AUGUST, 1937 Montifly 30 Cts. ANNUALLY $3.00

Total Page:16

File Type:pdf, Size:1020Kb

AUGUST, 1937 Montifly 30 Cts. ANNUALLY $3.00 • HONOR PRIZE PROBLEM, J. F. TRACY Ontario, Calif. , WHITE MATES IN THREE MOVES • THE OFFICIAL ORGAN OF THE A.MERICAN CHESS FEDERATION DR. EUWE • SPIELMANN • Alt\TORTSEV THE KEMERI TOURNAMENT PAUL MORPHY AND PAUL KERES ADDENDA TO GRIFFITH AND WHITE. • • • • FRED REINFELD WOMEN IN CHESS • • • • • • • . EDITH L. WEART - ---- -~ AUGUST, 1937 MONTIfLY 30 Cts. ANNUALLY $3.00 'Jhe PAUL MORPHY and PAUL KERES Paul Morphy has aptly been called "tile pride and the sorrow of chess."' At tlle age of 22, REVIEW thefe were no worlds left for him to conquer! He lw.d attracted attention as a dlild prodigy, OFFICIAL ORGAN OF THE he -had won the American Championship at the AMERICAN CHESS FEDERATION age of 20, and the following year he had de. feated Lowenthal, Harrwitz and Andersscn in set matches, had distinguished himself by some I.!.dilof ISRAEL A. HOROWnZ, of the finest blindfold games that have ever S. S. COHEN, Alallagillg Edilor been played, and had generally defeated his 01" ponents with an case and unexampled brilliance FRED RE INFELD, Associllfe Edilor tInt have remained proverbial for almost a cen. BARN IE F. WINKELMAN, ASJoriate EdilOr tury. W e still use the expression ··Morphy.like R. CHENEY, Problem Edifor elegance," and Blackburne had no need to ex· plain in more detail whenever he ca ll ed a com. BERTRAM KADISH, Art Dirutor bination "a bit of Morplly," Vol. V, No. B I'lIblhhed IIlolllhl)' August. 1937 Paul Morphy and Paul Keres 169 Miniature Games - • • 171 The Kelneri Tournament 172 Addenda to Griffith and White m W omen in Chess - 177 Checking the News 178 Game Studies 179 Book Rev iews • • 183 Combination Studies • • 184 Selected Games IRo Problem Department • 187 Published flloll!hly by THE CJlESS REVIEW, 55 We,t 42nd 51., New York, N. Y. Telephone WIsconsin 7-3742. Dome'S!;, subscriptions: One Year $).00; Two Years $5.'0; Five Years $12.~O: Six Momhs 51.75. Single copy 30 CIS. Foreign subscriptions: S}.~O per )'(m except U. S. Possessions. Canada, Mex· ico. Cerural and SOUlh Arner;c:!. Sin/<k copy 3' CIS. Copyright 19.17 by THE CH~:SS Rllvtf.W ··Entert·d as st"(ond·class maner Janu,ny 25, 19.>7. at til(" poSt "tf,C{' at New York, N . Y., under the Act of l'>brch 3. IR79."· PAUL MQRPHY And yet, so far as serious chess was con· cerned, Morphy died at the age of 22! He CONTRIBUTING EDITORS: came back (rom Europe a ,hero, with all the world (all the chess world!) at his feet. He LAJOS STE INER D. MllcMURRA Y was young, famous, a scion of a well.off and J. B. SNETHI.AGE IRVI NG CHERNEV even aristocratic family. Yet the rest of his LEST ER BRAND JAMES R. NEWMAN w. life was wrapped up in illusions, disappoint. EDITH L. WEART JOSEPH GANCHER ments, bitter guarrels, futile law.suits, indiffer. 169 170 THE CHESS REVIEW cner and even aversion for chess. A tragic fate! amazing combinative abilities (or at least their That is why Paul Morphy -has been called "the development) may be credircd to the large pri de and the sorrow of chess." amount of correspondence chess which he has It may SOllnd heartless to point out that there played; for, prior to his winning the Estonian is one angle from which this sorry end of Mor_ Championship in December 1934, he had phy's chess_playing days does not seem so played only in such local tOi.lrnaments