An Interdisciplinary Approach

Total Page:16

File Type:pdf, Size:1020Kb

An Interdisciplinary Approach Social Education 71(4), pp 187–190 ©2007 National Council for the Social Studies Teaching Modern Latin America in the Social Science Curriculum: An Interdisciplinary Approach Adriana Novoa One of the most frequent challenges faced by those who teach Latin America at any level is how to provide a sense of the diversity of the region. The risks range Below: A visitor looks at a mural by from simplifying and reducing the multiplicity of experience through the study David Alfaro Siqueiros in one of the 16 of dominant cultures and cultural forms, on the one hand, to including too much rooms which underwent restoration at the Museum of Chapultepec Castle, information or too many groups and overwhelming students in the process, on the January 28, 2004, in Mexico City. other hand. The selection of appropriate methodologies and relevant materials is crucial to avoiding these two extremes. An interdisciplinary approach helps to (AP Photo/Jose Luis Magana) solve these problems. M AY /J UNE 2 0 0 7 187 The first question that comes to mind Methodology • Conflict and Violence: revolution- in deciding how to teach Latin America These are some examples of thematic ary wars did not stop with the end of is, what are the defining elements of a units with which to teach Modern Latin colonial rule. Inequalities and politi- Latin American identity? It is not easy America: cal instability continued within the to find an answer since, as Susana new republics, which created a revo- Nuccetelli reminds us, we need to • Race/ethnicity: Racial and eth- lutionary cycle that continues to this remember that even though “some Latin nic differences have been crucial to day in countries such as Colombia. Americans have European background understanding the cultural and social Creating a unit that presents the rea- (which may or may not be Iberian), foundation of many Latin American sons for these conflicts helps students others are of Indian, African, Middle countries. Introducing these themes to understand how racial discrimi- Eastern, or East Asian descent. Some and concepts allows the teacher nation or conceptions of progress speak European languages, mainly but to explain a source of conflict that affected the development of the not uniquely Spanish and Portuguese, remains relevant to this day. In Cuba selected country.5 In teaching Peru, others Indian ones such as Quechua and and Mexico, for example, race and for example, teachers should identify Guaraní.” In order to find a common ethnicity have played a crucial role the roots of indigenous rebellions thread among the different cultures and in defining the historical development and look for conflicts that clearly countries, we need to remember that the of these nations. In the case of Cuba, show students the nature of this thinkers of this region have often noted students need to understand how slav- violence and how it has developed that “in spite of their diversity, these ery influenced the history of the nine- over time. Readings about the Tupac people share a common past marked teenth century. In introducing Mexico, Amaru rebellion together with writ- by the world-changing encounter of teachers should explain the existence ings by José Carlos Mariátegui could 1492.” 1 of different indigenous cultures that be a good choice.6 Unlike the case of the United States, are usually grouped under the label where the independence process failed “Indians.” Students need to recognize • Migrations: a unit on migrations to launch any discussion of a common that by the end of the fifteenth century, would link all the previous units by identity shared with the other members more than 300 languages and cultures integrating them into one that explains of the British colonial world, the iden- flourished in this area, and some of certain outcomes. Populations have tity of post-colonial Latin America was them are still alive in the country been forced to migrate due to eco- tied up with the discussion of a common today.2 It is important to connect this nomic conditions, changes in the project that unified the continent against unit with the historical experience of sources of labor, forced exile, or any form of colonial domination. The other countries that, even if not part racist conceptions that facilitated idea of a continental emancipation that of Latin America, went through the exploitation—all of which could be transcends the geographical limits of same kinds of conflict.3 explored in prior units. This unit nations is still raised by such contem- could also offer an opportunity to porary political figures as the president • Progress and Civilization: these link migratory movements from Latin of Venezuela, Hugo Chávez. And it is concepts determined the political America to the teaching of United precisely here, in the process of identity organization of the first republics, States history.7 formation, that we can find a good way and also were essential in establish- to incorporate Latin American content ing who and what should be included Materials and Examples into the teaching of the social studies in or excluded. The exclusive association Below are some suggestions on how to a way that it will facilitate for students of these ideas with European culture