Apr 02, 1976, Vol. 05 No. 06
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Commemorative Concert the Suntory Music Award
Commemorative Concert of the Suntory Music Award Suntory Foundation for Arts ●Abbreviations picc Piccolo p-p Prepared piano S Soprano fl Flute org Organ Ms Mezzo-soprano A-fl Alto flute cemb Cembalo, Harpsichord A Alto fl.trv Flauto traverso, Baroque flute cimb Cimbalom T Tenor ob Oboe cel Celesta Br Baritone obd’a Oboe d’amore harm Harmonium Bs Bass e.hrn English horn, cor anglais ond.m Ondes Martenot b-sop Boy soprano cl Clarinet acc Accordion F-chor Female chorus B-cl Bass Clarinet E-k Electric Keyboard M-chor Male chorus fg Bassoon, Fagot synth Synthesizer Mix-chor Mixed chorus c.fg Contrabassoon, Contrafagot electro Electro acoustic music C-chor Children chorus rec Recorder mar Marimba n Narrator hrn Horn xylo Xylophone vo Vocal or Voice tp Trumpet vib Vibraphone cond Conductor tb Trombone h-b Handbell orch Orchestra sax Saxophone timp Timpani brass Brass ensemble euph Euphonium perc Percussion wind Wind ensemble tub Tuba hichi Hichiriki b. … Baroque … vn Violin ryu Ryuteki Elec… Electric… va Viola shaku Shakuhachi str. … String … vc Violoncello shino Shinobue ch. … Chamber… cb Contrabass shami Shamisen, Sangen ch-orch Chamber Orchestra viol Violone 17-gen Jushichi-gen-so …ens … Ensemble g Guitar 20-gen Niju-gen-so …tri … Trio hp Harp 25-gen Nijugo-gen-so …qu … Quartet banj Banjo …qt … Quintet mand Mandolin …ins … Instruments p Piano J-ins Japanese instruments ● Titles in italics : Works commissioned by the Suntory Foudation for Arts Commemorative Concert of the Suntory Music Award Awardees and concert details, commissioned works 1974 In Celebration of the 5thAnniversary of Torii Music Award Ⅰ Organ Committee of International Christian University 6 Aug. -
Boston Symphony Orchestra Concert Programs
m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc. -
Seizure Frequency
Smith, Niall (2013) The everyday social geographies of living with epilepsy. PhD thesis. http://theses.gla.ac.uk/4696/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] THE EVERYDAY SOCIAL GEOGRAPHIES OF LIVING WITH EPILEPSY NIALL D. SMITH THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SCHOOL OF GEOGRAPHICAL AND EARTH SCIENCES UNIVERSITY OF GLASGOW JUNE 2013 ABSTRACT Radical, ‘eventful’ bodily vulnerability has yet to receive sustained attention in contemporary human geography. As one way of addressing the implications of existential vulnerability, this thesis explores the social geographies of people living with epilepsy. It draws upon multiple- methods research comprising an extensive mixed-methods questionnaire and semi-structured interviews, all conducted with people with epilepsy who are members of the charity, Epilepsy Scotland, the project partner. By paying attention to the (post-)phenomenological experience of ‘seizures’, the thesis argues that a failure to appreciate the complex and often extremely troubling spatialities of epileptic episodes invariably results in sustaining the stigmatisation of epilepsy and the partial views of ‘outsiders’. -
Boston Symphony Orchestra Concert Programs, Summer, 1992, Tanglewood
LEWOOD I 77 2 g Tools ofExcellence In every discipline, outstanding performance springs from the combination of skill, vision and commitment. As a technology leader, GE Plastics is dedicated to the development of advanced materials: engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991-92 Trustees of the Boston Symphony Orchestra, Inc. Emeritus Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly Millman James E Cleary Francis W Hatch Mrs. Robert B. Newman John F. Cogan,Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. BelaT. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T. Zervas Nina L. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. -
Boris Godunov Biographies
Boris Godunov Biographies Cast Stanislav Trofimov (Boris Godunov) began his operatic career in the Chelyabinsk Opera House in 2008, and went on to perform leading bass roles at the Ekaterinburg Opera House (the Bolshoi Theatre) and other opera theaters across Russia. He became a soloist at the Mariinsky Theatre in 2016. Mr. Trofimov has portrayed numerous leading roles including Boris Godunov (Boris Godunov), Philip II (Don Carlos), Procida (I vespri siciliani), Fiesco (Simon Boccanegra), Konchak (Prince Igor), Ivan Susanin (Life of the Tsar), Sobakin (Tsar’s Bride), Prince Yuri Vsevolodovich (The Legend of the Invisible City of Kitezh and the Maiden Fevronia), Prince Gremin (Eugene Onegin), Ferrando (Il Trovatore), Don Bartolo (Le nozze di Figaro), and