephensen (1901—1965), writer, publisher, editor and literary agent, was born at Maryborough, Queensland, the eldest son of Christian Julius Stephensen and his wife, Marie Louise Aimee, nee Tardent. He attended Biggenden State School and Maryborough Grammar, and graduated from the University of Queensland (BA, 1922), where he adopted the nickname 'Inky', and edited and renamed the University magazine, Galmahra. In 1924 Stephensen was awarded the Rhodes Scholarship for Queensland. Resident at Queens College, Oxford, he read 'Modern Greats' (Philosophy, Politics and Economics). On campus he joined the Communist Party of Great Britain, became involved in its activities concerning the 1926 General Strike and resigned shortly after. He was a freelance reporter for The Workers Weekly (Syd.) and The Daily Standard (Brisb.). His summers were spent chiefly in Paris where he produced English translations from the French of Lenin's Imperialism (1925) and On the Road to Insurrection (1926). Stephensen also worked and wrote several plays for the Workers' Theatre Movement under the pen—name, 'Peter Stephens'. In 1927 he graduated from Oxford with second—class honours. Percy Reginald Stephensen- papers, 1905-1965 ML MSS 1284 Mitchell Library, State Library of NSW Stephensen then joined another Australian expatriate, Jack Lindsay, to manage The Fanfrolico Press at Bloomsbury, London. He replaced as business manager in late 1927, John T. Kirtley, co-founder of the Press, who with Lindsay transferred the business from Sydney in 1926. Stephensen and Lindsay also co-edited the six issues of the literary magazine, London Aphrodite (1928-1929). In 1954 Stephensen's recollections of the Fanfrolico venture, Kookaburras and Satyrs, were published as the first title from Walter Stone's Talkarra Press. In 1929 he left Fanfrolico to establish, in partnership with Edward Goldston, The Mandrake Press, primarily to publish D.H. Lawrence's Paintings. He was also typographer and production supervisor of the illegal printing of an unexpurgated edition of Lawrence's Lady Chatterly's Lover in London. In 1930 he published Lawrence's A Propos of Lady Chatterly's Lover. Stephensen also published his own collection of stories, The Bushwhackers (1929), and several works by Aleister Crowley, including his autobiographical The Confessions and banned lecture on Gilles de Rais at Oxford in 1930. Stephensen's return to Australia in 1932 heralded a decade of tirelessly promoting Australian authors. On his arrival in Sydney he became manager of The Endeavour Press under the aegis of The Bulletin, with Norman Lindsay a director and principal manuscript reader. He left in September 1933 to establish his own firm, P.R. Stephensen and Co. Limited, which published works by Henry Handel Richardson, Louise Mack, Eleanor Dark and Miles Franklin, and a monthly broadsheet, Stephensen's Circular, publicising the firm's titles. Unable to attract investors, the company went into voluntary liquidation. He then launched Australian Book Services Ltd., but its national literary magazine, The Australian Mercury, survived only one issue, with a second reaching proof stage. As Chairman of the Fellowship of Australian Writers' Cultural Defence Committee in 1935, Stephensen presided over its campaign against the unfair economic competition faced by Australian writers, journalists and artists from the import of literary and artistic works. He published several issues of The Syndicated Weakly, a lampoon of the 'Americanisation' of Australian culture particularly through syndicated journalism. Percy Reginald Stephensen- papers, 1905-1965 ML MSS 1284 Mitchell Library, State Library of NSW In the mid 1930s Stephensen met the businessman, W.J. Miles, who, impressed with Stephensen's Australian Mercury, published his treatise on Australian literary and cultural nationalism, The Foundations of Culture in Australia (1936). The same year Miles formed The Publicist Publishing Company and through its organ, The Publicist, disseminated his own political views of Australian self dependence and self defence encapsulated in the slogan 'Australia First'. Miles was the sole owner