Uncovering Poiesis : the Role of Production in Technical Communication, Work, and Public Life

Total Page:16

File Type:pdf, Size:1020Kb

Uncovering Poiesis : the Role of Production in Technical Communication, Work, and Public Life View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Michigan Technological University Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Dissertations, Master's Theses and Master's Reports - Open Reports 2011 Uncovering poiesis : the role of production in technical communication, work, and public life Thomas E. Vosecky Michigan Technological University Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Rhetoric and Composition Commons Copyright 2011 Thomas E. Vosecky Recommended Citation Vosecky, Thomas E., "Uncovering poiesis : the role of production in technical communication, work, and public life", Dissertation, Michigan Technological University, 2011. https://digitalcommons.mtu.edu/etds/97 Follow this and additional works at: https://digitalcommons.mtu.edu/etds Part of the Rhetoric and Composition Commons UNCOVERING POIESIS: THE ROLE OF PRODUCTION IN TECHNICAL COMMUNICATION, WORK, AND PUBLIC LIFE By Thomas E. Vosecky A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Rhetoric and Technical Communication MICHIGAN TECHNOLOGICAL UNIVERSITY 2011 © 2011 Thomas E. Vosecky This dissertation, ―Uncovering Poiesis: The Role of Production in Technical Communication, Work, and Public Life,‖ is hereby approved in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY IN RHETORIC AND TECHNICAL COMMUNICATION. Department of Humanities Signatures: Dissertation Advisor _________________________________________ Robert R. Johnson Committee Member _________________________________________ Ann Brady Committee Member _________________________________________ Michael Bowler Committee Member _________________________________________ Charles Wallace Department Chair _________________________________________ Ronald Strickland Date _________________________________________ Table of Contents Table of Figures .................................................................................................................. 4 Acknowledgements ............................................................................................................. 5 Preface................................................................................................................................. 6 Abstract ............................................................................................................................... 9 Introduction ....................................................................................................................... 10 Chapter One: Background................................................................................................. 21 Project purpose: Computer Science .............................................................................. 22 Project purpose: Technical Communication ................................................................. 25 Chapter Two: Pedagogy .................................................................................................... 32 Teaching Techné(ically) ................................................................................................ 32 Poiesis—The Action of Techné .................................................................................... 50 Teaching Poietically ...................................................................................................... 52 Teaching Phronetic(ally) ............................................................................................... 57 Introduction to Experience ............................................................................................ 58 Chapter Three: Theory Applied ........................................................................................ 93 Making and Acting: Theorizing One Case .................................................................... 93 Chapter Four: Methods Background ............................................................................... 101 History ......................................................................................................................... 102 Fieldwork Methods ..................................................................................................... 104 Participant Observation—Introduction to Fieldnotes ................................................. 107 Short Exit Interviews ................................................................................................... 110 Consent—Institutional Review Boards ....................................................................... 112 Analysis—Grounded Theory Coding .......................................................................... 116 Writing It Up ............................................................................................................... 121 Methods Summary ...................................................................................................... 124 Chapter Five: Project Specific Methods ......................................................................... 126 Developing the Case Studies: Applied Ethnography .................................................. 126 Collecting Data ............................................................................................................ 126 Constructing the Cases ................................................................................................ 130 Presenting the Cases .................................................................................................... 132 Chapter Six: Pedagogy Conclusion ................................................................................ 135 Value of Case Studies ................................................................................................. 135 Implications ................................................................................................................. 140 Recommendations ....................................................................................................... 143 Chapter Seven: Poietical Conclusion .............................................................................. 145 References ....................................................................................................................... 156 Appendix 1-Speaking of Software Exit Interview .......................................................... 