The Development of Networks Through Various Activities by the Ehime Medical Association
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Soseki's Botchan Dango ' Label Tamanoyu Kaminoyu Yojyoyu , The
"Botchan" Exhibition List of Works the 30 June - the 2nd September 2018/The Museum of Arts, Ehime ※Exhibition Period First Half: the 30th Jun sat.-the 29th July sun/Latter Half: the 31th July Tue.- 2nd Sep. Sun Artist Title Piblisher Year Collection Credit ※ Portrait of NATSUME Soseki 1912 SOBUE Shin UME Kayo Botchans' 2017 ASADA Masashi Botchan Eye 2018' 2018 ASADA Masashi Cats at Dogo 2018 SOBUE Shin Botchan Bon' 2018 MISAWA Atsuhiko Cat 2018-01 2018 MISAWA Atsuhiko Drawing - Portrait of Soseki 2018 MISAWA Atsuhiko Painting - White Heron 2018 MISAWA Atsuhiko Painting - Camellia 2018 MISAWA Atsuhiko Painting - Portrait of Soseki 2018 MISAWA Atsuhiko Portrait of Soseki 2018 MISAWA Atsuhiko Painting - Sabi-Neko in Green 2018 MISAWA Atsuhiko Painting - Sabi -Neko at Night 2018 MISAWA Atsuhiko Painting - Sabi -Neko with Blue Sky 2018 MISAWA Atsuhiko Painting - Turner Island 2018 MISAWA Atsuhiko Painting - Pegasus 2018 MISAWA Atsuhiko Drawing - Sabi -Neko 1 2018 MISAWA Atsuhiko Drawing - Sabi -Neko 2 2018 MISAWA Atsuhiko Painting - Sabi -Neko in White 2018 MISAWA Atsuhiko Cat 2013-03 2013 MISAWA Atsuhiko Cat 2002-02 2002 Takahashi Collection MISAWA Atsuhiko Cat 2014-02 2014 MISAWA Atsuhiko Cat 2006-04 2006 Private ASADA Masashi 'Botchan Eye 2018' Collaboration Materials 1 Yen Bill (2 Bills) Bank of Japan c.1916 SOBUE Shin 1 Yen Silver Coin (3 Coins) Bank of Japan c.1906 SOBUE Shin Iyotetsu Railway Ticket (Copy) Iyotetsu Original:1899 Iyotetsu Group From Mitsu to Matsuyama, Lower Class, Fare Matsuyama City Matsuyama City Dogo Onsen after 1950 3sen 5rin , 28th Oct.,1888 Tourism Office Natsume Soseki, Botchan 's Inn Yamashiroya is Iwanami Shoten, Publishers. -
Shiki and Modernism
Anita Virgil JAPAN AND THE WEST: SHIKI AND MODERNISM Alone In the editorial department: Summer rain falling. Shiki 1 In the years between Issa’s death and Shiki’s birth, enormous change had wracked Japan politically, socially and culturally. At mid-19th century, after more than 200 years of isolation, Japan was torn by economic problems and beleaguered from without by foreigners seeking to open Japan to trade with the West. Her farmers and samurai were financially depleted, her merchants could not function without access to markets. Dissolute factions within the country jockeyed for dominance over the crumbling Tokugawa Shogunate to the extent that some Japanese called for restoration of the Emperor. The appearance of the Black Ships of Russia, England and America heightened the anxiety of an already troubled nation. Change was inevitable and necessary for the survival of Japan. With the arrival of Commodore Perry in Edo Bay in 1853, Japan was eventually forced into the modern world. It did not take long for the Japanese to recognize their defenselessness in the face of the military and technological superiority of the West. With dispatch, they sent emissaries abroad to obtain firsthand knowledge of their enemy, the “barbarians.” The result: the Japanese people were awash in a flood of ideas that conflicted with their ancient traditions. On September 17, 1867 in this time of ferment and cross-cultural exchange, Masaoka Tsunenori was born in Matusuyama on the island of Shikoku. (Later in his life, as was customary among Japanese poets, he adopted the name Shiki.) His father, Masaoka Hayata, was a samurai of lower rank who died of alcoholism. -
Revue Francophone De Haïku Janvier-Mars 2013 N°38
38 REVUE FRANCOPHONE DE HAÏKU JANVIER-MARS 2013 N°38 38 2 38 3 IL ÉTAIT UNE FOIS… MARTIGUES C hers adhérents et amis haijins, À l’entrée de l’hiver, ce numéro de GONG, épais et résonnant, devrait vous apporter un peu de chaleur et d’énergie. Soit que vous ayez participé au festival de Martigues et vous revivrez alors tous les moments forts de l’événe- ment. Soit que vous n’ayez pu vous y rendre et nous espérons alors que ce GONG, en majeure partie consacré au festival, le reflète fidèlement et vous associe aux découvertes, aux joies et aux surprises qu’il nous a offertes. U n peu différent des précédents, ce festival ? Oui, mais en quoi ? Tout d’abord parce qu’il était parrainé par le Consulat du Japon de Mar- seille. A noter que le Consul Général, Monsieur Sato, avait pris ses fonctions le 1er octobre et que notre festival a été sa première sortie officielle. Je ga- ge qu’il n’oubliera pas la soirée Japon, à laquelle il a assisté dans sa totalité. Ensuite, parce que nous avons bénéficié d’une contribution inestimable de la Mairie de Martigues qui a mis à notre disposition des salles équipées, des équipes techniques et qui a fait la promotion de notre festival par voie d’af- fiches et de flyers et réglé le protocole pour la visite de Monsieur le Consul Général du Japon. Enfin, parce que, du fait de notre ténacité et grâce à quelques précieuses ouvertures au Conseil Général, ainsi qu’un épais dossier bien ficelé – lequel a voyagé dans les services du Conseil Général ! – nous avons fini par obtenir la subvention à laquelle nous prétendions. -
La Revue Du Haïku
La revue du haïku N° 48 – Décembre 2013 Association pour la promotion du haïku www.100pour100haiku.fr SOMMAIRE 1. Préambule par Christian Faure 5 2. « Kigo or not kigo ? » - texte issu d’un entretien avec Seegan MABESOONE 7 3. Le Haïku en mouvement au Japon depuis l’an 2000, texte de Katsuhiro HORIKI 12 4. “ Mon Kigo préféré ” 19 5. “ Les instants choisis ” 20 6. “ Les compositions des auteurs ” 24 Ploc¡ la revue du haïku Numéro réalisé par Christian Faure, Damien Gabriel 1. PRÉAMBULE Christian FAURE Un cycle se termine et un autre commence : voilà ce que nous enseigne le passage à l’année nouvelle. Quant au temps cyclique, il se révèle dans le haïku. La période du nouvel an reste le moment du renouvellement virginal (cf ploc 38 - kigos du renouveau), occasion pour s’interroger sur soi-même et se promettre de bonnes résolutions. Vous trouverez ici de nouvelles fenêtres sur le Japon sous formes d’interrogations : la composition sans kigo est-elle concevable (entretien avec Laurent Seegan Mabesoone) et le monde du haïku évolue-t-il (Katsuhiro Horikiri) ? Ensuite nous retrouverons les compositions de nos auteurs et leurs kigos préférés. Enfin, nous vous proposerons de composer deux haïkus maximum dans le rythme 575 pour le prochain numéro du « projet kigo » : - sur des mots de saison de l’hiver en relation avec les fêtes (noël, jour de l’an, la Saint-Sylvestre, le champagne, le premier vin [de l’année], les premières fois [Cf n°38 de Ploc –les kigos du renouveau, etc..) - et/ou des kigos libres de printemps. -
If\{TET?F\{ a Tiof\{ at HAIKU Cotvvef\{Tiof\{ MASAOKASHIKI If\{TET?F\{ a Tiof\{ at HAIKU AWAT?DS
If\{TET?f\{ A TIOf\{ At HAIKU COtVVEf\{TIOf\{ MASAOKASHIKI If\{TET?f\{ A TIOf\{ At HAIKU AWAT?DS / CONTENTS MASAOKA SHIKI INTERNATIONAL HAIKU AWARDS··· 03 Masaoka Shiki International Haiku Awards ......................... ··04 Recipients··································································08 Congratulatory message to Yves Bonnefoy from the president of France ···09 Memorial Lecture by Yves Bonnefoy(French) ....................... ·14 (English translation) ........... ·25 Acceptance Speech by Bart Mesotten ............................... ··35 Acceptance Speech by Robert Spiess .................................. ··39 INTERNATIONAL HAIKU CONVENTION .......................... ·41 International Haiku Symposium ...................................... ·44 The Matsuyama Message 2000··········································59 International Haiku Workshop··········································62 Workshop at venue 1 ............................................... ·63 Theme: The Poetices of Haiku - The Prospect of Haiku in the 21st Century Workshop at venue 2 ............................................... ·69 Theme: In Search of the potential of Haiku Translation Commentators and moderator····································70 Handout by Lee Gurga and Emiko Miyashita ··················72 Handout by William J.Higginson ······························77 David Burleigh's Comment·······································82 Published in Japan in 2001 by EHIME CULTURE FOUNDATION, 4-4-2, Ichiban-cho, Matsuyama, Ehime, Japan. Copyright© 2001, -
For All My Walking
Watson(santoka)_FM 9/3/03 3:03 PM Page i for all my walking Modern Asian Literature Watson(santoka)_FM 9/3/03 3:03 PM Page ii for all my walking Watson(santoka)_FM 9/3/03 3:03 PM Page iii Translated by Burton Watson Free-Verse Haiku of Taneda Santoka with Excerpts from His Diaries columbia university press new york Watson(santoka)_FM 9/3/03 3:03 PM Page iv Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2003 Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Taneda, Santoka, 1882–1940. [Poems. English. Selections] For all my walking : free-verse haiku of Taneda Santoka with excerpts from his diaries / translated by Burton Watson. p. cm.—(Modern Asian literature series) ISBN 0–231–12516–X (cloth : alk. paper) ISBN 0–231–12517–8 (paper : alk. paper) I. Watson, Burton, 1925– II. Taneda, Santoka, 1882–1940. Nikki. English. Selections. III. Title. IV. Series. Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 Watson(santoka)_FM 9/3/03 3:03 PM Page v Contents Chronology of the Life of Taneda Santoka vii Introduction 1 Poems and Diary Entries 19 Bibliography of Works in English 103 Watson(santoka)_FM 9/3/03 3:03 PM Page vi Watson(santoka)_FM 9/3/03 3:03 PM Page vii Chronology of the Life of Taneda Santo¯ka 1882 december 3. -
Hojas En La Acera Nro 35 II Shiki.Pdf
Septiembre2017 GACETA INTERNACIONAL Año IX nº 35 DE HAIKU HOJAS EN HELA LA ACERA Gaceta trimestral de Haiku Qué distinto el otoño para mí que voy para ti que quedas MASAOKA SHIKI Nº 35 Año IX SEPTIEMBRE 2017 Vol. 2 HOJAS EN LA ACERA ISSN 1989-5984 www.hela17.blogspot.com [email protected] Editada en España Septiembre Septiembre2017 2017 GACETA GACETA INTERNACIONAL INTERNACIONAL AñoAño IXIX nºnº 3535 DE DE HAIKU HAIKU Redacción Índice Traducciones Nº 35 Septiembre 2017 Vol. 2 Leticia Sicilia [email protected] Editorial, pág. 2 Enlace América El jaiku japonés en la era Meiji Jorge Braulio Rodríguez de Javier Sancho, pág. 3 [email protected] 150 Aniversario del nacimiento de Shiki, pág. 15 Enlace Japón Félix Arce Shiki y el béisbol [email protected] de Jorge Braulio Rodríguez, pág. 16 Treinta y cinco haikus comentados por R. H. Blyth, Ilustraciones taducidos por Jorge Braulio Rodríguez, pág. 18 Sandra Pérez [email protected] Los 3 últimos haikus de Shiki, traducción de Jorge Braulio Rodríguez, pág. 32 Ayudante de maquetación Toñi Sánchez Verdejo Especial Kukai [email protected] Coordina Leticia Sicilia Coordinador de Publicaciones ¿Qué es un kukai?, pág. 33 Javier Sancho El Kukai en distintos países del mundo, pág. 35 [email protected] Comentarios de Ana Añón, pág. 44 Redactor Jefe Elías Rovira Comentarios de Mercedes Pérez, pág. 47 [email protected] Resultados junio 2017 edición 31, pág. 48 Director Invitación kukai septiembre 2017 edición 32, pág. 54 Enrique Linares [email protected] -
