Annual Report 2009-2010: Part 2 – Audience
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Sydney Uni Musos Struttin' at Australian Fashion Week USU
SEMESTER 1 WEEK 10 12 MAY, 2010 Tuning In Sydney's Community Radio in Crisis Arts Hole SPECIAL: Sydney Uni Musos USU Elections: Twits on Twitter Struttin' at Australian Fashion Week Soundtrack to the Women's Issue 2 This Week's: Smoke-free days: five. Swedish snack most likely to tear the editingCONTENTS team apart: Salt Sill Original With more quokkas Worst/bestthan question asked by an editor this week: “Sibella, will your recreational libraries HONI SOIT, EDITION 9 cater to the boom in 3D movies?” - Joe Smith-Davies, Manning Soapbox 12 MAY 2010 ever before. Most divisive pun: “Rob Chiarella learns that good art cums on small packages.” Thing that’s not as awesome as it sounds: turning off a computer with a hammer. The Post 03 The Arts-Hole 10 Letter rip, potato chip. SPECIAL EDITION: Jess Stirling, Jacinta Mulders, Bridie Connellan and Joe Payten catch up with our uni’s finest The Uni-Cycle 04 musical exports to talk sounds, Sydney and Zahra Anver thinks the answer is fairly obvious. the spotlight. Rob Chiarella learns that good art comes on small packages. The Mains 12 AA makes Oli Burton go AAAAAH! Daniel Zwi pricks his ears to a crisis in Tom Clement goes AAAAAH regarding AA. community radio. Carmen Culina thinks something’s fishery. To market, to market, for Chelsea Tabart. 05 The Lodgers 14 Ted Talas keeps it fResh. David Mack and Naomi Hart deliver 06 Women’s Honi was music to Joe Payten’s Honi’s final election rumours (and have the ears. decency to publish their names). -
NEWSLETTER ISSN 1443-4962 No
Above: These images appear in an article by Dr Patricia Clarke (see ANHG 93.4.10). Left: Jennie Scott Wilson, c.1888. Centre: Jennie Scott Wilson on her wedding day, 1897. Right: Jennie Scott Griffiths, Brisbane, 2 May 1920. [Papers of Jennie Scott Griffiths, nla.cat-vn1440105] Below: Miscellaneous Receipts, Tickets, Cards and Conference Badges, 1916–1920 [Papers of Jennie Scott Griffiths, nla.cat-vn1440105] AUSTRALIAN NEWSPAPER HISTORY GROUP NEWSLETTER ISSN 1443-4962 No. 93 July 2017 Publication details Compiled for the Australian Newspaper History Group by Rod Kirkpatrick, U 337, 55 Linkwood Drive, Ferny Hills, Qld, 4055. Ph. +61-7-3351 6175. Email: [email protected] Contributing editor and founder: Victor Isaacs, of Canberra, is at [email protected] Back copies of the Newsletter and some ANHG publications can be viewed online at: http://www.amhd.info/anhg/index.php Deadline for the next Newsletter: 30 September 2017. Subscription details appear at end of Newsletter. [Number 1 appeared October 1999.] Ten issues had appeared by December 2000 and the Newsletter has since appeared five times a year. 1—Current Developments: National & Metropolitan 93.1.1 Fairfax Media: job cuts, strike and acquisition proposal Fairfax Media was in the headlines for three big reasons in the first week in May: (1) it announced it was going to cut one-quarter of its metropolitan journalistic staff; (2) its metropolitan journalists went out on strike for an “unprecedented” seven days; and (3) it received a proposal from a private equity firm interested in acquiring its metropolitan assets, principally Domain and its major mastheads, such as the Sydney Morning Herald, Age and Australian Financial Review. -
Sasha Mackay Thesis
STORYTELLING AND NEW MEDIA TECHNOLOGIES: INVESTIGATING THE POTENTIAL OF THE ABC’S HEYWIRE FOR REGIONAL YOUTH Sasha Mackay Bachelor of Fine Arts (Hons), Creative Writing Production Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2015 Keywords Australian Broadcasting Corporation Heywire new media narrative identity public service media regional Australia storytelling voice youth Storytelling and new media technologies: investigating the potential of the ABC’s Heywire for regional youth i Abstract This thesis takes a case study approach to examine the complexity of audience participation within the Australian public service media institution, the Australian Broadcasting Corporation (ABC). New media technologies have both enabled and necessitated an increased focus on user created content and audience participation within the context of public service media (PSM) worldwide and such practices are now embedded within the remit of these institutions. Projects that engage audiences as content creators and as participants in the creation of their own stories are now prevalent within PSM; however, these projects represent spaces of struggle: a variety of institutional and personal agendas intersect in ways that can be fruitful though at other times produce profound challenges. This thesis contributes to the wider conversation on audience participation in the PSM context by examining the tensions that emerge at this intersection of agendas, and the challenges and potentials these produce for the institution as well as the individuals whose participation it invites. The case study for this research – Heywire – represents one of the first instances of content-related participation within the ABC. -
The Democratic Detriment of Episodic Television News
