The War on Drugs a Deeper Understanding Nominated for Best

Total Page:16

File Type:pdf, Size:1020Kb

The War on Drugs a Deeper Understanding Nominated for Best From: Jessica Linker [email protected] Subject: The War On Drugs' A Deeper Understanding Nominated for Best Rock Album Grammy Award Date: November 28, 2017 at 11:47 AM To: [email protected] November 28, 2017 For Immediate Release THE WAR ON DRUGS RECEIVE BEST ROCK ALBUM GRAMMY AWARD NOMINATION FOR A DEEPER UNDERSTANDING The War On Drugs fourth full-length album, A Deeper Understanding, was nominated for Best Rock Album for the 2018 GRAMMY Awards this morning. This is the first GRAMMY nomination for the Philadelphia sextet. Released this past August via Atlantic Records, A Deeper Understanding was produced by bandleader Adam Granduciel and recorded in New York and Los Angeles with engineer Shawn Everett (Alabama Shakes, Weezer). It’s a “band record” in the noblest sense featuring bassist Dave Hartley, keyboardist Robbie Bennett, drummer Charlie Hall and multi-instrumentalists Anthony LaMarca and Jon Natchez. Watch The War On Drugs perform “Thinking Of A Place” and “Holding On” at AFAS Live in Amsterdam (Nov. 2017) - https://youtu.be/x3puV_Op_Kk “…the best American ‘rock’ band of this decade; it is certainly the one that makes the genre feel most alive.” — New Yorker "one of the best rock albums in years." -- SPIN "a twilight world in which to lose yourself.” -- Pitchfork “the most exquisitely well-produced rock album you’ll hear this year.” — Slate "the sound of a modern, low-key guitar hero who knows just when to lay back, and when to let rip.” — Rolling Stone — Rolling Stone O!icial Website | Instagram | Twitter | Facebook | Hi-res press images For more information, contact: Jessica Linker | Pitch Perfect PR – [email protected], 773-271-6844 Copyright © 2017 Pitch Perfect PR, All rights reserved. You are receiving this so we can keep you informed of Pitch Perfect PR client activities. Pitch Perfect PR 1738 W. Summerdale Ave. Chicago, IL 60640 Add us to your address book You can update your preferences or unsubscribe from this list.
Recommended publications
  • UNITED STATES DISTRICT COURT NORTHERN DISTRICT of INDIANA SOUTH BEND DIVISION in Re FEDEX GROUND PACKAGE SYSTEM, INC., EMPLOYMEN
    USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 1 of 354 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA SOUTH BEND DIVISION ) Case No. 3:05-MD-527 RLM In re FEDEX GROUND PACKAGE ) (MDL 1700) SYSTEM, INC., EMPLOYMENT ) PRACTICES LITIGATION ) ) ) THIS DOCUMENT RELATES TO: ) ) Carlene Craig, et. al. v. FedEx Case No. 3:05-cv-530 RLM ) Ground Package Systems, Inc., ) ) PROPOSED FINAL APPROVAL ORDER This matter came before the Court for hearing on March 11, 2019, to consider final approval of the proposed ERISA Class Action Settlement reached by and between Plaintiffs Leo Rittenhouse, Jeff Bramlage, Lawrence Liable, Kent Whistler, Mike Moore, Keith Berry, Matthew Cook, Heidi Law, Sylvia O’Brien, Neal Bergkamp, and Dominic Lupo1 (collectively, “the Named Plaintiffs”), on behalf of themselves and the Certified Class, and Defendant FedEx Ground Package System, Inc. (“FXG”) (collectively, “the Parties”), the terms of which Settlement are set forth in the Class Action Settlement Agreement (the “Settlement Agreement”) attached as Exhibit A to the Joint Declaration of Co-Lead Counsel in support of Preliminary Approval of the Kansas Class Action 1 Carlene Craig withdrew as a Named Plaintiff on November 29, 2006. See MDL Doc. No. 409. Named Plaintiffs Ronald Perry and Alan Pacheco are not movants for final approval and filed an objection [MDL Doc. Nos. 3251/3261]. USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 2 of 354 Settlement [MDL Doc. No. 3154-1]. Also before the Court is ERISA Plaintiffs’ Unopposed Motion for Attorney’s Fees and for Payment of Service Awards to the Named Plaintiffs, filed with the Court on October 19, 2018 [MDL Doc.
