The Cretan Script Family Includes the Carian Alphabet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UAX #44: Unicode Character Database File:///D:/Uniweb-L2/Incoming/08249-Tr44-3D1.Html
UAX #44: Unicode Character Database file:///D:/Uniweb-L2/Incoming/08249-tr44-3d1.html Technical Reports L2/08-249 Working Draft for Proposed Update Unicode Standard Annex #44 UNICODE CHARACTER DATABASE Version Unicode 5.2 draft 1 Authors Mark Davis ([email protected]) and Ken Whistler ([email protected]) Date 2008-7-03 This Version http://www.unicode.org/reports/tr44/tr44-3.html Previous http://www.unicode.org/reports/tr44/tr44-2.html Version Latest Version http://www.unicode.org/reports/tr44/ Revision 3 Summary This annex consolidates information documenting the Unicode Character Database. Status This is a draft document which may be updated, replaced, or superseded by other documents at any time. Publication does not imply endorsement by the Unicode Consortium. This is not a stable document; it is inappropriate to cite this document as other than a work in progress. A Unicode Standard Annex (UAX) forms an integral part of the Unicode Standard, but is published online as a separate document. The Unicode Standard may require conformance to normative content in a Unicode Standard Annex, if so specified in the Conformance chapter of that version of the Unicode Standard. The version number of a UAX document corresponds to the version of the Unicode Standard of which it forms a part. Please submit corrigenda and other comments with the online reporting form [Feedback]. Related information that is useful in understanding this annex is found in Unicode Standard Annex #41, “Common References for Unicode Standard Annexes.” For the latest version of the Unicode Standard, see [Unicode]. For a list of current Unicode Technical Reports, see [Reports]. -
Tungumál, Letur Og Einkenni Hópa
Tungumál, letur og einkenni hópa Er letur ómissandi í baráttu hópa við ríkjandi öfl? Frá Tifinagh og rúnaristum til Pixação Þorleifur Kamban Þrastarson Lokaritgerð til BA-prófs Listaháskóli Íslands Hönnunar- og arkitektúrdeild Desember 2016 Í þessari ritgerð er reynt að rökstyðja þá fullyrðingu að letur sé mikilvægt og geti jafnvel undir vissum kringumstæðum verið eitt mikilvægasta vopnið í baráttu hópa fyrir tilveru sinni, sjálfsmynd og stað í samfélagi. Með því að líta á þrjú ólík dæmi, Tifinagh, rúnaletur og Pixação, hvert frá sínum stað, menningarheimi og tímabili er ætlunin að sýna hvernig saga leturs og týpógrafíu hefur samtvinnast og mótast af samfélagi manna og haldist í hendur við einkenni þjóða og hópa fólks sem samsama sig á einn eða annan hátt. Einkenni hópa myndast oft sem andsvar við ytri öflum sem ógna menningu, auði eða tilverurétti hópsins. Hópar nota mismunandi leturtýpur til þess að tjá sig, tengjast og miðla upplýsingum. Það skiptir ekki eingöngu máli hvað þú skrifar heldur hvernig, með hvaða aðferðum og á hvaða efni. Skilaboðin eru fólgin í letrinu sjálfu en ekki innihaldi letursins. Letur er útlit upplýsingakerfis okkar og hefur notkun ritmáls og leturs aldrei verið meiri í heiminum sem og læsi. Ritmál og letur eru algjörlega samofnir hlutir og ekki hægt að slíta annað frá öðru. Ekki er hægt að koma frá sér ritmáli nema í letri og þessi tvö hugtök flækjast því oft saman. Í ljósi athugana á þessum þremur dæmum í ritgerðinni dreg ég þá ályktun að letur spilar og hefur spilað mikilvægt hlutverk í einkennum þjóða og hópa. Letur getur, ásamt tungumálinu, stuðlað að því að viðhalda, skapa eða eyðileggja menningu og menningarlegar tenginga Tungumál, letur og einkenni hópa Er letur ómissandi í baráttu hópa við ríkjandi öfl? Frá Tifinagh og rúnaristum til Pixação Þorleifur Kamban Þrastarson Lokaritgerð til BA-prófs í Grafískri hönnun Leiðbeinandi: Óli Gneisti Sóleyjarson Grafísk hönnun Hönnunar- og arkitektúrdeild Desember 2016 Ritgerð þessi er 6 eininga lokaritgerð til BA-prófs í Grafískri hönnun. -
A Translation of the Malia Altar Stone