incorporate the teaching of the previ- to grasp the material and for teachers determined that the majority of the ously mentioned areas of content in ways to organize it. new nations followed a path in which that follow curriculum requirements It is important to use the diversity their new identity only recognized and engage students. The incorporation of Latin America as a good example of those who could be assimilated, and of materials from several disciplines is the very diverse reality surrounding discarded the rest. Since progress and essential to providing students with the students in this country. Organizing civilization were viewed as universal multiplicity of views required in teach- thematic units that help students make forces of assimilation that would link ing the social studies.8 Each unit could connections among different areas cov- Latin America with the most advanced be organized in the following way: ered by the social studies is the most nations, everything not related to important strategy for teaching about Western culture was considered irrel- • Race and Ethnicity: The main chal- this region successfully. evant, and was disregarded (a source lenge in teaching historical processes of important conflicts in countries like in which different participants are not Mexico and Peru).4 equally represented, is finding texts S OCIAL E DUCATION 188 that reflect the different perspectives • Conflict and Violence: there are of those who were displaced in search of a conflict. The use of testimoni- many sources that can be used to teach of work. The influence of the French- als can be very important, in this students about the recurrent violence Haitian workers in the eastern part sense, not only because many reflect that has affected many of the countries of the island can be heard in the underrepresented populations, but in the region. In teaching Mexico’s Bantú and Dahomeyan aspect in the also because women have written the most important modern conflict, the music, for example. Moreover, Cuban majority of them.9 Personal diaries, Mexican Revolution, art provides music had a tremendous impact on letters, and even court documents an excellent venue for explaining U.S. Latino communities. Teaching can all provide rich context from a to students the different historical about migrations through the paths variety of points of view. In order to actors, the source of the conflict, and along which music traveled is very teach about the European/Indian its eventual resolution.14 Examining accessible to students. It also pro- conflict through the experience of the works of "the three greats"—José vides teachers with the opportunity Guatemala or Bolivia, for example, Clemente Orozco, Diego Rivera, and to create a link between the teaching the inclusion of readings that depict David Alfaro Siqueiros—provides an of Latin American and United States the Indian perspective is critical. excellent medium for also exploring history since the class readings can be Those interested in testimonials have the connections between the United a good introduction to the culture of used the works of Domitila Barrios States and Mexico, because the work Latin Americans living in this coun- de Chungara (Bolivia) and Rigoberta of these muralists was very influen- try. 18 A comparative study of musical Menchú (Guatemala), extensively.10 tial to some artists in this country.15 migrations in Argentina can also be If Brazil is the subject of study, for Analyzing these murals together with effective in teaching about the cultural example, the use of African music novels that describe this period is very formation of this country. Through as an expression of those who had effective in teaching students to learn the study of the tango as danceable been displaced and exploited can from different media. The novels of music students can trace the influence provide students with a different way the Mexican Revolution can be com- of the Congo culture in Latin America to analyze music as a text. Caetano bined with the teaching of the art made and the United States, and learn about Veloso’s recent book Tropical Truth by the muralists.16 Contemporary how this form migrated from Africa to is a good source for understanding novels about this subject can also be Cuba before reaching its final
Recommended publications
  • Epic of American Civilization Murals
    NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 THE EPIC OF AMERICAN CIVILIZATION MURALS, BAKER LIBRARY Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: The Epic of American Civilization Murals, Baker Library, Dartmouth College Other Name/Site Number: Baker-Berry Library 2. LOCATION Street & Number: 6025 Baker-Berry Library Not for publication: City/Town: Hanover Vicinity: State: NH County: Grafton Code: 009 Zip Code: 03755 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): _X_ Public-Local: District: ___ Public-State: ___ Site: ___ Public-Federal: ___ Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 1 buildings sites structures objects 1 Total Number of Contributing Resources Previously Listed in the National Register: Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 THE EPIC OF AMERICAN CIVILIZATION MURALS, BAKER LIBRARY Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ____ meets ____ does not meet the National Register Criteria.