    [Show full text]
  • Mechanical Properties and Durability of Polypropylene and Steel Fiber-Reinforced Recycled Aggregates Concrete (FRRAC): a Review
    sustainability Review Mechanical Properties and Durability of Polypropylene and Steel Fiber-Reinforced Recycled Aggregates Concrete (FRRAC): A Review Peng Zhang 1 , Yonghui Yang 1, Juan Wang 1,*, Shaowei Hu 1,2, Meiju Jiao 1 and Yifeng Ling 3 1 School of Water Conservancy Engineering, Zhengzhou University, Zhengzhou 450001, China; [email protected] (P.Z.); [email protected] (Y.Y.); [email protected] (S.H.); [email protected] (M.J.) 2 College of Civil Engineering, Chongqing University, Chongqing 400045, China 3 Department of Civil, Construction and Environmental Engineering, Iowa State University, Ames, IA 50011, USA; [email protected] * Correspondence: [email protected] Received: 7 October 2020; Accepted: 13 November 2020; Published: 15 November 2020 Abstract: With the development of concrete engineering, a large amount of construction, demolition, excavation waste (CDEW) has been produced. The treated CDEW can be used as recycled aggregate to replace natural aggregate, which can not only reduce environmental pollution and construction-related resource waste caused by CDEW, but also save natural resources. However, the mechanical properties and durability of Recycled Aggregates Concrete (RAC) are generally worse than that of ordinary concrete. Various fiber or mineral materials are usually used in RAC to improve the mechanical properties and durability of the matrix. In RAC, polypropylene (PP) fiber and steel fiber (SF) are two kinds most commonly used fiber materials, which can enhance the strength and toughness of RAC and compensate the defects of RAC to some extent. In this paper, the literature on PP fiber- and SF-reinforced RAC (FRRAC) is reviewed, with a focus on the consistence, mechanical performance (compressive strength, tensile strength, stress–strain relationship, elastic modulus, and shear strength), durability (water absorption, chloride permeability, carbonation, freeze–thaw cycling, and shrinkage), and microstructure.
    [Show full text]
  • Final Nominations List
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 60th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2016 through September 30, 2017 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, and/or Mixer(s) and mastering engineer(s), if other than the artist. Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist. 1. REDBONE Childish Gambino 1. "AWAKEN, MY LOVE!" Childish Gambino Donald Glover & Ludwig Goransson, producers; Donald Donald Glover & Ludwig Goransson, producers; Bryan Carrigan, Glover, Ludwig Goransson, Riley Mackin & Ruben Rivera, Chris Fogel, Donald Glover, Ludwig Goransson, Riley Mackin & engineers/mixers; Bernie Grundman, mastering engineer Ruben Rivera, engineers/mixers; Donald Glover & Ludwig 2. DESPACITO Goransson, songwriters; Bernie Grundman, mastering engineer Luis Fonsi & Daddy Yankee Featuring Justin Bieber 2. 4:44 Josh Gudwin, Mauricio Rengifo & Andrés Torres, JAY-Z producers; Josh Gudwin, Jaycen Joshua, Chris ‘TEK’ JAY-Z & No I.D., producers; Jimmy Douglass & Gimel "Young O’Ryan, Mauricio Rengifo, Juan G Rivera “Gaby Music,” Guru" Keaton, engineers/mixers; Shawn Carter & Dion Wilson, Luis “Salda” Saldarriaga & Andrés Torres, songwriters; Dave Kutch, mastering engineer engineers/mixers; Dave Kutch, mastering engineer 3.
