Christmas Season Celebrates Love
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Funkids Amb La Black Music Big Band & Brodas Junior
Dossier pedagògic — FunKids amb la Black Music Big Band Dossier pedagògic FunKids amb la Black Music Big Band & Brodas Junior Auditori de Girona Dossier pedagògic — FunKids amb la Black Music Big Band —3 Presentació —4 Fitxa artística —5 Black Music Big Band- BMBB —6 Què és una Big Band: una gran orquestra de jazz —7 Ball urbà — 2 Dossier pedagògic — FunKids amb la Black Music Big Band Presentació Qui no es mou amb la música funky? La proposta fresca Un espectacle i rítmica de l’Auditori Obert, en què els alumnes desco- briran l’essència de la música negra amb el funky i el soul amb més de 45 com a protagonistes. Un concert formatiu sobre la Big participants dalt Band, els seus instruments i estil amb explicacions en català i pinzellades en anglès (fàcilment comprensibles de l’escenari per als nens i nenes). Tot plegat de la mà dels joves de la entre músics i BMBB i al costat dels ballarins de Brodas Junior, que fa- ballarins ran del FunKids un concert ple d’espectacularitat i ritme! Qui no es mou amb la música funky? Arriba una proposta fresca i rítmica de l’Auditori Obert, en la qual els més joves descobriran l’essència de la música negra amb el funky i el soul com a protagonistes. Un concert formatiu i pedagògic que ens parlarà de la Big Band, els seus instru- ments i estil, el mon del ball urbà, etc.... Què podrem conèixer a FunKids? - Els seus instruments: secció de saxos, trompetes, trombons i la base rítmica - Escoltarem les diferents veus de la Black Music - Viurem els diferents estils de balls urbans com el locking, el popping, el bboying o el hiphop I tot això amb explicacions en català i pinzellades en anglès. -
Eyeclops Bionic Eye From
2007: the year in review THE “TOYING OF TECHNOLOGY” FocusingFocusing In:In: TheThe EyeClopsEyeClops®® BionicBionic EyeEye TakeTake itit toto thethe WebWeb GetGet MovingMoving THE YEAR OF HANNAH MONTANA® TOYS MICROECONOMICS ALSO IN TOYLAND TRENDTREND ALERT:ALERT: WHOWHO DOESN’TDOESN’T LOVELOVE CUPCAKES?CUPCAKES? AR 2007 $PRICELESS AR 2007 TABLE of CONTENTS JAKKS’ 4Girl POWER! In 2007 Disney® “It Girl” Miley Cyrus, a.k.a. Hannah Montana, hit the scene, and JAKKS was right there with her to catch the craze. Tween girls weren’t the only ones who took notice of the teen phenom. Hannah Montana toys from JAKKS were nominated for “Girls Toy of the Year” by the Toy Industry Association, received a 2008 LIMA licensing excellence award, and numerous retailers and media outlets also chose them as their top holiday picks for 2007. WIRED: SPOTLIGHT 6 on TECHNOLOGY From video game controllers to scientific magnifiers – in 2007 JAKKS expanded on its award-winning Plug It In & Play TV Games™ technology and created the EyeClops Bionic Eye, an innovative, handheld version of a traditional microscope for today’s savvy kids. JAKKS continued to amaze BOYS the action figure community will be by shipping more than 500 unique WWE® and BOYS Pokémon® figures to 8 retailers in more than 60 countries around the world in 2007. Joining the JAKKS powerhouse male action portfolio for 2008 and 2009 are The Chronicles of Narnia™: Prince Caspian™, American Gladiators®, NASCAR® and UFC Ultimate Fighting Championship® product lines, and in 2010… TNA® Total Non-Stop Action Wrestling™ toys. W e Hop e You E the Ne njoy w Ma gazine Format! - th 6 e editor 2007 ANNUAL REPORT THIS BOOK WAS PRINTED WITH THE EARTH IN MIND 2 JAKKS Pacifi c is committed to being a philanthropic and socially responsible corporate citizen. -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
The UK Sports - and Underwear Market
