18Th/19Th Century Masters

Total Page：16

File Type：pdf, Size：1020Kb

David DeLucia Library : 18th and 19th Century Masters Philidor autographed letter signed David DeLucia Library : 18th and 19th Century Masters Alexander McDonnell’s rare signature pasted in W.G. Walker’s, A Selection of Games at Chess, actually played in London, by the late Alexander McDonnell, ESQ. David DeLucia Library : 18th and 19th Century Masters George Walker’s annotated copy of Salvio and his English translation of Lolli’s, Osservazioni teorico-pratiche sopra il giuoco degli scacchi. David DeLucia Library : 18th and 19th Century Masters V.D. Lasa autographed letter signed David DeLucia Library : 18th and 19th Century Masters William Lewis manuscript of chess games with code David DeLucia Library : 18th and 19th Century Masters Howard Staunton autographed letter signed and his book, The Chess-Player’s Handbook, inscribed. David DeLucia Library : 18th and 19th Century Masters Rare Adolf Anderssen manuscript of his games played against Paul Morphy David DeLucia Library : 18th and 19th Century Masters Max Lange’s notebook in code with chess game David DeLucia Library : 18th and 19th Century Masters J.J. Löwenthal’s manuscript on the Evans Gambit David DeLucia Library : 18th and 19th Century Masters G.H. Mackenzie autographed letter signed David DeLucia Library : 18th and 19th Century Masters J.H. Blackburne autographed letter signed and his book, Mr. Blackburne’s Games at Chess, signed David DeLucia Library : 18th and 19th Century Masters Samuel Loyd’s, Chess Strategy, signed David DeLucia Library : 18th and 19th Century Masters Louis Paulsen autographed letter signed David DeLucia Library : 18th and 19th Century Masters H.E. Bird’s, The Chess Openings, inscribed David DeLucia Library : 18th and 19th Century Masters H.N. Pillsbury photo, signed and autographed letter signed David DeLucia Library : 18th and 19th Century Masters Rudolf Charousek autographed letter signed David DeLucia Library : 18th and 19th Century Masters M.I. Chigorin autographed letter signed David DeLucia Library : 18th and 19th Century Masters J.H. Zukertort autographed letter signed David DeLucia Library : 18th and 19th Century Masters Wilhelm Steinitz’s copy of the Chess Instructor with letter stating this is author’s copy David DeLucia Library : 18th and 19th Century Masters Original photo of Dr. Tarrasch with annotated game.

Copy Link

Recommended publications

PAUL MORPHY Drawn
PRICE FIVE CENTS: : VOLUME 301. CEDAB EAPIDS,JOWA, SATURDAY, DECEMBER 29, 1900-12 PAGES-PAGES 9 TO 12. 1 -creditors can force their debtor' into. •3 SSI, and admittedly the .-best player to Paris and remained about eighteen ver chessmen was taken by Walter Denegre, acting for . tho Manhattan, •the court andi have an equal'settle- 'In Europe. Tn'-addition to the match months. , ' ~~- 1 ment for their accounts per ratio. games, Morphy and Anderssen played Durhig- the ten years following his Chess club of New York, price $.l.r,50: BANKRUPTCY and the silver -wreath .sold for $250, This is the involuntary act and it-;li THE LIFE OF six informal games, of which the return from Europe .in .ISM Morphy's considered by lawyers and- judges a* also bouffht by Mr. Samory. : Prussian master scored only one. The practice ot chess was limited to cas- 1 a whole just and equitable. • informal and match fiumes made a ual.games with intimate friends, chief- An engaging pastime oil chess wrlt- : sra and critics of. late years has:.been "Now comes that -portion, which B total of seventeen games played hy •ly with Charles A. -Murlan ot New COURT BUSY so generally abused, the sectlon"of that o" comparing the laf.ter-day mas- these masters, of which Morphy won Orleans and Arnons .de Riviere of which so many take advantage^-to- twelve, Anderssen throe, and two-were Paris, It Is thought,tiie total number ters with Morphy, but so far" the most flatteri-ng; comparisons have nev- ward- off the host or honest-creditors; PAUL MORPHY drawn.
[Show full text]
MICROCOSM: Portrait of a European City by Norman Davies (Pp
communicated his desire to the Bishop, in inimitable fashion: MICROCOSM: Portrait of a European City by Norman Davies (pp. 224-266) The Holy Ghost and I are agreed that Prelate Schaffgotsch should be coadjutor of [Bresslau] and that those of your canons who resist him shall be regarded as persons who have surrendered to the Court in Vienna and to the Devil, and, having resisted the Holy Prussia annexed Silesia in the early phase of the Enlightenment. Europe was Ghost, deserve the highest degree of damnation. turning its back on the religious bigotry of the preceding period and was entering the so-called 'Age of Reason'. What is more, Prussia was one of the The Bishop replied in kind: more tolerant of the German states. It did not permit the same degree of religious liberty that had been practised in neighbouring Poland until the late The great understanding between the Holy Ghost and Your Majesty is news to me; I was seventeenth century, but equally it did not profess the same sort of religious unaware that the acquaintance had been made. I hope that He will send the Pope and the partisanship that surrounded the Habsburgs. The Hohenzollerns of Berlin had canons the inspiration appropriate to our wishes. welcomed Huguenot refugees from France and had found a modus vivendi between Lutherans and Calvinists. In this case, the King was unsuccessful. A compromise solution had to be Yet religious life in Prussian Silesia would not lack controversy. The found whereby the papal nuncio in Warsaw was charged with Silesian affairs. annexation of a predominantly Catholic province by a predominantly But, in 1747, the King tried again and Schaffgotsch, aged only thirty-one, was Protestant kingdom was to bring special problems.
[Show full text]
Amateur Champion
• U. S . AMATEUR CHAMPION (S('c P. 135) • ;::. UNITED STATES VoLume XlX June, 1964 EDITOR: J . F. Reinhardt * * OFFICIAL NOTICE '" " ELECTION OF USCF STATE DIRECTORS CHESS FEDERATION Attention of aU officials of slate chess associations is directed to Article V of the USCF By-Laws, stating that " ... the State Directors shaD be certified PRESIDENT in writing to the USCF Secretary by the authorized state offiCt' r before June 30th ••." Major Edmund B. Edmondson, Jr. The number of State DirC<!tors to which each State is entitled for the year VICE·PRESIDENT beginning July 1 fo llows: David Hoffmann N.Y . ....... ...... .. ...23 FLA. .. ... ... ... ....... 4 IOWA ................ 2 KY." ... ............. 1 CALIF . .............. 23 ARIZ.- ....... ....... 4 NEBR. - ............ 2 ~IISS ................. 1 REGIONAL VICE·PRESIDENTS PENNA. ............ 11 IND.- . ......... ...... 3 MO .· .... ..... ..... .... 2 PUERTO RICO~ 1 NEW ENGLAND ILL. ...... ... ........ 10 COLO.· .. .......... 3 KANS. ~ ............ 2 N. DAK." ........ 1 N.J . .. ..... ...... ....... 9 WASH. ........... 3 OKLA. ;' ............ 2 S. DAK. ............ 1 EASTERN Donald Schultz TEXAS ... ........... 8 VA. ............... ..... 3 N. MEX ." ..... ... 2 \\'YO.- .. ............ 1 Charln KeYltlr Peter Berlo.,.. OHIO ................ 8 LA. ..... ............ ... 3 NEV........ .... ..... 2 .lI O;"""I' ." ............ 1 MleR ......... ....... 7 D.C. ' ...... ... ... ...... 2 UTAH8 ............ 2 ARK. ...... ... ....... 1 MID·ATLANTIC MASS." ............ 6 W. VA ............. 2 MAINE"
[Show full text]
Louisiana French Creole Poet, Essayist, and Composer Donna M
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Leona Queyrouze (1861-1938): Louisiana French Creole poet, essayist, and composer Donna M. Meletio Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Meletio, Donna M., "Leona Queyrouze (1861-1938): Louisiana French Creole poet, essayist, and composer" (2005). LSU Doctoral Dissertations. 2146. https://digitalcommons.lsu.edu/gradschool_dissertations/2146 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. LEONA QUEYROUZE (1861-1938) LOUISIANA FRENCH CREOLE POET, ESSAYIST, AND COMPOSER A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English by Donna M. Meletio B.A., University of Texas San Antonio, 1990 M.A., University of Texas San Antonio, 1994 August, 2005 ©Copyright 2005 Donna M. Meletio All rights reserved ii ACKNOWLEDGEMENTS For their support throughout this project and for their patience and love, I would like to thank my daughters, Sarah, Maegan, and Kate, who are the breath and heart of my life. I would also like to thank the strong and beautiful women and men who have walked through this life journey with me: my life-long friend Dr.
[Show full text]
CHESS MASTERPIECES: (Later, in Europe, Replaced by a HIGHLIGHTS from the DR
CHESS MASTERPIECES: (later, in Europe, replaced by a HIGHLIGHTS FROM THE DR. queen). These were typically flanKed GEORGE AND VIVIAN DEAN by elephants (later to become COLLECTION bishops), though in this case, they are EXHIBITION CHECKLIST camels with drummers; cavalrymen (later to become Knights); and World Chess Hall of Fame chariots or elephants, (later to Saint Louis, Missouri 2.1. Abstract Bead anD Dart Style Set become rooKs or “castles”). A September 9, 2011-February 12, with BoarD, India, 1700s. Natural and frontline of eight foot soldiers 2012 green-stained ivory, blacK lacquer- (pawns) completed each side. work folding board with silver and mother-of-pearl. This classical Indian style is influenced by the Islamic trend toward total abstraction of the design. The pieces are all lathe- turned. The blacK lacquer finish, made in India from the husKs of the 1.1. Neresheimer French vs. lac insect, was first developed by the Germans Set anD Castle BoarD, Chinese. The intricate inlaid silver Hanau, Germany, 1905-10. Silver and grid pattern traces alternating gilded silver, ivory, diamonds, squares filled with lacy inscribed fern sapphires, pearls, amethysts, rubies, leaf designs and inlaid mother-of- and marble. pearl disKs. These decorations 2.3. Mogul Style Set with combine a grid of squares, common Presentation Case, India, 1800s. Before WWI, Neresheimer, of Hanau, to Western forms of chess, with Beryl with inset diamonds, rubies, Germany, was a leading producer of another grid of inlaid center points, and gold, wooden presentation case ornate silverware and decorative found in Japanese and Chinese clad in maroon velvet and silk-lined.
[Show full text]
The Queen's Gambit
Master Class with Aagaard | Shankland on the Online Olympiad | Spiegel’s Three Questions NOVEMBER 2020 | USCHESS.ORG The Queen’s Gambit A new Netflix limited series highlights the Royal Game The United States’ Largest Chess Specialty Retailer 888.51.CHESS (512.4377) www.USCFSales.com EXCHANGE OR NOT UNIVERSAL CHESS TRAINING by Eduardas Rozentalis by Wojciech Moranda B0086TH - $33.95 B0085TH - $39.95 The author of this book has turned his attention towards the best Are you struggling with your chess development? While tool for chess improvement: test your current knowledge! Our dedicating hours and hours on improving your craft, your rating author has provided the most important key elements to practice simply does not want to move upwards. No worries ‒ this book one of the most difficult decisions: exchange or not! With most is a game changer! The author has identified the key skills that competitive games nowadays being played to a finish in a single will enhance the progress of just about any player rated between session, this knowledge may prove invaluable over the board. His 1600 and 2500. Becoming a strong chess thinker is namely brand new coverage is the best tool for anyone looking to improve not only reserved exclusively for elite players, but actually his insights or can be used as perfect teaching material. constitutes the cornerstone of chess training. THE LENINGRAD DUTCH PETROSIAN YEAR BY YEAR - VOLUME 1 (1942-1962) by Vladimir Malaniuk & Petr Marusenko by Tibor Karolyi & Tigran Gyozalyan B0105EU - $33.95 B0033ER - $34.95 GM Vladimir Malaniuk has been the main driving force behind International Master Tibor Karolyi and FIDE Master Tigran the Leningrad Variation for decades.
[Show full text]
Play Chess with Paul Morphy
The Historic New Orleans Collection presents Play Chess with Paul Morphy Lesson 1, History Daguerreotype of Paul Morphy framed in an embossed case, between 1857 and 1859 (THNOC, acquisition made possible by the Boyd Cruise Fund, 1996.75) In the winter of 1857, 20- year-old Paul Morphy had just returned home to New Orleans after defeating the best chess players in the country at the first American Chess Congress, held in New York City. Announcement in the New-York Tribune, November 7, 1857 Members of the first American Chess Congress, 1857 (courtesy of Cornell University Library) Because of Morphy’s accomplishment, a chess craze swept New Orleans. Soon after Morphy’s victory, the New Orleans Chess Club elected him as president. The meetings were held at the Mercantile Library Association, located on Exchange Alley. At these events, Morphy entertained crowds with extraordinary feats on the chessboard. New Orleans Chess Club announcement in the Times-Picayune, January 13, 1858 Lithograph illustration of Exchange Alley, ca. 1870, by Marie Adrien Persac. (THNOC, The L. Kemper and Leila Moore Williams Founders Collection, 1950.39) Modern chess developed in the Mediterranean during the 15th century, as part of the Italian Renaissance. Around this same time, Europeans began to voyage to Africa and the Americas. Spanish, Portuguese, French, and English ships spread the game of chess—along with plants, technology, and disease—throughout the New World. Taking Possession Of Louisiana And The River Sauvage matachez en guerrier, 1735, by Alexandre Mississipi . ., ca. 1860, by Jean-Adolphe Bocquin De Batz (courtesy of Peabody Museum of Archaeology (THNOC, 1970.1) and Ethnology, Harvard University) In New Orleans, the game grew in popularity as francophone émigrés poured into the city following the French and Haitian Revolutions at the turn of the 19th century.
[Show full text]
History of Chess from Wikipedia, the Free Encyclopedia for the Book by H
History of chess From Wikipedia, the free encyclopedia For the book by H. J. R. Murray, see A History of Chess. Real-size resin reproductions of the 12th century Lewis chessmen. The top row shows king, queen, and bishop. The bottom row shows knight, rook, and pawn. The history of chess spans some 1500 years. The earliest predecessor of the game probably originated in India, before the 6th century AD. From India, the game spread to Persia. When the Arabs conquered Persia, chess was taken up by the Muslim world and subsequently spread to Southern Europe. In Europe, chess evolved into roughly its current form in the 15th century. The "Romantic Era of Chess" was the predominant chess playing style down to the 1880s. It was characterized by swashbuckling attacks, clever combinations, brash piece sacrifices and dynamic games. Winning was secondary to winning with style. These games were focused more on artistic expression, rather than technical mastery or long-term planning. The Romantic era of play was followed by the Scientific, Hypermodern, and New Dynamism eras.[1] In the second half of the 19th century, modern chess tournament play began, and the first World Chess Championship was held in 1886. The 20th century saw great leaps forward in chess theory and the establishment of the World Chess Federation (FIDE). Developments in the 21st century include use ofcomputers for analysis, which originated in the 1970s with the first programmed chess games on the market. Online gaming appeared in the mid-1990s. Contents [hide] 1 Origin 2 India
[Show full text]
Chess Play Icons and the Staunton Chess Set Design
EARLY NINETEETH CENTURY CHESS PLAY ICON SETS, MODERN CHESS PLAY ICON SETS, AND THE STAUNTON CHESS SET OF 1849 “The Staunton pattern…[was] the basis of all modern figurines in diagrams...”. Ken Whyld, Chess Play Diagrams. With all due respect, Ken Whyld was wrong. Early nineteenth century chess play iconography rather than the Staunton chess set style of 1849 was the basis of our modern chess play diagrams. Chess play set icons identical to those we use today appeared in the works of English chess author William Lewis as of 1818. Moreover, specific elements of certain chess play icon sets used in the early nineteenth century publications of two English authors, Charles Stopford Kenny and William Lewis, predate the Staunton chess set while in toto they match the Staunton chess set’s design in every particular. This begs the question as to whether the famous Staunton Chess Set design was in fact an employment of shapes already familiar to chess students for over three decades. As of the early 1800s, books on chess play were numerous. These books often provided chess play diagrams along with the text. The symbols, or icons, used to represent the various game pieces were not, however, standardized: various authors and publishing houses used their own icon sets and symbols. Iconographic choice remained in flux over the next half century, both on the Continent and in England. However, English conventions (particularly as represented in the numerous works of Kenny and Lewis) came to dominate English, French and to a lesser degree American chess publications by circa 1830.
[Show full text]
Oldies but Not Moldies (PDF)
OLDIES BUT NOT MOLDIES By Bob Basalla Probably the best way to learn anything is to do a lot of it and do it often. That certainly is true of chess where there is simply no substitute for playing lots and lots of games, serious games and fun games, slow game and speed games. There are other things that can help you learn about chess, though. One could study books about tactics, for example, or endgames, positional play and so on. The method I am going to focus on here is this: playing over master level games. One can clearly learn a lot from playing over one’s own games and those of your fellow students. (You’d get the most out of analyzing the games that you lost rather than the ones you won, but that is another article for another time.) There is something to be said, however, for poring over the moves of two chess masters to see how it is supposed to be done. One can watch how one side presses the action and how the other side plays to foil this plot. The ideas they come up with as well as how they accurately lay them out on the board can be quite instructive. I’m convinced that playing over thousands of master games helped me progress at least a level or two, as I did not have any formal chess instruction when I was a kid. Here’s what I did. For many years I would play over any and every master game I could get hold of.
[Show full text]
The Queen's Gambit
01-01 Cover - April 2021_Layout 1 16/03/2021 13:03 Page 1 03-03 Contents_Chess mag - 21_6_10 18/03/2021 11:45 Page 3 Chess Contents Founding Editor: B.H. Wood, OBE. M.Sc † Editorial....................................................................................................................4 Executive Editor: Malcolm Pein Malcolm Pein on the latest developments in the game Editors: Richard Palliser, Matt Read Associate Editor: John Saunders 60 Seconds with...Geert van der Velde.....................................................7 Subscriptions Manager: Paul Harrington We catch up with the Play Magnus Group’s VP of Content Chess Magazine (ISSN 0964-6221) is published by: A Tale of Two Players.........................................................................................8 Chess & Bridge Ltd, 44 Baker St, London, W1U 7RT Wesley So shone while Carlsen struggled at the Opera Euro Rapid Tel: 020 7486 7015 Anish Giri: Choker or Joker?........................................................................14 Email: [email protected], Website: www.chess.co.uk Danny Gormally discusses if the Dutch no.1 was just unlucky at Wijk Twitter: @CHESS_Magazine How Good is Your Chess?..............................................................................18 Twitter: @TelegraphChess - Malcolm Pein Daniel King also takes a look at the play of Anish Giri Twitter: @chessandbridge The Other Saga ..................................................................................................22 Subscription Rates: John Henderson very much
[Show full text]
The English School of Chess: a Nation on Display, 1834-1904
Durham E-Theses The English School of Chess: A Nation on Display, 1834-1904 HARRISON, EDWARD,GRAHAM How to cite: HARRISON, EDWARD,GRAHAM (2018) The English School of Chess: A Nation on Display, 1834-1904, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12703/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The English School of Chess: A Nation on Display, 1834-1904 Edward Harrison This thesis is submitted for the degree of MA by Research in the department of History at Durham University March 2018 The copyright of this thesis rests with the author. No quotation from it should be published without the author's prior written consent and information derived from it should be acknowledged. The English School of Chess: A Nation on Display, 1834-1904 Introduction ..................................................................................................................................
[Show full text]