and editor but recruited Stephensen as his assistant. Both were regular contributors with Miles adopting the pen-names 'John Benauster', 'Rex Williams', 'Alcedo Gigas' and 'Louis M. Veron'. With the approach of war, The Publicist became stridently anti-British and anti-Semitic. Stephensen and Miles were active supporters of Aboriginal citizenship rights. Stephensen was honorary secretary of the Aboriginal Citizenship Committee, a support group of the Aborigines Progressive Association and editor of the APA journal, Abo Call, published by Miles' company, which featured extracts from Xavier Herbert's Capricornia published by Stephensen in 1938 after it was originally typeset in 1934. Prior to Miles' death in January 1942, ownership of The Publicist transferred to Valentine Crowley, S.B. Hooper, and P.R. Stephensen who became editor of the final three issues, January - March 1942. In October 1941 Stephensen formed a right-wing group in Sydney, The Australia First Movement, which advocated Australian cultural and political independence, drawing much of its membership from subscribers to The Publicist. The AFM came increasingly under surveillance from the authorities. By March 1942 its alleged 'Fifth Column' activities saw its suspension, along with The Publicist which trumpeted its propaganda. Stephensen and fifteen other AFM members were arrested under the National Security Act, and he was interned without trial for the duration of the war, much of his time being spent in Tatura Camp, Victoria. Despite an Inquiry justifying Stephensen's detention, his internment remains a celebrated chapter in the history of the abrogation of civil rights in Australia. After his release Stephensen remained in Victoria until 1956, when he moved to Sydney to establish a literary agency. He devoted much of his time to editorial work and his output was prodigious. This included ghosting books for retired sea captains, W.H.S. Jones and Sir James Bisset, and his long- time friend and supporter, Frank Clune. He wrote and edited scores of books for Clune, many of which became bestsellers. Several works including The Wild Colonial Boys (1948) were completed during his internment. In 1954 Stephensen and Clune's first fully acknowledged co-authored book and magnum opus, The Viking of Van Diemen's Land, was published. Stephensen also negotiated the publication of Elizabeth Kata's Be Ready with Bells and Drums, which was scripted into the 1965 MGM film and Academy Award winner, 'A Patch of Blue'. In 1952 Stephensen's reputedly first signed article in a decade, a book review, was published in Bruce Muirden's journal, Austrovert. His contributions to The Australian Encyclopaedia (1958) and his posthumously published The History and Description of Sydney Harbour (1966) bear Percy Reginald Stephensen- papers, 1905-1965 ML MSS 1284 Mitchell Library, State Library of NSW testimony to his diligence and professionalism. Also an effective speaker, Stephensen undertook a lecture tour of Tasmania for the State's Adult Education Service in 1955, and twice delivered a series of Commonwealth Literary Fund lectures in 1959 and 1962. Two fellow Queenslanders loomed large in Stephensen's literary heritage. He acknowledged the contribution to Australian letters of A.G. Stephens, legendary editor of The Bulletin's 'Red Page', in a lecture, The Life and Work of A.G. Stephens, published in 1940, and also launched a fund to secure a fitting memorial to him. The poet, William Baylebridge (a pseudonym for William Blocksidge), who died in 1942, similarly made a lasting impression. Stephensen lauded Baylebridge's Love Redeemed (1934) in The Australian Mercury; he was an executor of Baylebridge's estate; he conceived the idea of the Memorial Edition of the Collected Works of William Baylebridge and edited the first four volumes (1961-1964). Stephensen married Winifred Sarah Venus, nee Lockyer in 1947, the couple having lived together since the 1920s. His stepson is John W. (Jack) Lockyer. Percy Reginald Stephensen died on 28 May 1965 following a speech given to the Sydney Savage Club. Winifred Stephensen died on 17 August 1971 in Sydney. DETAILED CONTENTS LIST AVAILABLE Percy Reginald Stephensen- papers, 1905-1965 ML MSS 1284 Mitchell Library, State Library of NSW SHORT TITLE CONTENTS BOX/VOL I. PERCY REGINALD STEPHENSEN A. Personal Papers. 1918-1965. i. Correspondence and letters 1-3 received, 1918-1965 ii. Family correspondence, 1913, 1924 4 - 1965 iii. Miscellaneous papers, 1920s-1965 5 iv. Maryborough Boys Grammar School, 6 1915-1918 v. University of Queensland, 1919- 6
