Rama Tries to Persuade Lakshmana to Return

Total Page:16

File Type:pdf, Size:1020Kb

Rama Tries to Persuade Lakshmana to Return “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 53 Rama Tries to Persuade Lakshmana to Return Summary Rama tries to send Lakshmana back to Ayodhya, apprehending trouble for Kausalya and others in the hands of Kaikeyi. Lakshmana however refuses to return to Ayodhya, pleasing his inability to survive in the absence of Rama. Rama thereafter agrees again for Lakshmana’s stay in the forest with him. Chapter [Sarga] 53 in Detail sa tam vriksam samaasaadya samdhyaam anvaasya pashcimaam | raamah ramayataam shresthaiti ha uvaaca laksmanam || 2-53-1 Rama, the foremost of those affording happiness to others, reached the aforesaid tree, worshipped the western twilight and spoke to Lakshmana as follows: adya iyam prathamaa raatrir yaataa jana padaat bahih | yaa sumantrena rahitaa taam na utkanthitum arhasi || 2-53-2 “This might which has got past us today outside the inhabited territory is the first night which has passed without Sumantra. You ought not repent over it.” jaagartavyam atandribhyaam adya prabhriti raatrisu | yoga ksemah hi siitaayaa vartate laksmana aavayoh || 2-53-3 “Remaining free from lassitude, we must both keep awake during nights, from today Lakshmana! The safety and welfare of Sita indeed depend on us two.” raatrim kathamcit eva imaam saumitre vartayaamahe | upaavartaamahe bhuumaav aastiirya svayam aarjitaih || 2-53-4 “Let us pass this night anyhow, Lakshmana! Let us lie down on the ground, covering it by straw, leaves and so on, and procured by our own hands.” Page 1 of 8 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 53 sa tu samvishya medinyaam mahaa arha shayana ucitah | imaah saumitraye raamah vyaajahaara kathaah shubhaah || 2-53-5 Stretching himself on the bare ground, Rama, who was accustomed to a luxurious coach, uttered the following suitable words to Lakshmana: dhruvam adya mahaa raajo duhkham svapiti laksmana | krita kaamaa tu kaikeyii tustaa bhavitum arhati || 2-53-6 “Assuredly the emperor is sleeping badly tonight, while Kaikeyi, having realized her ambitions, ought to feel satisfied.” saa hi devii mahaa raajam kaikeyii raajya kaaranaat | api na cyaavayet praanaan dristvaa bharatam aagatam || 2-53-7 “Seeing Bharata returned, queen Kaikeyi, I am afraid, may not expel the lives of the emperor for the sake of kingdom.” anaathah caiva vriddhah ca mayaa caiva vinaakritah | kim karisyati kaama aatmaa kaikeyyaa vasham aagatah || 2-53-8 “Aged and (therefore) helpless, deprived of my presence, what will he do, dominated as he is by his passion for Kaikeyi and who has fallen into the clutches of Kaikeyi.” idam vyasanam aalokya raajnah ca mati vibhramam | kaamaeva ardha dharmaabhyaam gariiyaan iti me matih || 2-53-9 “Reflecting on this misfortune of the king and his mental derangement, I deem that passion alone is greater than early gain and religious merit.” Page 2 of 8 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 53 ko hi avidvaan api pumaan pramadaayaah krite tyajet | chanda anuvartinam putram taatah maam iva laksmana || 2-53-10 “what man however deluded, what father on account of a woman, at his own will and pleasure, abandon a son like myself? sukhii bata sabhaaryah ca bharatah kekayii sutah | muditaan kosalaan eko yo bhoksyati adhiraajavat || 2-53-11 “Alas, Kaikeyi’s son Bharata (alone) is happy along with his wife. Like an overlord, he is going to enjoy the prosperous kingdom of Kosala.” sa hi sarvasya raajyasya mukham ekam bhavisyati | taate ca vayasaa atiite mayi ca aranyam aashrite || 2-53-12 “Father is superannuated. I am staying in the forest. Bharata will become the prime head for the entire kingdom.” artha dharmau parityajya yah kaamam anuvartate | evam aapadyate ksipram raajaa dasharatho yathaa || 2-53-13 “He who pursues sensuous pleasures neglecting his real interests and discipline soon comes to distress; in the same way as king Dasaratha has.” manye dasharatha antaaya mama pravraajanaaya ca | kaikeyii saumya sampraaptaa raajyaaya bharatasya ca || 2-53-14 “It seems that Kaikeyi came into our house, oh good brother, to bring about an end to Dasaratha, to send me into exile and to secure kingship for Bharata.” Page 3 of 8 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 53 api idaaniim na kaikeyii saubhaagya mada mohitaa | kausalyaam ca sumitraam ca samprabaadheta mat krite || 2-53-15 “Blinded by pride of good fortune, Kaikeyi may even now persecute Kausalya and Sumitra because of their relationship with me.” maa sma mat kaaranaat devii sumitraa duhkham aavaset | ayodhyaam itaeva tvam kaale pravisha laksmana || 2-53-16 “Queen Sumitra is likely to suffer hardship because of her affinity to us. From this very place, you proceed to Ayodhya next morning, oh, Lakshmana!” aham eko gamisyaami siitayaa saha dandakaan | anaathaayaa hi naathah tvam kausalyaayaa bhavisyasi || 2-53-17 “I shall proceed to Dandaka forest alone with Sita, while you will be the protector for Kausalya, who has no defender.” ksudra karmaa hi kaikeyii dvesaat anyaayyam aacaret | paridadyaa hi dharmajne bharate mama maataram || 2-53-18 “Kaikeyi of base deeds may resort to unjustified means to be disliked. Give (for protection) my mother to Bharata, oh virtuous Prince!” nuunam jaati antare kasmims striyah putraih viyojitaah | jananyaa mama saumitre tat api etat upasthitam || 2-53-19 “In some other (past) birth, women must have been deprived of their sons by my mother (Kausalya), oh, Lakshmana! For that reason this has arisen certainly.” Page 4 of 8 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 53 mayaa hi cira pustena duhkha samvardhitena ca | vipraayujyata kausalyaa phala kaale dhig astu maam || 2-53-20 “At a time when Kausalya should have obtained benefits for her labors repaid by me, she has been deprived of my company by me, who was nurtured by her for a long time and brought up with great pains. Woe to me.” maa sma siimantinii kaacij janayet putram iidrisham | saumitre yo aham ambaayaa dadmi shokam anantakam || 2-53-21 “Let no woman ever give birth to such a son as myself, who have caused perpetual grief to my mother, oh, Lakshmana!” manye priiti vishistaa saa mattah laksmana saarikaa | yasyaah tat shruuyate vaakyam shuka paadam arer dasha || 2-53-22 “Oh, Lakshmana! I think that myna (which is kept as a pet by mother Kausalya) is more affectionate than I, since her are heard the words, “Bite, oh parrot, the foot of the enemy.” shocantyaah ca alpa bhaagyaayaa na kimcit upakurvataa | purtrena kim aputraayaa mayaa kaaryam arim dama || 2-53-23 “What can be done by me, her son, who cannot go to her aid even a little to her, my mother, who is weeping, who is unfortunate and who has no son, oh conqueror of foes?” alpa bhaagyaa hi me maataa kausalyaa rahitaa mayaa | shete parama duhkha aartaa patitaa shoka saagare || 2-53-24 “Kausalya my mother of poor luck indeed, bereft of me, is stricken with great melancholy and lies plunged in a sea of grief” Page 5 of 8 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 53 eko hi aham ayodhyaam ca prithiviim ca api laksmana | tareyam isubhih kruddho nanu viiryam akaaranam || 2-53-25 “Enraged, I can subdue with my arrows single handed not only Ayodhya but also the earth. But it is not a question of valor here.” adharma bhaya bhiitah ca para lokasya ca anagha | tena laksmana na adya aham aatmaanam abhisecaye || 2-53-26 “Oh, the sinless Lakshmana! I am terribly concerned of doing wrong and of ruining my prospects in the other world. Hence, I do not allow myself to be crowned.” etat anyac ca karunam vilapya vijane bahu | ashru puurna mukho raamah