as the bitterly ipoignant. For he retired into the Students' Championship and t-he Championship shadows at the -height of his fame, at the very Tournament of Parnau. apex of his playing strength. In the years that have passed since his retirement, the d1CSS world has often had to witness the pitiful decline of the powers of a great master. Stcinitz is per_ haps the best example of this tendency. But in Morphy's record there arc no dark spots. Everything is dear and bright and joy_ ous, and beautiful moves Aow endlessly from the inexhaustible cornucopia of his genius. One always chinks of Morphy as a young man­ another Mozart. Morphy"s chess has an aristo­ cratic character: hi s games are elegant without being lifeless, his combinations arc brilliant 'without being flamboyant- for they are rarely unsound and just as rarely superfluous. This rigorous self_control, this sense of harmony, of good taste, the impression of achieving great effects with seemi ng effortlessness- all of these were new in Morphy's day. PARIS, 1858 (Black to Move) PAUL KERES But once he participated in internationai tournaments, he made a name for himself very guickly. Playing top board fo r Estonia in the Warsaw Team Tournament in 1935, he achieved the fine score of 12 wins, 5 losses and 3 draws. The following year he tied Alekhinc Delannoy for first 'place at Bad Nauhcim, and then tied The conclusion was: 1 .•• KR·Kl ! 2 BxB, Tartakower for third at Zandvoort (both of RxR; 3 KxR (if 3 Q_Kt5, KR_K7 wins), R.K7 these tournaments had very strong fields). ch!! 4 KxR, QxPch; 5 K.Kl, Q_KtSch; 6 K.K2, B_R4ch; 7 K.Q2, Q.B7 mate. Shortly thereafter he made the best score of all the players at the Munich Team Tournament (12 wins, 1 loss and 7 draws!). During the Perhaps it is only one of History"s well_ current year ·he has done so well that he is now known little ironies that in the ve ry year of the ranked among the grand masters, although he centenary of Paul Morphy"s birth, a namesake is not yet 22! He tied with Fine at Margate, of his should have risen to fame. and a few weeks later they repeated the same Paul Keres was born in Pamau, in what is performance (Ostend), with Grab being added now Estonia, on January 7th, 1916. Like Capa_ to figure in a triple tic for first. He then went blanca, he learned the game as a child while on to Prague, annexing another first prize with_ watohing his father play chess with friends. His out the loss of a game. And in the recent tour_ AUGUST, 1937 171 nament at Kemeri, he tied with Alekhine, miss_ ing a tie for first by only half a point. With these triumphs already behind him, Miniature Games Keres seems destined to become one of those FROM A SIMULTANEOUS EXH I BITION great masters who stand our not in one tourna_ Valga, 1936 ment or one year or one generation; one of PH I LI DOR'S DEFENSE those who, like Morphy, will be remembered as p. Kere·$ Amateur long as chess is played. 'White Black While Keres is just as "brilliant" as Morphy, 1 P-K4 P_K4 8 Kt_KtSch K_Kt1 2 Kt-KB3 P_Q3 9 Q.B4ch P_Q4 it is a different kind of brilliancy that is needed 3 B-B4 Kt-KB3 10 KtxQP Kt_K4 nowadays. In Morphy"s time, his opponents 4 Kt-B3 QKt_Q2 11 KtxKtch K.B1 often p layed so badly that Morphy's combin_ 5 P-Q4 p,p 12 Kt(5)xPch RxKt ations simply developed inexorably out of his 6 Q,P B.K2? 