Pikkert. Function after Form … The McMaster Journal of Communication Volume 4, Issue 1 2007 Article 6 Function after Form: The Democratic Detriment of Episodic Television News Owen Pikkert McMaster University Copyright © 2007 by the authors. The McMaster Journal of Communication is produced by The Berkeley Electronic Press (bepress). http://digitalcommons.mcmaster.ca/mjc The McMaster Journal of Communication. Volume 4 [2007], Issue 1, Article 6 Function after Form: The Democratic Detriment of Episodic Television News Owen Pikkert Abstract This paper analyzes the impact of television news upon political mobilization and awareness. In particular, it places a strong emphasis on the inherent inability of episodic news to form a cognitive framework through which to understand current events. The paper begins with preliminary statements on the significance of television news and describes the limits of the paper’s scope. It then examines the correlation of episodic television news with political cynicism, the trivialization of news content, and the formation of a pro-establishment attitude among viewers. A greater stress is placed upon the way in which television news is presented than upon news content or on the paucity of social capital. In conclusion, an argument is made for the imposition of sound bite quotas, with the desire to counter the handicaps of the episodic medium. KEYWORDS: Episodic, news, television, trivialization, political bias, pro- establishment, political cynicism, television medium, reporting, sound bite, post-structuralism The McMaster Journal of Communication. Volume 4 [2007], Issue 1, Article 6 The McMaster Journal of Communication 2007 Volume 4, Issue 1 Function after Form: The Democratic Detriment of Episodic Television News Owen Pikkert McMaster University Introduction elevision, as a channel for expression and public debate, is crucial to the health of a democratic state. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
18 May 1999 Professor Richard Snape Commissioner Productivity
18 May 1999 Professor Richard Snape Commissioner Productivity Commission Locked Bag 2 Collins Street East Post Office MELBOURNE VIC 8003 Dear Professor Snape I attach the ABC’s submission to the Productivity Commission’s review of the Broadcasting Services Act. I look forward to discussing the issues raised at the public hearing called in Melbourne on 7 June, and in the meantime I would be happy to elaborate on any matter covered in our submission. The ABC is preparing a supporting submission focusing on the economic and market impacts of public broadcasting, and this will be made available to the Commission at the beginning of June. Yours sincerely, BRIAN JOHNS Managing Director AUSTRALIAN BROADCASTING CORPORATION SUBMISSION TO THE PRODUCTIVITY COMMISSION REVIEW OF THE BROADCASTING SERVICES ACT 1992 MAY 1999 CONTENTS Introduction 4 1. The ABC’s obligations under its own Act 6 1.1 The ABC’s Charter obligations 6 1.2 ABC’s range of services 7 1.3 Public perception of the ABC 7 2. The ABC and the broadcasting industry 9 2.1 ABC’s role in broadcasting: the difference 9 2.2 ABC as part of a diverse industry 14 2.3 ABC’s role in broadcasting: the connections 15 3. Regulation of competition in the broadcasting industry 16 3.1 Aim of competition policy/control rules 16 3.2 ABC and competition policy 17 3.3 ABC as program purchaser 17 3.4 ABC as program seller 17 3.5 BSA control rules and diversity 18 3.6 ACCC as regulator 19 4. Relationship with other regulators 20 4.1 Australian Broadcasting Authority 20 4.2 Australian Communications Authority (ACA) 21 5. -
Nam Le on the Boat>>P4
JUNE 2008 / FREE BROWSE AND BUY ONLINE, ANDWWW.READINGS.COM.AU CHECK EVENT DETAILS AT Readings Monthly 9/52).$%0%.$%.4"//+ -53)#!.$$6$.%73,%44%2s%6%.43s.%72%,%!3%3s2%6)%73 . SEE OUR FEATURE, P4 . SEE OUR FEATURE, THE BOAT COVER IMAGE FROM NAM LE’S NEW BOOK Nam Le on TheBoat >> p 4 June book, CD and DVD new releases. More inside >> Rockferry. Duffy Mahler Complete $29.95 >> p27 Symphonies and Songs. Sir Simon Rattl. 14 CD Set The Household Devil May Care Climate Code Red I’m Not There $39.95 >> p30 Guide to Dying Sebastian Faulks, David Spratt Limited Edition Debra Adelaide (writing as Ian & Philip Sutton Dir. Todd Haynes $32.95 $27.95 Fleming) $27.95 >> p16 $44.95 >> p25 >> p7 $39.95 >> p12 June event highlights. More book & music events inside >> SHAUN TAN GEORGE SOPHIE AT READINGS MEGALOGENIS CUNNINGHAM HAWTHORN AT READINGS AT READINGS HAWTHORN CARLTON !,,3(/03/0%.$!93sCARLTON 309 LYGON 34sHAWTHORN 701 GLENFERRIE RD 9819 1917 s MALVERN 185 GLENFERRIE RD 9509 1952 s PORT MELBOURNE 253 BAY ST 9681 9255 s ST KILDA 112 ACLAND ST 9525 3852 s WWW.READINGS.COM.AU s EMAIL [email protected] Readings Events in June All our events are free, unless otherwise stated. For more information, please call the shop where the event is to be held, or the booking number provided. journey through World War II 2 IAN KLAUS 7 MARK CARTHEW 14 BRUCE ATHERTON Europe. They have escaped from Inspired by the Mark’s latest One night when I was lying in my the Nazis, but how long can they volunteerism of children’s picture warm and cosy bed, A shadow at survive when there are so many so many young book The Gobbling the window stood the hair upon my people ready to hand them over for Americans after Tree (New Frontier, head. -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Submission on the Australian Broadcasting Corporation's Commitment to Reflecting and Representing Regional Diversity