Old Hebrew (Samson et Dalila). Recent performances include Procida in Mariinsky’s new production of I vespri siciliani, Zaccaria in Nabucco at the opening of Arena di Verona Summer Festival, a tour with the Bolshoi Theatre as Archbishop in The Maid of Orleans in France, and performances at the Salzburg Festival as Priest in the new production of Lady Macbeth of the Mtsensk District. Mr. Trofimov will appear at the 2018 Salzburg Festival and at Teatro alla Scala in 2019. These performances mark his San Francisco Symphony debut. This season, Cuban-American mezzo-soprano Eliza Bonet (Fyodor) made her debut at the Kennedy Center as a member of the Washington National Opera’s Domingo-Cafritz Young Artist Program, singing the role of Bradamante in Handel’s Alcina. As a part of this season’s nationwide Bernstein at 100 celebrations, Ms. Bonet performs as Paquette in Candide with the WNO, and with National Symphony Orchestra in West Side Story. -
Edgar Meyer Biography by IMG Artists - IMG Artists Imgartists.Com
Edgar Meyer Biography by IMG Artists - IMG Artists imgartists.com Edgar Meyer In demand as both a performer and a composer, Edgar Meyer has formed a role in the music world unlike any other. Hailed by The New Yorker as “...the most remarkable virtuoso in the relatively un-chronicled history of his instrument”, Mr. Meyer’s unparalleled technique and musicianship in combination with his gift for composition have brought him to the fore, where he is appreciated by a vast, varied audience. His uniqueness in the field was recognized by a MacArthur Award in 2002. As a solo classical bassist, Mr. Meyer can be heard on a concerto album with the St. Paul Chamber Orchestra conducted by Hugh Wolff featuring Bottesini’s Gran Duo with Joshua Bell, Meyer’s own Double Concerto for Bass and Cello with Yo-Yo Ma, Bottesini’s Bass Concerto No. 2, and Meyer’s own Concerto in D for Bass. He has also recorded an album featuring three of Bach’s Unaccompanied Suites for Cello. In 2006, he released a self-titled solo recording on which he wrote and recorded all of the music, incorporating piano, guitar, mandolin, dobro, banjo, gamba, and double bass. In 2007, recognizing his wide-ranging recording achievements, Sony/BMG released a compilation of “The Best of Edgar Meyer”. In 2011 Mr. Meyer joined cellist Yo-Yo Ma, mandolinist Chris Thile, and fiddler Stuart Duncan for the Sony Masterworks recording “The Goat Rodeo Sessions” which was awarded the 2012 Grammy® Award for Best Folk Album. As a composer, Mr. Meyer has carved out a remarkable and unique niche in the musical world. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974
BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THURSDAY A6 FRIDAY-SATURDAY 22 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K. ALLEN SIDNEY STONEMAN JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN MRS HARRIS FAHNESTOCK JOHN T. NOONAN ALLEN G. BARRY HAROLD D. HODGKINSON MRS JAMES H. PERKINS MRS JOHN M. BRADLEY E. MORTON JENNINGS JR IRVING W. RABB RICHARD P. CHAPMAN EDWARD M. KENNEDY PAUL C. REARDON ABRAM T. COLLIER EDWARD G. MURRAY MRS GEORGE LEE SARGENT ARCHIE C EPPS III JOHN HOYT STOOKEY TRUSTEES EMERITUS HENRY B. CABOT HENRY A. LAUGHLIN PALFREY PERKINS FRANCIS W. HATCH EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR THOMAS W. MORRIS Executive Director Manager PAUL BRONSTEIN JOHN H. CURTIS MARY H. SMITH Business Manager Public Relations Director Assistant to the Manager FORRESTER C. SMITH DANIEL R. GUSTIN RICHARD C. WHITE Development Director Administrator of Assistant to Educational Affairs the Manager DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood HARRY NEVILLE Program Editor Copyright © 1974 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS ^H jgfism SPRING LINES" Outline your approach to spring. In greater detail with our hand- somely tailored, single breasted, navy wool worsted coat. Subtly smart with yoked de- tail at front and back. Elegantly fluid with back panel. A refined spring line worth wearing. $150. Coats. Boston Chestnut Hill Northshore Shopping Center South Shore PlazaBurlington Mall Wellesley BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Looking Back, Seeing the Clubhouse in Transformative Terms