163 Appendix 2-Permissions ................................................................................................. 165 3 Table of Figures Figure 3.1 Excerpt from Module C Story, Seabase case study .......................................95 Figure 3.2 Module C Questions, Seabase case study ......................................................96 4 Acknowledgements This work would not have been possible without the support of a National Science Foundation grant awarded to Charles Wallace of the Computer Science Department, with whom I worked to develop the case studies. Nor would it have been successfully concluded without the valuable advice of Robert Johnson, Ann Brady, and Marika Siegel of the Humanities Department, as well as the valuable contributions of the other graduate and undergraduate students involved in the project. I also acknowledge IGI Global and Routledge, the publishers who were kind enough to grant permission to reuse previously published material. Those permissions can be found in the appendix. 5 Preface This dissertation can be read on several levels. First, it is a report on a collaborative project between the Computer Science Department (specifically the Software Engineering Program) and the Humanities Department (specifically the Rhetoric and Technical Communication Program) to develop case studies that focus on issues of communication in the workplace, and the results of the use of them in the classroom. My argument here is that through case study teaching we are simulating real-world experience in a meaningful way, essentially developing a teachable way of developing phronesis, the reasoned capacity to act for the good in public. Second, it can be read as a ―how-to‖ guide relating how the construction of those case studies came about in an effort to assist any educator who may wish to construct their own case studies. To that end, I have included a discussion of the ethnographic methodologies employed, and how it was adapted to our more pragmatic ends. Finally, I present my overarching argument for a new appraisal of the concept of techné. This reappraisal emphasizes its productive activity, poiesis, rather than focusing on its knowledge, the reasoned capacity to make, as has been the case in the past. I propose that focusing on the telos, the end outside the production, contributes to, the diminishment, if not complete foreclosure, of a rich concept of techné. As mentioned above, much of the development of the case studies was a collaborative project involving faculty, graduate, and undergraduate students from the Computer 6 Science and Humanities Departments. The faculty members involved were thanked in my acknowledgments, and the graduate and undergraduate students are acknowledged in the text where appropriate. Due to this collaborative nature, I have use the pronoun ―we‖ when the interactions were a group effort, and reserved ―I‖ for my individual contributions. Some previously published material that appears in this dissertation includes selections from Speaking
Recommended publications
  • Facing Nature: the Infinite in the Flesh
    Facing Nature: The Infinite in the Flesh Robert Daniel Victorin-Vangerud, B.A., M.Div. This thesis is presented for the degree of Doctor of Philosophy of. Murdoch University Perth, Western Australia 2004 I declare that this thesis is my own account of my research. ------------------------------------- Robert Daniel Victorin-Vangerud i Abstract “Facing Nature: The Infinite in the Flesh” by Robert Victorin-Vangerud This thesis explores the relation between two interpretations of chôra, drawn from a reading of Plato’s Timaeus. The first I label the elemental chôra. The second, I call the social chôra. The first chapter addresses the elements in Ionian philosophy, with an eye toward the political and social backdrop of the important cosmological notion of isonomia, law of equals. Here social and elemental are continuous. Chapter two looks at the next phase of Presocratic thought, Elea, specifically Parmenides and his influence on later thought, then turns to Heidegger’s reading of Parmenides’ through the key word of alêtheia. Finally, I offer a reading of Parmenides through a different key word— trust. The third chapter examines Plato’s cosmology in the Timaeus, focusing on the way the beginning of this dialogue inflects the dialogue in a political/social direction, putting the social chôra in tension with the elemental chôra that the body of the Timaeus’ discusses. In the fourth chapter, which examines the Phaedrus, this tension is inverted, since this dialogue on writing and justice set in what proves to be the mesmerizing and erotic elemental milieu of the world outside the walls of the polis. The second half of the dissertation turns to some modern thinkers within the phenomenological tradition or its wake who write about elementals.
    [Show full text]
  • The Phenomenon of Chance in Ancient Greek Thought
    THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT by MELISSA M. SHEW A DISSERTATION Presented to the Department of Philosophy and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor of Philosophy September 2008 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Melissa Shew Title: "The Phenomenon of Chance in Ancient Greek Thought" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the degree in the Department ofPhilosophy by: Peter Warnek, Chairperson, Philosophy John Lysaker, Member, Philosophy Ted Toadvine, Member, Philosophy James Crosswhite, Outside Member, English and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. September 6, 2008 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. 111 An Abstract of the Dissertation of Melissa M. Shew for the degree of Doctor of Philosophy in the Department of Philosophy to be taken September 2008 Title: THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT Approved: Dr. Peter Warnek This dissertation engages three facets of Greek philosophy: 1) the phenomenon of tyche (chance, fortune, happening, or luck) in Aristotle's Physics, Nicomachean Ethics, and Poetics; 2) how tyche infonns Socrates' own philosophical practice in the Platonic dialogues; and 3) how engaging tyche in these Greek texts challenges established interpretations of Greek thought in contemporary scholarship and discussion. I argue that the complex status of tyche in Aristotle's texts, when combined with its appearance in the Platonic dialogues and the framework of Greek myth and poetry (poiesis), underscores the seriousness with which the Greeks consider the role of chance in human life.