Recommended publications
  • Critical Australian Indigenous Histories
    Transgressions critical Australian Indigenous histories Transgressions critical Australian Indigenous histories Ingereth Macfarlane and Mark Hannah (editors) Published by ANU E Press and Aboriginal History Incorporated Aboriginal History Monograph 16 National Library of Australia Cataloguing-in-Publication entry Title: Transgressions [electronic resource] : critical Australian Indigenous histories / editors, Ingereth Macfarlane ; Mark Hannah. Publisher: Acton, A.C.T. : ANU E Press, 2007. ISBN: 9781921313448 (pbk.) 9781921313431 (online) Series: Aboriginal history monograph Notes: Bibliography. Subjects: Indigenous peoples–Australia–History. Aboriginal Australians, Treatment of–History. Colonies in literature. Australia–Colonization–History. Australia–Historiography. Other Authors: Macfarlane, Ingereth. Hannah, Mark. Dewey Number: 994 Aboriginal History is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Treasurer/Public Officer), Ingereth Macfarlane (Secretary/ Managing Editor), Richard Baker, Gordon Briscoe, Ann Curthoys, Brian Egloff, Geoff Gray, Niel Gunson, Christine Hansen, Luise Hercus, David Johnston, Steven Kinnane, Harold Koch, Isabel McBryde, Ann McGrath, Frances Peters- Little, Kaye Price, Deborah Bird Rose, Peter Radoll, Tiffany Shellam Editors Ingereth Macfarlane and Mark Hannah Copy Editors Geoff Hunt and Bernadette Hince Contacting Aboriginal History All correspondence should be addressed to Aboriginal History, Box 2837 GPO Canberra, 2601, Australia. Sales and orders for journals and monographs, and journal subscriptions: T Boekel, email: [email protected], tel or fax: +61 2 6230 7054 www.aboriginalhistory.org ANU E Press All correspondence should be addressed to: ANU E Press, The Australian National University, Canberra ACT 0200, Australia Email: [email protected], http://epress.anu.edu.au Aboriginal History Inc.
    [Show full text]
  • Ned Kelly and the Myth of a Republic of North-Eastern Victoria
    Ned Kelly and the Myth of a Republic of North-Eastern Victoria Stuart E. Dawson Department of History, Monash University Ned Kelly and the Myth of a Republic of North-Eastern Victoria Dr. Stuart E. Dawson Creative Commons Attribution-NonCommercial-NoDerivs Published by Dr. Stuart E. Dawson, Adjunct Research Fellow, Department of History, School of Philosophical, Historical and International Studies, Monash University, Clayton, VIC, 3800. Published June 2018. ISBN registered to Primedia E-launch LLC, Dallas TX, USA. Copyright © Stuart Dawson 2018. The moral right of the author has been asserted. Author contact: [email protected] ISBN: 978-1-64316-500-4 Keywords: Australian History Kelly, Ned, 1855-1880 Kelly Gang Republic of North-Eastern Victoria Bushrangers - Australia This book is an open peer-reviewed publication. Reviewers are acknowledged in the Preface. Inaugural document download host: www.ironicon.com.au Creative Commons Attribution-NonCommercial-NoDerivs This book is a free, open-access publication, and is published under the Creative Commons Attribution- NonCommercial-NoDerivs licence. Users including libraries and schools may make the work available for free distribution, circulation and copying, including re-sharing, without restriction, but the work cannot be changed in any way or resold commercially. All users may share the work by printed copies and/or directly by email, and/or hosting it on a website, server or other system, provided no cost whatsoever is charged. Just print and bind your PDF copy at a local print shop! (Spiral-bound copies with clear covers are available in Australia only by print-on-demand for $199.00 per copy, including registered post.