nishi tuusniim upaavishat || 2-53-27 Rama during the night in that lonely forest, wailed piteously thus and in so many other ways and sat quite, his face full of tears. vilapya uparatam raamam gata arcisam iva analam | samudram iva nirvegam aashvaasayata laksmanah || 2-53-28 “The city of Ayodhya, now that you have come away from it, has certainly been divested of its splendor and resembles a night without the moon, Oh, Rama the jewel among armed warriors!” dhruvam adya purii raamaayodhyaa yudhinaam vara | nisprabhaa tvayi niskraante gata candraa iva sharvarii || 2-53-29 “The city of Ayodhya, now that you have come away from it, has certainly been divested of its splendor and resembles a night without the moon, Oh, Rama the jewel among armed warriors!” Page 6 of 8 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 53 na etat aupayikam raama yad idam paritapyase | visaadayasi siitaam ca maam caiva purusa risabha || 2-53-30 “It is not proper, oh Rama, that you should grieve in this way. You cause distress to Sita and me too, oh jewel among men!” na ca siitaa tvayaa hiinaa na ca aham api raaghava | muhuurtam api jiivaavo jalaan matsyaav iva uddhritau || 2-53-31 “Oh, Rama! Bereft [deprived of] of you, neither Sita nor I will not survive even for a moment, like fish pulled out of water.” na hi taatam na shatrughnam na sumitraam param tapa | drastum iccheyam adya aham svargam vaa api tvayaa vinaa || 2-53-32 “Oh, Rama causing pain to the foes! Without you, I do not wish to see either our father or Satrughna or Sumitra or even the heaven.” tatastatra sukhaasiine naatiduure niriikshya taam | nyagrodhe sukritaam shayyaam bhejaate dharmavatsalau || 2-53-33 Then Rama and Lakshmana the lovers of piety, sitting comfortably there and on seeing a bed well- prepared under a banyan tree, sought for the bed. sa laksmanasya uttama puskalam vaco | nishamya ca evam vana vaasam aadaraat | samaah samastaa vidadhe param tapah | prapadya dharmam suciraaya raaghavah || 2-53-34 Attentively hearing Lakshmana’s words which were excellent and holistic and adopting for a fairly long period the course of conduct prescribed for hermits, Rama resolved to spend all the fourteen years in exile with Lakshmana.
Recommended publications
  • Lakshmana Lakshmana
    Srinivasa Bala Bharati - 132 LAKSHMANA (Children Series) - Dr. B. Rama Rao LAKSHMANA Telugu Version Dr. Iriventi Krishnamurthy English Translation Dr. B. Rama Rao Published by Tirumala Tirupati Devasthanams Executive Officer Tirupati Tirumala Tirupati Devasthanam, Tirupati 2013 Srinivasa Bala Bharati - 132 FOREWORD (Children Series) If a beautiful garden is to be raised, one needs to take proper LAKSHMANA care of tender flower plants. In the same way in order to create a good society, great care needs to be taken of young children who are going to be future citizens of India. All their intellectual attainments Telugu Version will be futile if they fail to learn of their culture and its greatness. Dr. Iriventi Krishnamurthy They need to be told of great men and women of this country so that they are inspired by their ideals. The essentials of our culture English Translation should be given to them in the form of simple and charming stories. Dr. B. Rama Rao They will cherish these ideals and be guided by them. They will Editor-in-Chief promote good, and they will love the society they live in. They make Prof. Ravva Sri Hari their families proud and bring great prestige to their country when they grow up into good citizens. Tirumala Tirupati Devasthanams have brought out these T.T.D. Religious Publications Series No. 987 booklets in Telugu for children under Srinivasa Bala Bharathi Series. ©All Rights Reserved Although meant for children, they are useful to the elderly too. They First Edition - 2013 have found place in the book shelves of every family.