    [Show full text]
  • On Theodorus' Lesson in the Theaetetus 147D-E by S
    On Theodorus’ lesson in the Theaetetus 147d-e by S. Negrepontis and G. Tassopoulos In the celebrated Theaetetus 147d3-e1 passage Theodorus is giving a lesson to Theaetetus and his companion, proving certain quadratic incommensurabilities. The dominant view on this passage, expressed independently by H. Cherniss and M. Burnyeat, is that Plato has no interest to, and does not, inform the reader about Theodorus’ method of incommensurability proofs employed in his lesson, and that, therefore, there is no way to decide from the Platonic text, our sole information on the lesson, whether the method is anthyphairetic as Zeuthen, Becker, van der Waerden suggest, or not anthyphairetic as Hardy-Wright, Knorr maintain. Knorr even claims that it would be impossible for Theodorus to possess a rigorous proof of Proposition X.2 of the Elements, necessary for an anthyphairetic method, because of the reliance of the proof of this Proposition, in the Elements, on Eudoxus principle. But it is not difficult to see that Knorr’s claim is undermined by the fact that an elementary proof of Proposition X.2, in no way involving Eudoxus principle, is readily obtained either from the proof of Proposition X.3 of the Elements itself (which is contrapositive and thus logically equivalent to X.2), or from an ancient argument going back to the originator of the theory of proportion reported by Aristotle in the Topics 158a-159b passage. The main part of the paper is devoted to a discussion of the evidence for a distributive rendering of the plural ‘hai dunameis’ in the crucial statement, ’because the powers (‘hai dunameis’) were shown to be infinite in multitude’ in 147d7-8 (contrary to the Burnyeat collective, set-theoretic rendering), necessarily resulting in an anthyphairetic method for Theodorus’ proofs of incommensurability (contrary to the Cherniss-Burnyeat neutrality thesis).
    [Show full text]
  • Toward a Poiesis of Curriculum Donna Lynn Trueit Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Complexifying the poetic: toward a poiesis of curriculum Donna Lynn Trueit Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Trueit, Donna Lynn, "Complexifying the poetic: toward a poiesis of curriculum" (2005). LSU Doctoral Dissertations. 2988. https://digitalcommons.lsu.edu/gradschool_dissertations/2988 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. COMPLEXIFYING THE POETIC: TOWARD A POIESIS OF CURRICULUM A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Donna Lynn Trueit B. S. N., University of Victoria, 1994 M. A., University of Victoria, 1996 December 2005 © Copyright 2005 Donna Lynn Trueit All rights reserved ii DEDICATION To Bill (Dr. William E. Doll, Jr.), without whom this inquiry would have been impossible: your optimism, imagination, faith, intellect and love inspire and sustain me. iii ACKNOWLEDGMENTS This project was made possible by the incredible, intellectual atmosphere of inquiry in Curriculum and Instruction at LSU, in the Curriculum Theory Project, developed and promoted by Drs. William Pinar and William E. Doll, Jr. In this academically rich, challenging, stimulating, and welcoming environment, I took up the invitation, graciously extended, to partake.
    [Show full text]
  • Hiccups and Other Interruptions in the Symposium
    Binghamton University The Open Repository @ Binghamton (The ORB) The Society for Ancient Greek Philosophy Newsletter 12-1962 Hiccups and Other Interruptions in the Symposium George Kimball Plochmann Southern Illinois University Follow this and additional works at: https://orb.binghamton.edu/sagp Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, and the History of Philosophy Commons Recommended Citation Plochmann, George Kimball, "Hiccups and Other Interruptions in the Symposium" (1962). The Society for Ancient Greek Philosophy Newsletter. 48. https://orb.binghamton.edu/sagp/48 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in The Society for Ancient Greek Philosophy Newsletter by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. HICCUPS AND OTHER INTERRUPTIONS IN THE SYMPOSIUM George Kimball Plochmann Plat.o's Symposium has so much charm but. contains so little open debate over concepts that were it to have been his only surviving work, literary critics would seldom have conceded that its author was a worker in the philosophical vineyard,l Readers through the ages, unconditioned as they I: would have been to expect dialectic even in the strangest Platonic frame­ work, would hardly have glanced inside the incisive characterization, the dazzling rhetoric, and the glowing mythology; and they would have accord­ ingly missed an extraordinarily subtle philosophic structure, a stately dialectical sequence that when laid bare all but overwhelms us. There is a second tendency to misinterpret: with the rest of the dialogues at hand to offer help, many philosophical critics of the Symposium are hesitant to seek for "Platonic philosophy" in any but the actual spoken discourse of Socrates, and they continue to think of the half-dozen other speakers as mere attractive foils to the hard going of the theory of ideas and the ladder of aspiration2 or love.
    [Show full text]
  • The Mechanical Arts and Poiesis in the Philosophy and Literature of the Twelfth-Century Schools
    The Mechanical Arts and Poiesis in the Philosophy and Literature of the Twelfth-Century Schools Anya Burgon Trinity Hall University of Cambridge October 2018 This dissertation is submitted for the degree of Doctor of Philosophy Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit for the relevant Degree Committee. The Mechanical Arts and Poiesis in the Philosophy and Literature of the Twelfth-Century Schools Anya Burgon The ‘mechanical arts’ or artes mechanicae were first named as a part of Philosophy in Hugh of Saint-Victor’s Didascalicon (1120s). They were identified as seven arts (fabric making, armament, commerce, agriculture, hunting, medicine, and theatrics), and positioned as a parallel to the seven liberal arts. Their inclusion in the Didascalicon has been taken by previous historians to signal a new interest in science and engineering, an effort to ‘give intellectual status to technology for the first time’.
    [Show full text]
  • Productive and Creative Poiesis and the Work of Art
    transcultural studies 13 (2017) 99-118 brill.com/ts Productive and Creative Poiesis and the Work of Art Jason Tuckwell University of Western Sydney [email protected] Abstract There are two ancient formulations of the problem art presents to us: poiesis under- stands art as a generic ontological problem and techné treats art as a particular kind of work—a skilful, intentional practice to deviate processes of becoming. Arguably, this distinction leads to very different procedures for determining the ‘work of art’; poiesis considers artistic praxis as resolved into the artefact while techné considers it as a problem in-itself. This tension is evident in the generic designation of the ‘work of art’ which tends to conflate process with what this process produces. This confla- tion about the work of art can be illuminated via a return to Aristotle’s concept of techné. This is because techné (the kind of work art performs) remains irreducible to both poiesis (to make) and praxis (deliberative action). Where poiesis and praxis are constructive activities differentiated by their intentional ends, techné remains a more foundational power to work upon processes of material causation. What these Aristo- telian distinctions clarify is that the work of art is neither resolvable in the terms of its productions (poiesis) or the terms of its practices (praxis, deliberative actions); rather, art works by deviating these productive processes in the midst of their becoming, by bringing unprecedented differences into being. As such, the work of art apprehended by Aristotelian techné is not reducible to any poiesis; it works upon and divides poiesis into another workflow—a creative poiesis.
    [Show full text]
  • The Synecdoche of Poiesis Jeremiah Bowen
    The Synecdoche of Poiesis Jeremiah Bowen SubStance, Volume 49, Number 1, 2020 (Issue 151), pp. 3-24 (Article) Published by Johns Hopkins University Press For additional information about this article https://muse.jhu.edu/article/751172 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] The Synecdoche of Poiesis Jeremiah Bowen Abstract Symposium describes a synecdoche in Greek usage, in which a particular poiesis, the making of verses set to music, stands in for the generality of poiesis, production in its entirety. This passage provides Jean-Luc Nancy with a necessary premise for what he calls “the enigma of our time”: poiesis and/or techne. But contrary to Socrates’s warning, this trope continues to distort our contemporary understanding of production. Nancy inadvertently dramatizes this distortion by mistranslating Plato’s account in a manner compatible with the Heideg- gerian contrariety, but incompatible with Nancy’s convictions regarding the labor theory of value. By tendentially foreclosing philosophical consideration of productive relations, and condensing their antagonisms into a universalized mastery, this contrariety tends to frame problems in a manner that avoids politics and elides intersecting asymmetries of power founded on class, race and sex. A word from the wise is not to be discarded, O Phaedrus, but it is to be examined. —Plato, Phaedrus (260a) The Socratic project is founded on the fallibility of those reputed to be wise, and the necessity of examining their wisdom. The importance of fallibility is clear enough in the Apology, in Socrates’s insistence that he is only wiser than others because he acknowledges his own ignorance.
