On Theodorus' Lesson in the Theaetetus 147D-E by S
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Achievements and Fallacies in Hume's Account of Infinite
-1- ACHIEVEMENTS AND FALLACIES IN HUME’S ACCOUNT OF INFINITE DIVISIBILITY James Franklin Hume Studies 20 (1994): 85-101 Throughout history,almost all mathematicians, physicists and philosophers have been of the opinion that space and time are infinitely divisible. That is, it is usually believedthat space and time do not consist of atoms, but that anypiece of space and time of non-zero size, howeversmall, can itself be divided into still smaller parts. This assumption is included in geometry,asinEuclid, and also in the Euclidean and non- Euclidean geometries used in modern physics. Of the fewwho have denied that space and time are infinitely divisible, the most notable are the ancient atomists, and Berkeleyand Hume. All of these assert not only that space and time might be atomic, but that theymust be. Infinite divisibility is, theysay, impossible on purely conceptual grounds. In the hundred years or so before Hume’s Tr eatise, there were occasional treatments of the matter,in places such as the Port Royal Logic, and Isaac Barrow’smathematical lectures of the 1660’s, 1 Theydonot add anything substantial to medievaltreatments of the same topic. 2 Mathematicians certainly did not take seriously the possibility that space and time might be atomic; Pascal, for example, instances the Chevalier de Me´re´’s belief in atomic space as proof of his total incompetence in mathematics. 3 The problem acquired amore philosophical cast when Bayle, in his Dictionary, tried to showthat both the assertion and the denial of the infinite divisibility of space led to contradictions; the problem thus appears as a general challenge to "Reason". -
Facing Nature: the Infinite in the Flesh
Facing Nature: The Infinite in the Flesh Robert Daniel Victorin-Vangerud, B.A., M.Div. This thesis is presented for the degree of Doctor of Philosophy of. Murdoch University Perth, Western Australia 2004 I declare that this thesis is my own account of my research. ------------------------------------- Robert Daniel Victorin-Vangerud i Abstract “Facing Nature: The Infinite in the Flesh” by Robert Victorin-Vangerud This thesis explores the relation between two interpretations of chôra, drawn from a reading of Plato’s Timaeus. The first I label the elemental chôra. The second, I call the social chôra. The first chapter addresses the elements in Ionian philosophy, with an eye toward the political and social backdrop of the important cosmological notion of isonomia, law of equals. Here social and elemental are continuous. Chapter two looks at the next phase of Presocratic thought, Elea, specifically Parmenides and his influence on later thought, then turns to Heidegger’s reading of Parmenides’ through the key word of alêtheia. Finally, I offer a reading of Parmenides through a different key word— trust. The third chapter examines Plato’s cosmology in the Timaeus, focusing on the way the beginning of this dialogue inflects the dialogue in a political/social direction, putting the social chôra in tension with the elemental chôra that the body of the Timaeus’ discusses. In the fourth chapter, which examines the Phaedrus, this tension is inverted, since this dialogue on writing and justice set in what proves to be the mesmerizing and erotic elemental milieu of the world outside the walls of the polis. The second half of the dissertation turns to some modern thinkers within the phenomenological tradition or its wake who write about elementals. -
Continuity Properties and Infinite Divisibility of Stationary Distributions
The Annals of Probability 2009, Vol. 37, No. 1, 250–274 DOI: 10.1214/08-AOP402 c Institute of Mathematical Statistics, 2009 CONTINUITY PROPERTIES AND INFINITE DIVISIBILITY OF STATIONARY DISTRIBUTIONS OF SOME GENERALIZED ORNSTEIN–UHLENBECK PROCESSES By Alexander Lindner and Ken-iti Sato Technische Universit¨at of Braunschweig and Hachiman-yama, Nagoya ∞ −Nt− Properties of the law µ of the integral R0 c dYt are studied, where c> 1 and {(Nt,Yt),t ≥ 0} is a bivariate L´evy process such that {Nt} and {Yt} are Poisson processes with parameters a and b, respectively. This is the stationary distribution of some generalized Ornstein–Uhlenbeck process. The law µ is parametrized by c, q and r, where p = 1 − q − r, q, and r are the normalized L´evy measure of {(Nt,Yt)} at the points (1, 0), (0, 1) and (1, 1), respectively. It is shown that, under the condition that p> 0 and q > 0, µc,q,r is infinitely divisible if and only if r ≤ pq. The infinite divisibility of the symmetrization of µ is also characterized. The law µ is either continuous-singular or absolutely continuous, unless r = 1. It is shown that if c is in the set of Pisot–Vijayaraghavan numbers, which includes all integers bigger than 1, then µ is continuous-singular under the condition q> 0. On the other hand, for Lebesgue almost every c> 1, there are positive constants C1 and C2 such that µ is absolutely continuous whenever q ≥ C1p ≥ C2r. For any c> 1 there is a positive constant C3 such that µ is continuous-singular whenever q> 0 and max{q,r}≤ C3p. -
The Phenomenon of Chance in Ancient Greek Thought
THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT by MELISSA M. SHEW A DISSERTATION Presented to the Department of Philosophy and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor of Philosophy September 2008 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Melissa Shew Title: "The Phenomenon of Chance in Ancient Greek Thought" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the degree in the Department ofPhilosophy by: Peter Warnek, Chairperson, Philosophy John Lysaker, Member, Philosophy Ted Toadvine, Member, Philosophy James Crosswhite, Outside Member, English and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. September 6, 2008 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. 111 An Abstract of the Dissertation of Melissa M. Shew for the degree of Doctor of Philosophy in the Department of Philosophy to be taken September 2008 Title: THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT Approved: Dr. Peter Warnek This dissertation engages three facets of Greek philosophy: 1) the phenomenon of tyche (chance, fortune, happening, or luck) in Aristotle's Physics, Nicomachean Ethics, and Poetics; 2) how tyche infonns Socrates' own philosophical practice in the Platonic dialogues; and 3) how engaging tyche in these Greek texts challenges established interpretations of Greek thought in contemporary scholarship and discussion. I argue that the complex status of tyche in Aristotle's texts, when combined with its appearance in the Platonic dialogues and the framework of Greek myth and poetry (poiesis), underscores the seriousness with which the Greeks consider the role of chance in human life. -
Early Greeks and Aristotle
Topics Moore Chaps 1 & 2: Early Greeks & Aristotle I. Early Greeks II. The Method of Exhaustion I. Early Greeks III.Aristotle 1. Anaximander (b. 610 B.C.) “to apeiron” - “the unlimited”, “unbounded” Solution to the Problem of the One and the Many: Observable objects = composites of the four elements: - fundamental substance of reality earth, air, fire, water. - underlying substratum for change Question: How do such opposing elements combine to form objects? - neutral substratum in which Answer: Through the mediation of to apeiron opposites/strife are reconciled 2. The Pythagoreans (Pythagoras b. 570 B.C.) the physical world = product of the imposition of “peras” (limits) on “a peiron” result = order/harmony basis for this order = natural numbers 3. The Eleatics Parmenides of Elea (515 B.C.) Claim: It is meaningless to speak of what is not. Everything is. “The One” - the metaphysically infinite - indivisible, homogeneous, eternal Further claim: Change is an illusion. (Change is a transition from what is, to what is not. This is impossible, since talk of what is not is incoherent.) Zeno (490 B.C.) Paradoxes of motion: intended to demonstrate that motion is not real - Achilles and the Tortoise - Paradox of the runner: ABE D C Claim: Achilles will never reach the finish-line at B. Proof: (1) To reach B, must reach C = AB/2. (2) To reach C, must reach D = AC/2, etc... (3) Thus there are an infinite number of finite line segments between A and B. (4) So Achilles would need an infinite amount of time to traverse them all! Assumptions: (a) AB is infinitely divisible. -
Toward a Poiesis of Curriculum Donna Lynn Trueit Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Complexifying the poetic: toward a poiesis of curriculum Donna Lynn Trueit Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Trueit, Donna Lynn, "Complexifying the poetic: toward a poiesis of curriculum" (2005). LSU Doctoral Dissertations. 2988. https://digitalcommons.lsu.edu/gradschool_dissertations/2988 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. COMPLEXIFYING THE POETIC: TOWARD A POIESIS OF CURRICULUM A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Donna Lynn Trueit B. S. N., University of Victoria, 1994 M. A., University of Victoria, 1996 December 2005 © Copyright 2005 Donna Lynn Trueit All rights reserved ii DEDICATION To Bill (Dr. William E. Doll, Jr.), without whom this inquiry would have been impossible: your optimism, imagination, faith, intellect and love inspire and sustain me. iii ACKNOWLEDGMENTS This project was made possible by the incredible, intellectual atmosphere of inquiry in Curriculum and Instruction at LSU, in the Curriculum Theory Project, developed and promoted by Drs. William Pinar and William E. Doll, Jr. In this academically rich, challenging, stimulating, and welcoming environment, I took up the invitation, graciously extended, to partake. -