    [Show full text]
  • POR DIEGO ORTIZ Paul, Andy Greene, Angie Martoccio, Alex Morris, Phoebe Neidl, Tessa Stuart, Diego Trujillo
    ILUSTRACIÓN POR Ataul ROLLING STONE COLOMBIA Contenido EDITOR & PUBLISHER: Diego Ortiz EDITORA EJECUTIVA: Bibiana Quintana Pinilla DIRECTOR DE CONTENIDOS: Ricardo Durán COORDINADOR DIGITAL: Santiago Andrade SOCIAL MEDIA MANAGER: Sonia Barrera ASISTENTE PRACTICANTE EDICIÓN SOCIAL MEDIA MANAGER: Martín Toro 24 059 COORDINADORA EDITORIAL: Francesca Quintero Bello El pulso EDITOR SENIOR: Rodrigo Torrijos de la REDACTOR SENIOR: David Valdés “Los amos de cultura VIDEO MEDIA PRODUCER: Rodrigo Torrijos la humanidad” DIRECCIÓN DE ARTE Y FOTOGRAFÍA: Diego Ortiz EDITORA GRÁFICA: Cindy Johanna Morales Cristancho Rescates económicos y ASISTENTE GRÁFICA: María Camila Morales Cristancho otros cuentos chinos. COLABORADORES: Ryan Bort, David Browne, Santiago Cruz, Tim Dickinson, Patrick Doyle, Elisabeth Garber- POR DIEGO ORTIZ Paul, Andy Greene, Angie Martoccio, Alex Morris, Phoebe Neidl, Tessa Stuart, Diego Trujillo. TASTY MEDIA CHAIRMAN: Diego Ortiz 30 VICEPRESIDENTE: Bibiana Quintana PRODUCCIÓN EJECUTIVA: Bibiana Quintana, Diego La crisis del Ortiz, Juan Pablo Añez COVID-19: 48 horas DIRECTOR COMERCIAL: Carlos Mario Quintana DIRECTOR FINANCIERO: Alejandro Ortiz en Estados Unidos EJECUTIVA COMERCIAL: María Camila Rozo Desde Anchorage hasta Miami ROLLING STONE USA Beach, 13 fotógrafos documen- PRESIDENT & CHIEF OPERATING OFFICER: Gus Wenner taron el temor y el aislamiento MANAGING EDITOR: Jason Fine durante la crisis que está DEPUTY MANAGING EDITOR: Sean Woods azotando al país del norte. ASSISTANT EDITORS: Suzy Exposito POR TESSA STUART SENIOR WRITERS: David Browne, David Fricke, Andy Greene, Kory Grow, Brian Hiatt, Stephen Rodrick, Jamil Smith, Matt Taibbi, Peter Travers SENIOR EDITORS: Patrick Doyle, Rob Fischer, Thomas Walsh CREATIVE DIRECTOR: Joe Hutchinson 38 DIRECTOR OF CREATIVE CONTENT: Catriona Ni Aolain VICE PRESIDENT: Timothy Walsh CHIEF REVENUE OFFICER: Michael Provus Anticipando HEAD OF SALES: Jay Gallagher HEAD OF DIGITAL: Gus Wenner el futuro que EDITORIAL OPERATIONS DIRECTOR: John Dragonetti ya llegó LICENSING & BUSINESS AFFAIRS: Maureen A.
    [Show full text]
  • Africa in the Media
    January 2019 By Johanna Blakley, Adam Amel Rogers, Erica Watson-Currie and Kristin (Eun Jung) Jung TABLE OF CONTENTS INTRODUCTION 3 SUMMARY OF KEY FINDINGS 6 TELEVISION FINDINGS 6 TWITTER FINDINGS 7 CROSSCUTTING FINDINGS 8 AFRICA ON TELEVISION 9 NUMBER OF MENTIONS 9 TYPES OF MENTIONS 10 AFRICA IN SCRIPTED ENTERTAINMENT 12 TYPES OF ENTERTAINMENT DEPICTIONS 12 SENTIMENT OF DEPICTIONS 14 AFRICAN CHARACTERS AND PERSONALITIES 23 AFRICA ON TWITTER 26 VOLUME OF TWEETS 27 SENTIMENT TOWARD AFRICA 28 BLACK PANTHER ON TV AND TWITTER 37 CONCLUSION AND RECOMMENDATIONS 42 METHODOLOGY 45 APPENDIX 48 ABOUT US 51 AFRICA NARRATIVE | USC LEAR CENTER Africa in the Media INTRODUCTION THE AFRICA NARRATIVE, WHICH IS BASED AT THE that provide a counterpoint showing the success, diversity, Norman Lear Center at the USC Annenberg School for Com- opportunity and vibrancy of Africa — its emerging middle munication and Journalism, was established to create great- class; technology and innovation; solutions-driven culture; er public knowledge and understanding of and engagement growing economies and democracies; and talent in the ar- with Africa through research, creative communications cam- eas of the arts and entertainment, technology, business and paigns and collaborations with private, public and non-profit government. partners. Even when the coverage of Africa was, on its surface, posi- Recognizing the pivotal role of media and entertainment in tive, it was described as often glib, simplistic, predictable, shaping perceptions and opinions of Africa and African peo- and sometimes sensationalist or extreme, at the expense of ple, Africa in the Media is the Africa Narrative’s inaugural re- showcasing regular voices and stories of Africa.