    [Show full text]
  • The Tragic and Comic Poet of the Symposium Author(S): Diskin Clay Source: Arion, New Series, Vol
    Trustees of Boston University The Tragic and Comic Poet of the Symposium Author(s): Diskin Clay Source: Arion, New Series, Vol. 2, No. 2 (1975), pp. 238-261 Published by: Trustees of Boston University Stable URL: http://www.jstor.org/stable/20163375 . Accessed: 31/01/2014 12:13 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Trustees of Boston University is collaborating with JSTOR to digitize, preserve and extend access to Arion. http://www.jstor.org This content downloaded from 141.222.81.135 on Fri, 31 Jan 2014 12:13:22 PM All use subject to JSTOR Terms and Conditions THE TRAGIC AND COMIC POET OF THE SYMPOSIUM Diskin Clay For Bernard Knox 1 LATO'S SYMPOSIUM BREAKSUP only at dawn. For some, his celebration of Eros lasts longer than it should. At its end not only have Phaedrus, Eryximachus, and still others escaped into the night, but Plato's commentators have fallen asleep?like all but three or four of those still present in Agathon's banquet room. Ficino composed no Oratio octava to represent or com ment upon Socrates' conversation with Agathon and Aristophanes. As for Louis Le Roi, whose Le Sympose de Platon ( 1558) was the first French translation of the Sym posium and at the same time a sort of marriage manual for the newly married dauphin (pp.
    [Show full text]
  • The Tragic and Comic Poet of the Symposium
    Binghamton University The Open Repository @ Binghamton (The ORB) The Society for Ancient Greek Philosophy Newsletter 12-1974 The Tragic and Comic Poet of the Symposium Diskin Clay Haverford College Follow this and additional works at: https://orb.binghamton.edu/sagp Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, and the History of Philosophy Commons Recommended Citation Diskin Clay presented "The Tragic and Comic Poet of the Symposium" to the meeting of the Society for Ancient Greek Philosophy with the American Philological Association in Chicago in 1974. A revised version was published in Arion NS 2 (1975) 238-261, and reprinted in J. P. Anton & A. Preus, eds. 1983. Essays in Ancient Greek Philosophy vol. 2, SUNY Press, 321-339. For information about the author, see: https://classicalstudies.org/scs-news/memoriam-diskin-clay This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in The Society for Ancient Greek Philosophy Newsletter by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. Śӿ ό·Dzɹąӿ êĤӿ yͱ˧ɵĀӿ Ύҝӿ ͒Ǔӿ ѾɁӿ ?$ -:A !'A 3&4B 5>ad !" oN%EOu - B % 5B \edcӿ 4 _F^u H.Ld ҮΣӿ ?5/bd m~ IJ­4̐Lӿ FPu kRD"~ %)Md ĊˏƢϜ ӷ Ѡɥ͡˿ӿ ͞ǟӿ {ν͟Іӿ 5 U`Vu ?SH,#\~ ҁ!¶%ӿ ɝщӿ e-Tw@~ i-ӿ 3.A $H!~ ISu~ =A (pu ɓÏƮϨӀЭFӿ Nsr2=)mWu Å&ĸӿ Xa067u Fb*NVu L D d 3HnS~ o.%~ '"ǹɋ҉Dӿ ҽҋӿ ˎÇҊͺ7Тӿ @46T UAIMd ȵӏƂӿ !",B Lʸ Ρӿ A5=#~ #$B =:B /ɍϛӿ )ςӿ ǣͩҸσӿ ͚ ӿ шȈ͈Ѐӿ Vc189u %(.4A ɞ˸ӿ " 3 " " '.B ċ΁˯γ΂ЩƩľӿ " J V*?d ?dm~ e:w ]"X^#f&Jp~ 2Fw B<=7W^E?8d 1E]M /(?68 ;0)A<B jǷÂ҈Ɋͷ̟ӿ @Q2YdGK+AVu uӿ &HNu ͯҹɲБӿ ŗӿ >+d pUw ѓȖŨӿӹǨʇϞ+ҏӿ d"K/~ qcLgBr4UG~ F%u r0)~ M~ 0ӿ e,u V(w -ɤˣųӿ w V ͍ιau ͎Ǐӿ ˶ϡϢʊǻӿ FIxC~ Ǜ͝λӿ ,Ȟŭӿ ̢ƟӣˍӬӿ ˪ÆϗϘ"Ĺӿ yY25N~ Z[ ~ ~ ,=fw ?50cd 19B !ӿ Ǣɪ˄ӿ .)ӿ fRBX:gu ¬$ıӿ F>?Cku ҷΧͤ̆ӿ 0Ɏƣӿ ː Фҍӿ Z!/"w ͏ǐӿ Ҍɏӿ ńʑÕ˘Άǿ3Gӿ ëүыӿ ȌŜӿ &ĺСӿ /A ӞɮѴȷӿ 6Ss7Eh~ A ˃¡Ћѧӿ <") .
