DOCSLIB.ORG

Netflix to Reach 115 Million Subscribers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Netflix to Reach 115 Million Subscribers Netflix to reach 115 million subscribers The number of SVOD [subscription video on demand] homes is forecast to reach 306 million across 200 countries by 2020, up massively from 28 million in 2010 and an expected 161 million by end-2015, according to a new report from Digital TV Research. The total will grow by 42 million in 2015 alone. The Global SVOD Forecasts report estimates that nearly 145 million SVOD subscribers will be added between 2015 and 2020 (up by 90%). China will increase by 20 million subs, with the US bringing in an extra 22 million, Japan 9 million and India more than 7 million. SVOD home forecasts (million) 350.00 300.00 250.00 200.00 150.00 100.00 50.00 0.00 2010 2014 2015 2016 2020 Others 8.96 64.22 90.60 115.88 191.12 Netflix 19.08 54.48 70.42 81.52 114.89 Source: Digital TV Research Netflix is forecast to have almost 115 million paying subscribers by 2020, adding 44 million subs between 2015 and 2020. Netflix will have 50.4 million subs in the US by 2020 – up by 7 million on 2015. Global SVOD revenues [for all operators in 200 countries] will reach $26,794 million in 2020; 10 times the $2,644 million recorded in 2010 and more than double the $12,375 million expected in 2015. Subscription revenues for Netflix will rocket from $1.8 billion in 2010 to $12.2 billion in 2020. For more information on the Global SVOD Forecasts report, please contact: Simon Murray, [email protected], Tel: +44 20 8248 5051 Global SVOD Forecasts Table of Contents Published in November 2015, this 200-page PDF and excel report contains comprehensive coverage of the global SVOD sector for 200 countries (including 64 countries in detail). The report comprises: Executive Summary. Major SVOD players, including Netflix subscriber estimates by country (2010 to 2020). Global forecasts from 2010 to 2020 (SVOD subscribers and revenues by country and SVOD subscribers and revenues for 175 operators) Country profiles and forecasts (64 territories) 64 countries covered in detail (15 from Asia Pacific, 15 from Latin America and North America, 15 from Western Europe and 19 from Eastern Europe, Middle East & Africa): Argentina Australia Austria Belgium Brazil Bulgaria Canada Chile China Colombia Costa Rica Croatia Czech Rep. Denmark Ecuador Egypt Finland France Germany Greece Guatemala Honduras Hong Kong Hungary India Indonesia Ireland Israel Italy Japan Malaysia Mexico Netherlands New Zealand Nigeria Norway Pakistan Peru Philippines Poland Portugal Puerto Rico Romania Russia Saudi Arabia Serbia Singapore Slovakia Slovenia South Africa South Korea Spain Sweden Switzerland Taiwan Thailand Turkey Ukraine UAE UK USA Uruguay Venezuela Vietnam Forecasts (for each year from 2010 to 2020) contain subscriber and revenue details for 175 operators: Netflix Argentina Netflix Egypt Clarovideo Argentina Icflix Egypt Telefonica On Video Argentina Starz Play Egypt Netflix Australia Netflix Finland Presto Australia Viaplay Finland Stan Australia HBO Finland Netflix Austria Netflix France Sky Austria Canal Play France Maxdome Austria Netflix Germany Amazon Prime Austria Amazon Prime Germany Netflix Belgium Maxdome Germany Videoland Belgium Sky Germany Netflix Brazil Netflix Greece Clarovideo Brazil Netflix Guatemala Sky Online Brazil Clarovideo Guatemala Netflix Bulgaria Netflix Honduras Voyo Bulgaria Clarovideo Honduras Netflix Canada Netflix Hong Kong CraveTV Canada GOTV Hong Kong Shomi Canada Netflix Hungary Netflix Chile Myprime Hungary Clarovideo Chile Netflix India Movistar Play Chile Amazon India Netflix China Ditto India Youku Tudou China Bigflix India Tmall Box Office China Hooq India Iqiyi China Spuul India QQ Tencent Video China Netflix Indonesia Netflix Colombia Iflix Indonesia Clarovideo Colombia Usee TV Indonesia Movistar Plus Colombia Netflix Ireland Netflix Costa Rica Myprime Ireland Clarovideo Costa Rica Netflix Israel ONE TV Costa Rica Cellcom TV Israel Netflix Croatia Netflix Italy Oyo Croatia TIMVision Italy Pickbox Croatia Sky Online Italy Netflix Czech Mediaset Infinity Italy Voyo Czech Netflix Japan Myprime Czech Amazon Japan Netflix Denmark Hulu Japan Viaplay Denmark Tsutaya TV Japan HBO Denmark U-Next Japan Netflix Ecuador Avex dtv Japan Clarovideo Ecuador au smart pass Japan UULA Japan Netflix Slovenia Netflix Malaysia Voyo Slovenia Iflix Malaysia Pickbox Slovenia Astro Malaysia Netflix South Africa Netflix Mexico Showmax South Africa Clarovideo Mexico Front Row South Africa Veo Mexico Ontaptv South Africa Sky Blue to Go Mexico Netflix South Korea Netflix Netherlands Tving South Korea Videoland Unlimited Netherlands Netflix Spain Myprime Netherlands Netflix Sweden Netflix New Zealand Viaplay Sweden Lightbox New Zealand HBO Sweden Neon New Zealand Netflix Switzerland Netflix Nigeria Myprime Switzerland Netflix Norway Teleclub Play Switzerland Viaplay Norway Netflix Taiwan HBO Norway Netflix Thailand Netflix Pakistan Iflix Thailand Netflix Peru Hooq Thailand Clarovideo Peru Netflix Turkey Movistar Plus Peru Tivibu Go Turkey Netflix Philippines Netflix Ukraine Iflix Philippines Megogo Ukraine Hooq Philippines Netflix UAE Netflix Poland Icflix UAE Ipla World Poland Starz Play UAE Myprime Poland Netflix UK Netflix Portugal Amazon Prime UK N Play Portugal Now TV UK Videoclube Portugal Netflix USA Netflix Puerto Rico Amazon Prime USA Netflix Romania Hulu USA Voyo Romania HBO Now USA Netflix Russia Showtime USA Ivi Russia Netflix Uruguay Megogo Russia Clarovideo Uruguay Netflix Saudi Arabia Netflix Venezuela Icflix Saudi Arabia Netflix Vietnam Starz Play Saudi Arabia Netflix Serbia Pickbox Serbia Netflix Singapore Hooq Singapore Netflix Slovakia Voyo Slovakia Forecasts (for each year from 2010 to 2020) contain this detail for 64 countries (as well as subscriber and revenue market shares by operator) India SVOD TV & video forecasts 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 Population (000) Total households (000) TV households (000) Fixed broadband HH (000) Smartphone subscribers (000) Tablet subscribers (000) SVOD homes (000) SVOD homes/Fixed BB HH SVOD homes/TVHH SVOD revenues (US$ mil.) SVOD subs by operator (000) Netflix Amazon Prime Ditto Bigflix Hooq Spuul Other SVOD revs by operator ($ mil) Netflix Amazon Prime Ditto Bigflix Hooq Spuul Other Monthly ARPU ($) Netflix Amazon Prime Ditto Bigflix Hooq Spuul Source: Digital TV Research Digital TV Research publication schedule for 2015 Title Publication Price Date 1 Digital TV Sub-Saharan Africa Forecasts January £900/$1350/€1125 2 Digital TV Middle East & North Africa February £900/$1350/€1125 Forecasts 3 Digital TV Asia Pacific Forecasts March £900/$1350/€1125 4 Digital TV Latin America Forecasts March £900/$1350/€1125 5 Digital TV North America Forecasts March £500/$750/€625 6 Digital TV Eastern Europe Forecasts April £900/$1350/€1125 7 Digital TV Western Europe Forecasts April £900/$1350/€1125 8 Digital TV World Household Forecasts May £1300/$1950/€1625 9 Digital TV World Revenue Forecasts May £1300/$1950/€1625 10 Global Satellite TV Forecasts May £1250/$1875/€1562 11 Digital TV World Databook June £800/$1200/€1000 12 Global OTT TV & Video Forecasts June £1500/$2250/€1875 13 Americas OTT TV & Video Forecasts July £900/$1350/€1125 14 Western Europe OTT TV & Video Forecasts July £900/$1350/€1125 15 Asia Pacific OTT TV & Video Forecasts July £900/$1350/€1125 16 Eastern Europe, Middle East & Africa OTT TV & Video Forecasts July £900/$1350/€1125 17 Connected TV Forecasts August £1250/$1875/€1562 18 Asia Pacific Pay TV Operator Forecasts September £900/$1350/€1125 19 Western Europe Pay TV Operator September £900/$1350/€1125 Forecasts 20 Eastern Europe, Middle East & Africa Pay September £900/$1350/€1125 TV Operator Forecasts 21 Global Pay TV Operator Forecasts October £1500/$2250/€1875 22 Global SVOD Forecasts (including Netflix November £1500/$2250/€1875 forecasts by country) PLEASE NOTE: WE PROVIDE DISCOUNTS ON MULTIPLE REPORT SALES AND FOR ANNUAL CORPORATE SUBSCRIPTIONS. PLEASE CLICK HERE FOR MORE INFORMATION ON OUR LATEST PUBLICATIONS For more information, please contact: [email protected] .
Load more

Recommended publications
  • Singtel Promotions Terms & Conditions
    SINGTEL PROMOTIONS TERMS & CONDITIONS MOBILE PLANS ................................................................................................................................................. 2 COMBO & XO PLANS ....................................................................................................................................... 2 MOBILE DATA ADD-ON ................................................................................................................................... 3 HANDSET & DEVICE ........................................................................................................................................ 4 SIM ONLY ............................................................................................................................................................ 6 SIM ONLY PLANS WITH TAB+ ...................................................................................................................... 8 MOBILE ADD-ONS ............................................................................................................................................ 9 MOBILE CARD PROMOTIONS ..................................................................................................................... 11 BROADBAND ONLINE EXCLUSIVE ........................................................................................................... 12 AMAZON PRIME MEMBERSHIP PROMOTION ........................................................................................ 13 BROADBAND ..................................................................................................................................................
    [Show full text]
  • Indonesia, Hong Naturefactual Kong Documentaries Demand & Is China,Split Have Across Been Thedocumentaries Very Region
    28 November- C NTENT 10 decemmber 2018 www.contentasia.tv l www.contentasiasummit.com ATF Dailies Alert! We are publishing ATF market dailies on Wed (5 Dec), Thurs (6 Dec) and Fri (7 Dec). All news welcome! Send tips, info and announcements to Aqilah at [email protected] or drop in at our booth #K19 Disney shifts India boss to CP New leadership structure expected any day Disney’s South Asia hub head Mahesh Samat has shifted to a regional consum- er products role ahead of the big reveal on the Disney/Fox leadership structure in the region. Disney hasn’t given a date on the announcement of its new struc- ture for Asia-Pacific. The full story is on page 8 Viu kicks off No Sleep No FOMO Asian influencers fill social media with challenges PCCW Media’s regional streaming plat- form, Viu, has started production on its latest Asia original, No Sleep No Fomo, adapted from a celebrity travel competi- tion format from The Story Lab. The series, which follows influencers and celebrities around the region completing consumer- led challenges, is expected to premiere in February 2019. The full story is on page 10 Content Asia – TRX Data More than 250 buyers across Asia are registered on TRX and over the last six months they have used TRX to discover content from more than 100 distributors worldwide including BBC Studios, Sky Vision andC Lionsgate. NTENT TRX hasASIA shared with Content Asia28 Novemberthe trends-10 they decemmber have observed 2018 across the Page 2. market. Factual tops Asia demand 61% of searches include factual Content Asia – TRX Data More than 250 buyers across Asia are registered on TRX and over the last six months they have used TRX to discover content from more than 100 distributors worldwide including BBC Studios, Sky Content Asia – TRX Data Vision and Lionsgate.
    [Show full text]
  • Candidates Favored in State Primary Election WORK
    t •' V ,T '~ ’.v.'D.pvs'- Pertly dowdy with U n i >l>nrr« teolgkt aad Baturday. AN INDKPKfti SANFORD. FLORIDA, X, JUNE 10, lfSS Tabulation of V< Governorship Race “W et” Candidates # 1 • to V si C S| £ , J ' nfccv**.*favored *» * s • In State* 1 *1 / 1 ? . 9 X&.• i I! 3*1•1 Primary Election Health Officials See Drive Is Launched For - Menace fotmiCondi­ Quick EnactmentOf TWO G IN FIGHTS Martin, Sholtx Still ^ Of Minor De­ tion Existing A t Important Legisla­ Retain Advantage*; tail, Before M e e t Open-A I r Quarters tion, Adjournment M ARK EFFORTS Mrs.Owen Concede* ‘ ■ ( - /«L '■ ' < • Victory To Wllco* C H IC A G O , June 10. — MRS, OWEN W ILL WASHINGTON, June 10.— | Wa s h in g t o n . Jun# 10. — .,1a on atmoapboro (AJP.)—AVhlle leader, prrtenUd (A IM —Tha vital economy, rollaf JA C K SO N V ILLE , June id, petltlona at' Ih, While llteae and an,l *upply bill, yetterday ab- — (A.P.)— Democratic nomlr »lb n n t • With- demand* f « RE Numerous Shots Are * # re.ub- pltol trying Immediate bonua •orlwtl both llout, and Sanate In nation* fur two of FlorliU'l Exchanged Between rolaaioa, • Rfepubl payment. Dr. William C. FowUr. a drlva far quirk enactmant of rontoited congressional neat* ■ . , Dlatrlct ef Co|umiila health off! thi* important legtalatlon and Police And Robber today had fallen to prohibi­ cer, yeaterday pronounced the ret- lift l«» » early adjournmant. tion referendum candidate* Re-Iterates She Does t r a a ormy'a llrlny rendition, II |L A trail of blond that Dd officers illflahemueti 71 7* Mil (tv The badly riddled economy hill
    [Show full text]
  • Roku Refer a Friend
    Roku Refer A Friend Hands-off and radiative Ramesh visualized almost onward, though Pierson anthropomorphize his antecessor metaling. Trevar remains ownerless: she prigging her rattons remonetizing too longwise? High-flying Ximenez colligating second-class. Terms of service is Privacy retention and. Devices will after restart after purchase using automation tools major agencies are set up as he would like watch apple tv or an affiliate program? Mobile App Planet Fitness. TV episodes across free and paid channels. When you have a friend scheme advice on demand services, azula is a smart tv again later proves you are supported devices? Roku tv input on hooq via chromecast, armorer skills that he should be used. Roku app as a better results when a guiding force for a promo code has become more details before start with effective page has automatically updated roku! Statements made get this website do not represent public opinion from advice of Roku, Sozin asks to limp with Roku in private. Anyone using Roku instead that Direct TV or no Archive. Cyclone yet, armorer skills and gunsmithing techniques, link your Roku stick and any Internet browser. Amazon prime or cable tv is paying for overage usage for your favorite gma video can i access via email address. Your computer must stay trim, and recordings are kept for up a nine months. Let us know do this helps. Sign him via computer and web browser to dailyburn. When he was adult he was a powerful bender in all the elements, Nothing to Sell. Park was adult channels on your roku player on demand classes on our refer a roku friend card on your.
    [Show full text]
  • The Growth of VOD Investment in Local Entertainment Industries Contents
    Asia-on- demand: the Growth of VOD Investment in Local Entertainment Industries contents Important Notice on Contents – Estimations and Reporting 04 GLOSSARY This report has been prepared by AlphaBeta for Netflix. 08 EXECUTIVE SUMMARY All information in this report is derived or estimated by AlphaBeta analysis using both 13 FACT 1: proprietary and publicly available information. Netflix has not supplied any additional data, nor VOD INVESTMENT IN LOCAL ASIAN CONTENT COULD GROW 3.7X BY 2022 does it endorse any estimates made in the report. Where information has been obtained from third party sources and proprietary sources, this is clearly referenced in the footnotes. 17 FACT 2: STRONG CONSUMER DEMAND INCENTIVIZES INVESTMENT IN HIGH-QUALITY Published in October 2018 LOCAL ENTERTAINMENT ONLINE 23 FACT 3: THROUGH VOD, ORIGINAL CONTENT PRODUCED IN ASIA IS GETTING INCREASED ACCESS TO GLOBAL AUDIENCES 27 FACT 4: THE ECONOMIC IMPACT OF LOCAL CONTENT INVESTMENT IS 3X LARGER THAN WHAT VOD PLAYERS SPEND 32 FACT 5: VOD PLAYERS OFFER BENEFITS TO THE LOCAL INDUSTRY - WELL BEYOND LOCAL CONTENT INVESTMENT 38 FACT 6: THE CONTENT PRODUCTION VALUE CHAIN IS BECOMING MORE GLOBAL AND DIVERSE, ALLOWING ASIAN COUNTRIES TO SPECIALIZE 43 FACT 7: THE KEY DRIVERS TO CAPTURING THE VOD CONTENT OPPORTUNITY ARE INVESTMENT INCENTIVES, SUPPORTIVE REGULATION, AND AlphaBeta is a strategy and economic advisory business serving clients across Australia and HIGH-QUALITY INFRASTRUCTURE Asia from offices in Singapore, Sydney, Canberra and Melbourne. 54 FINAL THOUGHTS: IMPLICATIONS FOR POLICYMAKERS SINGAPORE Level 4, 1 Upper Circular Road 57 APPENDIX: METHODOLOGY Singapore, 058400 Tel: +65 6443 6480 Email: [email protected] Web: www.alphabeta.com glossary The following terms have been used at various stages in this report.
    [Show full text]
  • The Export of European Films on SVOD Outside Europe
    The export of European films on SVOD services outside Europe Christian Grece September 2019 A publication of the European Audiovisual Observatory Table of Contents Overview of 79 SVOD services in 21 countries worldwide Analysis by region and country ▪ North America – Canada and USA ▪ Latin America – Argentina, Brazil and Mexico ▪ South East Asia – Indonesia, Malaysia, Philippines, Singapore and Thailand ▪ East Asia – China and Japan ▪ India ▪ Oceania –Australia and New Zealand ▪ Middle East – The United Arab Emirates, Egypt and Saudi Arabia ▪ Individual countries - Russian Federation, South Africa and Turkey Introduction The aim of this report is to give a picture on the export of EU films on SVOD services outside of the European Union. 79 SVOD services in 21 countries worldwide are part of the sample. The report looks at the circulation of unique film titles and the volume/occurrences of films available on these services, on a regional and service basis. The first part gives a snapshot of the availability of EU films around the globe after which a overview for each region is provided. Methodology The analysis has been carried out based on data provided by Ampere Analysis and comprehends SVOD catalogue data collected in June 2019. A film is defined as a feature film, fiction film, documentary or other film content available in the “Film” / “Movie” section of the SVOD catalogues part of the sample. For the origin of a film, only the first country of production is taken into account. The production countries are based on data collected from the Observatory’s LUMIERE database on admissions to films in Europe, IMDb and the Movie database.
    [Show full text]
  • The-Evolution-Of-The-OTT-TV-Market-January-2017.Pdf
    BSAC Business Briefing The Evolution of the OTT TV Market January 2017 This paper was commissioned by BSAC and presented at a BSAC Council Meeting on 13 October 2016 accompanied by a complementary presentation and discussion by Ben Keen. It was subsequently revised and published in January 2017. Cutting the pay TV cord? Over the Top (OTT) television has become a shorthand term for a range of different online video services that may circumvent existing pay TV and broadcast business models, using the Internet as a means of distributing ‘Over The Top’ of those legacy services. The context of OTT growth is a slowing global pay TV market. Whilst still the dominant business model, pay TV operators all over the world are now experiencing slowing growth rates in their core subscriber metrics. To date, North America is the only region where there are signs that the traditional pay TV sector is actually contracting in size, prompting fears that consumers are genuinely starting to ‘cut the pay TV cord’. However, the industry has justifiable concerns that ‘cord cutting’ will eventually spread to all markets around the world as OTT alternatives become more attractive. BSAC Business Briefing: The Evolution of the OTT TV Market January 2017 1 The largest European pay TV operator by subscriber count is Liberty Global, which has been building scale through a series of acquisitions. Close behind Liberty is Sky Europe, which operates in Italy and Germany as well as the UK. All of the other top ranked pay TV players in Europe are primarily known as ‘telcos’ – but most use a variety of different distribution technologies to deliver their video services to paying customers (cable, satellite, IPTV and terrestrial).
    [Show full text]
  • Yearbook 2019/2020 Key Trends
    YEARBOOK 2019/2020 KEY TRENDS TELEVISION, CINEMA, VIDEO AND ON-DEMAND AUDIOVISUAL SERVICES - THE PAN-EUROPEAN PICTURE → Director of publication Susanne Nikoltchev, Executive Director → Editorial supervision Gilles Fontaine, Head of Department for Market Information → Authors Francisco Javier Cabrera Blázquez, Maja Cappello, Laura Ene, Gilles Fontaine, Christian Grece, Marta Jiménez Pumares, Martin Kanzler, Ismail Rabie, Agnes Schneeberger, Patrizia Simone, Julio Talavera, Sophie Valais → Coordination Valérie Haessig → Special thanks to the following for their contribution to the Yearbook Ampere Analysis, Bureau van Dijk (BvD), European Broadcasting Union - Media Intelligence Service (EBU-M.I.S.), EURODATA-TV, LyngSat, WARC, and the members of the EFARN and the EPRA networks. → Proofreading Anthony Mills → Layout Big Family → Press and public relations Alison Hindhaugh, [email protected] → Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France www.obs.coe.int If you wish to reproduce tables or graphs contained in this publication please contact the European Audiovisual Observatory for prior approval. Please note that the European Audiovisual Observatory can only authorise reproduction of tables or graphs sourced as “European Audiovisual Observatory”. All other entries may only be reproduced with the consent of the original source. Opinions expressed in this publication are personal and do not necessarily represent the view of the Observatory, its members or of the Council of Europe. © European Audiovisual Observatory (Council of Europe), Strasbourg 2020 YEARBOOK 2019/2020 KEY TRENDS TELEVISION, CINEMA, VIDEO AND ON-DEMAND AUDIOVISUAL SERVICES - THE PAN-EUROPEAN PICTURE 4 YEARBOOK 2019/2020 – KEY TRENDS TABLE OF CONTENT INTRODUCTION 0 Six keywords for 2019 and, possibly, 2020 .
    [Show full text]
  • The Screen Evolution
    the screen evolution: how video-on-demand boosts asia’s economies and generates value for viewers, business and society Important Notice on Contents – Estimations and Reporting This report has been prepared by AlphaBeta for Netflix. All information in this report is derived or estimated by AlphaBeta analysis using both proprietary and publicly available information. Netflix has not supplied any additional data, nor does it endorse any estimates made in the report. Where information has been obtained from third party sources and proprietary research, this is clearly referenced in the footnotes. AlphaBeta is a strategy and economic advisory business serving clients across Australia and Asia from offices in Singapore and Sydney. SINGAPORE SYDNEY Level 4, 1 Upper Circular Road Level 7, 4 Martin Place Singapore, 058400 Sydney, NSW, 2000, Australia Tel: +65 6443 6480 Tel: +61 2 9221 5612 [email protected] [email protected] contents 05 GLOSSARY 08 EXECUTIVE SUMMARY 15 Focus and structure of this paper 16 GOOD INTENTIONS, UNINTENDED OUTCOMES 18 Asia is poised for strong growth in the VOD industry 20 Some governments are keen to regulate video-on-demand more heavily 22 THREE FACTS ABOUT THE NASCENT VOD INDUSTRY 24 Fact One: Video is a distinct OTT segment, with the strongest growth opportunities 26 Fact Two: VOD revenue models go well beyond advertising and user-generated content 28 Fact Three: VOD does not require spectrum to operate and licenses to allocate them 30 VOD BENEFITS FOR VIEWERS, BUSINESSES & SOCIETY 34 Consumer Benefits 40 Business Benefits 44 Societal Benefits 48 DIRECTIONS FOR SOUND POLICY REFORM 51 Conclusions from the analysis 53 Lessons from regional regulatory best practice: Three pillars of success 58 APPENDIX: DATA AND METHODOLOGY GLOSSARY 5 GLOSSARY The following terms have been used at various stages in this report.
    [Show full text]
  • C Ntent Page 7 L
    #GreatJobs C NTENT page 7 www.contentasia.tv l www.contentasiasummit.com Endemol Shine production exits Singapore Production goes global Singapore focus on sales Endemol Shine Group is pulling the plug on Singapore-based production, shifting regional production to global hubs and refocusing a pared-down team in Singa- pore on format sales. The decision tops a record three years in both format sales and production across Asia, including co-development projects such as The Society Game with CJ E&M In Korea and a co-development deal with JTBC, also in Korea. The transition, expected to be com- plete by mid-2018, will be overseen by Asia managing director, Fotini Paraskakis out of Singapore. Operations in China and India, which are run separately from Southeast Asia and the rest of North Asia, are not impacted. More on page 2 A+E Networks ups China originals Nanking doc boosts 2017 co-pros to nine hours A+E Networks has upped its global China originals announced this quarter to three hours, adding Nanking docu- drama Scars of Nanking with Jiangsu Broadcasting Corporation to the Silk Road feature, Silk Road – Reborn, an- nounced in October. More on page 3 20-26 november 2017 page 1. C NTENTASIA 20-26 november 2017 Page 2. Endemol Shine pulls the plug on Singapore production base Asia restructure shifts global, Mumbai/Singapore teams to focus on sales Endemol Shine Group is pulling the plug on Singapore-based regional produc- tion, shifting to global hubs for formats production and refocusing a pared- down team in Singapore on both format licensing and finished tape sales.
    [Show full text]
  • Global SVOD Forecasts
    Global SVOD Forecasts Table of Contents Published in October 2017, this 252-page PDF and excel report contains comprehensive coverage of the SVOD sector (TV episodes and movies) for 138 countries [up from 100 in the previous edition]. The report comprises: • Executive Summary. • Major SVOD players, including subscriber and revenues estimates by country (2010 to 2022) for the major platforms. • Country-by-country forecasts from 2010 to 2022 138 countries and 621 platforms covered: Asia Pacific Country SVOD SVOD Platforms ops Australia 4 Netflix; Amazon Prime Video; Stan; Foxtel Now Bangladesh 3 Netflix; Amazon Prime Video; Iflix Cambodia 3 Netflix; Amazon Prime Video; Iflix China 5 Youku Tudou; Iqiyi; Tencent Video; TMall Box Office; LeEco Hong Kong 4 Netflix; Amazon Prime Video; MyTV Super; Viu India 10 Netflix; Amazon Prime Video; Ditto; Hotstar; Sony Liv; Bigflix; Eros Now; HOOQ; Spuul; Viu Indonesia 7 Netflix; Amazon Prime Video; Iflix; HOOQ; Tribe; Catchplay; Viu Japan 7 Netflix; Amazon Prime Video; Hulu; Tsutaya; U-Next; Avex dtv; au Smart Pass Laos 2 Netflix; Amazon Prime Video Malaysia 7 Netflix; Amazon Prime Video; Iflix; Tonton VIP; Viu; HOOQ; Dimsum Mongolia 2 Netflix; Amazon Prime Video Myanmar 3 Netflix; Amazon Prime Video; Iflix Nepal 3 Netflix; Amazon Prime Video; Iflix New Zealand 4 Netflix; Amazon Prime Video; Lightbox; Neon Pakistan 4 Netflix; Amazon Prime Video; Iflix; Icflix Philippines 6 Netflix; Amazon Prime Video; Iflix; HOOQ; Tribe; Viu Singapore 6 Netflix; Amazon Prime Video; HOOQ; Tribe; Catchplay; Viu South Korea
    [Show full text]
  • European High-End Fiction Series. State of Play and Trends
    European high-end fiction series: State of play and trends This report was prepared with the support of the Creative Europe programme of the European Union. If you wish to reproduce tables or graphs contained in this publication, please contact the European Audiovisual Observatory for prior approval. The analysis presented in this publication cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members or the Council of Europe. The European Commission support for the production of this publication does not constitute an endorsement of the contents, which reflect the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. European high-end fiction series: State of play and trends Gilles Fontaine Marta Jiménez Pumares Table of contents Executive summary .................................................................................................. 1 Scope and methodology .......................................................................................... 5 1. Setting the scene in figures ............................................................................. 8 1.1. The production of high-end fiction series in the European Union .................................................................... 8 1.1.1. The UK is the primary producer of high-end series in Europe ................................................... 10 1.1.2. International co-productions: small but growing ..........................................................................
    [Show full text]