    [Show full text]
  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
    COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Sound and Fury in Colonial Australia The Search for the Convict Voice, 1800-1840 ! Michael R. Wolter A Thesis for the degree of Doctor of Philosophy Department of History Faculty of Arts and Social Sciences University of Sydney March 2014 Abstract This thesis uses an aural analysis of penal-era Australia to enliven, and unsettle, discussion of convict subjectivity within penal-era historiography. The ‘search for the convict voice’, the quest to discover something of the inner-lives of figures that have transfixed Australians for generations, is expanded as well as complicated by an analysis of the sounds of penal life.
    [Show full text]
  • [T]He Poet Would Define the Amount of the Unknown Awakening in His Time in the Universal Soul
    [T]he poet would define the amount of the unknown awakening in his time in the universal soul.... Poetry.. .will be in advance. Arthur Rimbaud. (Tijverything in the world exists to end in a book. The qualities required in this work - most certainly genius - frighten me as one of those devoid of them: not to stop there, and granted that the volume requires no signatory, what is it? - the hymn of the connexions between all things, harmony, and joy, entrusted with seeing divinely because the bond, limpid at will, has no expression except in the parallelism of leaves of a book before his glance. Stephane Mallarme [rjt's a faith in what used to be called in old Victorian novels 'the Divine Mystery.' I can't find a better word for it, because it is a mystery to me. All I know is that it pours down love.. .[and] I worship that with my uttermost being. Bruce Beaver 2 Introduction For critics of recent contemporary Australian poetry, the term 'New Poetry' sug• gests primarily the work of those poets published in John Tranter's 1979 anthology, The New Australian Poetry.1 According to Tranter these twenty-four poets, only two of whom are women, formed a 'loose group'2 of writers associated with various poetry readings, little magazines and small presses in Sydney and Melbourne during the late sixties and seventies.3 Although there were many little magazines and small presses associated with the period, and earlier anthologies which had gathered together achievements of the New Poets,4 to a significant extent Tranter's anthology has circumscribed for critics the boundaries of the New Poetry group, and those poets published in the anthology have attracted a measure of critical acclaim.
    [Show full text]
  • Australian Journal of Biography and History: No
    Contents Preface iii Malcolm Allbrook ARTICLES Chinese women in colonial New South Wales: From absence to presence 3 Kate Bagnall Heroines and their ‘moments of folly’: Reflections on writing the biography of a woman composer 21 Suzanne Robinson Building, celebrating, participating: A Macdougall mini-dynasty in Australia, with some thoughts on multigenerational biography 39 Pat Buckridge ‘Splendid opportunities’: Women traders in postwar Hong Kong and Australia, 1946–1949 63 Jackie Dickenson John Augustus Hux (1826–1864): A colonial goldfields reporter 79 Peter Crabb ‘I am proud of them all & we all have suffered’: World War I, the Australian War Memorial and a family in war and peace 103 Alexandra McKinnon By their words and their deeds, you shall know them: Writing live biographical subjects—A memoir 117 Nichola Garvey REVIEW ARTICLES Margy Burn, ‘Overwhelmed by the archive? Considering the biographies of Germaine Greer’ 139 Josh Black, ‘(Re)making history: Kevin Rudd’s approach to political autobiography and memoir’ 149 BOOK REVIEWS Kim Sterelny review of Billy Griffiths, Deep Time Dreaming: Uncovering Ancient Australia 163 Anne Pender review of Paul Genoni and Tanya Dalziell, Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955–1964 167 Susan Priestley review of Eleanor Robin, Swanston: Merchant Statesman 173 Alexandra McKinnon review of Heather Sheard and Ruth Lee, Women to the Front: The Extraordinary Australian Women Doctors of the Great War 179 Christine Wallace review of Tom D. C. Roberts, Before Rupert: Keith Murdoch and the Birth of a Dynasty and Paul Strangio, Paul ‘t Hart and James Walter, The Pivot of Power: Australian Prime Ministers and Political Leadership, 1949–2016 185 Sophie Scott-Brown review of Georgina Arnott, The Unknown Judith Wright 191 Wilbert W.