    [Show full text]
  • Disclaimer: the Opinions Expressed in This Review Are Those Of
    Susannah Joel Glusker. Anita Brenner: A Mind of Her Own. Austin: University of Texas Press, 1998. xvi + 298 pp. $29.95, cloth, ISBN 978-0-292-72810-3. Reviewed by Charles C. Kolb Published on H-LatAm (April, 1999) Glusker, Anita Brenner's daughter, has writ‐ artists Jose Clemente Orozoco, David Alfaro ten an informative, fascinating, and lively biogra‐ Siqueiros, Miguel Covarrubias, and Henry Moore. phy of her mother, born as Hanna Brenner, to a She had a closer relationship with the illustrator Latvian-Jewish immigrant family in Aguas‐ Jean Charlot (he is characterized as "teacher, fa‐ calientes, Mexico on 13 August 1905. In the main, ther, and mentor") and Maria Sandoval de Zarco, this work covers the middle years of Brenner's then the only practicing woman lawyer in Mexico. life, 1920-1942. Brenner, educated in San Antonio, The poet Octavio Barreda and the writers Mari‐ Texas and New York City, would become an inde‐ ano Azuela, Carlos Fuentes, Lionel Trilling, pendent liberal, political radical, advocate of polit‐ Katherine Anne Porter, Frank Tannenbaum, John ical prisoners, and a champion of Mexican art and Dewey, and Miguel Unamuno were part of her culture. Some readers may recognize her as an life, as was the journalist Ernest Gruening (later historian, an anthropologist, a self-taught political Alaska's frst governor and U.S. Senator). In addi‐ journalist, a creative writer, or an art critic--she tion, political fgures such as Leon Trotsky, John was all of these and more. Anita Brenner num‐ and Alma Reed, and Whittaker Chambers; the bered among her friends many of the elite and in‐ photographer Edward Weston; cinema directors tellectuals of Mexico City and New York, among Sergei Eisenstein and Bud Schulberg; and the ar‐ them socialists, communists, poets, artists, and po‐ chaeologist-diplomat George C.
    [Show full text]
  • Redalyc.Made for the USA: Orozco's Horrores De La Revolución
    Anales del Instituto de Investigaciones Estéticas ISSN: 0185-1276 [email protected] Instituto de Investigaciones Estéticas México Indych, Anna Made for the USA: Orozco's Horrores de la Revolución Anales del Instituto de Investigaciones Estéticas, vol. XXIII, núm. 79, otoño, 2001, pp. 153-164 Instituto de Investigaciones Estéticas Distrito Federal, México Disponible en: http://www.redalyc.org/articulo.oa?id=36907905 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto ANNA INDYCH university of new york Made for the USA: Orozco’s Horrores de la Revolución1 hat seems to be the eternal violence of the civil war in Mexico spills out in the crude and raw, yet delicate ink and wash draw- Wings by José Clemente Orozco, known upon their commission as Horrores de la Revolución, and later, in the United States, entitled Mexico in Revolution. One of the lesser known works from the series, The Rape, in the collection of the Philadelphia Museum of Art, exemplifies Orozco’s horrific vision of the Revolution. In a ransacked room, a soldier mounts a half-naked woman, pinning her down to the floor by her arms and hair. He perpetuates a violation committed by the other figures leaving the room—one disheveled soldier, viewed from the back, lifts his pants to cover his rear as a shadowy figure exits through the parted curtains to the right of the drawing.
    [Show full text]
  • American Communists View Mexican Muralism: Critical and Artistic Responses1
    AMERICAN COMMUNISTS VIEW MEXICAN MURALISM: CRITICAL AND ARTISTIC RESPONSES1 Andrew Hemingway A basic presupposition of this essay is 1My thanks to Jay Oles for his helpful cri- that the influence of Mexican muralism ticisms of an earlier version of this essay. on some American artists of the inter- While the influence of Commu- war period was fundamentally related nism among American writers of the to the attraction many of these same so-called "Red Decade" of the 1930s artists felt towards Communism. I do is well-known and has been analysed not intend to imply some simple nec- in a succession of major studies, its essary correlation here, but, given the impact on workers in the visual arts revolutionary connotations of the best- is less well understood and still under- known murals and the well-publicized estimated.3 This is partly because the Marxist views of two of Los Tres Grandes, it was likely that the appeal of this new 2I do not, of course, mean to discount artistic model would be most profound the influence of Mexican muralism on non-lef- among leftists and aspirant revolutionar- tists such as George Biddle and James Michael ies.2 To map the full impact of Mexican Newell. For Biddle on the Mexican example, see his 'Mural Painting in America', Magazine of Art, muralism among such artists would be vol. 27, no. 7, July 1934, pp.366-8; An American a major task, and one I can not under- Artist's Story, Boston, Little, Brown and Company, take in a brief essay such as this.
    [Show full text]
  • Jose Clemente Orozco Scrapbook
    http://oac.cdlib.org/findaid/ark:/13030/kt5k4033qz No online items Guide to the Jose Clemente Orozco Scrapbook Finding created by Russell Michalak Special Collections, Honnold/Mudd Library, Claremont University Consortium2008 Libraries of The Claremont Colleges 800 N. Dartmouth Avenue Claremont, CA 91711 Phone: (909) 607-3977 Fax: (909) 621-8681 Email: [email protected] URL: http://libraries.claremont.edu/sc/default.html © 2008 Claremont University Consortium. All rights reserved. Guide to the Jose Clemente H448 1 Orozco Scrapbook Descriptive Summary Title: \Jose Clemente Orozco Scrapbook creator: Orozco, Jose Clemente Dates: 1932 - 1953 Abstract: Extent: 1 foot (1 box) Repository: Claremont Colleges. Honnold/Mudd Library. 800 N. Dartmouth Avenue Special Collections, Honnold/Mudd Library Claremont University Consortium Claremont, California 91711 Collection Number: H448 Languages: Languages represented in the collection: English Physical Location: Special Collections, Honnold/Mudd Library. Claremont University Consortium. Restrictions on Access This collection is open for research. Publication Rights For permissions to reproduce or to publish, please contact Special Collections Library staff. Preferred Citation [Identification of item], Register of Jose Clemente Orozco Scrapbook. Special Collections, Honnold Mudd Library, Claremont University Consortium. Acquisition Information Unknown. Processing Information Arranged and Processed by Special Collections Staff Accruals No additions to the collection is anticipated. Scope and Contents of the Collection This collection consists of articles and newsclippings about Jose Clemente Orozco's art on college campuses. Series Arrangement Series 1 Prometheus Fresco Series 2 Other art by Jose Clemente Orozco Subject Headings The following terms have been used to index the description of this collection Orozco, Jose´ Clemente, 1883-1949.
    [Show full text]
  • Translating Revolution: U.S
    A Spiritual Manifestation of Mexican Muralism Works by Jean Charlot and Alfredo Ramos Martínez BY AMY GALPIN M.A., San Diego State University, 2001 B.A., Texas Christian University, 1999 THESIS Submitted as partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art History in the Graduate College of the University of Illinois at Chicago, 2012 Chicago, Illinois Defense Committee: Hannah Higgins, Chair and Advisor David M. Sokol Javier Villa-Flores, Latin American and Latino Studies Cristián Roa-de-la-Carrera, Latin American and Latino Studies Bram Dijkstra, University of California San Diego I dedicate this project to my parents, Rosemary and Cas Galpin. ii ACKNOWLEDGEMENTS My committee deserves many thanks. I would like to recognize Dr. Hannah Higgins, who took my project on late in the process, and with myriad commitments of her own. I will always be grateful that she was willing to work with me. Dr. David Sokol spent countless hours reading my writing. With great humor and insight, he pushed me to think about new perspectives on this topic. I treasure David’s tremendous generosity and his wonderful ability to be a strong mentor. I have known Dr. Javier Villa-Flores and Dr. Cristián Roa-de-la-Carrera for many years, and I cherish the knowledge they have shared with me about the history of Mexico and theory. The independent studies I took with them were some of the best experiences I had at the University of Illinois-Chicago. I admire their strong scholarship and the endurance they had to remain on my committee.
    [Show full text]
  • La Correspondencia De Alma M. Reed Y Felipe Carrillo Puerto: Una Micro-Historia Pasional Y Política Entrediversidades
    EntreDiversidades. Revista de Ciencias Sociales y Humanidades ISSN: 2007-7602 [email protected] Universidad Autónoma de Chiapas México Schuessler, Michael La correspondencia de Alma M. Reed y Felipe Carrillo Puerto: una micro-historia pasional y política EntreDiversidades. Revista de Ciencias Sociales y Humanidades, núm. 6, 2016, pp. 79- 105 Universidad Autónoma de Chiapas San Cristóbal de Las Casas, México Disponible en: http://www.redalyc.org/articulo.oa?id=455946719004 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto La correspondencia de Alma M. Reed y Felipe Carrillo Puerto: una micro-historia pasional y política T C A M. R F C P: P P M-H Michael Schuessler1 Resumen: En algunos casos, la información procedente de fuentes historiográicas “alternativas” puede iluminar un momento nacional de gran relevancia, y en este ensayo expondré cómo los datos provenientes de la correspondencia personal entre dos individuos que se encontraron inmiscuidos en un momento histórico posibilitan el rellenar los intersticios —a veces invisibles— que se encuentran entre la macro y la micro historia de una región geopolítica y su subsiguiente historia oicial, que en este caso se presentan por medio de la observación de una pareja clave y a su vez inopinada: la periodista norteamericana Alma M. Reed (1889-1966) y su prometido, el gobernador socialista de Yucatán, Felipe Carrillo Puerto (1874-1924). Palabras clave: Yucatán, Revolución mexicana, correspondencia, periodismo, relaciones México-Estados Unidos.
    [Show full text]
  • OROZCO at DARTMOUTH the Epic of American Civilization
    OROZCO AT DARTMOUTH The Epic of American Civilization HOOD MUSEUM OF ART, DARTMOUTH | DARTMOUTH COLLEGE LIBRARIES This brochure was made possible by the Manton Foundation, whose generosity provides perpetual support for the preservation of the Orozco murals. The original printing was sponsored by Monroe Denton, Class of 1968. © 2018 Trustees of Dartmouth College. All rights reserved. Edited by Nils Nadeau Designed by Joanna Bodenweber Printed by Puritan Capital All mural photography by Jeffrey Nintzel Mural images from José Clemente Orozco’s The Epic of American Civilization, 1932–34, fresco, Orozco Room, Baker Library, Dartmouth College. Commissioned by the Trustees of Dartmouth College. Photographs of the mural in progress courtesy of Dartmouth College Libraries. Continuous scan of mural used on front cover and center spreads by Hany Farid. Diagram on center spread by Barbara Krieger. For images of Orozco’s preparatory drawings for the mural, please see the web resource Dartmouth Digital Orozco at http://www.dartmouth.edu/digitalorozco/, which was produced in collaboration with the Neukom Institute for Computational Science and funded by the Class of 1960, the Andrew W. Mellon Foundation, and the Neukom Institute. Back cover: The muralist’s tools; Orozco on scaffold with Man Released from the Mechanistic to the Creative Life, May 1932 3 Preface next year by José Clemente Orozco. Decades inspires artists, scholars, and curators to con- later, the artist-in-residence program, now tinue sharing his vision with the world. The very The Epic of American Civilization by José administered by the Studio Art Department, presence of Orozco’s Epic of American Civilization Clemente Orozco is one of Dartmouth’s great- has brought nearly 150 artists to teach and informs the day-to-day life of those who live on est treasures.