    [Show full text]
  • The Influence of Network Design on Firm Performance – Perspectives and Empirical Evidence
    THE INFLUENCE OF NETWORK DESIGN ON FIRM PERFORMANCE – PERSPECTIVES AND EMPIRICAL EVIDENCE Inauguraldissertation zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswissenschaften durch die Wirtschaftswissenschaftliche Fakultät der Westfälischen Wilhelms-Universität Münster WESTFÄLISCHE WILHELMS-UNIVERSITÄT MÜNSTER vorgelegt von BRINJA MEISEBERG aus Bottrop Münster, 2010 Erster Berichterstatter: Prof. Dr. Thomas Ehrmann Zweite Berichterstatterin: Prof. Dr. Anja Tuschke Dekan: Prof. Dr. Stefan Klein Tag der mündlichen Prüfung: 12. April 2010 Acknowledgements The process of writing this dissertation was accompanied by a number of people to whom I would like to express my gratitude for their support. I am sincerely indebted to my dissertation advisor, Prof. Dr. Thomas Ehrmann, Institute of Stra- tegic Management at Münster University, for his guidance and promotion of my research efforts, and for providing extensive expertise and creative commentary whenever needed. I am also in- debted for his continuous trust in taking me on as a research assistant. I thank Prof. Dr. Anja Tuschke, Ludwig Maximilian University of Munich, for her co-supervisory of my dissertation. I extend my thanks to Prof. Dr. Martin Bohl and Prof. Dr. Gerhard Schewe, both of Münster University, for accepting the responsibility to join the dissertation committee. Finally, I thank Dr. Hendrik Schmale, Sandra Stevermüer and Alfred Koch for being great friends and colleagues. I am deeply grateful to Dagmar and Rolf Meiseberg for promoting and challenging critical thinking in any endeavours, and for being a constant source of love, concern, support and strength, all these years. I thank Prof. Dr. Frank Ückert for supporting me every step of the way. TABLE OF CONTENTS TABLE OF CONTENTS .................................................................................................
    [Show full text]
  • And the Hits Just Keep on Coming
    and the hits just keep on coming... Adaptive Erwartungen, Pfadabhängigkeit und -bruch am Beispiel der Vermarktung von Musik durch große Tonträgerunternehmen Inaugural-Dissertation zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswis- senschaft des Fachbereichs Wirtschaftswissenschaft der Freien Universität Berlin vorgelegt von Kristian Kunow Berlin, 2013 Erstgutachter Univ.-Prof. Dr. Martin Gersch Freie Universität Berlin Zweitgutachter Univ.-Prof. Dr. Jochen Koch Europa-Universität Viadrina Frankfurt (Oder) Tag der Disputation 06. Dezember 2012 3 4 DANKSAGUNG Meiner Erfahrung nach stellt man sich mit einem Promotionsvorhaben und damit verbunden dem Verfassen einer Dissertationsschrift, einer zunächst unüberschaubaren Herausforderung. Im Verlauf einiger Jahre muss man sich dieser immer wieder aufs Neue stellen, auch in Anbetracht von Rückschlägen und in den Weg gelegten Steinen. Es liegt in der Natur der Sache, dass man dabei oftmals auf sich allein gestellt ist. Das ist jedoch nur die halbe Wahrheit. Wenig ist möglich ohne die Hilfe anderer. Deshalb möchte ich die Gelegenheit nutzen, all denen zu danken, die mich die letzten Jahre auf vielfältige Weise darin unterstützt haben, die mit meiner Promotion verbundenen Herausforderungen zu meistern. Zunächst möchte ich Prof. Dr. Gebhard Rusch danken, dass er mein Interesse für Organisationstheorien und die Betrachtung vielfältiger Phänomene aus dieser Perspektive geweckt hat. Er war es auch, der mich nach meiner Diplomarbeit darin ermutigte und unterstützte, ein Promotionsvorhaben anzugehen. Im Hinblick auf die Verwirklichung des Vorhabens, gilt mein Dank allen Beteiligten des Graduiertenkollegs „Pfade organisatorischer Prozesse“ sowie der Dahlem Research School der Freien Universität Berlin. Ich möchte besonders Prof. Dr. Jörg Sydow und Prof. Dr. Georg Schreyögg für den Aufbau und die Leitung des Graduiertenkollegs danken.