Hiccups and Other Interruptions in the Symposium
Binghamton University The Open Repository @ Binghamton (The ORB) The Society for Ancient Greek Philosophy Newsletter 12-1962 Hiccups and Other Interruptions in the Symposium George Kimball Plochmann Southern Illinois University Follow this and additional works at: https://orb.binghamton.edu/sagp Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, and the History of Philosophy Commons Recommended Citation Plochmann, George Kimball, "Hiccups and Other Interruptions in the Symposium" (1962). The Society for Ancient Greek Philosophy Newsletter. 48. https://orb.binghamton.edu/sagp/48 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in The Society for Ancient Greek Philosophy Newsletter by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. HICCUPS AND OTHER INTERRUPTIONS IN THE SYMPOSIUM George Kimball Plochmann Plat.o's Symposium has so much charm but. contains so little open debate over concepts that were it to have been his only surviving work, literary critics would seldom have conceded that its author was a worker in the philosophical vineyard,l Readers through the ages, unconditioned as they I: would have been to expect dialectic even in the strangest Platonic frame work, would hardly have glanced inside the incisive characterization, the dazzling rhetoric, and the glowing mythology; and they would have accord ingly missed an extraordinarily subtle philosophic structure, a stately dialectical sequence that when laid bare all but overwhelms us. There is a second tendency to misinterpret: with the rest of the dialogues at hand to offer help, many philosophical critics of the Symposium are hesitant to seek for "Platonic philosophy" in any but the actual spoken discourse of Socrates, and they continue to think of the half-dozen other speakers as mere attractive foils to the hard going of the theory of ideas and the ladder of aspiration2 or love. -
The Mechanical Arts and Poiesis in the Philosophy and Literature of the Twelfth-Century Schools
The Mechanical Arts and Poiesis in the Philosophy and Literature of the Twelfth-Century Schools Anya Burgon Trinity Hall University of Cambridge October 2018 This dissertation is submitted for the degree of Doctor of Philosophy Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit for the relevant Degree Committee. The Mechanical Arts and Poiesis in the Philosophy and Literature of the Twelfth-Century Schools Anya Burgon The ‘mechanical arts’ or artes mechanicae were first named as a part of Philosophy in Hugh of Saint-Victor’s Didascalicon (1120s). They were identified as seven arts (fabric making, armament, commerce, agriculture, hunting, medicine, and theatrics), and positioned as a parallel to the seven liberal arts. Their inclusion in the Didascalicon has been taken by previous historians to signal a new interest in science and engineering, an effort to ‘give intellectual status to technology for the first time’. -
Productive and Creative Poiesis and the Work of Art
transcultural studies 13 (2017) 99-118 brill.com/ts Productive and Creative Poiesis and the Work of Art Jason Tuckwell University of Western Sydney [email protected] Abstract There are two ancient formulations of the problem art presents to us: poiesis under- stands art as a generic ontological problem and techné treats art as a particular kind of work—a skilful, intentional practice to deviate processes of becoming. Arguably, this distinction leads to very different procedures for determining the ‘work of art’; poiesis considers artistic praxis as resolved into the artefact while techné considers it as a problem in-itself. This tension is evident in the generic designation of the ‘work of art’ which tends to conflate process with what this process produces. This confla- tion about the work of art can be illuminated via a return to Aristotle’s concept of techné. This is because techné (the kind of work art performs) remains irreducible to both poiesis (to make) and praxis (deliberative action). Where poiesis and praxis are constructive activities differentiated by their intentional ends, techné remains a more foundational power to work upon processes of material causation. What these Aristo- telian distinctions clarify is that the work of art is neither resolvable in the terms of its productions (poiesis) or the terms of its practices (praxis, deliberative actions); rather, art works by deviating these productive processes in the midst of their becoming, by bringing unprecedented differences into being. As such, the work of art apprehended by Aristotelian techné is not reducible to any poiesis; it works upon and divides poiesis into another workflow—a creative poiesis. -