    [Show full text]
  • Writersrevolution00turnrich.Pdf
    s Universit) of California Berkeley University of California Bancroft Library/Berkeley Regional Oral History Office Ethel Duffy Turner WRITERS AND REVOLUTIONISTS An Interview Conducted by Ruth Teiser Berkeley 1967 THE tt Mrs. Ethel Duffy Turner Photographs taken during interview August 10, 1966 Reproduction rights reserved by Ruth Teiser All uses of this manuscript are covered by an agreement between the Regents of the University of California and Ethel Duffy Turner, dated 17 February 1967. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California at Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California at Berkeley. INTRODUCTION Ethel Duffy Turner was born on April 21, 1885, in San Pablo, California, the eldest of the seven Duffy children who grew to maturity. When she was ten, her father became a guard at San Quentin state prison, thus beginning the long and constructive association of the Duffy family with that institution. Mrs. Turner s years there, at grammar school on the prison grounds, then high school at San Rafael, and finally college at the University of California, formed the background for her novel, One-Way Ticket. Her college career closed a year before graduation when she married the twenty- six-year -old Socialist journalist, John Kenneth Turner, who later wrote Barbarous Mexico. Mrs. Turner s adult life has been divided into two parts.
    [Show full text]
  • Zapatismo Con Vista Al Mar: El Socialismo Maya De Yucatán* Armando Bartra
    Zapatismo con vista al mar: El socialismo maya de Yucatán* Armando Bartra Armando Bartra Lo más importante es elegir en el mundo ilimitado de lo historiable, lo que nos conviene para determinado fin, e historiarlo sensatamente. Manuel Gamio. Forjando Patria. El lugar del indio maya en la comunidad como un ciudadano libre, autosuficiente y seguro de sí mismo, determinará la medida en que los sacrificios y la amargura de la Revolución tendrán que ser justificados. Todo lo demás es asunto sin importancia, todo lo demás no tiene consecuencia. ¿Qué ha ganado el indio con la Revolución en Yucatán? La respuesta a esta pregunta debe ser la base de cualquier juicio honesto respecto de nuestro trabajo. Felipe Carrillo Puerto. El nuevo Yucatán. Cada presente evoca sus pasados y las recientes autono- mías neozapatistas de Chiapas como los altermundismos andino-amazónicos de Bolivia y Ecuador, llaman a repen- sar el socialismo maya de hace 90 años. Hoy, cuando los pueblos originarios de Nuestra América (Martí: 21-30) se sacan la espina, es oportuno asomarse de nuevo a la ex- periencia libertaria yucateca impulsada entre 1915 y 1924 por el adelantado del neoindianismo revolucionario que fue Felipe Carrillo Puerto. —7— Armando Bartra Modernidad canalla En el sureste mexicano del siglo XIX la división internacio- nal del trabajo que imponen el colonialismo y después el imperialismo, se muestra en el surgimiento y expansión de plantaciones tropicales y monterías, orientadas al mercado externo y sostenidas por ingentes inversiones extranjeras. Una economía de enclave que, a diferencia de lo que ocu- rría en el centro del país, donde las mudanzas tenían cierta continuidad y se insertaban en la dinámica socioeconómica nacional, impone un brusco quiebre en el curso de forma- ciones agrarias locales de origen colonial que se ven abrup- tamente arrastradas al torbellino del capital trasnacional.