    [Show full text]
  • Accommodating Diversity in Deeply Divided Societies: the Management of the Linguistic Conflict in the Belgian Consociational Democracy
    Fakultät für Kulturwissenschaften Sommersemester 2008 Bachelorarbeit Accommodating diversity in deeply divided societies: The management of the linguistic conflict in the Belgian consociational democracy Erstgutachterin: Frau Prof. Dr. Konstanze Jungbluth Zweitgutachter: Herr PD Dr. Antonius Liedhegener Tobias Weise 06. Semsester BA Kulturwissenschaften Wildenbruchstr. 83 12045 Berlin +49 178 2 18 18 81 [email protected]ffo.de http://tobiasweise.de 23. Juni 2008 Abstract In divided societies, i.e. societies where multiple separate societal groups are living together under one government, larger conflicts appear to be common. These conflicts might lead to violent disputes between groups and endanger the stability of the state. This may be even more so, when the conflicting groups are divided by a linguistic cleavage. However, there are states, like the Kingdom of Belgium, that manage to maintain a stable democracy despite the divided character of their society. This paper will try to analyze how this is possible. At first, the divisions of the Belgian society will be examined. Following, in a multidisciplinary approach that unites theories from sociolinguistics and political sciences, a consociational approach will be identified as crucial for the successful accommodation of diversity in the Belgian democracy. Furthermore, it will be stated that language policy plays a very important role in the maintenance of stability of the Belgian divided society. An electronic version of this paper and additional material is available at http://tobiasweise.de/studium/ba-arbeit/ Zusammenfassung In gespaltenen Gesellschaften, also in Gesellschaften in denen verschiedene, von- einander getrennte Gruppen unter dem Dach einer Regierung zusammenleben, treten häufig schwere Konflikte auf.
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • Mia Rosa Koss Hartmann
    In the Gray Zone With Police in Making Space for Creativity Hartmann, Mia Document Version Final published version Publication date: 2014 License CC BY-NC-ND Citation for published version (APA): Hartmann, M. (2014). In the Gray Zone: With Police in Making Space for Creativity. Copenhagen Business School [Phd]. PhD series No. 39.2014 http://libsearch.cbs.dk/primo_library/libweb/action/dlDisplay.do?docId=CBS01000688563&vid=CBS&afterPDS=tr ue Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 In the gray zone In the gray copenhagen business school handelshøjskolen solbjerg plads 3 dk-2000 frederiksberg danmark www.cbs.dk In the gray zone With police in making space for creativity Mia Rosa Koss Hartmann PhD Series ISSN 0906-6934 39-2014 Print ISBN: 978-87-93155-78-7 LIMAC PhD School Online ISBN: 978-87-93155-79-4 Department of Operations Management PhD Series 39-2014 In the Gray Zone With police in making space for creativity Mia Rosa Koss Hartmann Supervisor: Daniel Hjorth PhD School in Language, Law, Information, Operations Management, Accounting and Culture Copenhagen Business School 1 Mia Rosa Koss Hartmann In the gray zone With police in making space for creativity 1st edition 2014 PhD Series 39.2014 © The Author ISSN 0906-6934 Print ISBN: 978-87-93155-78-7 Online ISBN: 978-87-93155-79-4 LIMAC PhD School is a cross disciplinary PhD School connected to research communities within the areas of Languages, Law, Informatics, Operations Management, Accounting, Communication and Cultural Studies.