The Synecdoche of Poiesis Jeremiah Bowen
The Synecdoche of Poiesis Jeremiah Bowen SubStance, Volume 49, Number 1, 2020 (Issue 151), pp. 3-24 (Article) Published by Johns Hopkins University Press For additional information about this article https://muse.jhu.edu/article/751172 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] The Synecdoche of Poiesis Jeremiah Bowen Abstract Symposium describes a synecdoche in Greek usage, in which a particular poiesis, the making of verses set to music, stands in for the generality of poiesis, production in its entirety. This passage provides Jean-Luc Nancy with a necessary premise for what he calls “the enigma of our time”: poiesis and/or techne. But contrary to Socrates’s warning, this trope continues to distort our contemporary understanding of production. Nancy inadvertently dramatizes this distortion by mistranslating Plato’s account in a manner compatible with the Heideg- gerian contrariety, but incompatible with Nancy’s convictions regarding the labor theory of value. By tendentially foreclosing philosophical consideration of productive relations, and condensing their antagonisms into a universalized mastery, this contrariety tends to frame problems in a manner that avoids politics and elides intersecting asymmetries of power founded on class, race and sex. A word from the wise is not to be discarded, O Phaedrus, but it is to be examined. —Plato, Phaedrus (260a) The Socratic project is founded on the fallibility of those reputed to be wise, and the necessity of examining their wisdom. The importance of fallibility is clear enough in the Apology, in Socrates’s insistence that he is only wiser than others because he acknowledges his own ignorance. -
The Tragic and Comic Poet of the Symposium Author(S): Diskin Clay Source: Arion, New Series, Vol
Trustees of Boston University The Tragic and Comic Poet of the Symposium Author(s): Diskin Clay Source: Arion, New Series, Vol. 2, No. 2 (1975), pp. 238-261 Published by: Trustees of Boston University Stable URL: http://www.jstor.org/stable/20163375 . Accessed: 31/01/2014 12:13 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Trustees of Boston University is collaborating with JSTOR to digitize, preserve and extend access to Arion. http://www.jstor.org This content downloaded from 141.222.81.135 on Fri, 31 Jan 2014 12:13:22 PM All use subject to JSTOR Terms and Conditions THE TRAGIC AND COMIC POET OF THE SYMPOSIUM Diskin Clay For Bernard Knox 1 LATO'S SYMPOSIUM BREAKSUP only at dawn. For some, his celebration of Eros lasts longer than it should. At its end not only have Phaedrus, Eryximachus, and still others escaped into the night, but Plato's commentators have fallen asleep?like all but three or four of those still present in Agathon's banquet room. Ficino composed no Oratio octava to represent or com ment upon Socrates' conversation with Agathon and Aristophanes. As for Louis Le Roi, whose Le Sympose de Platon ( 1558) was the first French translation of the Sym posium and at the same time a sort of marriage manual for the newly married dauphin (pp. -
Classical and Free Infinite Divisibility for Boolean Stable Laws
PROCEEDINGS OF THE AMERICAN MATHEMATICAL SOCIETY Volume 142, Number 5, May 2014, Pages 1621–1632 S 0002-9939(2014)12111-3 Article electronically published on February 13, 2014 CLASSICAL AND FREE INFINITE DIVISIBILITY FOR BOOLEAN STABLE LAWS OCTAVIO ARIZMENDI AND TAKAHIRO HASEBE (Communicated by Mark M. Meerschaert) Abstract. We completely determine the free infinite divisibility for the Boolean stable law which is parametrized by a stability index α andanasym- metry coefficient ρ. We prove that the Boolean stable law is freely infinitely ≤ 1 divisible if and only if one of the following conditions holds: 0 <α 2 ; 1 ≤ 2 − 1 ≤ ≤ 1 − 1 2 <α 3 and 2 α ρ α 1; α =1,ρ= 2 . Positive Boolean stable ≤ 1 laws corresponding to ρ =1andα 2 have completely monotonic densities and they are both freely and classically infinitely divisible. We also show that continuous Boolean convolutions of positive Boolean stable laws with differ- ent stability indices are also freely and classically infinitely divisible. Boolean stable laws, free stable laws and continuous Boolean convolutions of positive Boolean stable laws are non-trivial examples whose free divisibility indicators are infinity. We also find that the free multiplicative convolution of Boolean stable laws is again a Boolean stable law. 1. Introduction In probability theory, infinitely divisible distributions play a central role since they arise as the limit distributions of very general limit theorems. In free probabil- ity theory [17,18] there is an analogous notion of infinite divisibility. Moreover, the so-called Bercovici-Pata bijection [8] maps classically infinitely divisible probability measures to freely infinitely divisible ones.