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Chapter 4: (1960 – 1980) Branches of Čoček
Gundula Gruen Gundula Gruen MA Ethnomusicology MUM120: Ethnomusicology Major Project August 2018 Title: UNDERSTANDING ČOČEK – AN HISTORICAL, MUSICAL AND SOCIOLOGICAL EXPLORATION Module Tutor: Dr Laudan Nooshin Student Name: Gundula Gruen Student No: 160033648 Submitted in partial fulfilment of the requirements for the degree of MA in Ethnomusicology Total word count: 20,866 (including headings, excluding footnotes and references) TABLE OF CONTENTS Abstract ......................................................................................................................................... 7 Foreword: ...................................................................................................................................... 8 Acknowledgements: .................................................................................................................. 8 Definitions and Spellings .......................................................................................................... 8 Introduction: ................................................................................................................................ 11 Chapter 1: The Origins of Čoček ................................................................................................ 15 The History of Köçek in Ottoman Times ................................................................................ 16 Speculation on Older Roots of Čoček ..................................................................................... 18 Chapter 2: Čalgija -
2019 Spring Newsletter
May 2019 www.society4romanianstudies.org Vol 41 Spring 2019 No. 1 From the President In this issue... This year’s big news is the launch of the From the President………………………………..1 Journal of Romanian Studies. The first issue is already available and the Member Announcements……………………..2 second has been sent to the Interview with Rodica Milena……………….3 publishers. Members receive an Interview with Adina Mocanu………………5 electronic subscription to the Soundbite from Romania: Economics….7 journal as part of their Soundbite from Romania: Art……………….9 membership, and others can take 2019 Romanian Studies Conference...11 out individual or institutional subscriptions by writing directly SRS-Polirom Book Series……………………12 to the publisher at Featured Books……..……………………………..14 [email protected]. Our new H-Romania……………………………………………15 membership fees reflect the cost of Advice for Young Scholars with providing the journal to our members, but also include a Monica Ciobanu…………………………………...16 discount option for graduate students and scholars from Featured Affiliate Organization…………..19 Eastern Europe. The new journal is a substantial contribution to the field, and we hope that it will stimulate some useful informed SRS Fifth Biennial Book Prize……………..20 and interdisciplinary conversations in the years ahead. SRS 2019 Grad Essay Prize………………..20 SRS Membership………………………………….21 We are also pleased to announce the latest edition to the SRS/Polirom Book Series. Diana Dumitru’s Vecini în vremuri de About SRS…………………………………………….21 restriște. Stat, antisemitism și Holocaust în Basarabia și Transnistria is now available in a translation by Miruna Andriescu (see page 10 of this newsletter for details). Romanian translations of Maria Bucur’s Heroes and Victims (2010) and the collected volume Manele in Romania (2016), edited by Margaret Beissinger, Speranța Rădulescu, and Anca Giurchescu are both under preparation. -
APPLICATION for GRANTS UNDER the National Resource Centers and Foreign Language and Area Studies Fellowships