(Presented in June 2005 in Helsinki Finland at the 13th annual International Seminar on the Clubhouse Model) Plenary speech on “The Clubhouse Journey to Recovery” By Mark Glickman When Robby asked me to make this speech my first impulse, which is unfortunately usually my first impulse, was to say no. But Robby. knowing this, said would I please do it. If at least for old times sake. So I said yes. And that reminds me how all things at the clubhouse flow from relationships. But I’m getting ahead of myself. My story starts a long time ago. Thirty two years ago I walked down 47th street for the first time to the door of fountain house. By my side was my father, who was about the same age as I am now, 58. My dad died a few years ago of Alzheimer’s. If he hadn’t been there that day, long ago, I would either have never gone, or run out the front door of Fountain House shortly after arriving.. When I entered Fountain House for the first time it looked as strange a world to me, as when Dorothy opened the door after crash landing in her tornado driven house in the movie “The Wizard of Oz”. I was in a state of shock. What I thought was going to be a great life had been rudely interrupted at the age of 24. The print was barely dry on my college diploma and rather than entering the promised land of a job in broadcasting or film, I had just left a mental hospital after a two month stay. -
2018/19 Season Announcement
FOR IMMEDIATE RELEASE CONTACT Meredith Kimball Laing 919.789.5484 [email protected] North Carolina Symphony’s 2018/19 Season Delivers Powerful Musical Narratives and Proves that Orchestral Music Is Thriving in the State Highlights Include Season-Opener with Violinist Joshua Bell; Cultural Preservation Project with Eastern Band of Cherokee Indians; Multimedia Collaboration with North Carolina Museum of Natural Sciences; Live Recording with Grammy Winners; and Continued Commitment to New Music and Work of Women Composers RALEIGH, N.C. – The North Carolina Symphony is an indispensable part of North Carolina’s cultural narrative. Founded as America’s first statewide orchestra in 1932, and traveling 18,500 miles throughout the state to engage 250,000 people each year, NCS is committed to presenting artistically excellent performances that delight and inspire—and with ticket sales increasing 50% since 2010, it is clear that the Symphony is delivering on that promise. The 2018/19 season proves that orchestral music is thriving in North Carolina: NCS will collaborate with artists and organizations to present classical music experiences distinctive to North Carolina life; commission new works by North Carolina natives; perform masterworks in new contexts; and offer broad variety in its programming—in and outside of the concert hall— to develop new audiences. “Each work we present has a story to share, and our ever-present hope is that our audiences connect to these powerful musical narratives—whether it is the triumph in Beethoven’s Symphony No. 5, the humor in Strauss’ depiction of Don Quixote, or the history of North Carolina’s native people reflected in a new work,” says NCS Music Director Grant Llewellyn. -
Window Dancing
In Memoriam Harold Francis McKinney May 28, 1917 – November 7, 2006 The Talented Tenth “The problem of education, then, among Negroes must first of all deal with the Talented Tenth: it is the problem of developing the best of this race that they may guide the mass away from the contamination of the worst, in their own and other races.” W.E.B. DuBois FOREWORD Generations “A term referring to an approximation between the age of parents and the time their children were born.” The issue is, what has ensued during the generational time span of 20-25 years and how prepared were and are parents to provide the necessary educational, emotional, spiritual, physical and economic assets required for the development of the oncoming generations? What have been the experiences, accomplishments and perhaps inabilities of the parent generation and how will this equation impact upon the newcomers entering the world? The constant quest for human development is hopefully not supplanted by neglect, per- sonal or societal and therefore the challenge for each generation; are they prepared for their “turn” at the wheel of anticipated progress? How does each generation cope with the accomplishments and deficiencies from the previ- ous generation, when the baton is passed to the next group competing in the relay race of human existence? Despite the challenge of societal imbalance to the generations, hope and effort remain the constant vision leading to improvement accompanied and reinforced by determination and possible occurrences of “good luck,” to assist the generations and their offspring, neigh- bors and other members of the human family, towards as high a societal level as possible, in order to preserve, protect and project the present and succeeding generations into posi- tions of leverage thereby enabling them to confront the vicissitudes of life, manmade or otherwise.