    [Show full text]
  • An Anthology of Australian Poetry to 1920
    An Anthology of Australian Poetry to 1920 Edited by John Kinsella TABLE of CONTENTS Nedlands, W.A. The University of Western Australia Library 2007 Acknowledgements Thanks to the English Department at Kenyon College, the Office of the Provost at Kenyon College, and the Kenyon College Library (Consort, OhioLink, Interlibrary Loan); to the Landscape and Language Centre at Edith Cowan University; to Toby Burrows at the Scholars' Centre, Reid Library, University of Western Australia; to the Battye Library, Western Australia; to the Flinder's Library, Sydney; special thanks to the SETIS website at Sydney University Library; to Nicholas Pounder, Sydney; to Serendipity Books, Perth; to Greg at Imprints Bookshop, Adelaide; to Mainly Books, Perth; and special thanks to Andy Grace, my hardworking, hard-typing research assistant and good friend at Kenyon College. I would also like to acknowledge the indigenous people of Australia as the custodial keepers of the land-mass known as “Australia”, and to indicate my respect for their cultures and traditions. This Anthology is published in electronic form by the University of Western Australia Library. Copyright in the selection and arrangement: John Kinsella. 2 Table of Contents Part One Erasmus Darwin Visit of Hope to Sydney-Cove, near Botany-Bay George Carter True Patriots All Henry Carter Prologue. By a Gentleman of Leicester John Grant Verses Written to Lewin, the Entomologist, 1805 Anonymous (either George Howe or Reverend Samuel Marsden) A Gardening Poem of 1809 Michael Massey Robinson Ode (For His Majesty’s Birth Day.) An Ode Ode (For The Queen’s Birthday, 1816.) Song (To Celebrate the Anniversary of the Establishment of the Colony) Barron Field Botany-Bay Flowers On Reading the Controversy Between Lord Byron and Mr.
    [Show full text]
  • Barjai, Miya Studio and Young Brisbane Artists of the 1940S;
    BARJAI, MIYA STUDIO AND YOUNG BRISBANE ARTISTS OF THE 1940S; TOWARDS A RADICAL PRACTICE by MICHELE ELIZABETH ANDERSON A thesis submitted in fulfilment of the requirements for the degree of Bachelor of Arts with Honours DEPARTMENT OF ART HISTORY UNIVERSITY OF QUEENSLAND JULY 1987 n To the late Laurence Collinson m We can no more allow the warped wills of old men to fashion for us the future. It is ours. Cast off the leaden weights that make the drab decrees. Climb the high heart's wall and cry out Action. Barrie Reid, "These Leaden Weights", Barjai, No. 13, March 1944, p. 3. w TABLE OF CONTENTS LIST OF ILLUSTRATIONS V ACKNOWLEDGMENTS ix INTRODUCTION 1 CHAPTER ONE Barjai and the Barjai Group, 1943-1947: Art and Literature / Youth, War and Politics 10 CHAPTER TWO Young Brisbane Artists at War's End and The Younger Artists' Group of 1945 61 CHAPTER THREE Miya Studio and The Artists' Group of the New Theatre Club: The Studio Base 1945-1950 110 CHAPTER FOUR Miya Studio and The Artists' Group of The New Theatre Club: Exhibitions 1945-1950 157 CONCLUSION 204 APPENDICES 206 ILLUSTRATIONS 214 BIBLIOGRAPHY ' 254 LIST OF ILLUSTRATIONS 1 Ian Gall, Cartoon, The Courier-Mail, 11 May 1942, p. 4 (Photograph courtesy of John Uxley Library). 2 Cover, Barjai, No. 5, 1943 (Photographic access courtesy of John Oxley Library). 3 Cover, Barjai, No. 8, 1943 (Photographic access courtesy of John Oxley Library). 4 Cover, Barjai, No. 12, January 1944 (Photographic access courtesy of John Oxley Library). 5 Cover, Barjai, No. 14, May 1944 (Photographic access courtesy of John Oxley Library).
    [Show full text]
  • Whiteness and Masculinity in the Works of Three Australian Writers - Thomas Keneally, Colin Thiele, and Patrick White
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2010 Black and White on Black: Whiteness and Masculinity in the Works of Three Australian Writers - Thomas Keneally, Colin Thiele, and Patrick White. Matthew sI rael Byrge East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Literature in English, Anglophone outside British Isles and North America Commons Recommended Citation Byrge, Matthew Israel, "Black and White on Black: Whiteness and Masculinity in the Works of Three Australian Writers - Thomas Keneally, Colin Thiele, and Patrick White." (2010). Electronic Theses and Dissertations. Paper 1717. https://dc.etsu.edu/etd/1717 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Black and White on Black: Whiteness and Masculinity in the Works of Three Australian Writers—Thomas Keneally, Colin Thiele, and Patrick White ________________________ A thesis presented to the faculty of the Department of English East Tennessee State University In partial fulfillment of the requirement for the degree Masters of Arts in English ________________________ by Matthew Israel Byrge May 2010 ________________________ Dr. Donald Ray Johnson, Director Dr. Phyllis Ann Thompson Dr. Karen Ruth Kornweibel Dr. Katherine Weiss Keywords: Aborigine(s), Australia, whiteness, masculinity, race studies, post-colonialism ABSTRACT Black and White on Black: Whiteness and Masculinity in the Works of Three Australian Writers— Thomas Keneally, Colin Thiele, and Patrick White by Matthew Israel Byrge White depictions of Aborigines in literature have generally been culturally biased.
    [Show full text]
  • The Rise of the Australian Novel
    Richard Nile The Rise of the Australian Novel (PhD Thesis, School of History University of New South Wales, December 1987) UNIVERSITY OF N.S.W. - 8SEP 1988 LIBRARY TABLE OF CONTENTS PAGE INTRODUCTION 1 CHAPTER 1 PRODUCTION 34 CHAPTER 2 PROFESSIONAL! SAT ION 91 CHAPTER 3 CENSORSHIP 140 CHAPTER 4 REPUTATION 183 CHAPTER 5 MODERNISM 225 CHAPTER 6 WAR 268 CHAPTER 7 INDUSTRIALISM 312 CONCLUSION 357 APPENDICES 362 BIBLIOGRAPHY 378 THIS THESIS IS MY OWN WORK this thesis is dedicated to weirdo Those who read many books are like the eaters of hashish. They live in a dream. The subtle poison that penetrates their brain renders them insensible to the real world and makes them prey of terrible or delightful phantoms. Books are the opium of the Occident. They devour us. A day is coming on which we shall all be keepers of libraries, and that will be the end. (Anatole France 1888) I was wondering about the theory of the composite man. The man who might evolve in a few thousand years if we broke down all the barriers. Or if they broke themselves down, which is more likely. A completely unrestricted mating - black, white, brown, yellow, all the racial characteristics blended, all the resulting generations coming into the world free of the handicaps that are hung round the necks of half-casts now. (Eleanor Dark 1938) ACKNOWLEDGEMENTS To write this history of Australian literature was as difficult as it was enjoyable. Many times I felt very alone, locked into a private world of books and ideas. Yet many people expressed interest in this project and offered their support.