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180010 Gramts.gov Tracking#: GRANT12656311 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180010 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (UT_SAI_NRC___FLAS_2018___ED_GEPA_4271031661891) e12 6. Grants.gov Lobbying Form e14 7. Dept of Education Supplemental Information for SF-424 e15 8. ED Abstract Narrative Form e16 Attachment - 1 (UT_SAI_NRC___FLAS_2018___Abstract1031661937) e17 9. Project Narrative Form e18 Attachment - 1 (UT_SAI_NRC___FLAS_2018___Project_Narrative1031661995) e19 10. Other Narrative Form e72 Attachment - 1 (UT_SAI_NRC___FLAS_2018___Appendix_1___NRC_FLAS_Applicant_Profile1031661934) e73 Attachment - 2 (UT_SAI_NRC___FLAS_2018___Appendix_2___Acronyms1031661935) e74 Attachment - 3 e75 (UT_SAI_NRC___FLAS_2018___Appendix_3____Diverse_Perspectives_and_Government_Service1031661980) Attachment - 4 (UT_SAI_NRC___FLAS_2018___Appendix_4___CVs1031661968) e77 Attachment - 5 (UT_SAI_NRC___FLAS_2018___Appendix_5___Courses1031661970) e117 Attachment - 6 (UT_SAI_NRC___FLAS_2018___Appendix_6___PMF1031661971) e143 Attachment - 7 (UT_SAI_NRC___FLAS_2018___Appendix_7___Letters_of_Support1031661972) e146 11. Budget -
Dancing Through the City and Beyond: Lives, Movements and Performances in a Romanian Urban Folk Ensemble
Dancing through the city and beyond: Lives, movements and performances in a Romanian urban folk ensemble Submitted to University College London (UCL) School of Slavonic and East European Studies In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) By Elizabeth Sara Mellish 2013 1 I, Elizabeth Sara Mellish, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed: 2 Abstract This thesis investigates the lives, movements and performances of dancers in a Romanian urban folk ensemble from an anthropological perspective. Drawing on an extended period of fieldwork in the Romanian city of Timi şoara, it gives an inside view of participation in organised cultural performances involving a local way of moving, in an area with an on-going interest in local and regional identity. It proposes that twenty- first century regional identities in southeastern Europe and beyond, can be manifested through participation in performances of local dance, music and song and by doing so, it reveals that the experiences of dancers has the potential to uncover deeper understandings of contemporary socio-political changes. This micro-study of collective behaviour, dance knowledge acquisition and performance training of ensemble dancers in Timi şoara enhances the understanding of the culture of dance and dancers within similar ensembles and dance groups in other locations. Through an investigation of the micro aspects of dancers’ lives, both on stage in the front region, and off stage in the back region, it explores connections between local dance performances, their participants, and locality and the city. -
'Race' and Diaspora: Romani Music Making in Ostrava, Czech Republic
Music, ‘Race’ and Diaspora: Romani Music Making in Ostrava, Czech Republic Melissa Wynne Elliott 2005 School of Oriental and African Studies University of London PhD ProQuest Number: 10731268 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731268 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis is a contribution towards an historically informed understanding of contemporary music making amongst Roma in Ostrava, Czech Republic. It also challenges, from a theoretical perspective, conceptions of relationships between music and discourses of ‘race’. My research is based on fieldwork conducted in Ostrava, between August 2003 and July 2004 and East Slovakia in July 2004, as well as archival research in Ostrava and Vienna. These fieldwork experiences compelled me to explore music and ideas of ‘race’ through discourses of diaspora in order to assist in conceptualising and interpreting Romani music making in Ostrava. The vast majority of Roma in Ostrava are post-World War II emigres or descendants of emigres from East Slovakia. In contemporary Ostrava, most Roma live on the socio economic margins and are most often regarded as a separate ‘race’ with a separate culture from the dominant population. -
The George Batyi Romani Music Collection