MATEC Web of Conferences 125, 05018 (2017) DOI: 10.1051/ matecconf/201712505018 CSCC 2017 A Translation of the Malia Altar Stone Peter Z. Revesz1,a 1 Department of Computer Science, University of Nebraska-Lincoln, Lincoln, NE, 68588, USA Abstract. This paper presents a translation of the Malia Altar Stone inscription (CHIC 328), which is one of the longest known Cretan Hieroglyph inscriptions. The translation uses a synoptic transliteration to several scripts that are related to the Malia Altar Stone script. The synoptic transliteration strengthens the derived phonetic values and allows avoiding certain errors that would result from reliance on just a single transliteration. The synoptic transliteration is similar to a multiple alignment of related genomes in bioinformatics in order to derive the genetic sequence of a putative common ancestor of all the aligned genomes. 1 Introduction symbols. These attempts so far were not successful in deciphering the later two scripts. Cretan Hieroglyph is a writing system that existed in Using ideas and methods from bioinformatics, eastern Crete c. 2100 – 1700 BC [13, 14, 25]. The full Revesz [20] analyzed the evolutionary relationships decipherment of Cretan Hieroglyphs requires a consistent within the Cretan script family, which includes the translation of all known Cretan Hieroglyph texts not just following scripts: Cretan Hieroglyph, Linear A, Linear B the translation of some examples. In particular, many [6], Cypriot, Greek, Phoenician, South Arabic, Old authors have suggested translations for the Phaistos Disk, Hungarian [9, 10], which is also called rovásírás in the most famous and longest Cretan Hieroglyph Hungarian and also written sometimes as Rovas in inscription, but in general they were unable to show that English language publications, and Tifinagh. -
Assessment of Options for Handling Full Unicode Character Encodings in MARC21 a Study for the Library of Congress
1 Assessment of Options for Handling Full Unicode Character Encodings in MARC21 A Study for the Library of Congress Part 1: New Scripts Jack Cain Senior Consultant Trylus Computing, Toronto 1 Purpose This assessment intends to study the issues and make recommendations on the possible expansion of the character set repertoire for bibliographic records in MARC21 format. 1.1 “Encoding Scheme” vs. “Repertoire” An encoding scheme contains codes by which characters are represented in computer memory. These codes are organized according to a certain methodology called an encoding scheme. The list of all characters so encoded is referred to as the “repertoire” of characters in the given encoding schemes. For example, ASCII is one encoding scheme, perhaps the one best known to the average non-technical person in North America. “A”, “B”, & “C” are three characters in the repertoire of this encoding scheme. These three characters are assigned encodings 41, 42 & 43 in ASCII (expressed here in hexadecimal). 1.2 MARC8 "MARC8" is the term commonly used to refer both to the encoding scheme and its repertoire as used in MARC records up to 1998. The ‘8’ refers to the fact that, unlike Unicode which is a multi-byte per character code set, the MARC8 encoding scheme is principally made up of multiple one byte tables in which each character is encoded using a single 8 bit byte. (It also includes the EACC set which actually uses fixed length 3 bytes per character.) (For details on MARC8 and its specifications see: http://www.loc.gov/marc/.) MARC8 was introduced around 1968 and was initially limited to essentially Latin script only. -
Documenting Endangered Alphabets
Documenting endangered alphabets Industry Focus Tim Brookes Three years ago, acting on a notion so whimsi- cal I assumed it was a kind of presenile monoma- nia, I began carving endangered alphabets. The Tdisclaimers start right away. I’m not a linguist, an anthropologist, a cultural historian or even a woodworker. I’m a writer — but I had recently started carving signs for friends and family, and I stumbled on Omniglot.com, an online encyclo- pedia of the world’s writing systems, and several things had struck me forcibly. For a start, even though the world has more than 6,000 Figure 1: Tifinagh. languages (some of which will be extinct even by the time this article goes to press), it has fewer than 100 scripts, and perhaps a passing them on as a series of items for consideration and dis- third of those are endangered. cussion. For example, what does a written language — any writ- Working with a set of gouges and a paintbrush, I started to ten language — look like? The Endangered Alphabets highlight document as many of these scripts as I could find, creating three this question in a number of interesting ways. As the forces of exhibitions and several dozen individual pieces that depicted globalism erode scripts such as these, the number of people who words, phrases, sentences or poems in Syriac, Bugis, Baybayin, can write them dwindles, and the range of examples of each Samaritan, Makassarese, Balinese, Javanese, Batak, Sui, Nom, script is reduced. My carvings may well be the only examples Cherokee, Inuktitut, Glagolitic, Vai, Bassa Vah, Tai Dam, Pahauh of, say, Samaritan script or Tifinagh that my visitors ever see. -
Linguistic Study About the Origins of the Aegean Scripts
Anistoriton Journal, vol. 15 (2016-2017) Essays 1 Cretan Hieroglyphics The Ornamental and Ritual Version of the Cretan Protolinear Script The Cretan Hieroglyphic script is conventionally classified as one of the five Aegean scripts, along with Linear-A, Linear-B and the two Cypriot Syllabaries, namely the Cypro-Minoan and the Cypriot Greek Syllabary, the latter ones being regarded as such because of their pictographic and phonetic similarities to the former ones. Cretan Hieroglyphics are encountered in the Aegean Sea area during the 2nd millennium BC. Their relationship to Linear-A is still in dispute, while the conveyed language (or languages) is still considered unknown. The authors argue herein that the Cretan Hieroglyphic script is simply a decorative version of Linear-A (or, more precisely, of the lost Cretan Protolinear script that is the ancestor of all the Aegean scripts) which was used mainly by the seal-makers or for ritual usage. The conveyed language must be a conservative form of Sumerian, as Cretan Hieroglyphic is strictly associated with the original and mainstream Minoan culture and religion – in contrast to Linear-A which was used for several other languages – while the phonetic values of signs have the same Sumerian origin as in Cretan Protolinear. Introduction The three syllabaries that were used in the Aegean area during the 2nd millennium BC were the Cretan Hieroglyphics, Linear-A and Linear-B. The latter conveys Mycenaean Greek, which is the oldest known written form of Greek, encountered after the 15th century BC. Linear-A is still regarded as a direct descendant of the Cretan Hieroglyphics, conveying the unknown language or languages of the Minoans (Davis 2010). -
Bryn Mawr Classical Review 2017.08.38
Bryn Mawr Classical Review 2017.08.38 http://bmcr.brynmawr.edu/2017/2017-08-38 BMCR 2017.08.38 on the BMCR blog Bryn Mawr Classical Review 2017.08.38 Paola Cotticelli-Kurras, Alfredo Rizza (ed.), Variation within and among Writing Systems: Concepts and Methods in the Analysis of Ancient Written Documents. LautSchriftSprache / ScriptandSound. Wiesbaden: Dr. Ludwig Reichert Verlag, 2017. Pp. 384. ISBN 9783954901456. €98.00. Reviewed by Anna P. Judson, Gonville & Caius College, University of Cambridge ([email protected]) Table of Contents [Authors and titles are listed at the end of the review.] This book is the first of a new series, ‘LautSchriftSprache / ScriptandSound’, focusing on the field of graphemics (the study of writing systems), in particular historical graphemics. As the traditional view of writing as (merely) a way of representing speech has given way to a more nuanced understanding of writing as a different, rather than secondary, means of communication,1 graphemics has become an increasingly popular field; it is also necessarily an interdisciplinary field, since it incorporates the study not only of written texts’ linguistic features, but also broader aspects such as their visual features, material supports, and contexts of production and reading. A series dedicated to the study of graphemics across multiple academic disciplines is therefore a very welcome development. This first volume presents twenty-one papers from the third ‘LautSchriftSprache’ conference, held in Verona in 2013. In their introduction, the editors stress that the aim is to present studies of writing systems with as wide a scope as possible in terms of location, chronology, writing support, cultural context, and function. -
A Message from Afar: Fact Sheet 3 (PDF)