    [Show full text]
  • 2018 Rammys Ballot
    CD 2018 �rammys Ballot ALBUM OF THE YEAR BEST POP DUO/ BEST COUNTRY ALBUM ¨ “Awaken, My Love!” Childish Gambino GROUP PERFORMANCE ¨ Cosmic Hallelujah Kenny Chesney ¨ 4:44 Jay-Z ¨ “Something Just Like This” ¨ Heart Break Lady Antebellum The Chainsmokers & Coldplay ¨ DAMN. Kendrick Lamar ¨ The Breaker Little Big Town ¨ “Despacito” Luis Fonsi & Daddy Yankee ¨ Life Changes Thomas Rhett ¨ Melodrama Lorde Featuring Justin Bieber ¨ From A Room: Volume 1 Chris Stapleton ¨ 24K Magic Bruno Mars ¨ “Thunder” Imagine Dragons ¨ “Feel It Still” Portugal. The Man ¨ “Stay” Zedd & Alessia Cara BEST MUSIC VIDEO RECORD OF THE YEAR ¨ “Up All Night” Beck ¨ “Redbone” Childish Gambino ¨ “Makeba” Jain ¨ “Despacito” Luis Fonsi & Daddy Yankee BEST POP VOCAL ALBUM ¨ “The Story Of O.J.” Jay-Z Featuring Justin Bieber ¨ Kaleidoscope EP Coldplay ¨ “Humble.” Kendrick Lamar ¨ “The Story Of O.J.” Jay-Z ¨ Lust For Life Lana Del Rey ¨ “1-800-273-8255” ¨ HUMBLE. Kendrick Lamar ¨ Evolve Imagine Dragons Logic Featuring Alessia Cara & Khalid ¨ 24K Magic Bruno Mars ¨ Rainbow Kesha ¨ Joanne Lady Gaga ¨ ÷ (Divide) Ed Sheeran BEST JAZZ VOCAL ALBUM SONG OF THE YEAR ¨ The Journey The Baylor Project ¨ “Despacito” ¨ A Social Call Jazzmeia Horn Ramon Ayala Rodriguez, Justin Bieber, BEST ROCK ALBUM ¨ Bad Ass And Blind Raul Midón Jason Boyd, Erika Ender, Luis Fonsi & Marty ¨ Emperor Of Sand Mastodon ¨ James Garton Jr, songwriters (Luis Fonsi & Porter Plays Porter Daddy Yankee Featuring Justin Bieber) ¨ Hardwired...To Self-Destruct Metallica Randy Porter Trio With Nancy King ¨ Dreams And
    [Show full text]
  • A Concept Album
    Merrimack College Merrimack ScholarWorks Honors Program Contracts Honors Program Spring 2020 The Power of Protest Music: A Concept Album Matthew Patterson Merrimack College, [email protected] Follow this and additional works at: https://scholarworks.merrimack.edu/honors_component Part of the Music Commons, and the Political Science Commons Recommended Citation Patterson, Matthew, "The Power of Protest Music: A Concept Album" (2020). Honors Program Contracts. 20. https://scholarworks.merrimack.edu/honors_component/20 This Project - Open Access is brought to you for free and open access by the Honors Program at Merrimack ScholarWorks. It has been accepted for inclusion in Honors Program Contracts by an authorized administrator of Merrimack ScholarWorks. For more information, please contact [email protected]. 1 Matthew Patterson Dr. Anne Flaherty and Dr. Laura Pruett Music and Politics FAA/POL3171 6 May 2020 The Power of Protest Music: A Concept Album Introduction: This semester, I decided to create an honors contract for one of my favorite classes offered at Merrimack, Music and Politics. Both music and politics are two of my biggest interests, so I felt that this class would allow me to create a very unique final project. For my project, I decided to create my own political concept album that would analyze the role of music in certain social and political movements. Inspired by old vinyl records, this curation will contain 12 songs that are divided evenly on each side of the record. Side A will contain six songs that are considered anthems of the Civil Rights Movement, while Side B will contain six songs that are considered anthems for the Black Lives Matter Movement.
    [Show full text]