Şarkiyat MECMUASI
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Egyptian Islamic and Secular Feminists in Their Own Context Assim Alkhawaja University of San Francisco, [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 2015 Complexity of Women's Liberation in the Era of Westernization: Egyptian Islamic and Secular Feminists in Their Own Context Assim Alkhawaja University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/diss Part of the Feminist, Gender, and Sexuality Studies Commons, and the Near and Middle Eastern Studies Commons Recommended Citation Alkhawaja, Assim, "Complexity of Women's Liberation in the Era of Westernization: Egyptian Islamic and Secular Feminists in Their Own Context" (2015). Doctoral Dissertations. 287. https://repository.usfca.edu/diss/287 This Dissertation is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The University of San Francisco COMPLEXITY OF WOMEN‘S LIBERATION IN THE ERA OF WESTERNIZATION: EGYPTIAN ISLAMIC AND SECULAR FEMINISTS IN THEIR OWN CONTEXT A Dissertation Presented to The Faculty of the School of Education International & Multicultural Education Department In Partial Fulfillment Of the Requirements for the Degree Doctor of Education By Assim Alkhawaja San Francisco May 2015 THE UNIVERSITY OF SAN FRANCISCO Dissertation Abstract Complexity Of Women‘s Liberation in the Era of Westernization: Egyptian Islamic And Secular Feminists In Their Own Context Informed by postcolonial/Islamic feminist theory, this qualitative study explores how Egyptian feminists navigate the political and social influence of the West. -
Monuments, Materiality, and Meaning in the Classical Archaeology of Anatolia
MONUMENTS, MATERIALITY, AND MEANING IN THE CLASSICAL ARCHAEOLOGY OF ANATOLIA by Daniel David Shoup A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Art and Archaeology) in The University of Michigan 2008 Doctoral Committee: Professor Elaine K. Gazda, Co-Chair Professor John F. Cherry, Co-Chair, Brown University Professor Fatma Müge Göçek Professor Christopher John Ratté Professor Norman Yoffee Acknowledgments Athena may have sprung from Zeus’ brow alone, but dissertations never have a solitary birth: especially this one, which is largely made up of the voices of others. I have been fortunate to have the support of many friends, colleagues, and mentors, whose ideas and suggestions have fundamentally shaped this work. I would also like to thank the dozens of people who agreed to be interviewed, whose ideas and voices animate this text and the sites where they work. I offer this dissertation in hope that it contributes, in some small way, to a bright future for archaeology in Turkey. My committee members have been unstinting in their support of what has proved to be an unconventional project. John Cherry’s able teaching and broad perspective on archaeology formed the matrix in which the ideas for this dissertation grew; Elaine Gazda’s support, guidance, and advocacy of the project was indispensible to its completion. Norman Yoffee provided ideas and support from the first draft of a very different prospectus – including very necessary encouragement to go out on a limb. Chris Ratté has been a generous host at the site of Aphrodisias and helpful commentator during the writing process. -
“The Sorrows of Egypt,” Revisited in Knowledge He Sought Years Idol Masses
A HOOVER INSTITUTION ESSAY on A us strateGIC vision in A CHANGING WORLD “The Sorrows of Egypt,” Revisited SAMUEL TADROS The sorrow of Egypt is made of entirely different material: the steady decline of its public life, the inability of an autocratic regime and of the middle class from which this regime issues to rid the country of its dependence on foreign handouts, to transmit to the vast underclass the skills needed for the economic competition of nations; to take the country beyond its endless alternations between glory and self-pity. (Fouad Ajami, “The Sorrows of Egypt”) In his authoritative 1995 essay “The Sorrows of Egypt,”1 Fouad Ajami, with the knowledge and experience of someone who had known Egypt intimately, and the spirit and pen of a poet who had come to love the place, attempted to delve deeply into what ailed the ancient land. The essay moved masterfully from the political to the social and Islamism and the International Order International the and Islamism from the religious to the economic, weaving an exquisite tapestry of a land of sorrows. This was not the first time that Ajami had approached Egypt. The country his generation had grown up knowing was the Egypt of promise and excitement, where Gamal Abdel Nasser’s towering presence and deep voice had captivated millions of Arabic speakers. Ajami had been one of those young men. He had made the pilgrimage to Damascus, watching and cheering as Nasser made his triumphant entry into the city in 1958, crowned as the idol of the Arabs by adoring masses. -
Mavi Anadoluculuk Ve Sabahattin Eyüboğlu'na Eleştirel Bakışlar
Dil ve Edebiyat Araştırmaları, Bahar, 2018; (17) 79-86 ISSN: 1308-5069 - E-ISSN: 2149-0651 79 Mavi Anadoluculuk ve Sabahattin Eyüboğlu’na Eleştirel Bakışlar Emel KOŞAR* Öz 1950’li yıllarda Mavi Anadolucular (Halikarnas Balıkçısı [Cevat Şakir Kabaağaçlı], Sabahattin Eyüboğlu, İsmet Zeki Eyüboğlu, Azra Erhat, Vedat Günyol, Faik Zeki İzer) “ana yurt” Anadolu’ya coğrafya temelli va- tan anlayışı etrafında baktılar. Batı medeniyetinin kaynağı olan Yunan medeniyetine (Antik Yunan efsaneleri, mitolojisi) değer verdiler. Bodrum’u merkez alarak Gökova Körfezi’ni denizden dolaşmaya dayanan “Mavi Yolculuk”lara çıktılar. Anadolu’yu tüm medeniyetlerin beşiği olarak gördüler. Kendilerini antik hümanist fel- sefenin mirasçıları olarak tanımladılar. Bir insanda bütün insanlığı gören hümanizma anlayışına yöneldiler. Antik Yunan’a ait değerleri benimseyerek Anadolu’yu kucakladılar. Halk oyunları, efsaneler, şiir, el işleri gibi kültürel ögelerin dış etkilerden çok yüzyıllarca Anadolu topraklarında kazandıklarımızla iç içe geçerek, birikerek meydana geldiğini savundular. Gergedan’daki “Cumhuriyet için Hümanizma” adlı dosyada yazan yazarlar, (Murat Belge, Ekrem Işın, Ahmet Oktay, Enis Batur, Selim İleri) Mavi Anadolucular deyince ilk akıllarına gelen isimler, Sabahattin Eyüboğlu ve Halikarnas Balıkçısı olduğu için yazılarında onlar üzerinde dururlar. Murat Belge, Ekrem Işın, Ahmet Oktay ve Enis Batur’un ciddi üslûplarına karşın Ece Ayhan’ın üslûbu alaycı ve suçlayıcıdır. Selim İleri ise, deneme türündeki yazısında Mavi Anadolucular’ı ve kendisini samimi bir dille eleştirir. Adı geçen dosyada Mavi Anadolucular Cumhuriyet aydını ve ideolojisi, Tercüme Bürosu ve Köy Enstitüleri, Osmanlı tarihine bakış ve modernleşme bağlamında ele alınmıştır. Anahtar Kelimeler: Reşat Nuri, Yeşil Gece, yeni hayat, yeni öğretmen tipi, Cumhuriyet dönemi ede- biyatı * Dr. Öğr. Üyesi, Mimar Sinan Güzel Sanatlar Üniversitesi Fen Edebiyat Fakültesi Türk Dili ve Edebiyatı Bölümü. -
Arab-African Migrant Literature a Dissertation
UNIVERSITY OF CALIFORNIA Los Angeles Clandestine Mediterranean: Arab-African Migrant Literature A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Nahrain Al-Mousawi 2012 © Copyright by Nahrain Al-Mousawi 2012 ABSTRACT OF THE DISSERTATION Clandestine Mediterranean: Arab-African Migrant Literature by Nahrain Al-Mousawi Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2012 Professor Saree Makdisi, Chair Professor Gil Hochberg, Chair Clandestine migration from North Africa across the Mediterranean has been explored widely as a topic in the fields of social science in the past decade, but representations of undocumented migration in literature have not been subject to significant attention and analysis. Moreover, in comparison to French, Italian, or Spanish literature, Arabic clandestine migrant literature has barely been subject to recognition or discussion. Even though this dissertation includes some Anglophone literature, by and large, its main attention to Arabic literature addresses the dearth in scholarship on contemporary Arabic literary representations of clandestine migration from Egypt and Morocco, as well as trans-migration from sub-Saharan Africa. My analysis of literature charting journeys from the Mediterranean’s southern shores and rendering clandestine existence in the global North attempts to contribute to not only the discourse on migration literature but on conceptualizations of the Mediterranean as both a dividing border and unifying contact zone, ii especially vital to the contemporary recurrence of the study of seas and particularly the Mediterranean. My discussion encompasses Arabic literature by Moroccan author Rachid Nini and Egyptian author Khaled Al-Khameesy, as well as Anglophone literature by Moroccan- American author Laila Lalami and Nigerian-American author Sefi Atta. -
The Relation Between Translation and Ideology As an Instrument for the Establishment of a National Literature Nüzhet Berrin Aksoy
Document generated on 10/01/2021 3:36 p.m. Meta Journal des traducteurs Translators' Journal The Relation Between Translation and Ideology as an Instrument for the Establishment of a National Literature Nüzhet Berrin Aksoy Volume 55, Number 3, September 2010 Article abstract The relation between translation and ideology is an example of a concrete case URI: https://id.erudit.org/iderudit/045064ar for a nation’s struggle to take its place in the modern world. In the early years DOI: https://doi.org/10.7202/045064ar of the Turkish Republic, established by M. Kemal Atatürk and his followers after the Turkish War of Liberation (1919-1923), the dominant state ideology See table of contents focused on a full-scale enlightenment and development initiative on all levels of society. The conditions which created the Renaissance and the spirit of humanism in the West were taken as a model and translation became one of Publisher(s) the main instruments for the establishment of a modern society and a national literature following many reforms in education and language. This paper Les Presses de l'Université de Montréal investigates how the state ideology manipulated translation, and its effects on the emergence of modern Turkish Literature. ISSN 0026-0452 (print) 1492-1421 (digital) Explore this journal Cite this article Aksoy, N. B. (2010). The Relation Between Translation and Ideology as an Instrument for the Establishment of a National Literature. Meta, 55(3), 438–455. https://doi.org/10.7202/045064ar Tous droits réservés © Les Presses de l’Université de Montréal, 2010 This document is protected by copyright law. -
Nahdah Translators and the Politics of Modernization in Colonial Egypt a Paratextual Analysis of Darwinism As a Reform Project
Nahdah Translators and the Politics of Modernization in Colonial Egypt A Paratextual Analysis of Darwinism as a Reform Project Farah Magdy Zeina Cairo University Received: 20/02/2020 Accepted: 18/05/2020 Abstract This paper examines the modern Nahdah translation movement in Egypt, the end of the 19th century and turn of the 20th century, a period characterized by conflicting ideologies and reform projects. The paper examines western ideologies, imported via translation, as modernization projects. It presents a case study of Salama Moussa, a radical Nahdah intellectual, by focusing on his agenda for reform in the age of decolonization. The paper critically analyzes paratextual elements of Moussa’s Nazariyyat al-tatawwur wa-asl al-insan (Theory of Evolution and the Origin of Man) published in 1928 as a case of ‘concealed translation’. Situating the text in context reveals the alignment of the translation with norms of the translation policy in a given socio-historical moment. Key Words Paratexts, concealed translation, modernization projects, norms, decolonization. Transletters. International Journal of Translation and Interpreting 4 (2020) 339-365 ISSN 2605-2954 Farah Magdy Zeina Introduction This paper examines the relationship between translation and modernization projects in Egypt under the British colonial rule and during independence. The study of translation as a modernization project at the end of the 19th and turn of the century examines the conflict and struggle between “emergent and competing notions of modernity” present at the heart of reform and nation building in the aftermath of the British occupation (Selim 2008: 148). The study highlights how translation is used by Nahdah translators to advocate and popularize their own political and social agendas for modernization to the public. -
Copyrighted Material
c01.qxd 09/09/05 12:55 PM Page 7 1 Heartbreak and Hope w here is a battle raging within the Arab world whose outcome is of T the utmost importance for the entire globe. This struggle between the forces of democracy and authoritarianism, modernity and stag- nation, is not so different in kind from the titanic conflicts that have shaped the lives of many other lands. But the specific Middle Eastern version of such events is also quite distinct from what happened else- where. What is going on in the Middle East today is part of the great, centuries-long transition wrought by secularism, industrialization, democratization, urbanization, globalization, and all the other historic changes that have shaped the modern world everywhere on the planet. Indeed, the struggle over the Middle East may be the last of these great battles over alternative futures. Within each country, the issue has been what kind of society and polity would prevail there. On every continent, the regional question to be resolved was whether a single country, leader, or ideology could dominate that vast landmass or even, using it as a base, the entire world. For example, Europe’s political, social, and ideological throes during the nineteenthCOPYRIGHTED and twentieth centuries gaveMATERIAL rise to international tidal waves that carried violence to every corner of the planet. Three world wars, including the Cold War, as well as fascism and communism, arose in the strife of that great debate over how people should and would live their lives. Compared to Europe’s upheavals, such catastrophic events as Septem- ber 11 and the three wars emanating from Iraq are mere ripples.1 But the great battle over what system and worldview will dominate the Middle 7 c01.qxd 09/09/05 12:55 PM Page 8 8 THE LONG WAR FOR FREEDOM East is happening now, and this struggle will probably be our era’s cen- tral drama. -
A Study of the Dramatic Structure in the Poetry of Mahmoud Darwish
A Study of the Dramatic Structure in the Poetry of Mahmoud Darwish from 1967 to 1987 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2019 Anas A. I. Alhumam School of Arts, Languages and Cultures Table of Contents Abstract ................................................................................................................................. 5 Declaration ............................................................................................................................ 7 Copyright Statement ............................................................................................................ 8 Transliteration Chart ........................................................................................................... 9 Translation and Transliteration Statements ................................................................... 12 Acknowledgements ............................................................................................................. 13 Dedication ........................................................................................................................... 15 Chapter One: Introduction ............................................................................................... 16 1.1 Focus of this Research ................................................................................................................ 16 1.2 Rationale for this Thesis ............................................................................................................ -
Reading Troy: Text, Site and Museum a Thesis Submitted
READING TROY: TEXT, SITE AND MUSEUM A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY AYŞE MİNA SELÇUK IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF HISTORY OF ARCHITECTURE JULY 2021 Approval of the thesis: READING TROY: TEXT, SITE AND MUSEUM submitted by AYŞE MİNA SELÇUK in partial fulfillment of the requirements for the degree of Master of Arts in History of Architecture, the Graduate School of Social Sciences of Middle East Technical University by, Prof. Dr. Yaşar KONDAKÇI Dean Graduate School of Social Sciences Prof. Dr. Fatma Cânâ BİLSEL Head of Department Department of Architecture Prof. Dr. Suna GÜVEN Supervisor Department of History of Architecture Examining Committee Members: Assist. Prof. Dr. Pelin YONCACI ARSLAN (Head of the Examining Committee) Middle East Technical University Department of History of Architecture Prof. Dr. Suna GÜVEN (Supervisor) Middle East Technical University Department of History of Architecture Prof. Dr. Namık Günay ERKAL TED University Department of Architecture PLAGIARISM I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: Ayşe Mina SELÇUK Signature: iii ABSTRACT READING TROY: TEXT, SITE, AND MUSEUM SELÇUK, Ayşe Mina M.A., The Department of History of Architecture Supervisor: Prof. Dr. Suna Güven July 2021, 150 pages The ancient city of Troy has been known universally as the site of Homer’s Iliad, witness of the legendary Trojan War, and the home of mythological characters immortalized in the epic prose. -
Duygu Demir Another Kind of Muralnoma Bedri Rahmi
DuyguNicosia, Cyprus, 2010: The Fragment Demir In early 2010, as he waited for a meeting with the ambassador of the Republic of Turkey in Nicosia in Northern Cyprus,1 Johann Pillai, a comparative literature professor and founding director of the local art space Sidestreets, sat facing four mosaic panels leaning on the wall, which he would later discover, were in fact placed upside down. (Figure 1) AnotherThe caption next to the mosaics attributed the panelsKind to the late Bedri of Muralnomad: Rahmi Eyüboğlu (1911-1975), an artist from Turkey known not only for his instantly recognizable appropriation of Anatolian motifs, but also for his poetry. The label included information about how the panels had come to be on the island: there had been an exhibition of Bedri Rahmi’s Bedriworks in Nicosia in 1962, andRahmi these panels were only a section of a larger Eyüboğlu’s gift to the Cyprus Turkish Armed Forces Command (KTAK) after the event, with the rest installed in an officers’ mess at the military barracks. It was also mentioned that according to various sources there were two hundred of the 50cm wide and 200cm high panels, but that KTAK didn’t Mosaichave exact information about the artwork Wall as a whole.2 from the Turkish Made of a seemingly infinite number of triangular and square-shaped 120 tesserae set in concrete, the panels featured white diagonals and spots of red, brown, and turquoise floating against a swerving deep lapis lazuli background. At first glance, it seemed like an abstract geometric com- Pavilionposition.3 During his meeting, the newly appointed at ambassador the asked Brussels Pillai whether he would be interested in exhibiting these mosaic panels at Sidestreets. -
“Turkish Humanism Project” in the Early Republican Period
“TURKISH HUMANISM PROJECT” IN THE EARLY REPUBLICAN PERIOD A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF THE MIDDLE EAST TECHNICAL UNIVERSITY BY GÜNEŞ ALTINBAŞ SEREZLİ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SOCIAL SCIENCE IN DEPARTMENT OF SOCIOLOGY SEPTEMBER, 2006 Approval of the Graduate School of Social Sciences Prof. Dr. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science in Sociology. Assoc. Prof. Dr. Sibel Kalaycıoğlu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science in Sociology. Prof. Dr. Hasan Ünal Nalbantoğlu Supervisor Examining Committee Members Prof. Dr. Hasan Ünal Nalbantoğlu (METU, SOC) ________________________ Assist. Prof. Dr. Necmi Erdoğan (METU, ADM) ________________________ Dr. Erdoğan Yıldırım (METU, SOC) ________________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Güneş Altınbaş Serezli iii ABSTRACT THE “TURKISH HUMANISM PROJECT” IN THE EARLY REPUBLICAN PERIOD Altınbaş Serezli, Güneş Master of Arts, Department of Sociology Supervisor: Prof. Hasan Ünal Nalbantoğlu September 2006, 150 pages This dissertation aims at analyzing the debates among intellectuals concerning humanism, and concurrently designed “Turkish Humanism Project” during the nation/identity-building process in the early decades of Turkey’s Republican Era.