International Haiku Convention
International Haiku Convention 2002 CONTENTS MASAOKA SHIKI INTERNATIONAL HAIKU AWARDS 2 Masaoka Shiki Innternational Haiku Awards Outline 8 Masaoka Shiki 12 Recipients 24 Memorial Lecture by Cor van den Heuvel 36 Memorial Lecture by Satya Bhushan Verma 44 Acceptance Speech by Wada Shigeki 45 21st CENTURY EHIME HAIKU PRIZES 46 21st Century Ehime Haiku Prizes Outline 48 Ishida Hakyo 49 Kawahigashi Hekigoto 50 Tomizawa Kakio 52 Nakamura Kusatao 55 Recipients 59 SHIBA FUKIO RISING HAIKU POET PRIZE 60 Shiba Fukio Rising Haiku Poet Prize Outline 63 Shiba Fukio 65 Prize Winners 67 RELATED EVENTS 68 Ceremony of Awards and International Haiku Symposium 68 Exhibition of Haiga (painting) with Masaoka Shiki's Haiku Translation 69 International Haiku Workshops 69 Venue 1 72 Venue 2 74 Cultural Exchange with Students of Hakata High School 76 Nanyo Ginko (Haiku tour in southern part of Ehime pref.) International Haiku Convention 2002 Copyright(c) 2003 Ehime Culture Foundation All rights reserved. Printed in Japan Ehime Culture Foundation 2-5-1 Dogo-cho, Matsuyama, Ehime 790-0843, Japan Phone: +81-89-927-4777 Web: http://www.ecf.or.jp Email: [email protected] MASAOKA SHIKI INTERNATIONAL HAIKU AWARDS Masaoka Shiki International Haiku Awards Outline Masaoka Shiki International Haiku Awards, named after the founder of modern Japanese haiku, was established based on the principles set forth in the Matsuyama Declaration, adopted at the Shimanamikaido '99 Haiku convention in Matsuyama held in September 1999. We hope that the establishment of this award will attract people's attention to Masaoka Shiki as a globally recognized poet and to haiku as the shortest form of world poetry. -
Masaoka Shiki
PllliSMif -TlV ' m; r; ... ||pillp»si 5 W-m Eft •t n !E?C3ft fit; I ^ifc;bIB m HItMsm.. III K=s : mm ■ ■ i :.i-! ■Si* ■ iv'; V iartit inaatttu&u*t =‘! its“ '■:3. " L’iV:i: MV - si i i ! •o- mH tesiM mf 3 ttmpse • 3 •- 1 i®£ . ■ ...M j:- 'V/-"?-vr::i 33 3 1' IgjSpllSI 1 iufiisiiliffiilSiiS lfil^i|l*il®fflr ' : pip" a 5 i'.it’rr.frH iV***-?: • r* ; : fv fb fccy a~33 fauJ#bo t ^-3 $0'? 3 Masaoka Shiki Twayne’s World Authors Series Ray E. Teele, Editor University of Texas, Austin * MASAOKA SHIKI (1867-1902) Masaoka Shiki By Janine Beichman University of Library• and Information Science Twayne Publishers • Boston Masaoka Shiki | Janine Beichman Copyright ©1982 by G. K. Hall & Co. All Rights Reserved Published by Twaync Publishers A Division of G. K. Hall & Company 70 Lincoln Street Boston, Massachusetts 02111 Printed on permanent / durable acid-free paper and bound in The United States of America. Book production by Mame B. Sultz Book design by Barbara Anderson library of Congress Cataloging in Publication Data : Beichman, Janine. Masaoka Shiki. (Twayne's world authors series; TWAS 661) Bibliography: p. 156 Includes index. 1. Masaoka, Shiki, 1867-1902—Criticism 1 and interpretation. I. Tide. H. Series. PL811.A83Z57 895.6'14 82-3116 ISBN 0-8057-6504-2 AACR2 For Aya ' I ■r i Contents About the Author Preface Acknowledgments Chronology Chapter One Life: From Samurai to Poet 1 Chapter Two Haiku: From Infinite Ambition to the Zero Wish 31 Chapter Three Tanka: The Consecration of the Everyday 74 Chapter Pour Prose: "The Little Garden Is My Universe” 104 Chapter Five Diaries: "I Feel the Pain and See the Beauty” 116 Notes and References 143 Selected Bibliography 136 Index 166 About the Author Janine Beichman is visiting professor of literature at the University of Library and Information Science in Tsukuba Academic City, Japan, and lecturer in Japanese literature at Sophia University, Tokyo, Japan.