3 What’s the Message? Here’s your signal The detection of a signal from another world would be a most remarkable moment in human history. However, if we detect such a signal, is it just a beacon from their technology, without any content, or does it contain information or even a message? Does it resemble sound, or is it like interstellar e-mail? Can we ever understand such a message? This appears to be a tremendous challenge, given that we still have many scripts from our own antiquity that remain undeciphered, despite many serious attempts, over hundreds of years. – And we know far more about humanity than about extra-terrestrial intelligence… We are facing all the complexities involved in understanding and glimpsing the intellect of the author, while the world’s expectations demand immediacy of information. So, where do we begin? Structure and language Information stands out from randomness, it is based on structures. The problem goal we face, after we detect a signal, is to first separate out those information-carrying signals from other phenomena, without being able to engage in a dialogue, and then to learn something about the structure of their content in the passing. This means that we need a suitable filter. We need a way of separating out the interesting stuff; we need a language detector. While identifying the location of origin of a candidate signal can rule out human making, its content could involve a vast array of possible structures, some of which may be beyond our knowledge or imagination; however, for identifying intelligence that shares any pattern with our way of processing and transmitting information, the collective knowledge and examples here on Earth are a good starting point. -
Recognition of Baybayin Symbols (Ancient Pre-Colonial Philippine Writing System) Using Image Processing
ISSN 2278-3091 Volume 9, No.1, January – February 2020 Mark Jovic A. Daday et al., International Journal of Advanced Trends in Computer Science and Engineering, 9(1), January – February 2020, 594 – 598 International Journal of Advanced Trends in Computer Science and Engineering Available Online at http://www.warse.org/IJATCSE/static/pdf/file/ijatcse83912020.pdf https://doi.org/10.30534/ijatcse/2020/83912020 Recognition of Baybayin Symbols (Ancient Pre-Colonial Philippine Writing System) using Image Processing Mark Jovic A. Daday1, Arnel C. Fajardo2, Ruji P. Medina3 1 Technological Institute of the Philippines, Quezon City, Philippines, [email protected] 2 School of Computer Science Manuel L. Quezon University, Diliman, Quezon City, Philippines, [email protected] 3 Technological Institute of the Philippines, Quezon City, Philippines, [email protected] because of the recognition problems encountered. Due to its ABSTRACT problem faces throughout recognition, computer is incapable to take out the features correctly when scanning them in [4]. The goal of this paper is to accomplish an Optical Character Recognition (OCR) that gives an extremely contribution to Alternatively, unusual modern methods for a several the advancement of technology in terms of image recognition concealed datasets of text and images were faced into more in Machine Learning. The researcher introduces the experiments, that directs to a compilation of multiple type of Feed-Forward Neural Network with Dropout Method font and unusual ruin degree in [5]. The goal of this paper is to (FFNNDM) and Convolutional Neural Network with Dropout accomplish an OCR system for the Baybayin handwriting Method (CNNDM) for the recognition of the Baybayin symbols or so called (“Alibata) an ancient and national symbols. -
Language Ideologies in Morocco Sybil Bullock Connecticut College, [email protected]
CORE Metadata, citation and similar papers at core.ac.uk Provided by DigitalCommons@Connecticut College Connecticut College Digital Commons @ Connecticut College Anthropology Department Honors Papers Anthropology Department 2014 Language Ideologies in Morocco Sybil Bullock Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/anthrohp Recommended Citation Bullock, Sybil, "Language Ideologies in Morocco" (2014). Anthropology Department Honors Papers. Paper 11. http://digitalcommons.conncoll.edu/anthrohp/11 This Honors Paper is brought to you for free and open access by the Anthropology Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Anthropology Department Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Language Ideologies in Morocco Sybil Bullock 2014 Honors Thesis Anthropology Department Connecticut College Thesis Advisor: Petko Ivanov First Reader: Christopher Steiner Second Reader: Jeffrey Cole Table of Contents Dedication………………………………………………………………………………….….…3 Acknowledgments………………………………………………………………………….…….4 Abstract…………………………………………………………………………………….…….5 Chapter 1: Introduction…………………………………………………………………………..6 Chapter 2: The Role of Language in Nation-Building…………………………………………..10 Chapter 3: The Myth of Monolingualism………………………………………………….……18 Chapter 4: Language or Dialect?...................................................................................................26 -
Iso/Iec Jtc1/Sc2/Wg2 N2378 A
ISO/IEC JTC1/SC2/WG2 N2378 2001-10-03 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation internationale de normalisation еждународная организация по стандартизации Doc Type:Working Group Document Title:Final proposal to encode Aegean scripts in the UCS Source:Deborah Anderson and Michael Everson Status:Expert Contribution Action:For consideration by JTC1/SC2/WG2 Date:2001-10-03 A. Administrative 1. Title Final proposal to encode Aegean scripts in the UCS 2. Requester's name Deborah Anderson and Michael Everson 3. Requester type Expert contribution 4. Submission date 2001-10-03 5. Requester's reference Replaces N2327. This proposal corrects two glyphs, character names and adds additional background information about Cypriot. 6a. Completion This is a complete proposal. 6b. More information to be provided? No. B. Technical -- General 1a. New script? Name? Yes. Aegean Numbers, Cypriot Syllabary, Linear B Syllabary, and Linear B Ideograms. 1b. Addition of characters to existing block? Name? No. 2. Number of characters 324. Aegean Numbers (57), Cypriot Syllabary (55), Linear B Syllabary (88), and Linear B Ideograms (124). 3. Proposed category Category C 4. Proposed level of implementation and rationale Level 1 because they are non-combining. 5a. Character names included in proposal? Yes 5b. Character names in accordance with guidelines? Yes 5c. Character shapes reviewable? Yes 6a. Who will provide computerized font? Michael Everson, Everson Typography 6b. Font currently available? Yes 6c. Font format? 1 Proposal for the Universal Character Set Deborah Anderson, Michael Everson TrueType 7a. Are references (to other character sets, dictionaries, descriptive texts, etc.) provided? Yes. 7b. -
Association Relative À La Télévision Européenne G.E.I.E. Gtld: .Arte Status: ICANN Review Status Date: 2015-10-27 17:43:58 Print Date: 2015-10-27 17:44:13
ICANN Registry Request Service Ticket ID: S1K9W-8K6J2 Registry Name: Association Relative à la Télévision Européenne G.E.I.E. gTLD: .arte Status: ICANN Review Status Date: 2015-10-27 17:43:58 Print Date: 2015-10-27 17:44:13 Proposed Service Name of Proposed Service: Technical description of Proposed Service: ARTE registry operator, Association Relative à la Télévision Européenne G.E.I.E. is applying to add IDN domain registration services. ARTE IDN domain name registration services will be fully compliant with IDNA 2008, as well as ICANN's Guidelines for implementation of IDNs. The language tables are submitted separately via the GDD portal together with IDN policies. ARTE is a brand TLD, as defined by the Specification 13, and as such only the registry and its affiliates are eligible to register .ARTE domain names. The full list of languages/scripts is: Azerbaijani language Belarusian language Bulgarian language Chinese language Croatian language French language Greek, Modern language Japanese language Korean language Kurdish language Macedonian language Moldavian language Polish language Russian language Serbian language Spanish language Swedish language Ukrainian language Arabic script Armenian script Avestan script Balinese script Bamum script Batak script Page 1 ICANN Registry Request Service Ticket ID: S1K9W-8K6J2 Registry Name: Association Relative à la Télévision Européenne G.E.I.E. gTLD: .arte Status: ICANN Review Status Date: 2015-10-27 17:43:58 Print Date: 2015-10-27 17:44:13 Bengali script Bopomofo script Brahmi script Buginese