    [Show full text]
  • Gluck CORD: the Ramayana in Balinese Shadow Puppet Theater-Astara Light
    Gluck CORD: The Ramayana in Balinese Shadow Puppet Theater-Astara Light Balinese Shadow Puppets are an artistic narrative tradition used to perform epic adventure stories such as the Ramayana. These performances are considered magical because the puppets become and bring to life the characters they represent. Also, events that take place during a performance might happen in real life! During a shadow puppet performance the audience actually sees the shadows of the puppets as the shadow puppet master manipulates them, hence the name “shadow puppet”. The Ramayana is an adventure tale like Star Wars, Shrek, or Frozen because it center on journeys to find something, or help someone. This is a moral story that teaches qualities like friendship, compassion, loyalty, bravery and wisdom. The Ramayana illustrates conflict between good and evil and how friendship and magic can overcome obstacles. The Ramayana has similar main characters as these adventure stories: a heroine, or Princess; a hero, good guy, or Prince; a sidekick or brave friend (like Kristoff in Frozen); and a bad guy or villain. Ramayana Characters: Hanuman Rama (Prince and hero) (Monkey warrior and sidekick) Ravana Sita (Princess and heroine) (Demon King and bad guy/villain) Gluck CORD: The Ramayana in Balinese Shadow Puppet Theater-Astara Light Questions related to the characters of the Ramayana: How might you identify each of these characters based off their physical traits? • Which character looks like an animal or a person, and why? • Does one character look scarier than the others, and why? • What are the characters wearing, can you identify them based on their clothing? • What are your favorite adventure stories and why? (Example: Shrek, Star Wars, Frozen) • What are the main characters in these adventure stories? • Which character is your favorite, and why? Story Synopsis of the Ramayana: This adventure tale begins with three friends, a prince named Rama who is a wise ruler and has supernatural abilities.
    [Show full text]
  • Multidimensional Role of Women in Shaping the Great Epic Ramayana
    International Journal of Academic Research and Development International Journal of Academic Research and Development ISSN: 2455-4197 Impact Factor: RJIF 5.22 www.academicsjournal.com Volume 2; Issue 6; November 2017; Page No. 1035-1036 Multidimensional role of women in shaping the great epic Ramayana Punit Sharma Assistant Professor, Institute of Management & Research IMR Campus, NH6, Jalgaon, Maharashtra, India Abstract We look for role models all around, but the truth is that some of the greatest women that we know of come from Indian mythology Ramayana. It is filled with women who had the fortitude and determination to stand up against all odds ones who set a great example for generations to come. Ramayana is full of women, who were mentally way stronger than the glorified heroes of this great Indian epic. From Jhansi Ki Rani to Irom Sharmila, From Savitribai Fule to Sonia Gandhi and From Jijabai to Seeta, Indian women have always stood up for their rights and fought their battles despite restrictions and limitations. They are the shining beacons of hope and have displayed exemplary dedication in their respective fields. I have studied few characters of Ramayana who teaches us the importance of commitment, ethical values, principles of life, dedication & devotion in relationship and most importantly making us believe in women power. Keywords: ramayana, seeta, Indian mythological epic, manthara, kaikeyi, urmila, women power, philosophical life, mandodari, rama, ravana, shabari, surpanakha Introduction Scope for Further Research The great epic written by Valmiki is one epic, which has Definitely there is a vast scope over the study for modern day mentioned those things about women that make them great.