13 Q_Kt8 mate 7 BxPch! K,B positional advantage. This state of affairs stead­ ily recedes to the background nowadays, as the average strength of weaker players steadily rises. A brilliant contemporary player like Keres must AN OPENING TRAP be cO[ltinually keyed up on every move to find Played by Correspondence, 1936 something [lovel. something "different," some­ QUEEN'S GAMBIT DECLIrfED thing which will give the game a difficult twist Demetriescu Dr. Nagy so that ·he can utilize his superior tactical White Black 1 ·P_QB4 P_K3 8 0_0 0_0 abilities. 2 P_Q4 P-Q4 9 PxP P_QS 3 Kt_QB3 P_QB4 10 Kt-QR4 8_B4 CORRESPONDENCE, 1935 4 BPxP KPxP 11 B_Q2? B-K5 (White to move) S Kt_B3 Kt_QB3 12 Kt·R4 BxB 6 P-KKt3 Kt_B3 13 KtxB Kt_KS ~~SchaPiro 7 B_Kt2 B. K2 14 Q.B2? P_Q6!! W.hite resigns, as he must lose a piece no matter how he Jliays ! If 15 Qx p. QxQ; 16 PxQ. KtxB. If 15 PxP, K t-Q5; 16 Q-Ql, KtxB; 17 QxKt, Kt·B6ch. If J5 Q·Ql , PxP; 16 QxP, K tx B; 17 KR-Ql, Kt-Q5! ECHO THEME Murau, 1935 CENTER GAME Haecke Dr. Reinle White Black 1 P_K4 P_K4 5 B_QB4? Kt_K4 2 P_Q4 PxP 6 B_Kt3 B_KtSch! 3 QxP Kt..QB3 7 P.B3? B_B4! Keres 4 Q-K3 Kt..B3 8 Q.Kt3 BxPoh!! White resigns. as he must lose the Q (9 QxB, There followed: 21 QxBP! KtxB; 22 PxP, Ktx Kt·Q6ch, or 9 KxB, KtxPch). KP; 23 Kt-Q5ch, K_K3; 24 QR_K1 (threatening mate in three), Q_B1; 25 Kt.B7ch, K_K2; 26 Rx Ktchl PxR; 27 Kt·QSch, K_Q1; 28 RxBch! RxR; 29 Q_Q6ch, Q _Q2; 30 QxQRch, Q_B1; 31 Q-Q6ch, REPULSING A PREMATURE ATTACK Q-Q2; 32 QxRch, Q-K1; 33 QxP, resigns. Jurata Tournament May, 1937 NIMZOWI TSCH DEFENSE Schaechter Woiciechovsky White Black 1 P-Q4 Kt.KB3 11 p.QS P_KS! REMEMBER 2 P-QB4 P_K3 12 Kt.Q2 Kt_K4 3 Kt-QB3 B_KtS 13 P_R3 KtxQP! TO RENEW 4 Q_B2 Kt_B3 14 B,Q KtxQ S Kt·B3 0·0 15 B,P Kt·Q6ch! YOUR 6 B-Kt5 R_K1 16 PxKt PxPch 7 ·P.QR3 BxKtch 17 Kt_K4 P_Q7ch! SUBSCRIPTION 8 QxB Q.K2 18 K,P KtxKtoh 9 B_R4 P_Q3 Resigns 10 P.KKt4? P_K4 172 THE CHBSS REVIEW A.
Recommended publications
  • PAUL MORPHY Drawn
    PRICE FIVE CENTS: : VOLUME 301. CEDAB EAPIDS,JOWA, SATURDAY, DECEMBER 29, 1900-12 PAGES-PAGES 9 TO 12. 1 -creditors can force their debtor' into. •3 SSI, and admittedly the .-best player to Paris and remained about eighteen ver chessmen was taken by Walter Denegre, acting for . tho Manhattan, •the court andi have an equal'settle- 'In Europe. Tn'-addition to the match months. , ' ~~- 1 ment for their accounts per ratio. games, Morphy and Anderssen played Durhig- the ten years following his Chess club of New York, price $.l.r,50: BANKRUPTCY and the silver -wreath .sold for $250, This is the involuntary act and it-;li THE LIFE OF six informal games, of which the return from Europe .in .ISM Morphy's considered by lawyers and- judges a* also bouffht by Mr. Samory. : Prussian master scored only one. The practice ot chess was limited to cas- 1 a whole just and equitable. • informal and match fiumes made a ual.games with intimate friends, chief- An engaging pastime oil chess wrlt- : sra and critics of. late years has:.been "Now comes that -portion, which B total of seventeen games played hy •ly with Charles A. -Murlan ot New COURT BUSY so generally abused, the sectlon"of that o" comparing the laf.ter-day mas- these masters, of which Morphy won Orleans and Arnons .de Riviere of which so many take advantage^-to- twelve, Anderssen throe, and two-were Paris, It Is thought,tiie total number ters with Morphy, but so far" the most flatteri-ng; comparisons have nev- ward- off the host or honest-creditors; PAUL MORPHY drawn.