The UK Sports - and Underwear Market Bachelor of International Marketing th 16 May 2011 Written by: Iyoel Tesfai Mathilde Melgaard Nina Elvestad Nina Kristin Grav This paper is done as a part of the undergraduate program at BI Norwegian Business School. This does not entail that BI Norwegian Business School has cleared the methods applied, the results presented, or the conclusions drawn. 1 International Marketing Consultancy Project Module ACKNOWLEDGEMENTS This report is an International Marketing Consultancy Project for students at Leeds Metropolitan University, in addition to being a market/commercial report for Pierre Robert. Firstly, we wish to thank our supervisor, Mr. Peter Williams, for his great passion and support during the process of assembling this report. Secondly we wish to show our greatest gratitude towards Pierre Robert Group and our contact person Mr. Erik Aass. Thank you for all your support and for giving us the opportunity to write an interesting and challenging paper. Leeds Metropolitan University 16th May 2011 _________________________ _________________________ Nina Kristin Grav - 77087469 Mathilde Melgaard - 77087403 2 International Marketing Consultancy Project Module _______________________ _________________________ Nina Elvestad - 77087438 Iyoel Tesfai - 77087477 Executive summary Pierre Robert Group is a Norwegian company, which specialises in regular underwear, in addition to sports underwear. The company is currently represented in Sweden and Finland, as well as in their domestic market. Pierre Robert Group wishes to explore the possibilities for a future expansion into the UK sports- and/or underwear market. The purpose of this report is to explore the UK sports- and underwear market in order to ascertain the most appropriate strategy for Pierre Robert, if they were to enter the UK. -
Disentangling Immigrant Generations
THEORIZING AMERICAN GIRL ________________________________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia ________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts ________________________________________________________________ by VERONICA E. MEDINA Dr. David L. Brunsma, Thesis Advisor MAY 2007 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled THEORIZING AMERICAN GIRL Presented by Veronica E. Medina A candidate for the degree of Master of Arts, And hereby certify that, in their opinion, it is worthy of acceptance. Professor David L. Brunsma Professor Mary Jo Neitz Professor Lisa Y. Flores DEDICATION My journey to and through the master’s program has never been a solitary one. My family has accompanied me every step of the way, encouraging and supporting me: materially and financially, emotionally and spiritually, and academically. From KU to MU, you all loved me and believed in me throughout every endeavor. This thesis is dedicated to my family, and most especially, to my parents Alicia and Francisco Medina. Mom and Dad: As a child, I often did not recognize and, far too often, took for granted the sacrifices that you made for me. Sitting and writing a thesis is a difficult task, but it is not as difficult as any of the tasks you two undertook to ensure my well-being, security, and happiness and to see me through to this goal. For all of the times you went without (and now, as an adult, I know that there were many) so that we would not, thank you. -
“DANCES WE KNOW by HEART” Presented by Meg Greiner [email protected]
“DANCES WE KNOW BY HEART” presented by Meg Greiner [email protected] AGADOU - Australia Music: Agadou - Black Lace (there is a french and an english version) FLAIR (fla 107) Position: Scattered or lines Agadoo - do -do - jab index fingers forward 3 times Push Pineapple - pushing movement forward with hands Shake the tree - Clasp hands together swing over left shoulder and right Agadoo - do -do - jab index fingers forward 3 times Push Pineapple - pushing movement forward with hands Grind Coffee - make circles with hands over each other roly poly movement To the left - point left arm in air or step to left side To the right - point right