    [Show full text]
  • Documenting Movements, Identity, and Popular Culture in Latin America
    HCllUJng Movements, tity, and Popular Culture in Latin America SEMINAR ON THE ACQUISITION OF LATIN AMERICAN LIBRARY MATERIALS XLIV HAROLD B. LEE LIBRARY BRIGHAM YOUNG UNIVERSITY PROVO, UTAH Documenting Movements, Identity, and Popular Culture in Latin America SALALM Secretariat Benson Latin American Collection The General Libraries The University of Texas at Austin Documenting Movements, Identity, and Popular Culture in Latin America Papers of the Forty-Fourth Annual Meeting of the SEMINAR ON THE ACQUISITION OF LATIN AMERICAN LIBRARY MATERIALS Nashville, Tennessee May 30 -June 3, 1999 Richard F. Phillips Editor SALALM Secretariat Benson Latin American Collection The General Libraries The University of Texas at Austin ISBN: 0-917617-63-0 Copyright © 2000 by SALALM, Inc. All rights reserved Printed in the United States of America HAROLD B. LEE LIBRARY BRIQHAM YOUNG UNIVERSITY PROVO, UTAH . 2 Contents Preface ix I. Challenges for Librarianship 1 Considerations for Outsourcing Cataloging Claire-Lise Bénaud 3 2. Documenting Cultural Heritage: The Oral History Collections at The University of the West Indies Margaret D . Rouse-Jones and Enid Brown 1 3. La importancia de la información en la construcción de la identidad cultural Saray Córdoba G. 27 4. Selecting for Storage: Local Problems, Local Responses, and an Emerging Common Challenge Dan Hazen 34 5. Centros de documentación y bases de datos sobre asuntos de la mujer y género en América Latina /. Félix Martínez Barrientos 46 II. Culture 6. The Tango and the Buenos Aires Urban Identity Simon Collier 63 7. The Body as Vehicle of Political Identity in the Art of José Clemente Orozco Leonard Folgarait 72 8.
    [Show full text]
  • Michael Karl Schuessler
    MICHAEL K. SCHUESSLER www.michaelkschuessler.com EDUCACIÓN Ph.D. University of California, Los Angeles, 1991-1994 Hispanic Languages and Literatures (1996) Tesis Doctoral: "Géneros renacientes en la Nueva España: teatro misionero y pintura mural" Asesor: Dr. José Pascual Buxó M.A. University of California, Los Angeles, 1989-1991 Español, con honores (1991) Asesora: Dra. Verónica Cortínez B.A. Indiana University, 1985-1989 Español, con honores (1989) Certificado en Estudios Latinoamericanos (1989) Historia del Arte (segunda concentración) Tesis: “Myths of Conquest: The Murals of Itzmiquilpan and the Creation of a Mexican Historical Allegory” Asesor: Dr. Russell Salmon EXPERIENCIA PROFESIONAL 2007-presente Universidad Autónoma Metropolitana, Cuajimalpa Profesor Titular C Departamento de Humanidades Sistema Nacional de Investigadores, Nivel 2 2000-2006 Barnard College, Columbia University Profesor Asistente (Assistant Professor) Departmento de Español y Culturas Latinoamericanas 1999-2000 University of Southern California “Andrew W. Mellon Postdoctoral Fellow” Schuessler 2 Departmento de Español y Portugués 1997-1999 United States International University, México DF Director, “Liberal and Global Studies” Coordinador, Programa de Estudios Latinoamericanos 1997-1999 University of California, Los Angeles Profesor Asistente Visitante, trimestre del invierno Departmento de Español y Portugués 1995-1997 United States International University, México, DF Coordinador, Centro de Idiomas 1990-1994 University of California, Los Angeles Departmento de Español y Portugués Asistente de Profesor (Teaching Assistant): español, literatura y civilización del mundo hispanoamericano PUBLICACIONES Libros Perdidos en la traducción: cinco viajeros ilustres en el México del siglo XX. México: Ed. Planeta, 2014. Foundational Arts: Mural Painting and Missionary Theater in New Spain. Tucson: University of Arizona Press, 2013. Artes de fundación: teatro evangelizador y pintura mural en la Nueva España.
    [Show full text]