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Il Cinema Ritrovato 2011 È Realizzato Da Mostra Internazionale Del Cinema Libero E Cineteca Di Bologna , in Collaborazione Con Comune Di Bologna E Bologna Estate 2011

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Il Cinema Ritrovato 2011 È Realizzato Da Mostra Internazionale Del Cinema Libero E Cineteca Di Bologna , in Collaborazione Con Comune Di Bologna E Bologna Estate 2011 PROGRAMMA SINTETICO PROVVISORIO (al 31 maggio) Il Cinema Ritrovato 2011 è realizzato da Mostra Internazionale del Cinema libero e Cineteca di Bologna , in collaborazione con Comune di Bologna e Bologna Estate 2011. Con il contributo di MIBAC - Direzione Generale per il Cinema, Regione Emilia - Romagna, Assessorato alla Cultura, Fondazione Cassa di Risparmio in Bologna e Programma MEDIA. Main Sponsor: Gruppo Hera. Sponsor: Aeroporto di Bologna, Groupama Assicurazioni, GUCCI, Ascom, Emilianauto, Ottica Garagnani. In collaborazione con: Teatro Comunale, Università degli Studi di Bologna, Arci, L'Immagine Ritrovata e con Mel librerie, I Portici Hotel e Fondazione Borsalino PIAZZA MAGGIORE Serate gratuite – ore 22.00 Sabato 25 giugno LE VOYAGE DANS LA LUNE (Viaggio nella luna, Francia/1902) Regia: Georges Méliès Restauro promosso da Lobster Films, Fondation Technicolor pour le Patrimoine du Cinéma e Fondation Groupama Gan pour le Cinéma Accompagnato dall'Orchestra del Teatro Comunale di Bologna, che eseguirà un adattamento di Timothy Brock dell'omonima operetta di Jacques Offenbach NOSFERATU, EINE SYMPHONIE DES GRAUENS (Nosferatu il vampiro, Germania/1921) Regia: F. Wilhelm Murnau Restauro promosso da Friedrich-Wilhelm Murnau- Stiftung Musiche dirette da Timothy Brock, eseguite dall’Orchestra del Teatro Comunale. Adattamento e riorchestrazione dell'opera Der Vampyr (1826) di Heinrich Marschner, scelta da F.W. Murnau come concerto d'apertura della prima di Nosferatu il 4 settembre 1922 a Berlino Domenica 26 giugno THE THIEF OF BAGDAD (Il ladro di Bagdad, Gb/1940) Regia: Ludwig Berger, Michael Powell, Tim Whelan, Alexander Korda, Zoltan Korda, William Cameron Menzies Restauro digitale promosso da ITV Studios e Park Circus Lunedì 27 giugno IL CONFORMISTA (The Conformist, Italia-Francia-Germania/1970) Regia: Bernardo Bertolucci Martedì 28 giugno GENTLEMEN PREFER BLONDES (Gli uomini preferiscono le bionde, USA/1953) Regia: Howard Hawks Restauro promosso da Twentieth Century Fox Mercoledì 29 giugno LES ENFANTS DU PARADIS (Amanti perduti, Francia/1945) Regia: Marcel Carné Restauro promosso da Pathé Giovedì 30 giugno TAXI DRIVER (USA/1976) Regia: Martin Scorsese Restauro promosso da Sony Columbia Venerdì 1 luglio PHANTOM OF THE OPERA (Il fantasma dell’opera, USA/1925) Regia: Rupert Julian Musiche composte da Gabriel Thibaudeau ed eseguite dall’Orchestra del Teatro Comunale di Bologna Sabato 2 luglio AMERICA, AMERICA (America America – Il ribelle dell’Anatolia, USA/1963) Regia: Elia Kazan Restauro della Warner Bros con il sostegno di The Film Foundation e Hollywood Foreign Press Association Introducono Stathis Gialleli, protagonista del film, e il regista Fatih Akin CINEMA ARLECCHINO (In ordine di programmazione durante la settimana) Ritrovati & Restaurati / Recovered & Restored L’ASSASSINO (The Assassin, Italia/1961) Regia: Elio Petri A LETTER TO ELIA (USA/2010) Regia: Kent Jones, Martin