arm in air or step to right side Jump Up - both arms in the air and jump And to the knees - bring arms down to knees Cross over - hands at knees Shoop during versus two to right and two to left! Repeat THE ALLEY CAT (American Novelty Dance - Origin Uncertain) Music: The Alley Cat, Christmas Twist - Jingle Bell Rock Formation: Scattered Cues: right to the right (side touches) left to the left (side touches) right back, right back left back, left back right knee up twice left knee up twice right knee up left knee up clap and jump repeat!! THE BUS STOP (modified version) Music: Le Freak or any good 4/4 beat music (disco) CD: Pure Disco Vol. #3 Formation: Lines Cues: back, 2, 3, clap forward 2, 3, clap side 2, 3, clap side 2, 3, clap jump forward jump back jump forward and back click, click heel, heel toe, toe front back side turn Start by walking backward for four counts with a clap on four Walk forward four counts with a clap on four Turn right and strut sideways for four counts with a clap on four Turn left and strut sideways for four counts with a clap on four Jump forward, hands up 2cts Jump backward, hands down 2cts Jump forward and back 2cts Click your heels together like Dorothy 2 cts. -
Lingerie Trend Mini Report Aug 2009
Lingerie Trends Mini Report Alexandra Suhner Isenberg and Katie Pitman Fashion Trendsetter August 2009 © 2009 Fashion Trendsetter | www.fashiontrendsetter.com Lingerie Trends Mini Report TABLE OF CONTENTS Introduction 2 The Current Market 3 Brand Profiles 4 Opportunities Product 18 Retailing 22 Marketing 24 Future Trends 25 Conclusion 32 All Rights Reserved The facts of this report are believed to be correct at the time of publication but cannot be guaranteed. Please note that the findings, conclusions and recommendations that Fashion Trendsetter delivers will be based on information gathered in good faith from both primary and secondary sources, whose accuracy we are not always in a position to guarantee. As such Fashion Trendsetter can accept no liability whatever for actions taken based on any information that may subsequently prove to be incorrect. Alexandra Suhner and Katie Pitman 1 © 2009 Fashion Trendsetter | www.fashiontrendsetter.com Lingerie Trends Mini Report INTRODUCTION This mini-report aims to introduce the reader to the current opportunities in the UK and European lingerie markets, as well as introducing the key players and future trends. Image courtesy of Marks and Spencer Alexandra Suhner and Katie Pitman 2 © 2009 Fashion Trendsetter | www.fashiontrendsetter.com Lingerie Trends Mini Report THE CURRENT MARKET The lingerie market, like most fashion markets, is feeling the impact of the credit crunch and global recession. According to Mintel’s UK underwear Retailing Report 2009, most customers plan on spending less on lingerie in the near future, because of their economic situations. Where does that leave lingerie brands and retailers? Product innovation, inventive retailing strategies, and original marketing techniques are key to survival in this market. -
DECORATIVE SPECTER Noah Mcwilliams, Master of Fine Arts In
ABSTRACT Title of Thesis: DECORATIVE SPECTER Noah McWilliams, Master of Fine Arts in Studio Art, 2021 Thesis directed by: Assistant Professor Cy Keener, Department of Art This exhibition reflects a tragic and anticlimactic future. The ultimate outcome of human exploration of the universe will no doubt shed light on the dismal nature of our interpersonal relationships and grand aspirations. Decorative Specter is an exhibition of sculpture and video that depicts a distant future inhabited by decorative artifacts of long extinct human civilizations. The works in this exhibition are speculative portraits of alien, but eerily familiar puppets. They represent moments within an implied overarching narrative, frozen for study and contemplation. My use of commonly overlooked aesthetics