    [Show full text]
  • The End of Love? Questioning Technocracy in Plato's Symposium
    AS ORIGENS DO PENSAMENTO OCIDENTAL THE ORIGINS OF WESTERN THOUGHT ARTIGO I ARTICLE The End of Love? Questioning technocracy in Plato’s Symposium Philip Krinks i https://orcid.org/0000-0001-5428-6516 [email protected] i The Centre for Theology & Community – London – UK KRINKS, P. (2020). The End of Love? Questioning technocracy in Plato’s Symposium. Archai 29, e02906. Abstract: Plato’s Symposium contains two accounts of eros which explicitly aim to reach a telos. The first is the technocratic account of the doctor Eryximachus, who seeks an exhaustive account of eros, common to all things with a physical nature. For him medical techne can create an orderly erotic harmony; while religion is defined as the curing of disorderly eros. Against this Socrates recounts the priestess Diotima finding a telos, not in technical exhaustiveness, but in a https://doi.org/10.14195/1984-249X_29_6 [1] 2 Rev. Archai (ISSN: 1984-249X), n. 29, Brasília, 2020, e02906. dialectical definition of eros in the light of the good. What is common to all human beings is the desire to be in eternal relation to the good. All technai are forms of poiesis, by which things pass from being to not being. The erotic harmony recommended by Eryximachus, no less than the Aristophanes” recommendation of eros as “of a half, or of a whole’, is subject to the question whether “it happens to be good’. A self-harmonisation produced by techne can no more evade the sovereignty of good, than can projects of self-completion with a beloved in our likeness.
    [Show full text]
  • ASHLEY GRAHAM Emory University PRAYER AFTER the DEATH OF
    ASHLEY GRAHAM Emory University PRAYER AFTER THE DEATH OF GOD Metaphysics is onto-theo-logy. Someone who has experienced theology in his own roots, both the theology of the Christian faith and that of philosophy, would today rather remain silent when speaking in the realm of thinking. – Martin Heidegger, “The Onto-theo-logical Constitution of Metaphysics”1 …if there is no certainty, neither will there be a system of certainties, that is to say a science. From which it follows that there will be no science of life either….As we examine this view closely, it looks to us more like a prayer than like the truth. – Sextus Empiricus, Adversus Mathematicos2 I am trying to think while praying, to pray while thinking. – John Caputo, The Weakness of God3 I. PRAYER AS DESIDERATUM: THINKING IN THREES In The Weakness of God: A Theology of the Event, Caputo ventures a theo-logical experiment at its etymological best—using the word of ‘God’ about, to or by God (à dieu). However, he does so not without acknowledging his place in a strand of onto-theo-logical goodbyes (àdieu).4 Evoking the Name in words, he may immediately come under suspicion of Heidegger’s admonition. But what if this thinking of the Word/Name is characterized as an event more comparable to prayer than a closed onto-theo-logical construction?5 What if 1 Martin Heidegger as quoted by Peter Jonkers. “God in France: Heidegger’s Legacy,” in God in France: Eight Contemporary Thinkers on God (Leuven: Peeters, 2005), 26. 2 Quoted in Martha Nussbaum.
    [Show full text]