Scorsese LA MACCHINA AMMAZZACATTIVI (The Machine that Kills Bad People, Italia/1952) R.: Roberto Rossellini CHRONIQUE D'UN ÉTÉ (PARIS 1960) (Cronaca di un’estate, Francia/1961) R.: Jean Rouch, Edgar Morin LA DOLCE VITA (Italia-Francia/1960) Regia: Federico Fellini QUAI DES BRUMES (Il porto delle nebbie, Francia/1938) Regia: Marcel Carné PUBLIC SPEAKING (USA/2010) Regia: Martin Scorsese WILD RIVER (Fango sulle stelle, USA/1960) Regia: Elia Kazan HUDUTLARIN KANUNU (Law of the Border, Turchia/1966) Regia: Akad Lüfti Omaggio a Maurice Tourneur JUSTIN DE MARSEILLE (Francia/1934) Regia: Maurice Tourneur AU NOM DE LA LOI (Francia/1932) Regia: Maurice Tourneur LES GAÎTÉS DE L’ESCADRON (Lo squadrone si diverte, Francia/1932) Regia: Maurice Tourneur ACCUSÉE, LEVEZ-VOUS! (Francia/1930) Regia: Maurice Tourneur L’OBSESSION (Francia/1931) Regia: Maurice Tourneur Alla ricerca del colore dei film / Searching for Colour in Films Sette programmi di film muti rarissimi a cura di Mariann Lewinsky GERMINAL (Francia/1913) Regia: Albert Capellani FRENCH CANCAN (Francia/1954) Regia: Jean Renoir LAND OF THE PHARAOHS (La regina delle piramidi, USA/1955) Regia: Howard Hawks LA CADUTA DEGLI DEI (The Damned, Italia-Germania/1969) Regia: Luchino Visconti WIND ACROSS THE EVERGLADES (Il paradiso dei barbari, USA/1958) Regia: Nicholas Ray KES (Gb/1970) Regia: Ken Loach CINEMA JOLLY (In ordine di programmazione durante la settimana) Ridere civilmente: il cinema di Luigi Zampa / A civil laugh: the films of Luigi Zampa ANNI DIFFICILI (Italia/1948) Regia: Luigi Zampa L’ONOREVOLE ANGELINA (Italia/1947) Regia: Luigi Zampa ANNI FACILI (Italia/1953) Regia: Luigi Zampa SIAMO DONNE – Ep. “ISA MIRANDA” (Italia/1953) Regia: Luigi Zampa PROCESSO ALLA CITTÀ (Italia/1952) Regia: Luigi Zampa QUESTA È LA VITA – Ep. “LA PATENTE” (Italia/1954) Regia: Luigi Zampa L’ARTE DI ARRANGIARSI (Italia/1954) Regia: Luigi Zampa GLI ANNI RUGGENTI (Italia/1962) Regia: Luigi Zampa BISTURI, LA MAFIA BIANCA (Italia/1973) Regia: Luigi Zampa I cinefili preferiscono Howard Hawks: muti e primi sonori Cinephiles prefer Howard Hawks: silents and early sound films FIG LEAVES (Le disgrazie di Adamo, USA/1926) Regia: Howard Hawks THE CRADLE SNATCHERS (Amanti per burla, USA/1927) Regia: Howard Hawks PAID TO LOVE (Passione di principe, USA/1927) Regia: Howard Hawks A GIRL IN EVERY PORT (Capitan Barbablù, USA/1928) Regia: Howard Hawks FAZIL (USA/1928) Regia: Howard Hawks TRENT’S LAST CASE (L’affare Manderson, USA/1929) Regia: Howard Hawks DAWN PATROL (La squadriglia dell’aurora, USA/1930) Regia: Howard Hawks THE CRIMINAL CODE (Codice penale, USA/1931) Regia: Howard Hawks SCARFACE (USA/1931-32) Regia: Howard Hawks THE CROWD ROARS (L’urlo della folla, USA/1932) Regia: Howard Hawks TIGER SHARK (USA/1932) Regia: Howard Hawks TWENTIETH CENTURY (Ventesimo secolo, USA/1934) Regia: Howard Hawks BARBARY COAST (La costa dei barbari, USA/1935) Regia: Howard Hawks ONLY ANGELS HAVE WINGS (Gli avventurieri dell’aria, USA/1939) Regia: Howard Hawks THE BIG SLEEP (Il grande sonno, USA/1946) Regia: Howard Hawks Nel cuore del Novecento: il Socialismo, tra paura e utopia At the heart of 20thcentury: Socialism between fear and utopia LA VIE EST A NOUS (La vita è nostra, Francia/1936) Regia: Jacques Becker, Jacques B. Brunius, Henri Cartier-Bresson, Jean-Paul Le Chanois, Maurice Lime, Pierre Unik, André