    [Show full text]
  • The Story of Rama and Sita Play Script
    The Story of Rama and Sita Play Script Cast: Rama Sita King Rama’s stepmother The King’s Son Rama’s Wife An old, The king’s wife who and rightful heir tired man wants her own son to the throne to be the next king Lakshmana Ravana Hanuman Rama’s brother The demon-king The monkey king with ten heads Cast continued: Fawn Monkey Army Narrator 1 Monkey 1 Narrator 2 Monkey 2 Narrator 3 Monkey 3 Narrator 4 Monkey 4 Monkey 5 Prop Ideas: Character Masks Throne Cloak Gold Bracelets Walking Stick Bow and Arrow Diva Lamps (Health and Safety Note-candles should not be used) Audio Ideas: Bird Song Forest Animal Noises Lights up. The palace gardens. Rama and Sita enter the stage. They walk around, talking and laughing as the narrator speaks. Birds can be heard in the background. Once upon a time, there was a great warrior, Prince Rama, who had a beautiful Narrator 1: wife named Sita. Rama and Sita stop walking and stand in the middle of the stage. Sita: (looking up to the sky) What a beautiful day. Rama: (looking at Sita) Nothing compares to your beauty. Sita: (smiling) Come, let’s continue. Rama and Sita continue to walk around the stage, talking and laughing as the narrator continues. Rama was the eldest son of the king. He was a good man and popular with Narrator 1: the people of the land. He would become king one day, however his stepmother wanted her son to inherit the throne instead. Rama’s stepmother enters the stage.
    [Show full text]
  • Harmony and Beauty in Ramayana 3
    36 Summer Showers - 2002 3 Harmony and Beauty in Ramayana Daivadhinam jagat Sarvam Sathyadhinam tu Daivatam Tat Sathyam Uttamadhinam Uttamo Paradevata The entire creation is under the control of God. That God is under the control of Truth. That truth is under the control of noble ones. The noble people are greater than gods. (Sanskrit Verse) Embodiments of Love! HE society today is in utter need of Ramayana. We do not have children who re- Tspect their parents, nor do we have parents who have great affection for their children. We do not have disciples today who revere their preceptors; nor do we have preceptors who have great love for their 38 Summer Showers - 2002 Summer Showers - 2002 39 disciples. We do not have homes where parents shine as And moderately. role models for their children. We do not have homes Go to school where brothers live with mutual love and affection; nor And study diligently. do we have homes where wives and husbands shine as Earn a good name that ideals to others by virtue of their mutual love and You are an obedient student. affection. Good manners and courtesies have vanished. The Ramayana stands as an ideal for the trouble-torn Don’t move society of today in various fields of activities. When weather is damp. House is the First School And never go near ditches. Run and play The parents of today do not bother to find out the ways and means of bringing up their children and Have fun and frolic. keeping them under control. They think that their If you abide by responsibility is over after admitting them into a primary All the principles mentioned above school or a village school.
    [Show full text]
  • Kaveri – 2019 Annual Day Script Bala Kanda: Rama
    Kaveri – 2019 Annual Day Script Bala Kanda: Rama marries Sita by breaking the bow of Shiva Janaka: I welcome you all to Mithila! As you see in front of you, is the bow of Shiva. Whoever is able to break this bow of Shiva shall wed my daughter Sita. Prince 1: Bows to the crowd and tries to lift the bow and is unsuccessful Prince 2: Bows to the crowd and tries to lift the bow and is unsuccessful Rama 1: Bows, prays to the bow, lifts it, strings it and pulls the string back and bends and breaks it Janaka: By breaking Shiva’s bow, Rama has won the challenge and Sita will be married to Rama the prince of Ayodhya. Ayodhya Kanda: Narrator: Rama, Sita, Lakshmana, Shatrugna, Bharata are all married in Mithila and return to Ayodhya and lived happily for a number of years. Ayodhya rejoiced and flourished under King Dasaratha and the good natured sons of the King. King Dasaratha felt it was time to crown Rama as the future King of Ayodhya. Dasaratha: Rama my dear son, I have decided that you will now become the Yuvaraja of Ayodhya and I would like to advice you on how to rule the kingdom. Rama 2: I will do what you wish O father! Let me get your blessings and mother Kausalya’s blessings. (Rama bows to Dasaratha and goes to Kausalya) Kausalya: Rama, I bless you to rule this kingdom just like your father. Narrator: In the mean time, Manthara, Kaikeyi’s maid hatches out an evil plan.
    [Show full text]
  • Devi: the Great Goddess (Smithsonian Institute)
    Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560.
    [Show full text]
  • 6. Yes to Sita, No to Ram-24.8.06.Pmd
    wish to clarify at the outset that I am going to focus primarily on the ISita of popular imagination rather than the Sita of Tulsi, Balmiki or any other textual or oral version of the Yes to Sita, No to Ram! Ramayan. Therefore, I deliberately refrain from detailed textual analysis. The Continuing Popularity of Sita in India I have focused on how her life is inter- preted and sought to be emulated in today’s context. Madhu Kishwar However, there is no escaping the fact that in north India the Sita of popu- lar imagination has been deeply influ- enced by the Sita of Ramcharit Manas study carried out in Uttar Pradesh, 500 was a 1957 survey. However, Sita con- by Tulsi. In most other versions of boys and 360 girls between the ages tinues to command similar reverence the Ramayan, close companionship of 9 and 22 years were asked to select even today, even among modern edu- and joyful togetherness of the couple the ideal woman from a list of 24 names cated people in India. This paper is a are the most prominent features of the of gods, goddesses, heroes, and hero- preliminary exploration into why Sita Ram-Sita relationship rather than her ines of history. Sita was seen as the continues to exercise such a powerful self-effacing devotion and loyalty ideal woman by an overwhelming pro- grip on popular imagination, especially which have become the hallmark of portion of the respondents. There among women. the modern day stereotype of Sita. were no age or sex differences.1 That The medieval Ramayan of Tulsi marks A Slavish Wife? the transition from Ram and Sita being I grew up thinking of Sita as a presented as an ideal couple to pro- much wronged woman — a slavish wife jecting each of them as an ideal man without a mind of her own.
    [Show full text]
  • 9 Ever Remember the Name of Rama
    103 9 Ever Remember The Name Of Rama HOUSANDS of years have passed since the Tadvent of Treta Yuga, yet even now everyone, right from children to elderly people, remember the name of Rama. The glory of Rama’s name is such that it has not diminished even a bit with the passage of time. This truth should be recognised by all. Rama is the name given to a form, but the name of Rama is not limited to a form. Atma is Rama, and its true name is Atmarama. Therefore, wherever and whenever you remember the name of Rama, Rama is there with you, in you, around you. The Name Of Rama Is Eternal Embodiments of Love! Rama is one, whether you identify him with the 104 SATHYA SAI SPEAKS, Volume 40 atma or with the form installed in your heart. Every year comes the festival of Sri Rama Navami. But we have not so far understood its true significance. You identify Rama with a form. But Rama is not limited to any particular form. It is the name that is latent in your heart. Many changes and variations keep occurring in the world, but the name of Rama is immutable, eternal, unsullied and everlasting. Rama was not an ordinary individual. He was verily God who incarnated on earth for the welfare of mankind. People call God by many names like Rama, Krishna, Easwara and Mahadeva. They are all the names of one God. You should recognise the glory of this name. Sage Vasishta said, “Ramo vigrahavan Dharma” (Rama is the personification of Dharma).
    [Show full text]
  • Ramayana Youth
    Akram Youth December 2020 English Dada Bhagwan Parivar Ramayana for Youth Part - 3 Table of Contents 04 Vibhishana Like a Lotus in the Water 06 Angada’s Strong Determination 08 Gnani With Youth - Kaikeyi and Manthara 10 Q & A - To Keep Your Promise, Even at the Cost of Your Life 14 Cause and Effect - Lord Rama and King Sugariva 16 A Glimpse of One of Dadashri's Books 18 The Traits of the Main Characters of Ramayana 23 #Poem December 2020 Editor - Dimple Mehta Subscription Year: 8. Issue: 8 Yearly Subscription Cont. Issue: 92 Printer & Published by Dimple Mehta on behalf of India :200 Rupees Mahavideh Foundation USA: 15 Dollars Simandhar City, Adalaj - 382421. UK: 12 Pounds Contact: Taluka & Dist - Gandhinagar 5 Years Subscription Gnani Ni Chhayama (GNC), India : 800 Rupees Trimandir Sankul, Owned by : Mahavideh Foundation Simandhar City, Adalaj - 382421. USA: 60 Dollars Simandhar City, Taluka & Dist - Gandhinagar UK: 50 Pounds Ahmedabad Kalol Highway, In India, D.D. / M.O. should be drawn Adalaj, Dist. Gandhinagar, Published at : Mahavideh Foundation in favour of "Mahavideh Foundation" Gujarat-382421 Simandhar City, Adalaj - 382421. Taluka & Dist - Gndhinagar payable at Ahmedabad. Phone: (079) 39830100 Printed at : Amba Offset © 2020, Dada Bhagwan Foundation. email: [email protected] B-99, GIDC, Sector-25, All Rights Reserved website: youth.dadabhagwan.org Gandhinagar – 382025. Gujarat. store.dadabhagwan.org/akram-youth Total 24 Pages with Cover page 2 Akram Youth Friends, you may not know that the ‘Epic Ramayana’ is composed of 24,000 verses in the Sanskrit lan- guage and is considered as one of the largest ancient epic scriptures in the world.
    [Show full text]
  • The Ramayana by R.K. Narayan
    Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O.
    [Show full text]
  • The Ramayana
    The Ramayana Inspirations Theater Camp Summer 2016 Script and Songs by Torsti Rovainen Rights held by Rovainen Musicals Story based on the ancient Indian epic of The Ramayana Some spoken lines in Scene IIIB from a translation of The Kurontokai (The Ancient Epic of Love) Script printed on post-consumer recycled paper using less environmentally damaging inks Rovainen Musicals Inspirations Theater Camps and Clubs http://rovainenmusicals.com Scene Synopsis / Song List ACT I (Overture) 0.0: Street scene in modern-day India: Boy playing gets into fight, comforted by Grandmother who sings The Ramayana along with Demon and Human Narrators. Describes creation of world of yakshas and Rakshasas, rakshasas initially peaceful; how Ravana came to be; Rakshasas beginning to prey on humans; the no-man's land between Rakshasa & human territory; Rama & Lakshmana's roles along with Vibishina I Opening Village Bazaar Bazaar Song II Rama learns he to become king in How To Be King Sung by Dasaratha his ministers; overheard by Kaikeyi's servants Manthara and Suchara; Manthara and Suchara discuss the news of Rama's planned kingship. III Sita's rooms; she is arguing with her father about her rejecting suitors. He reflects on how they used to get along in the Lullaby and Then You'd Grow. Maidservants enter for You Should Marry Transitions to brief balcony scene where Rama and Sita see each other and are enamored; brief song (at end of You Should Marry) III.B Having met Sita, Rama is smitten; Lakshamana and the other warriors try to persuade Rama not to marry her, instead to stay single and a warrior in Love Just Makes Things Worse IV Bowlifting ceremony; Rama and Sita decide to marry V Beha Din Ayo Bollywood-inspired short song and dance showing Ayodhya celebrating the upcoming wed- ding VI Manthara and Suchara persuade Kaikeyi to have Rama banished and Bharatha put on throne He Promised You VII Na Jane Rama's Mother, Viswamithra, Sumanthra, nobles, and townsfolk singing to Rama to stay.
    [Show full text]