CURRICULUM VITAE Margaret Hiebert Beissinger Department Of
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2019 Spring Newsletter
May 2019 www.society4romanianstudies.org Vol 41 Spring 2019 No. 1 From the President In this issue... This year’s big news is the launch of the From the President………………………………..1 Journal of Romanian Studies. The first issue is already available and the Member Announcements……………………..2 second has been sent to the Interview with Rodica Milena……………….3 publishers. Members receive an Interview with Adina Mocanu………………5 electronic subscription to the Soundbite from Romania: Economics….7 journal as part of their Soundbite from Romania: Art……………….9 membership, and others can take 2019 Romanian Studies Conference...11 out individual or institutional subscriptions by writing directly SRS-Polirom Book Series……………………12 to the publisher at Featured Books……..……………………………..14 [email protected]. Our new H-Romania……………………………………………15 membership fees reflect the cost of Advice for Young Scholars with providing the journal to our members, but also include a Monica Ciobanu…………………………………...16 discount option for graduate students and scholars from Featured Affiliate Organization…………..19 Eastern Europe. The new journal is a substantial contribution to the field, and we hope that it will stimulate some useful informed SRS Fifth Biennial Book Prize……………..20 and interdisciplinary conversations in the years ahead. SRS 2019 Grad Essay Prize………………..20 SRS Membership………………………………….21 We are also pleased to announce the latest edition to the SRS/Polirom Book Series. Diana Dumitru’s Vecini în vremuri de About SRS…………………………………………….21 restriște. Stat, antisemitism și Holocaust în Basarabia și Transnistria is now available in a translation by Miruna Andriescu (see page 10 of this newsletter for details). Romanian translations of Maria Bucur’s Heroes and Victims (2010) and the collected volume Manele in Romania (2016), edited by Margaret Beissinger, Speranța Rădulescu, and Anca Giurchescu are both under preparation. -
Dancing Through the City and Beyond: Lives, Movements and Performances in a Romanian Urban Folk Ensemble
Dancing through the city and beyond: Lives, movements and performances in a Romanian urban folk ensemble Submitted to University College London (UCL) School of Slavonic and East European Studies In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) By Elizabeth Sara Mellish 2013 1 I, Elizabeth Sara Mellish, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed: 2 Abstract This thesis investigates the lives, movements and performances of dancers in a Romanian urban folk ensemble from an anthropological perspective. Drawing on an extended period of fieldwork in the Romanian city of Timi şoara, it gives an inside view of participation in organised cultural performances involving a local way of moving, in an area with an on-going interest in local and regional identity. It proposes that twenty- first century regional identities in southeastern Europe and beyond, can be manifested through participation in performances of local dance, music and song and by doing so, it reveals that the experiences of dancers has the potential to uncover deeper understandings of contemporary socio-political changes. This micro-study of collective behaviour, dance knowledge acquisition and performance training of ensemble dancers in Timi şoara enhances the understanding of the culture of dance and dancers within similar ensembles and dance groups in other locations. Through an investigation of the micro aspects of dancers’ lives, both on stage in the front region, and off stage in the back region, it explores connections between local dance performances, their participants, and locality and the city. -
Download the Programme and Abstracts
FOLKLORE, LEARNING AND LITERACIES The Folklore Society’s Annual Conference, 21-23 May 2021, online ‘Counting Out’. Photo: Marc Armitage PROGRAMME AND ABSTRACTS Friday 21 May 11:00-12.30 Panel 1: Modern Media and Folklore Chair: Julia Bishop Robert McDowall, Digital Literacy: its Application to Folklore Laima Anglickiene and Jurgita Macijauskaitė-Bonda, Multilingualism and Multiculturalism in Lithuanian Children‘s Folklore Sarmistha De Basu, The Use of Folklore in the Media World of the Indian Subcontinent 13:15-13:45 Keynote talk by Michael Rosen ‘Don’t say that!’ – How My Parents Negotiated Yiddish Introduced by Owen Davies 14:00—15:30 Panel 2: Playing the Archive Chair: Pat Ryan Julia Bishop, Catherine Bannister, and Alison Somerset-Ward, Children’s Folklore, Learning and Literacies: The Making of the Iona and Peter Opie Archive Alison Somerset-Ward and Helen Woolley, Affordances of Outdoor Environments for Play in the Opie Archive John Potter and Kate Cowan, ‘This is me reporting live from the playground…’: Improvisation, Imagination and Lifeworlds in Children’s Playful Talk 16:00—17:30 Panel 3: Childlore Collections and Collectors Chair: Cath Bannister Janet Alton, Games, Rhymes, and Wordplay of London Children by Nigel Kelsey Yinka Olusoga, The Iona and Peter Opie Archive: A British Academy Research Project Julia Bishop and Steve Roud, Childlore Online: Accessing the Children’s Contributions @ Opiearchive.org Saturday 22 May 9:30—11:00: Panel 4: Applied Folkloristics Chair: Paul Cowdell Caitlin Rimmer, Accountability in Aesthetic Interpretation: The Role of Folklore in Deconstructing Homophobic Ontologies Victoria Newton, Vernacular Knowledge and Public Health: Reproductive Bodylore and Contraceptive Decision-making Kate Smith, How Can Folklore and Folkloristics Make Climate Change Education Better? 11:30—13:00: Panel 5: Using Folktales in the Classroom Chair: Kate Smith Patrick Ryan, ‘Every teacher should be an excellent storyteller’: A Wholesome Revival of the Ancient Art in Progressive Education. -
Roma As Alien Music and Identity of the Roma in Romania
Roma as Alien Music and Identity of the Roma in Romania A thesis submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy 2018 Roderick Charles Lawford DECLARATION This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… Date ………………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… Date ………………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated, and the thesis has not been edited by a third party beyond what is permitted by Cardiff University’s Policy on the Use of Third Party Editors by Research Degree Students. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… Date ………………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available online in the University’s Open Access repository and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… Date ………………………… ii To Sue Lawford and In Memory of Marion Ethel Lawford (1924-1977) and Charles Alfred Lawford (1925-2010) iii Table of Contents List of Figures vi List of Plates vii List of Tables ix Conventions x Acknowledgements xii Abstract xiii Introduction 1 Chapter 1 - Theory and Method -
Islam: State and Religion in Modern Europe by Patrick Franke
Islam: State and Religion in Modern Europe by Patrick Franke From the early Middle Ages until the beginning of the twentieth century, Islamic states were an integral part of Europe's political geography. Throughout the modern period the Ottoman Empire, with its capital in Istanbul, was the most important Islamic power on the continent. The Ottoman conquest of south‐eastern Europe, which was already well advanced in the 15th century, initiated a phase of Islamization that came in several waves before ending in the 19th century. Other important centres of European Islam were the Iberian Peninsula (until the early 17th century), the Russian Volga‐Ural region, and the Crimea. The decline of the European Islamic states (Granada, the eastern European Khanates, the Ottoman Empire) put many Muslims under the rule of non‐Islamic states, each of which reacted with the development of its own particular policies for dealing with Islam. For the Muslim populations, this loss of power resulted in important processes of modernization. TABLE OF CONTENTS 1. Islamic Statehood in Europe between 1450 and 1950 2. Processes of Islamization and De‐Islamization 3. Policies of Non‐Islamic European States toward Islam 4. Islamic Positions towards Non‐Islamic Europe 5. Appendix 1. Bibliography 2. Notes Indices Citation Islamic Statehood in Europe between 1450 and 1950 In the mid‐15th century a number of small Islamic states existed on the edges of various parts of Europe (➔ Media Link #ab). The southern Iberian Peninsula1 was home to the Nasrid Emirate of Granada, which, however, was in decline in this period. In 1485 the Christian states of Castile and Aragon began their systematic conquest of the Emirate, at a time when the Muslims were exhausting their energies in a civil war. -
Icelandic Folklore
i ICELANDIC FOLKLORE AND THE CULTURAL MEMORY OF RELIGIOUS CHANGE ii BORDERLINES approaches,Borderlines methodologies,welcomes monographs or theories and from edited the socialcollections sciences, that, health while studies, firmly androoted the in late antique, medieval, and early modern periods, are “edgy” and may introduce sciences. Typically, volumes are theoretically aware whilst introducing novel approaches to topics of key interest to scholars of the pre-modern past. iii ICELANDIC FOLKLORE AND THE CULTURAL MEMORY OF RELIGIOUS CHANGE by ERIC SHANE BRYAN iv We have all forgotten our names. — G. K. Chesterton Commons licence CC-BY-NC-ND 4.0. This work is licensed under Creative British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. © 2021, Arc Humanities Press, Leeds The author asserts their moral right to be identi�ied as the author of this work. Permission to use brief excerpts from this work in scholarly and educational works is hereby granted determinedprovided that to thebe “fair source use” is under acknowledged. Section 107 Any of theuse U.S.of material Copyright in Act this September work that 2010 is an Page exception 2 or that or limitation covered by Article 5 of the European Union’s Copyright Directive (2001/ 29/ EC) or would be 94– 553) does not require the Publisher’s permission. satis�ies the conditions speci�ied in Section 108 of the U.S. Copyright Act (17 USC §108, as revised by P.L. ISBN (HB): 9781641893756 ISBN (PB): 9781641894654 eISBN (PDF): 9781641893763 www.arc- humanities.org print-on-demand technology. -
“Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania ______
DOI https://doi.org/10.2298/MUZ2029085L UDC 784.4(=214.58)(498) “Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania ___________________________ Roderick Charles Lawford1 Cardiff University, United Kingdom „Извитоперење укуса људи“: Lăutari и балканско питање у Румунији __________________________ Родерик Чарлс Лофорд Универзитет у Кардифу, Уједињено Краљевство Received: 1 September 2020 Accepted: 9 November 2020 Original scientific article. Abstract “’Perverting the Taste of the People’: Lăutari and the Balkan Question in Ro- mania” considers the term “Balkan” in the context of Romanian Romani mu- sic-making. The expression can be used pejoratively to describe something “bar- baric” or fractured. In the “world music” era, “gypsy-inspired” music from the Balkans has become highly regarded. From this perspective “Balkan” is seen as something desirable. The article uses the case of the Romanian “gypsy” band Taraf de Haïdouks in illustration. Romania’s cultural and physical position with- in Europe can be difficult to locate, a discourse reflected in Romanian society itself, where many reject the description of Romania as a “Balkan” country. This conflict has been contested throughmanele , a Romanian popular musical genre. In contrast, manele is seen by its detractors as too “eastern” in character, an unwel- come reminder of earlier Balkan and Ottoman influences on Romanian culture. Keywords: Balkan(s), Romania, alterity, exotic, oriental, Ottoman, manele, lăutari, “gypsy”, Turkish, Roma, Romani, “world music”, subaltern. 1 [email protected] 86 МУЗИКОЛОГИЈА / MUSICOLOGY 29-2020 Апстракт „’Извитоперење укуса људи’: Lăutari и балканско питање у Румунији“ студија је у којој се разматра појам „Балкан“ у контексту музичке продукције румунских Рома. -
ROBERTS-THESIS.Pdf (933.8Kb)
The Thesis Committee for Jason Edward Roberts Certifies that this is the approved version of the following thesis: Evidence of Shamanism in Russian Folklore APPROVED BY SUPERVISING COMMITTEE: Supervisor: Thomas Jesús Garza Bella Bychkova Jordan Evidence of Shamanism in Russian Folklore by Jason Edward Roberts, B. Music; M. Music Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2011 Acknowledgements I would like to gratefully acknowledge both Tom Garza and Bella Jordan for their support and encouragement. Their combined expertise has made this research much more fruitful than it might have been otherwise. I would also like to thank Michael Pesenson to whom I will forever be indebted for giving me the push to “study what I like” and who made time for my magicians and shamans even when he was up to his neck in sibyls. iii Abstract Evidence of Shamanism in Russian Folklore Jason Edward Roberts, MA The University of Texas at Austin, 2011 Supervisor: Thomas Jesús Garza A wealth of East Slavic folklore has been collected throughout Russia, Ukraine, and Belorussia over a period of more than a hundred years. Among the many examinations that have been conducted on the massive corpus of legends, fabulates, memorates, and charms is an attempt to gain some understanding of indigenous East Slavic religion. Unfortunately, such examination of these materials has been overwhelmingly guided by political agenda and cultural bias. As early as 1938, Yuri Sokolov suggested in his book, Russian Folklore, that some of Russia’s folk practices bore a remarkable resemblance to shamanic practices, commenting specifically on a trance like state which some women induced in themselves by means of an whirling dance. -
Myth and Reality in Dance Pictures
International Council for Traditional Music STUDY GROUP FOR MUSICAL ICONOGRAPHY STUDY GROUP ON ETHNO-CHOREOLOGY Subgroup 011 Dance Iconography 7th Meeting 4th Meeting Meeting/Tagung in Innsbruck 13 June 1995 - 18 June 1995 Myth and Reality in Dance Pictures Abstracts Leopold-Franzens-Universitat Innsbruck Institut fUr Musikwissenschaft Organizational Committee Prof. Dr. Tilman Seebass Dr. Lisbet Torp Prof.Dr. Marianne Brocker (Chairman Iconography) (Chairman Choreology) (Subgroup on Dance Iconogr.) Inst. fUr Musikwissenschaft Kaersangervey 23 Obere Seelgasse 51 UniversiUit Innsbruck DK-2400 Copenhagen NV 0-96049 Bamberg Karl-SchOnherr-Str. 3 A-6020 Innsbruck Tel.Secr. + 431512/ 507 4300 Tel. +45/ 311 542 211 Tel. +49/ 951 / 523 93 Pers. +4315121 579 650 Fax +45/31/878 939 Fax +49/9511 592 21 Fax +43/5121 579 611 \ . Brochure compiled at the Institut fUr Musikwissenschaft, Universitat Innsbruck Scholler Schein und technische ReaUlat Siby lle Dahms AJl.. 1 1i-1 1:.. Fur die tanzgcschichtJiche Forschung sind ikonographische Quellen ei n wichtiger, wenngleich nicht zentraler Bestandteil des zu bearbeitenden Materials. (1m Zentrum tanzgeschichtlicher Untersuchungen steht die musikalische und choreographische Uberlieferung). Anhand ausgewahlter Beispiele ikonographischer Dokumente der 'Derra de moroda Dance Archives' soli die Problematik ikonographischen Quellenmaterials dargelegt werden, in welchem der Anteil der Realistischen gegenilber dem Anteil der Nicht-Realistischen oft sehr schwer zu bestimmen ist. Dabei sollen jene Epochen abendlandischer Tanzgeschichte im Zentrum stehen, aus denen ges icherle Primarquellen mit Tanzschriften, bzw. Tanznotationen uberJiefert sind, die eine Uberprufung des korrespondierenden Bildbestandes ermogJichen. Unter diesem Aspekt werden folgende Themenschwerpunkte untersucht: Hofischer und theatralischer Tanz in Italien um 1600; TheatraJischer Tanz (Frankreich/Deutschland) in der ersten Hiilfte des 18 . -
Here Hardly Seems to Be Any Other Conclusion
Stars and black holes Ronald Hutton is the rst academic historian to have attempted a full-scale history of modern Pagan witchcraft (particularly Wicca), and his scholarly yet entertaining tone in e Triumph of the Moon has star-struck a generation of Pagans1 and substan- tially changed the way we see ourselves. For some, Triumph has become a cornerstone of faith, perhaps read alongside Hutton’s other books on paganism. It has greatly encouraged intellectual forms of Paganism and witchcraft in which the Gods are re- garded as ‘thoughtforms’ created by people, rather than the other way around. And if Hutton is correct that our Gods and our mode of worship have no precedent in any prior religion, there hardly seems to be any other conclusion. His thesis is that mod- ern Pagan witchcraft is entirely a new invention, cobbled together by a few eccentrics of the early twentieth century out of themes from Romanticism and the recent Euro- pean occult revival, all supplemented with plenty of imagination, and with no link or even resemblance to any prior form of witchcraft or pagan spirituality. He also con- tends that since paganism was rapidly eradicated in the Middle Ages,2 Early Modern witchcraft could not have been a form of paganism — in fact, he claims, witchcraft never existed at all, outside of fantasy, until Gerald Gardner established the religion of Wicca in the early 1950s. While I agree that today’s witchcraft is largely a reinvention, I disagree with several of Hutton’s supporting claims, and believe his case is overstated and deeply 1I adopt Hutton’s convention of distinguising contemporary Paganism (capitalised) from earlier his- torical paganism. -
Folklore and Ethnomusicology Contact: [email protected]
University Graduate School University Graduate School 2005-2006 Kirkwood Hall 111 Academic Bulletin Indiana University Bloomington, IN 47405 (812) 855-8853 Folklore and Ethnomusicology Contact: [email protected] College of Arts and Sciences Bloomington Chairperson Distinguished Professor Richard Bauman* Director, Folklore Institute Distinguished Professor Richard Bauman* Director, Ethnomusicology Institute Professor Portia K. Maultsby* Departmental E-mail [email protected] Departmental URL www.indiana.edu/~folklore Graduate Faculty (An asterisk [*] denotes membership in the University Graduate School faculty with the endorsement to direct doctoral dissertations.) College Professor Henry H. Glassie* Distinguished Professors Richard Bauman*, Linda Dégh* (Emerita) Laura Bolton Professor Ruth M. Stone* Professors Mary Ellen Brown (Emerita)*, Sandra Kay Dolby*, Hasan M. El-Shamy*, William Hansen (Emeritus)* (Classical Studies), Roger L. Janelli*, George List* (Emeritus), Portia K. Maultsby*, John H. McDowell*, Lewis Rowell (Emeritus)* (Music), William Wiggins Jr.* (Emeritus, African American and African Diaspora Studies) Associate Professors Mellonee Victoria Burnim*, John W. Johnson*, Gregory A. Schrempp*, Beverly J. Stoeltje* (Anthropology) Associate Scholar Inta Gale Carpenter* Assistant Professors Jason Baird Jackson, Cándida Frances Jáquez, David Delgado Shorter, Pravina Shukla, Daniel Boyce Reed Senior Lecturer Sue Tuohy Adjunct Professors John Bodnar* (History), Raymond DeMallie* (Anthropology), Anya Peterson Royce* (Anthropology) -
2018 Spring Newsletter
SRS newsletter www.society4romanianstudies.org April 1, 2018 SOCIETY FOR ROMANIAN STUDIES NEWSLETTER Vol. 40 | Spring 2018| No. 1 From the President While waiting for nicer weather, the Society for Romanian Studies has In this issue started a number of activities in 2018. We thank the volunteers who serve as chairs and members of our From the President……1 committees, the Polirom and Ibidem What SRS Means to You…3 presses, which support our Update: 2018 SRS Conference…4 publications, our members, who act as liaisons with other scholarly Message to SRS Conference associations, as well as the many Participants…5 institutional and media partners who SRS 2018 Grad Essay Prize…7 are helping us with our June 2018 international conference in Bucharest. SRS Journal…8 Many of you know that 2018 is an anniversary year for SRS-Polirom Series…9 our Society, which celebrates 45 years since its foundation. To Vote Now!…11 honor this historical marker, we offer a series of weekly Soundbite from Romania..11 interviews with selected SRS members throughout the year. The interviews are published in LaPunkt, a reputable Get to Know Our Scholars…13 electronic platform in Bucharest, and are meant to introduce SRS Mentoring Program…18 SRS members teaching and researching outside of Romania #45for45…19 and Moldova to audiences in those countries. Links to these The Still-Changing Romanian interviews, coordinated by Anca Șincan and facilitated by Eugen Stancu, are available here, and regularly posted on our Diaspora…20 social media. Cultures of History…21 A number of SRS committees are active this year.