    [Show full text]
  • An Inquiry Into Contemporary Australian Extreme Right
    THE OTHER RADICALISM: AN INQUIRY INTO CONTEMPORARY AUSTRALIAN EXTREME RIGHT IDEOLOGY, POLITICS AND ORGANIZATION 1975-1995 JAMES SALEAM A Thesis submitted in fulfilment of the requirements for the degree of Doctor Of Philosophy Department Of Government And Public Administration University of Sydney Australia December 1999 INTRODUCTION Nothing, except being understood by intelligent people, gives greater pleasure, than being misunderstood by blunderheads. Georges Sorel. _______________________ This Thesis was conceived under singular circumstances. The author was in custody, convicted of offences arising from a 1989 shotgun attack upon the home of Eddie Funde, Representative to Australia of the African National Congress. On October 6 1994, I appeared for Sentence on another charge in the District Court at Parramatta. I had been convicted of participation in an unsuccessful attempt to damage a vehicle belonging to a neo-nazi informer. My Thesis -proposal was tendered as evidence of my prospects for rehabilitation and I was cross-examined about that document. The Judge (whose Sentence was inconsequential) said: … Mr Saleam said in evidence that his doctorate [sic] of philosophy will engage his attention for the foreseeable future; that he has no intention of using these exertions to incite violence.1 I pondered how it was possible to use a Thesis to incite violence. This exercise in courtroom dialectics suggested that my thoughts, a product of my experiences in right-wing politics, were considered acts of subversion. I concluded that the Extreme Right was ‘The Other Radicalism’, understood by State agents as odorous as yesteryear’s Communist Party. My interest in Extreme Right politics derived from a quarter-century involvement therein, at different levels of participation.
    [Show full text]
  • Australia: a Cultural History (Third Edition)
    AUSTRALIA A CULTURAL HISTORY THIRD EDITION JOHN RICKARD AUSTRALIA Australia A CULTURAL HISTORY Third Edition John Rickard Australia: A Cultural History (Third Edition) © Copyright 2017 John Rickard All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/ach-9781921867606.html Series: Australian History Series Editor: Sean Scalmer Design: Les Thomas Cover image: Aboriginal demonstrators protesting at the re-enactment of the First Fleet. The tall ships enter Sydney Harbour with the Harbour Bridge in the background on 26 January 1988 during the Bicentenary celebrations. Published in Sydney Morning Herald 26 January, 1988. Courtesy Fairfax Media Syndication, image FXJ24142. National Library of Australia Cataloguing-in-Publication entry: Creator: Rickard, John, author. Title: Australia : a cultural history / John Rickard. Edition: Third Edition ISBN: 9781921867606 (paperback) Subjects: Australia--History. Australia--Civilization. Australia--Social conditions. ISBN (print): 9781921867606 ISBN (PDF): 9781921867613 First published 1988 Second edition 1996 In memory of John and Juan ABOUT THE AUTHOR John Rickard is the author of two prize-winning books, Class and Politics: New South Wales, Victoria and the Early Commonwealth, 1890-1910 and H.B.
    [Show full text]
  • Catalogue of Manuscripts
    UQFL2 CATALOGUE OF HAYES SINGLE ITEM MANUSCRIPT COLLECTION Catalogue of the Hayes Manuscript Collection Page 2 Subject index Page 200 Name index: Correspondents Page 216 Name index - Appendix Page 246 PREFACE The chief interest of this catalogue for scholars lies, I think, in the literary material - manuscripts and correspondence of A.G. Stephens, Mary Gilmore, Paul Grano, John Howlett Ross, F.W.S. Cumbrae- Stewart and many others - but there is much else of value. Father Hayes’ wide interests included anthropology, geology, Australian history, particularly Queensland local histories, wildlife and conservation. There is evidence of all these. He was above all a good parish priest, as well as a scholar and bibliophile, and as he seldom threw anything away, so far as one can judge, there is much Catholic Church history hidden away in his papers. He kept numerous letters from parishioners, nuns and fellow priests which reflect changing social patterns in Queensland. No attempt has been made to evaluate the importance of manuscripts listed in this catalogue. Much apparently trivial correspondence has been included. The only concession has been to exclude the personal papers and family and parish correspondence of Leo Hayes and Michael Potter, restricting entries in the published catalogue to broad general ones. The arrangement of the catalogue is alphabetical. There are two indexes: a name index, which is predominantly a list of correspondents, though certain names appear because they are editors or illustrators, or otherwise qualify for added entry according to normal cataloguing conventions. The second is a subject index. This includes places, institutions, names of periodicals and personal names where the person is the subject of a letter.
    [Show full text]