    [Show full text]
  • Louisiana French Creole Poet, Essayist, and Composer Donna M
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Leona Queyrouze (1861-1938): Louisiana French Creole poet, essayist, and composer Donna M. Meletio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Meletio, Donna M., "Leona Queyrouze (1861-1938): Louisiana French Creole poet, essayist, and composer" (2005). LSU Doctoral Dissertations. 2146. https://digitalcommons.lsu.edu/gradschool_dissertations/2146 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. LEONA QUEYROUZE (1861-1938) LOUISIANA FRENCH CREOLE POET, ESSAYIST, AND COMPOSER A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English by Donna M. Meletio B.A., University of Texas San Antonio, 1990 M.A., University of Texas San Antonio, 1994 August, 2005 ©Copyright 2005 Donna M. Meletio All rights reserved ii ACKNOWLEDGEMENTS For their support throughout this project and for their patience and love, I would like to thank my daughters, Sarah, Maegan, and Kate, who are the breath and heart of my life. I would also like to thank the strong and beautiful women and men who have walked through this life journey with me: my life-long friend Dr.
    [Show full text]
  • Play Chess with Paul Morphy
    The Historic New Orleans Collection presents Play Chess with Paul Morphy Lesson 1, History Daguerreotype of Paul Morphy framed in an embossed case, between 1857 and 1859 (THNOC, acquisition made possible by the Boyd Cruise Fund, 1996.75) In the winter of 1857, 20- year-old Paul Morphy had just returned home to New Orleans after defeating the best chess players in the country at the first American Chess Congress, held in New York City. Announcement in the New-York Tribune, November 7, 1857 Members of the first American Chess Congress, 1857 (courtesy of Cornell University Library) Because of Morphy’s accomplishment, a chess craze swept New Orleans. Soon after Morphy’s victory, the New Orleans Chess Club elected him as president. The meetings were held at the Mercantile Library Association, located on Exchange Alley. At these events, Morphy entertained crowds with extraordinary feats on the chessboard. New Orleans Chess Club announcement in the Times-Picayune, January 13, 1858 Lithograph illustration of Exchange Alley, ca. 1870, by Marie Adrien Persac. (THNOC, The L. Kemper and Leila Moore Williams Founders Collection, 1950.39) Modern chess developed in the Mediterranean during the 15th century, as part of the Italian Renaissance. Around this same time, Europeans began to voyage to Africa and the Americas. Spanish, Portuguese, French, and English ships spread the game of chess—along with plants, technology, and disease—throughout the New World. Taking Possession Of Louisiana And The River Sauvage matachez en guerrier, 1735, by Alexandre Mississipi . ., ca. 1860, by Jean-Adolphe Bocquin De Batz (courtesy of Peabody Museum of Archaeology (THNOC, 1970.1) and Ethnology, Harvard University) In New Orleans, the game grew in popularity as francophone émigrés poured into the city following the French and Haitian Revolutions at the turn of the 19th century.
    [Show full text]
  • OCTOBER 1958 Paris Opera House October, 1858 Philldor's Paul Morphy Duke of Brunswick and Count Isouard
    OCTOBER 1958 Paris Opera House October, 1858 PHILlDOR'S 100 YEARS Paul Morphy Duke of Brunswick AGO and Count Isouard THIS MONTH White Black 1 P-K4 P-K4 2 N-KB3 P-Q3 10 NxP PxN 3 P-Q4 B-N5 1 1 BxNPch QN-Q2 4 PxP BxN 12 0-0-0 R-Q1 5 QxB PxP 13 RxN RxR 6 B-QB4 N-KB3 14 R-Q1 Q-K3 7 Q-QN3 Q-K2 15 BxRch NxB 8 N-B3 P-B3 16 Q-N8ch NxQ 9 B-KN5 P-N4 17 R-Q8 mate 50 CENTS S .. o:loscription Rate ONE YEAR $5.50 1 WhIte to move and win 2 White to move and win F l'om what we lmow of It, Presumably, Blacl, here has "SOME SPEAK OF ALEXANDER" the rlrst man o n the moon pUt ti l) a s tout fight, taken wo n't have any trouble lak· his ton like Leonidas at The great heroes or antiquity did not play chess, and we'll Ing tha t "wor ld "' o\'er pro· Ther mopyla.e. But his K lnS never know how great they could have been at It. But Joe \'Ided he has the equipment is in JUSt as tight a pa ss Patzel' can riva l Hector. and John Q. i\tcDurter, Lysander, with w h ieh to land on it . and about to ~e cut off. It ea ch by h l!~ conquests of his own little world of t he chess­ H is A leXlindrian qualities Is up to you to see how 10 boat'd.
    [Show full text]
  • Chess Sets from 1700 to the Introduction of the Staunton Design (1849)
    Page 1 of 7 The Conventional Chess Sets from 1700 to the introduction of the Staunton Design (1849) Chesmayne Chess History Time Lines: 1500's . 1600's . 1700's . 1800's . 1900's Today, the Staunton design, named after a Chess Master in England, but actually developed by and produced by John Jaques of London in 1849, is now the standard design for chess pieces. Prior to that, a number of Conventional styles of turned chess sets preceded the introduction of the Staunton Design in 1849. These pieces were designed for play using simplified or abstract shapes and made of more inexpensive materials than more ornate displays sets. Some of these various styles were named after either the Coffee House/ Chess Clubs in London and Paris, and other European cities where they were used; or the skilled turners who created them. Along with these Conventional Playing Sets, there were also a variety of Representational Sets - the latter tended to be more for display than play. The original chess sets from the East were highly abstracted pieces. Early Western sets were carved figures such as the Lewis Chess men or those of Charlemagne's time. In the Middle Ages, Chess was a game mainly for the Nobility and Clergy. They could afford expensive ornate sets. During the Renaissance, it was still mainly a game for the households of kings such as Philip II of Spain or Henry the 8th; and the Queens, such as Catherine De Medici, or Elizabeth I. A revolution in Chess play in the West was the development of the powerful Chess Queen.
    [Show full text]
  • World Chess Hall of Fame Brochure
    ABOUT US THE HALL OF FAME The World Chess Hall of Fame Additionally, the World Chess Hall The World Chess Hall of Fame is home to both the World and U.S. Halls of Fame. (WCHOF) is a nonprofit, collecting of Fame offers interpretive programs Located on the third floor of the WCHOF, the Hall of Fame honors World and institution situated in the heart of that provide unique and exciting U.S. inductees with a plaque listing their contributions to the game of chess and Saint Louis. The WCHOF is the only ways to experience art, history, science, features rotating exhibitions from the permanent collection. The collection, institution of its kind and offers a and sport through chess. Since its including the Paul Morphy silver set, an early prototype of the Chess Challenger, variety of programming to explore inception, chess has challenged artists and Bobby Fischer memorabilia, is dedicated to the history of chess and the the dynamic relationship between and craftsmen to interpret the game accomplishments of the Hall of Fame inductees. As of May 2013, there are 19 art and chess, including educational through a variety of mediums resulting members of the World Hall of Fame and 52 members of the U.S. Hall of Fame. outreach initiatives that provide in chess sets of exceptional artistic context and meaning to the game skill and creativity. The WCHOF seeks and its continued cultural impact. to present the work of these craftsmen WORLD HALL OF FAME INDUCTEES and artists while educating visitors 2013 2008 2003 2001 Saint Louis has quickly become about the game itself.
    [Show full text]
  • Sticky Cultures: Memory Publics and Communal Pasts in Competitive
    CUS7410.1177/1749975512473460Cultural SociologyFine 4734602013 Article Cultural Sociology 7(4) 395 –414 Sticky Cultures: Memory © The Author(s) 2013 Reprints and permissions: Publics and Communal Pasts in sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1749975512473460 Competitive Chess cus.sagepub.com Gary Alan Fine Northwestern University, USA Abstract Although examinations of social memory have largely focused on societies and large populations, much remembrance occurs within bounded publics. This memory, especially when it is held in common, ties individuals to their chosen groups, establishing an ongoing reality of affiliation. I term this form of memory work as sticky culture, recognizing the centrality of the linkage of selves and groups. To examine how sticky culture operates, I examine the social world of competitive chess with its deep history and rich literature. More specifically, I examine forms through which chess publics are cemented through remembrances of the past, focusing on the hero, the critical moment, and validated styles. Champions, memorable games, and recognized strategies establish a lasting public. Keywords chess, collective memory, communal, community, culture, groups, leisure, memory, tiny publics Chess gives not only contemporary fame, but lasting remembrance. To be a great chess player is to be surer of immortality than a great statesman or popular author . The chess player’s fame once gained is secure and stable. What one of all the countless chivalry of Spain is so familiar a name as Ruy Lopez? What American (except Washington) is so widely known as Paul Morphy? Chess, in fact, has lasted so long that we are sure it will last forever. Institutions decay, empires fall to pieces, but the game goes on.
    [Show full text]
  • Genius Is a Starry Word; but If There Ever Was a Chess
    NEW ORLEANS From Bienville to Bourbon Street to bounce. 300 moments that make New Orleans unique. WHAT HAPPENED Paul Morphy 1718 ~ 2018 won the first American Chess Congress 300 in 1857. TRICENTENNIAL “ Genius is a starry word; but if there ever was a chess player to whom that attribute applied, it was Paul Morphy,” according to American chess Grandmaster Andrew Soltis. Morphy was a child chess prodigy who grew up in New Orleans, the son of a Louisi- Paul Morphy took on Louis ana Supreme Court justice who learned chess Paulsen in the first American Chess Congress in 1857. simply by watching the game. At the age of 12, he won two games and had one draw against a famous Hungarian chess player. The next year, Morphy went to Spring Hill College in Mo- bile, Alabama, and then attended Loyola Law School, finishing his law degree when he was One of Paul Morphy’s 20, one year shy of being able to practice law. moves against opponent While he waited to practice law, he became Adolf Anderssen in a series of games played in determined to beat all the great chess players Paris in 1858. Morphy won in the United States and Europe. He won the the series. first American Chess Congress in New York ‘Paul Morphy in 1857 and received a prize from Oliver Wen- - The Chess Champion’ dell Homes. He traveled to England to play illustration Howard Staunton, considered the best player from Ballou’s in Europe. Staunton, however, refused to meet Pictorial, 1859. Morphy. Morphy defeated every other comer Paul Morphy, left, and a friend who would play him, including in a blindfold in a photo that tournament in which he defeated eight op- appeared in the full- length biography ponents in another room.
    [Show full text]
  • Encore! Game Positions
    Displayed on some of the antique chessboards the 19th century, when chess saw a rise in on view in this exhibition are positions from organized tournament play. This packet famous games selected by Grandmaster presents the scores from the famous games, Alejandro Ramirez. As with many of the sets along with summaries of their significance included in Encore!, the games date from by Ramirez. Johannes Zukertort – Wilhelm Steinitz First World Chess Championship, January 11, 1886 ä#'çè#'å ëêá'#êë' Wilhelm Steinitz and Johannes Zukertort contested the first World Chess Championship in three cities: New York, Saint Louis, and New '#ê#'ã'# Orleans. New York hosted the initial five games, and the first was an #ÊËê#à#ê attacking jewel by Steinitz. Here he played 15…Ng2+, preparing to sacrifice on e3 on the next move. Zukertort was unable to handle the Ê#'Ëê#'ã pressure, and eventually, his position collapsed. Steinitz eventually won the match and became World Chess Champion. #'Ã'Ë'ËÊ 'Á'ÃÀË'# Å'#ÆÉ'#Ä 1. d4 d5 13. a4 Ng6 25. Bxg4 Bxg4 37. Qxf2 Qxf2 2. c4 c6 14. b5 Nh4 26. Ne2 Qe7 38. Nxg4 Bf4+ 3. e3 Bf5 15. g3 Ng2+ 27. Nf4 Rh6 39. Kc2 hxg4 4. Nc3 e6 16. Kf1 Nxe3+ 28. Bc3 g5 40. Bd2 e3 5. Nf3 Nd7 17. fxe3 Bxg3 29. Ne2 Rf6 41. Bc1 Qg2 6. a3 Bd6 18. Kg2 Bc7 30. Qg2 Rf3 42. Kc3 Kd7 7. c5 Bc7 19. Qg1 Rh6 31. Nf1 Rb8 43. Rh7+ Ke6 8. b4 e5 20. Kf1 Rg6 32.
    [Show full text]
  • Exhibition Opens: a Gathering of Works by Marie Adrien Persac Volume XIX, Number 1 Winter 2001
    Exhibition Opens: A Gathering of Works by Marie Adrien Persac Volume XIX, Number 1 Winter 2001 Canal Street, North Side, 900 Block, ink and wash on pasteboard, by Marie Adrien Persac, 1873 (1958.78.1.8). Depicted is the French Quarter side of Canal between Burgundy and Dauphine Streets. The three Greek Revival buildings (no longer standing) were designed by Charles and James Dakin in 1836. Christ Episcopal Church, right, designed by T. K. Wharton, was built in 1847and demolished in the mid-1880s. Marie Adrien Persac: Louisiana Artist presents a rare opportunity to see Persac’s work in a single location. Though many of the objects in the exhibition come from public collections (the Historic New Orleans Collection, Exhibition Opens: A Gathering of Works by Marie Adrien Persac the Louisiana State University engineer, architect, artist, photographer, to present-day Basin Street offer a view and teacher. Though all of these pursuits of post-Civil War New Orleans that Museum of Art, the New Orleans undoubtedly contributed to the making of showed a city undamaged by war and Notarial Archives, and the the man and his work, “artist” is the term ready for business. Louisiana State Museum are all that seems to describe him best. Other examples of Persac’s production As a chronicler of the antebellum include the Gill map of Baton Rouge and lenders to the exhibition), many plantation scene and the post-Civil War other lithographs done for commercial of the opaque watercolors commercial architecture of New Orleans, purposes, such as the view of Exchange Persac has no equal.
    [Show full text]
  • Paul Morphy the Pride and Sorrow of Chess 
    Paul Morphy The Pride and Sorrow of Chess Paul Morphy The Pride and Sorrow of Chess David Lawson edited by Thomas Aiello University of Louisiana at Lafayette Press 2010 Cover credits: background courtesy iStockphoto.com; Morphy pho- tography (front cover) by Matthew Brady, courtesy Dale Brandreth and www.chessbookstore.com; Morphy engraving (rear cover) by D. J. Pound, courtesy Dale Brandreth and www.chessbookstore.com. All uncredited images within this volume are reproduced from the origi- nal edition of Paul Morphy: The Pride and Sorrow of Chess. University of Louisiana at Lafayette Press P.O. Box 40831 Lafayette, LA 70504-0831 http://ulpress.org © 2010 by University of Louisiana at Lafayette Press All rights reserved. Printed on acid-free paper ISBN 13: 978-1-887366-97-7 ISBN 10: 1-887366-97-0 Library of Congress Cataloging-in-Publication Data Lawson, David. Paul Morphy : the pride and sorrow of chess / David Lawson, edited by Thomas Aiello. p. cm. Includes bibliographical references and index. ISBN-13: 978-1-887366-97-7 (hardcover : alk. paper) ISBN-10: 1-887366-97-0 (hardcover : alk. paper) 1. Morphy, Paul Charles, 1837-1884. 2. Chess players--Louisiana--Biogra- phy. I. Aiello, Thomas, 1977- II. Title. GV1439.M7L36 2010 794.1092--dc22 [B] 2010023091 CONTENTS Acknowledgments ...........................................................vii Editor’s Introduction ........................................................ ix A Note on the Text ..........................................................xix Author’s Introduction ...............................................
    [Show full text]
  • Move by Move
    Zenón Franco Morphy move by move www.everymanchess.com About the Author is a Grandmaster from Paraguay, now living in Spain. He represented Para- Zenón Franco guay, on top board, in seven Chess Olympiads, and won individual gold medals at Lucerne 1982 and Novi Sad 1990. He’s an experienced trainer and has written numerous books on chess. Also by the Author: Anand: Move by Move Rubinstein: Move by Move Spassky: Move by Move Test Your Chess Contents About the Author 3 Bibliography 5 Introduction 7 1 Paul Morphy’s Style of Play 9 2 Games Against Family Members 43 3 The First American Chess Congress 1857 69 4 The Visit to London and the Match Against Löwenthal 167 5 The Journey to Paris and the Match Against Harrwitz 233 6 The Match Against Anderssen 283 7 Retirement 331 Paul Morphy’s results 339 Index of Complete Games 341 Index of Openings 342 Introduction It is a pleasure to write about a chess player whose career was as unusual as that of Paul Morphy, who was considered without question to be the best in the world in his day. He became number one, not through a ‘normal’ process of experience and learning, but almost overnight. In fact his career was the shortest of all those who can be considered the number one of their time. Between his first game in the first USA Championship in 1857 and the last game of his match against Adolf Anderssen, there was a space of only one year and three months. Even so, Morphy’s superiority over the rest was overwhelming.
    [Show full text]