Zwoboda, Jean Renoir NOI VIVI / ADDIO, KIRA (We the living, Italia/1942) Regia: Goffredo Alessandrini NATIVE LAND (USA/1942) Regia: Leo Hurwitz SONG OF THE PEOPLE (Gb/1945) Regia: Maxwell Munden HITLERJUNGE QUEX: Ein Film vom Opfergeist des deutschen Jugend (Il giovane hitleriano Quex, Germania/1933) Regia: Hans Steinhoff UM’S TAGLICHE BROT (Sul pane quotidiano, Germania/1929) Regia: Piel Jutzi KAMPFER BORSTY (Russia/1936) Regia: Gustav Von Wangenheim VOSSTANIYE (La rivolta dei pescatori, Russia/1934) Regia: Erwin Piscator FRÄMMANDE HAMN (Svezia/1948) Regia: Erik “Hampe” Faustman KUHLE WAMPE ODER: WEM GEHORT DIE WELT? (Kuhle Wampe, ovvero: a chi appartiene il mondo?, Germania/1933) Regia: Slatan Dudow MAN ON A TIGHT ROPE (Salto mortale, USA/1953) Regia: Elia Kazan G.P.U. (The Red Terror, Germania/1942) Regia: Karl Ritter THE PRESIDENT VANISHES (USA/1934) Regia: William Wellman GABRIEL OVER THE WHITE HOUSE (USA/1933) Regia: Gregory La Cava CINEMA LUMIERE 1 – SALA MASTROIANNI Cento anni fa: i film del 1911 – 9 programmi a cura di Mariann Lewinsky A Hundred Years Ago: Films of 1911 – 9 programs by Mariann Lewinsky Alice Guy: omaggio a una pioniera del cinema 6 programmi a cura di Kim Tomadjoglou Alice Guy: tribute to a pioneer of cinema 6 programs by Kim Tomadjoglou Albert Capellani: un cinema di “grandeur” II 8 programmi a cura di Mariann Lewinsky Albert Capellani: A Cinema of Grandeur II 8 programs by Mariann Lewinsky Il progetto Napoli/Italia e il cinema dell’emigrazione – 3 programmi a cura di Elena Correra e Luigi Virgolin The Naples/Italy project and cinema of emigration – 3 programs by Elena Correra e Luigi Virgolin Conrad Veidt, da Caligari a Casablanca / Conrad Veidt: from Caligari to Casablanca DIDA IBSENS GESCHICHTE: DAS TAGEBUCH EINER VERLORENEN (Germania/1918) Regia: Richard Oswald DER REIGEN (Germania/1919-20) Regia: Richard Oswald LUCREZIA BORGIA (Germania/1922) Regia: Richard Oswald DÜRFEN WIR SCHWEIGEN? (Germania/1926) Regia: Richard Oswald DER GANG IN DIE NACHT (La passeggiata nella notte, Germania/1922) Regia: F.W. Murnau DIE BRÜDER SCHELLENBERG (Il supplizio di Tantalo, Germania/1926) Regia: Karl Grune DIE LETZTE KOMPAGNIE (Germania/1929-30) Regia: Kurt Bernhardt DER KONGRESS TANZT (Il congresso si diverte, Germania/1931) Regia: Eric Charell I WAS A SPY (Ero una spia, Gb/1933) Regia: Victor Saville THE WANDERING JEW (Gb/1933) Regia: Maurice Elvey NAZI AGENT (USA/1941) Regia: Jules Dassin Ritrovati & Restaurati / Recovered & Restored UPSTREAM (Controcorrente, USA/1927) Regia: John Ford GRÄNSFOLKEN (Svezia/1913) Regia: Mauritz Stiller FIAMMA SIMBOLICA (Italia/1919) Regia: Eugenio Perego SHOES (USA/1916) Regia: Lois Weber CINEMA LUMIERE 2 – SALA SCORSESE Progetto Chaplin: Dossier A. Edward Sutherland - Sydney Chaplin - Grande Dittatore Dossier Blasetti Boris Barnet: visioni poetiche del quotidiano / Boris Barnet, poetic visions of everyday life MISS MEND/PRIKLJUČENIE TRËH REPORTËROV (Miss Mend-Le avventure di tre reporter, Urss/1926) Regia: Fëdor Ocep, Boris Barnet DOM NA TRUBNOJ (La casa sulla Trubnaja, Urss/1928) Regia: Boris Barnet DEVUŠKA S KOROBKOJ (La ragazza con la cappelliera, Urss/1927) Regia: Boris Barnet OKRAINA (Sobborghi, Urss/1933) Regia: Boris Barnet U SAMOGO SINEGO MORJA (Vicino al mare più azzurro, Urss/1935) Regia: Boris
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