Acceptances Obsession of Light Sections: a - Colour, B - Monochrome, C - Love, D - Child
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Vincent Van Gogh the Starry Night
Richard Thomson Vincent van Gogh The Starry Night the museum of modern art, new york The Starry Night without doubt, vincent van gogh’s painting the starry night (fig. 1) is an iconic image of modern culture. One of the beacons of The Museum of Modern Art, every day it draws thousands of visitors who want to gaze at it, be instructed about it, or be photographed in front of it. The picture has a far-flung and flexible identity in our collective musée imaginaire, whether in material form decorating a tie or T-shirt, as a visual quotation in a book cover or caricature, or as a ubiquitously understood allusion to anguish in a sentimental popular song. Starry Night belongs in the front rank of the modern cultural vernacular. This is rather a surprising status to have been achieved by a painting that was executed with neither fanfare nor much explanation in Van Gogh’s own correspondence, that on reflection the artist found did not satisfy him, and that displeased his crucial supporter and primary critic, his brother Theo. Starry Night was painted in June 1889, at a period of great complexity in Vincent’s life. Living at the asylum of Saint-Rémy in the south of France, a Dutchman in Provence, he was cut off from his country, family, and fellow artists. His isolation was enhanced by his state of health, psychologically fragile and erratic. Yet for all these taxing disadvantages, Van Gogh was determined to fulfill himself as an artist, the road that he had taken in 1880. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Heart of Darkness: Why Electricity for Africa Is a Security Issue Geoff Hill Essay 13, the Global Warming Policy Foundation
HEART OF DARKNESS WHY ELECTRICITY FOR AFRICA IS A SECURITY ISSUE Geoff Hill The Global Warming Policy Foundation Essay 13 Heart of Darkness: Why electricity for Africa is a security issue Geoff Hill Essay 13, The Global Warming Policy Foundation © Copyright 2020, The Global Warming Policy Foundation Contents About the author iii Be afraid of the dark 1 Part 1: Problems 3 Part 2: Solutions 11 The light fantastic 14 Conclusion 16 Appendix: Singing the spirits back of beyond 17 Notes 19 About the Global Warming Policy Foundation 20 About the author Geoff Hill is a Zimbabwean writer working across Africa. His media career began at the Manica Post in Mutare in 1980 and he has worked on all six continents. In Sydney, from 1983 to 1989, he was special reports manager for Rupert Murdoch's flagship paper, The Australian, leaving to start his own publishing firm, which he sold in 2000. In that year, Hill became the first non-American to win a John Steinbeck Award for his writing, along with a BBC prize for the best short story from Africa. In the publicity that followed, he was approached to write a definitive account of his home country. The Battle for Zimbabwe became a bestseller in South Africa, and the US edition was launched in Washington by Assistant Secretary of State for Africa, Walter Kansteiner (who served under George W. Bush). The London launch was at the Royal Institute for International Affairs (Chatham House). The sequel, What Happens After Mugabe? enjoyed nine reprints and sold glob- ally with a cover endorsement from author, John le Carré. -
Vincent Van Gogh
VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 1. VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 dickinson 2. dickinson 4. dickinson VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 5. VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 With inscriptions by J.H. de Bois, verso lower right aquarelle de Vincent van Gogh provenant de la collection de son frère, Theo van Gogh, et garantie aussi par nous. La Haye Dec. 1912, Artz de Bois and verso upper right, in pencil Cat 7/711; inscription by Johanna van Gogh Bonger, verso upper left no 5; and inscription in an unidentified hand, verso lower left A19/2224. Reed pen and watercolour on wove paper, with traces of underdrawing in pencil 30.2 x 49 cm. (11 4/5 x 19 ¼ in.) PROVENANCE Theo van Gogh, Paris, 1890-91, and thence to Johanna van Gogh Bonger (1891 – 1912), Paris and Amsterdam. Erich Schall, Berlin, acquired from the above in Dec. 1912 (for 2000 Guilders). Dr Heinrich Stinnes (1867 – 1932), Cologne-Lindenthal. Private Collection, Germany. Anon. sale; Galerie Wolfgang Ketterer, Munich, 29 Nov. 1976, lot 1034 (as dated September 1888). Dr Peter Nathan (1925 – 2001), Zurich, acquired at the above sale. Hazlitt, Gooden & Fox, London. Private Collection, acquired from the above. LITERATURE List written by Johanna van Gogh Bonger with 52 drawings sent to Ambroise Vollard, including 12 watercolours from the French period, 1896, no. -
Van Gogh Museum Journal 1995
Van Gogh Museum Journal 1995 bron Van Gogh Museum Journal 1995. Waanders, Zwolle 1995 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199501_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 6 Director's Foreword The Van Gogh Museum shortly after its opening in 1973 For those of us who experienced the foundation of the Van Gogh Museum at first hand, it may come as a shock to discover that over 20 years have passed since Her Majesty Queen Juliana officially opened the Museum on 2 June 1973. For a younger generation, it is perhaps surprising to discover that the institution is in fact so young. Indeed, it is remarkable that in such a short period of time the Museum has been able to create its own specific niche in both the Dutch and international art worlds. This first issue of the Van Gogh Museum Journal marks the passage of the Rijksmuseum (National Museum) Vincent van Gogh to its new status as Stichting Van Gogh Museum (Foundation Van Gogh Museum). The publication is designed to both report on the Museum's activities and, more particularly, to be a motor and repository for the scholarship on the work of Van Gogh and aspects of the permanent collection in broader context. Besides articles on individual works or groups of objects from both the Van Gogh Museum's collection and the collection of the Museum Mesdag, the Journal will publish the acquisitions of the previous year. Scholars not only from the Museum but from all over the world are and will be invited to submit their contributions. -
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Vincentiana Vol. 28, No. 2 [Full Issue]
Vincentiana Volume 28 Number 2 Vol. 28, No. 2 Article 1 1984 Vincentiana Vol. 28, No. 2 [Full Issue] Follow this and additional works at: https://via.library.depaul.edu/vincentiana Part of the Catholic Studies Commons, Comparative Methodologies and Theories Commons, History of Christianity Commons, Liturgy and Worship Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation (1984) "Vincentiana Vol. 28, No. 2 [Full Issue]," Vincentiana: Vol. 28 : No. 2 , Article 1. Available at: https://via.library.depaul.edu/vincentiana/vol28/iss2/1 This Article is brought to you for free and open access by the Vincentian Journals and Publications at Via Sapientiae. It has been accepted for inclusion in Vincentiana by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Via Sapientiae: The nI stitutional Repository at DePaul University Vincentiana (English) Vincentiana 4-30-1984 Volume 28, no. 2 March-April 1984 Congregation of the Mission Recommended Citation Congregation of the Mission. Vincentiana, 28, no. 2 (March-April 1984) This Journal Issue is brought to you for free and open access by the Vincentiana at Via Sapientiae. It has been accepted for inclusion in Vincentiana (English) by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. CONGREGATIO MISSIONIS VINCENTIANA D 1984 VSLPER. 255.77005 V775 SUMMARIUM AC TA SANCTAE SEDIS Nominationes . 89 Sac. Cong. p. Evang. Gent.: litterae ad Sup. Gen. 90 CURIA GENERALITIA Litterae Sup. Gen. x to the Visitors >) . 91 Litterae Sup. Gen. e to the Visitors >) . 92 Regimen C.M.: Nominationes et Confirmationes . -
KLAS ART Auction Malaysian and Asian Modern & Contemporary Art Contemporary & Modern Asian and Malaysian Auction ART KLAS Kuala Lumpur, September 21, 2013
KUALA LUMPUR, Saturday september 21, 2013 KLAS ART auction Malaysian and asian modern & contemporary art Kuala Lumpur, September 21, 2013 Lumpur, Kuala Presented by KLAS Art Auction Malaysian and asian KL Lifestyle Art Space modern & contemporary art Modern & Contemporary Art Gallery 150, Jalan Maarof, Bukit Bandaraya, 59100 Kuala Lumpur Tel: +603 2093 2668 | +603 2094 2668 | Fax: +603 2093 6688 | Website: www.kl-lifestyle.com/artspace Sales and Enquiries: +6019 333 7668 KLAS Art Auction 2013 Malaysian and asian modern & contemporary art Auction Day Saturday, September 21, 2013 4.00 pm Registration & Brunch Starts 2.30 pm Artworks Inspection from 2.30 pm onwards Clarke Ballroom Le Meridien Kuala Lumpur 2 Jalan Stesen Sentral Kuala Lumpur Sentral 50470 Kuala Lumpur Malaysia Presented by: Lot 107 Latiff Mohidin Mindscape Series, Undated 2 inside page.indd 2 8/21/13 2:11 AM Lot 97 Ibrahim Hussein, Datuk Untitled, 1981 Singapore Preview Date: August 30 - September 1, 2013 Venue: Chan Hampe Galleries 328 North Bridge Road #01-20/21 Raffles Hotel Arcade Singapore 188719 Penang Preview Date: September 6 - 8, 2013 Venue: Island Gallery No 6, Phuah Hin Leong Road Georgetown 10050 Penang Kuala Lumpur Full Preview Date: September 10 - 20, 2013 Venue: KL Lifestyle Art Space 150, Jalan Maarof Bukit Bandaraya 59100 Kuala Lumpur Auction Day Date: September 21, 2013 Venue: Clarke Ballroom Le Meridien Kuala Lumpur 2 Jalan Stesen Sentral Kuala Lumpur Sentral 50470 Kuala Lumpur Malaysia Time: 4.00 pm till 8.00 pm Contact Information Auction enquiries and -
Barrens Memoir by John Timon, CM
Vincentian Heritage Journal Volume 22 Issue 1 Article 4 Spring 2001 Barrens Memoir by John Timon, C.M. (1861) John Timon C.M. John E. Rybolt C.M., Ph.D. Follow this and additional works at: https://via.library.depaul.edu/vhj Recommended Citation Timon, John C.M. and Rybolt, John E. C.M., Ph.D. (2001) "Barrens Memoir by John Timon, C.M. (1861)," Vincentian Heritage Journal: Vol. 22 : Iss. 1 , Article 4. Available at: https://via.library.depaul.edu/vhj/vol22/iss1/4 This Articles is brought to you for free and open access by the Vincentian Journals and Publications at Via Sapientiae. It has been accepted for inclusion in Vincentian Heritage Journal by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. 45 Barrens Memoir By JOHN TIMON, C.M. (1861) EDITED AND ANNOTATED By JOHN E. RYBOLT, CM. Introduction John Timon's memoir of the early history of the Congregation of the Mission in the United States, with particular focus on his part in that history, has never previously been published. It has occasionally been cited, and even formed the major source of Charles G. Deuther's Life and Times ofthe Rt. Rev. John Timon, D.D., First Roman Catholic Bishop of the Diocese of Buffalo. l Deuther's work, however, is inaccurate and incomplete, and it is unknown how Deuther came to have access to the manuscript.2 Timon received a request to write his memoir in 1859, as the fol lowing letter to Stephen V. Ryan records:3 Buffalo, Dec. -
Annual Report 1996
• MM 1996 ANNUAL REPORT NATIONAL GALLERY OF ART 1996 Annual Report Copyright © 1997, Board of Trustees, Cover: Hans Hofmann, Autumn Gold (detail), 1957, Details illustrated at section openings: National Gallery of Art, Washington. Robert and Jane Meyerhoff Collection, 1996.81.4 p. 5: James Peale, Fruit Still Life with Chinese Export All rights reserved. Basket, 1824, oil on wood, Gift of Mr. and Mrs. Frontispiece: Jan van Huysum, Still Life with Flowers Thomas M. Evans, in Honor of the 50th Anniver- This publication was produced by the and Fruit (detail), c. 1715, Patrons' Permanent Fund sary of the National Gallery of Art, 1990.7.1 and Gift of Philip and Lizanne Cunningham, Editors Office, National Gallery of Art, p. 7: Odilon Redon, Large Vase with Flowers, 1996.80.1 c. 1912, oil on canvas, Gift (Partial and Promised) Editor-in-chief, Frances P. Smyth of John C. Whitehead, in Honor of the 50th Editor, Tarn Curry Bryfogle Photographic Credits: Anniversary of the National Gallery of Art, Editorial Assistant, Mariah Seagle Works of art in the National Gallery of Art's collec- 1990.64.1 tions have been photographed by the department Production Manager, Chris Vogel p. 9: William Michael Harnett, My Gems, 1888, oil of imaging and visual services. Other photographs on wood, Gift of the Avalon Foundation, 1957.5.1 are by: Anthony Grohowski (p. 32), James Locke Designed by Susan Lehmann, (pp. 31-33), Robert Shelley (pp.36, 38), and Rex p. 13: Georges Braque, Still Life: Le Jour, 1929, oil Washington, DC Stucky (p. 60), on canvas, Chester Dale Collection, 1963.10.91 p. -
A Fixated People
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-13-2016 A Fixated People Jessie Strauss University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Poetry Commons Recommended Citation Strauss, Jessie, "A Fixated People" (2016). University of New Orleans Theses and Dissertations. 2186. https://scholarworks.uno.edu/td/2186 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. A Fixated People A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Poetry by Jessie Strauss B.A. Kalamazoo College, 2010 May, 2016 Copyright 2016, Jessie Strauss ii ACKNOWLEDGMENTS Thank you to Carolyn Hembree, my living mentor, for always being excited about poetry, and for teaching me when to run wild and when to come back to reality and let readers in. -
Van Gogh Museum Journal 1999
Van Gogh Museum Journal 1999 bron Van Gogh Museum Journal 1999. Waanders, Zwolle 1999 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199901_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword On 23 June 1999 the new exhibition wing and renovated existing building of the Van Gogh Museum were opened in the presence of Her Majesty Queen Beatrix. This was a momentous occasion, marking the beginning of a new phase in our history. From its origins as a showcase for the collections that had been cared for by the artist's family, the Van Gogh Museum has developed into one of the most popular museums in Europe. Over the years, the museum's ambitions have expanded in numerous ways: the collection has been broadened to encompass a wide range of paintings, sculptures, drawings and prints from the period c. 1840-1920, forming a crucial link between the collections of our neighbours the Rijksmuseum and the Stedelijk Museum; changing exhibitions have become an essential complement to the permanent displays; new activities have been added and more emphasis is now placed on education and making the collection accessible to a broad public. Throughout the 1980s and 1990s these ambitions placed increasing pressures on the original building designed by Gerrit Rietveld and his partners, and the need for extra space was urgent. This need was met by an extraordinarily generous donation from the private sector. The Yasuda Fire and Marine Insurance Company Ltd. provided, via The Japan Foundation, the funds which enabled the museum to create a new building to house its temporary exhibitions. -
The Victorian Naturalist
I THIE Victorian Naturalist: THE JOURNAL & MAGAZINE OP THE f^tl |lalutialt$t$' ^m of fnmh. MAY, 1913, TO APRIL, 1914. ir^On. JEOitOr : MR. F. Q. A. BARNARD. The Author of each Article is responsible for the facts and opinions recorded. /IR e I b II r n e : WALKER, MAY & CO., PRINTERS, MAOKTLLOP STREET (off 390 LITTLE COLLINS STREET). 1914. \SAl&3^^^ ^^ THE VICTORIAN NATURALIST, •VOX-., 2^2212^. MAY, 1913, to APRIL, 1914. CONTENTS. Field Naturalists' Club of Victoria: — pagk Annual Eeport - - - - - -4o Exhibition of Wild-Flowers - - - 116,134 Proceedings 1, 25, 45, 61, SI, 97, 113, 129, 145, 169, 193, 217 Reports of Excursions - 1, 25, 26, 29, 35, 45, 61, 81, 98, 113, 114, 118, 119, 129, 130, 135, 145, 169, 195, 220, 221 ORIGINAL PAPERS. Baker, R. T., F.L.S.— On a New Variety of Eucalyptus ylohulus —E. globulus, var. St. Johni (with plate) - 127 Bastow, R. a. —Notes on the Lichen-Flora of Victoria (with plate) - - - - - -175 Chapman, F. , A.L.S. —Victorian Fossiliferous Limestones and their Correlatives in Other Lands - - 139 Chapman, F., A.L.S. —On the Occurrence of the Cainozoic Shark, Carcharoides, in Victoria (with figure) - 142 D'Altox, St. Eloy, C.E.—The Botany of the "Little Desert," Wimmera, Victoria (with map) - -60 Doyle, Gerald V. —A Note on Parturition in Perameles - 214 Gabriel, J.—The Incubation of the Mutton-bird Egg - 226 Gatliff, J. H., and Gabriel, C. J. —List of Recent Victorian Brachiopoda (with plate) - - - 210 GoUDiE, J. C. —Notes on the Coleoptera of North- Western Victoria, part v.- - - - -189 Hardy, A.