is intended to remind us that other intelligent life will likely spring from an unexpected place and with unexpected results. In the following text I will explain the formal qualities and concepts behind the work. DECORATIVE SPECTER by Noah Leonard McWilliams Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Fine Arts in Studio Art 2021 Advisory Committee: Professor Cy Keener, Chair Professor Shannon Collis Professor Brandon Donahue Professor John Ruppert © Copyright by Noah Leonard McWilliams 2021 Table of Contents Table of Contents ............................................................................................................... -
Finding Aid to the Stefanie Eskander Papers, 1986-2018
Brian Sutton-Smith Library and Archives of Play Stefanie Eskander Papers Finding Aid to the Stefanie Eskander Papers, 1986-2018 Summary Information Title: Stefanie Eskander papers Creator: Stefanie Eskander (primary) ID: 118.8603 Date: 1986-2018 (inclusive); 1990s (bulk) Extent: 7.5 linear feet (physical); 130 MB (digital) Language: This collection is in English. Abstract: The Stefanie Eskander papers are a compilation of concept sketches, presentation drawings, and other artwork for dolls, toys, and games created by Eskander for various toy companies. The bulk of the materials are from the 1990s. Repository: Brian Sutton-Smith Library and Archives of Play at The Strong One Manhattan Square Rochester, New York 14607 585.263.2700 [email protected] Administrative Information Conditions Governing Use: This collection is open for research use by staff of The Strong and by users of its library and archives. Though the donor has not transferred intellectual property rights (including, but not limited to any copyright, trademark, and associated rights therein) to The Strong, she has given permission for The Strong to make copies in all media for museum, educational, and research purposes. Custodial History: The Stefanie Eskander papers were donated to The Strong in August 2018 as a gift of Stefanie Clark Eskander. The papers were accessioned by The Strong under Object ID 118.8603 and were received from Eskander in a portfolio and several oversized folders. Preferred citation for publication: Stefanie Eskander papers, Brian Sutton-Smith Library and Archives of Play at The Strong Processed by: Julia Novakovic, January 2019 Controlled Access Terms Personal Names • Eskander, Stefanie Corporate Names • Hasbro, Inc. -
2020 Class Schedule
2020 Class Schedule Time Class Name Level Level (Age) Dance Style Term Fee Casual Fee (inc. (Ability) (inc. GST) Based GST) Per Class on 10week Term Monday 4:00pm to 4:30pm Kindy Hip Hop Beginners 4yrs to 6yrs Hip Hop-All Styles $110.00 $19.00 4:00pm to 4:45pm Mini Funksters Beginners 5yrs to 8yrs Hip Hop-All Styles $150.00 $19.00 4:45pm to 5:30pm FunkBeatz Beg/Int 8yrs to 10yrs Hip Hop-All Styles $150.00 $19.00 5:30pm to 6:15pm FunkCrew Beg/Int 11yrs to 14yrs Hip Hop-All Styles $150.00 $19.00 5:30pm to 6:30pm K-Pop Beginners Open K-Pop $170.00 $19.00 6:15pm to 7:15pm Breakdance Beg/Int 10yrs+ Breakdance $170.00 $19.00 7:15pm to 8:15pm Adult Intermediates Intermediate Open Age 20+ All Styles – No Breakdance $170.00 $19.00 8:15pm to 9:15pm Adult Beginners Beginners Open Age 20+ Foundation & Urban Choreo $170.00 $19.00 Tuesday 4:00pm to 4:30pm Kindy Hip Hop Beginners 4yrs to 6yrs Hip Hop-All Styles $110.00 $19.00 4:00pm to 4:45pm Mini Workshoppers Beg/Int 5yrs to 8yrs Urban Choreography $150.00 $19.00 4:45pm to 5:30pm KrushGroove Beg/Int 9yrs to 12yrs Urban Choreography $150.00 $19.00 5:30pm to 6:30pm Contemporary/Acrobatics Beginner Open Contemporary/Acrobatics $170.00 $19.00 5:30pm to 6:30pm School of Hip Hop Beg/Int Open Hip Hop–All Styles/Knowledge $170.00 $19.00 6:30pm to 7:45pm Junior Crew (Audition/Try outs) Intermediate 9yrs to U12yrs Hip Hop-All Styles $180.00 N/A Saturday 9:15am to 10:00am Mini Groovers Beginners 6yrs to 9yrs Urban Choreography $150.00 $19.00 9:15am to 10:00am GrooveCrew Beg/Int 9yrs to 11yrs All Styles $150.00 -
Estta272541 03/17/2009 in the United States Patent And
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA272541 Filing date: 03/17/2009 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91183558 Party Plaintiff Temple University -- Of the Commonwealth System of Higher Education Correspondence Leslie H Smith Address Liacouras & Smith, LLP 1515 Market Street, Suite 808 Philadelphia, PA 19102 UNITED STATES [email protected] Submission Motion for Summary Judgment Filer's Name Leslie H Smith Filer's e-mail [email protected] Signature /Leslie H Smith/ Date 03/17/2009 Attachments TEMPLE WORKOUT GEAR SJ Motion with Exhibits and Certif of Service.pdf ( 75 pages )(1933802 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In the Matter of Application No. 77/038246 Published in the Official Gazette on December 18, 2007 Temple University – Of The Commonwealth: System of Higher Education, : : Opposer, : Opposition No. 91183558 : v. : : BCW Prints, Inc., : : Applicant. : SUMMARY JUDGMENT MOTION OF OPPOSER TEMPLE UNIVERSITY – OF THE COMMONWEALTH SYSTEM OF HIGHER EDUCATION TABLE OF CONTENTS Page I. INTRODUCTION…………………………………………………………… 2 II. UNDISPUTED FACTS……………………………………………………… 3 III. THE UNDISPUTED FACTS ESTABLISH A LIKELIHOOD OF CONFUSION BETWEEN THE TEMPLE MARKS AND OPPOSER’S TEMPLE WORKOUT GEAR (AND DESIGN) TRADEMARK…………… 7 A. Likelihood of Confusion is a Question of Law Appropriate for Summary Judgment………………………………………………………………….. 7 B. Under the du Pont Test, the Undisputed Facts Establish A Likelihood of Confusion between Temple’s TEMPLE Marks and Opposer’s TEMPLE WORKOUT GEAR (and design) Mark…………………………………… 7 1. The TEMPLE Marks and the TEMPLE WORKOUT GEAR (and design) Mark Are Similar in Appearance, Sound, Connotation, and Commercial Impression………………………… 8 2. -
B-Girl Like a B-Boy Marginalization of Women in Hip-Hop Dance a Thesis Submitted to the Graduate Division of the University of H
B-GIRL LIKE A B-BOY MARGINALIZATION OF WOMEN IN HIP-HOP DANCE A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII AT MANOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN DANCE DECEMBER 2014 By Jenny Sky Fung Thesis Committee: Kara Miller, Chairperson Gregg Lizenbery Judy Van Zile ACKNOWLEDGEMENTS I would like to give a big thanks to Jacquelyn Chappel, Desiree Seguritan, and Jill Dahlman for contributing their time and energy in helping me to edit my thesis. I’d also like to give a big mahalo to my thesis committee: Gregg Lizenbery, Judy Van Zile, and Kara Miller for all their help, support, and patience in pushing me to complete this thesis. TABLE OF CONTENTS Abstract…………………………………………………………………………… 1. Introduction………………………………………………………………………. 1 2. Literature Review………………………………………………………………… 6 3. Methodology……………………………………………………………………… 20 4. 4.1. Background History…………………………………………………………. 24 4.2. Tracing Female Dancers in Literature and Film……………………………... 37 4.3. Some History and Her-story About Hip-Hop Dance “Back in the Day”......... 42 4.4. Tracing Females Dancers in New York City………………………………... 49 4.5. B-Girl Like a B-Boy: What Makes Breaking Masculine and Male Dominant?....................................................................................................... 53 4.6. Generation 2000: The B-Boys, B-Girls, and Urban Street Dancers of Today………………...……………………………………………………… 59 5. Issues Women Experience…………………………………………………….… 66 5.1 The Physical Aspect of Breaking………………………………………….… 66 5.2. Women and the Cipher……………………………………………………… 73 5.3. The Token B-Girl…………………………………………………………… 80 6.1. Tackling Marginalization………………………………………………………… 86 6.2. Acknowledging Discrimination…………………………………………….. 86 6.3. Speaking Out and Establishing Presence…………………………………… 90 6.4. Working Around a Man’s World…………………………………………… 93 6.5.