Oberlin Conservatory Library Special Collections The George Batyi Romani Music Collection Inventory Page | 1 Series 1: Audiovisual Material Item Number Title Artist Record label Record Item details number CSC_GBA_01 The Music of Hungary Kalmar, Pal; Bura, Sandor; Laszlo, Imre; Capitol Records DT10085 1 sound disc: analog, Berkes, Bela 33 1/3 rpm; 12 in CSC_GBA_02 28 Dance Csardas Brenkacs, John B&F S640 1 sound disc: analog, 33 1/3 rpm; 12 in CSC_GBA_03 A Gypsy Night Joszy Westminster WP6016 1 sound disc: analog, 33 1/3 rpm; 12 in CSC_GBA_04 Gipsy Songs Qualiton SLPX10103 1 sound disc: analog, 33 1/3 rpm; 12 in CSC_GBA_05 Budapesti Emlekek Istvan, Balogh Fiesta FLPS1446 1 sound disc: analog, 33 1/3 rpm; 12 in CSC_GBA_06 Gypsy Music from Hungary Mihaly, Karpaty London SW99451 1 sound disc: analog, International 33 1/3 rpm; 12 in CSC_GBA_07 Qualiton LPX10073 1 sound disc: analog, 33 1/3 rpm; 12 in CSC_GBA_08 Gipsy Magic Orchestra of the Hungarian State Folk Vox VX26190 1 sound disc: analog, Ensemble 33 1/3 rpm; 12 in CSC_GBA_09 The Outstanding Gypsy Violinist and Banyak, Kalman B and F S631 1 sound disc: analog, His Orchestra Play Magyar Melodies 33 1/3 rpm; 12 in CSC_GBA_10 Tears of a Gypsy Lendvay, Kalman Westminster WP6075 1 sound disc: analog, 33 1/3 rpm; 12 in CSC_GBA_11 I Remember Hungary Lendvay, Kalman Fiesta FLP1265 1 sound disc: analog, 33 1/3 rpm; 12 in Oberlin Conservatory Library l 77 West College Street l Oberlin, Ohio 44074 l [email protected] l 440.775.5129 (last updated April 26, 2019) Oberlin Conservatory Library Special Collections The George Batyi Romani Music Collection Inventory Page | 2 Item Number Title Artist Record label Record Item details number CSC_GBA_12 Gypsy Strings Nemeth, Yoska Vox VX25220 1 sound disc: analog, 33 1/3 rpm; 12 in CSC_GBA_13 Huzd Ra Cigany! Sandor, Lakatos; Zenekara, Cigany Fiesta FLPS1421 1 sound disc: analog, 33 1/3 rpm; 12 in CSC_GBA_14 Budapest ejjel [Budapest at night] Sandor, Lakatos Qualiton SLPX10071 1 sound disc: analog, 33 1/3 rpm; 12 in CSC_GBA_15 A Ven Cygany: Hungarian Gypsy D. -
Roma As Alien Music and Identity of the Roma in Romania
Roma as Alien Music and Identity of the Roma in Romania A thesis submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy 2018 Roderick Charles Lawford DECLARATION This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… Date ………………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… Date ………………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated, and the thesis has not been edited by a third party beyond what is permitted by Cardiff University’s Policy on the Use of Third Party Editors by Research Degree Students. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… Date ………………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available online in the University’s Open Access repository and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… Date ………………………… ii To Sue Lawford and In Memory of Marion Ethel Lawford (1924-1977) and Charles Alfred Lawford (1925-2010) iii Table of Contents List of Figures vi List of Plates vii List of Tables ix Conventions x Acknowledgements xii Abstract xiii Introduction 1 Chapter 1 - Theory and Method -
University of Texas at Austin A0015 B0015
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180015 Gramts.gov Tracking#: GRANT12657769 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180015 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 Attachment - 1 (Areas_Affected_by_Project1031558997) e6 2. Standard Budget Sheet (ED 524) e7 3. Assurances Non-Construction Programs (SF 424B) e9 4. Disclosure Of Lobbying Activities (SF-LLL) e11 5. ED GEPA427 Form e12 Attachment - 1 (CES_GEPA1031662081) e13 6. Grants.gov Lobbying Form e14 7. Dept of Education Supplemental Information for SF-424 e15 8. ED Abstract Narrative Form e16 Attachment - 1 (CES_Abstract1031662090) e17 9. Project Narrative Form e18 Attachment - 1 (CES_Narrative1031662092) e19 10. Other Narrative Form e75 Attachment - 1 (CES_ProfileForm1031662084) e76 Attachment - 2 (CES_Acronyms1031662093) e78 Attachment - 3 (CES_HigherEdActRequirement1031662094) e79 Attachment - 4 (CES_DirectorStaffFaculty1031662095) e81 Attachment - 5 (CES_Positions1031662096) e186 Attachment - 6 (CES_Courses1031662111) e189 Attachment - 7 (CES_PMFs1031662098) e208 Attachment - 8 (LettersSupport1031662099) e213 11. Budget Narrative Form e220 Attachment - 1 (CES_Budget1031662091) e221 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. Page numbers created by the e-Application PDF functionality will be preceded by the letter e (for example, e1, e2, e3, etc.). Page e2 OMB Number: 4040-0004 Expiration Date: 12/31/2019 Application for Federal Assistance SF-424 * 1. -
A Little Romani Music a Smithsonian Folkways Lesson Designed By: Kathleen Arends Open Window School
A Little Romani Music A Smithsonian Folkways Lesson Designed by: Kathleen Arends Open Window School Summary: This lesson uses music from Romani performers to explore basic musical concepts. Students show ternary (ABA) form in movement, sing a Russian folk song in English, practice showing phrase structure and finding and showing beat, and discriminate a rhythmic pattern at various tempi. Suggested Grade Levels: K-2 Country: Russia, Belarus, Yugoslavia Region: Eastern Europe Culture Group: Romani Genre: World Instruments: Rhythm or Lummi Sticks (or pencils, etc.) Language: Russian, English Co-Curricular Areas: Drama, Dance, Social Studies National Standards: 1, 2, 6, 7, 9 Prerequisites: None Objectives: Listen to, analyze, and describe Russian Romani musical selections Sing a Russian folk song Play the beat of a musical selection on sticks Move to show the form of a selection Find a designated rhythm and show it in movement Evaluate vocal timbre Materials: “Gypsy Lullaby” and “Bright Shines the Moon” from Gypsy Guitar: the Fiery Moods of Mirko http://www.folkways.si.edu/mirko/gypsy- lullaby/world/music/track/smithsonian “In the Field Stood a Birch Tree” (“Vo Pole Beryioza Stoyala”) from Treasury of Russian Gypsy Songs http://www.folkways.si.edu/marusia-georgevskaya-and-sergei- krotkoff/treasury-of-russian-gypsy- songs/world/music/album/smithsonian “Poite, Tsygane” (“Sing, Gypsies”) from Gypsy Nights http://www.folkways.si.edu/zhenya-schevchenko/gypsy- nights/world/music/album/smithsonian Rhythm sticks or lummi sticks Globe Lesson Segments: 1. The Mischievous Baby (National Standards 6, 9) 2. Little Birch Tree (National Standards 1, 6, 7, 9) 3. A Dance for Sticks (National Standards 2, 6, 9) 4. -
“Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania ______
DOI https://doi.org/10.2298/MUZ2029085L UDC 784.4(=214.58)(498) “Perverting the Taste of the People”: Lăutari and the Balkan Question in Romania ___________________________ Roderick Charles Lawford1 Cardiff University, United Kingdom „Извитоперење укуса људи“: Lăutari и балканско питање у Румунији __________________________ Родерик Чарлс Лофорд Универзитет у Кардифу, Уједињено Краљевство Received: 1 September 2020 Accepted: 9 November 2020 Original scientific article. Abstract “’Perverting the Taste of the People’: Lăutari and the Balkan Question in Ro- mania” considers the term “Balkan” in the context of Romanian Romani mu- sic-making. The expression can be used pejoratively to describe something “bar- baric” or fractured. In the “world music” era, “gypsy-inspired” music from the Balkans has become highly regarded. From this perspective “Balkan” is seen as something desirable. The article uses the case of the Romanian “gypsy” band Taraf de Haïdouks in illustration. Romania’s cultural and physical position with- in Europe can be difficult to locate, a discourse reflected in Romanian society itself, where many reject the description of Romania as a “Balkan” country. This conflict has been contested throughmanele , a Romanian popular musical genre. In contrast, manele is seen by its detractors as too “eastern” in character, an unwel- come reminder of earlier Balkan and Ottoman influences on Romanian culture. Keywords: Balkan(s), Romania, alterity, exotic, oriental, Ottoman, manele, lăutari, “gypsy”, Turkish, Roma, Romani, “world music”, subaltern. 1 [email protected] 86 МУЗИКОЛОГИЈА / MUSICOLOGY 29-2020 Апстракт „’Извитоперење укуса људи’: Lăutari и балканско питање у Румунији“ студија је у којој се разматра појам „Балкан“ у контексту музичке продукције румунских Рома. -
FEET FIRST:An Invitation to Dance
QPAC PRESENTS FEET FIRST: an invitation to dance Dance Genres Learn more about each of the genres and presenters on show at Feet First. This culture represents a living heritage left by the African slaves in Brazil, in which context Capoeira and Afro-Brazilian dances constitute a whole. For this reason, the pratice of Capoeira Afro-Brazilian always comes together with Afro-Brazilian dances such as Maculelê, Samba de Roda and Puxada de Rede. Presented by: http://www.xangocapoeira.com.au/ Creative movement and dance for 3-8 year olds. Designed specifi cally for young children, baby ballet introduces the foundations of dance through movement, rhythm, imagination and Baby Ballet creative play. Presented by: http://www.brisbanedancetheatre.com.au/tipoe-dance/ Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance form in France and Russia. It has since Ballet become a widespread, highly technical form of dance with its own vocabulary. Presented by: http://www.vaganova.com.au/classes/http://www.2ballerinas.com/ Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world. Because of its performance and entertainment aspects, ballroom dance is also widely enjoyed on stage, fi lm, and television. Ballroom dance may refer, at its widest, to almost any type of social dancing as recreation. Ballroom Dance However, with the emergence of dancesport in modern times, the term has become narrower in scope. It usually refers to the International Standard and International Latin style dances. -
Myth and Reality in Dance Pictures
International Council for Traditional Music STUDY GROUP FOR MUSICAL ICONOGRAPHY STUDY GROUP ON ETHNO-CHOREOLOGY Subgroup 011 Dance Iconography 7th Meeting 4th Meeting Meeting/Tagung in Innsbruck 13 June 1995 - 18 June 1995 Myth and Reality in Dance Pictures Abstracts Leopold-Franzens-Universitat Innsbruck Institut fUr Musikwissenschaft Organizational Committee Prof. Dr. Tilman Seebass Dr. Lisbet Torp Prof.Dr. Marianne Brocker (Chairman Iconography) (Chairman Choreology) (Subgroup on Dance Iconogr.) Inst. fUr Musikwissenschaft Kaersangervey 23 Obere Seelgasse 51 UniversiUit Innsbruck DK-2400 Copenhagen NV 0-96049 Bamberg Karl-SchOnherr-Str. 3 A-6020 Innsbruck Tel.Secr. + 431512/ 507 4300 Tel. +45/ 311 542 211 Tel. +49/ 951 / 523 93 Pers. +4315121 579 650 Fax +45/31/878 939 Fax +49/9511 592 21 Fax +43/5121 579 611 \ . Brochure compiled at the Institut fUr Musikwissenschaft, Universitat Innsbruck Scholler Schein und technische ReaUlat Siby lle Dahms AJl.. 1 1i-1 1:.. Fur die tanzgcschichtJiche Forschung sind ikonographische Quellen ei n wichtiger, wenngleich nicht zentraler Bestandteil des zu bearbeitenden Materials. (1m Zentrum tanzgeschichtlicher Untersuchungen steht die musikalische und choreographische Uberlieferung). Anhand ausgewahlter Beispiele ikonographischer Dokumente der 'Derra de moroda Dance Archives' soli die Problematik ikonographischen Quellenmaterials dargelegt werden, in welchem der Anteil der Realistischen gegenilber dem Anteil der Nicht-Realistischen oft sehr schwer zu bestimmen ist. Dabei sollen jene Epochen abendlandischer Tanzgeschichte im Zentrum stehen, aus denen ges icherle Primarquellen mit Tanzschriften, bzw. Tanznotationen uberJiefert sind, die eine Uberprufung des korrespondierenden Bildbestandes ermogJichen. Unter diesem Aspekt werden folgende Themenschwerpunkte untersucht: Hofischer und theatralischer Tanz in Italien um 1600; TheatraJischer Tanz (Frankreich/Deutschland) in der ersten Hiilfte des 18 .