Submission on The Australian Broadcasting Corporation's commitment to reflecting and representing regional diversity Dear Sir/ Madam, I welcome this opportunity to comment on The Australian Broadcasting Corporation's commitment to reflecting and representing regional diversity within the terms of reference as set out by the Environment and Communications References Committee. Regional diversity and national identity will be diminished with the loss of the ABC Tasmanian Production Unit. Programs of high quality reflecting and representing regional diversity have been produced in Tasmania and include Auction Room, the extremely popular “Collectors” and “Gardening Australia” when it was hosted by Peter Cundall. These Tasmanian programs enabled national viewers to enjoy and appreciate the state’s distinctive heritage and culture. The Tasmanian bushfires were best reported by local journalists who have a personal understanding of the state; its people and conditions. The decision to cut ABC production in Hobart has met with opposition from 12 Federal Senators and the Premier, Lara Giddings who is unable to match funding from the State budget for Screen Tasmania to offset ABC cuts as requested by the ABC’s Managing Director (ABC, 2012)1. Similarly, Western Australia also has limited ABC production with the cessation of “Can We Help?” enjoyed by viewers over six years. The decline, according to Cassellas (2012), has been evident since 1985 when WA had a low but reasonable 7.8 per cent of ABC’s staff compared with just 5.4 per cent in 20122. Now the WA studio is mainly unused or hired out to companies like Screen West. By comparison, NSW had 49.2 per cent of the ABC’s staff last year. -
Mapping the Information Environment in the Pacific Island Countries: Disruptors, Deficits, and Decisions
December 2019 Mapping the Information Environment in the Pacific Island Countries: Disruptors, Deficits, and Decisions Lauren Dickey, Erica Downs, Andrew Taffer, and Heidi Holz with Drew Thompson, S. Bilal Hyder, Ryan Loomis, and Anthony Miller Maps and graphics created by Sue N. Mercer, Sharay Bennett, and Michele Deisbeck Approved for Public Release: distribution unlimited. IRM-2019-U-019755-Final Abstract This report provides a general map of the information environment of the Pacific Island Countries (PICs). The focus of the report is on the information environment—that is, the aggregate of individuals, organizations, and systems that shape public opinion through the dissemination of news and information—in the PICs. In this report, we provide a current understanding of how these countries and their respective populaces consume information. We map the general characteristics of the information environment in the region, highlighting trends that make the dissemination and consumption of information in the PICs particularly dynamic. We identify three factors that contribute to the dynamism of the regional information environment: disruptors, deficits, and domestic decisions. Collectively, these factors also create new opportunities for foreign actors to influence or shape the domestic information space in the PICs. This report concludes with recommendations for traditional partners and the PICs to support the positive evolution of the information environment. This document contains the best opinion of CNA at the time of issue. It does not necessarily represent the opinion of the sponsor or client. Distribution Approved for public release: distribution unlimited. 12/10/2019 Cooperative Agreement/Grant Award Number: SGECPD18CA0027. This project has been supported by funding from the U.S. -
Who Gets to Tell Australian Stories?
Who Gets To Tell Australian Stories? Putting the spotlight on cultural and linguistic diversity in television news and current affairs The Who Gets To Tell Australian Stories? report was prepared on the basis of research and support from the following people: Professor James Arvanitakis (Western Sydney University) Carolyn Cage (Deakin University) Associate Professor Dimitria Groutsis (University of Sydney) Dr Annika Kaabel (University of Sydney) Christine Han (University of Sydney) Dr Ann Hine (Macquarie University) Nic Hopkins (Google News Lab) Antoinette Lattouf (Media Diversity Australia) Irene Jay Liu (Google News Lab) Isabel Lo (Media Diversity Australia) Professor Catharine Lumby (Macquarie University) Dr Usha Rodrigues (Deakin University) Professor Tim Soutphommasane (University of Sydney) Subodhanie Umesha Weerakkody (Deakin University) This report was researched, written and designed on Aboriginal land. Sovereignty over this land was never ceded. We wish to pay our respect to elders past, present and future, and acknowledge Aboriginal and Torres Strait Islander communities’ ongoing struggles for justice and self-determination. Who Gets to Tell Australian Stories? Executive summary The Who Gets To Tell Australian Stories? report is the first comprehensive picture of who tells, frames and produces stories in Australian television news and current affairs. It details the experience and the extent of inclusion and representation of culturally diverse news and current affairs presenters, commentators and reporters. It is also the first -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat.