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  • Press Kit 2018-2019 Season
    PRESS KIT 2018-2019 SEASON Shelby Colona and Chris Bloom in CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival MISSION & HISTORY Ballet Hispánico, America’s leading Latino dance organization, has been bringing individuals and communities together to celebrate and explore Latino cultures through dance for nearly 50 years. Whether dancing on stage, in school, or in the street, Ballet Hispánico creates a space where few institutions are breaking ground. The organization’s founder, National Medal of Arts recipient Tina Ramirez, sought to give voice to the Hispanic experience and break through stereotypes. Today, Ballet Hispánico is led by Eduardo Vilaro, an acclaimed choreographer and former member of the Company, whose vision of social equity, cultural identity, and quality arts education for all drives its programs. Ballet Hispánico, a role model in and for the Latino community, is inspiring creativity and social awareness in our neighborhoods and across the country by providing access to arts education. CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival 2 ABOUT EDUARDO VILARO Artistic Director & CEO EDUARDO VILARO joined Ballet Hispánico as Artistic Director in August 2009, becoming only the second person to Photo by Paula Lobo Paula Photo by head the company since it was founded in 1970. In 2015, Mr. Vilaro took on the additional role of Chief Executive Officer of Ballet Hispánico. He has been part of the Ballet Hispánico family since 1985 as a dancer and educator, after which he began a ten-year record of achievement as founder and Artistic Director of Luna Negra Dance Theater in Chicago. Mr.
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  • Diversity in the Arts
    Diversity In The Arts: The Past, Present, and Future of African American and Latino Museums, Dance Companies, and Theater Companies A Study by the DeVos Institute of Arts Management at the University of Maryland September 2015 Authors’ Note Introduction The DeVos Institute of Arts Management at the In 1999, Crossroads Theatre Company won the Tony Award University of Maryland has worked since its founding at the for Outstanding Regional Theatre in the United States, the John F. Kennedy Center for the Performing Arts in 2001 to first African American organization to earn this distinction. address one aspect of America’s racial divide: the disparity The acclaimed theater, based in New Brunswick, New between arts organizations of color and mainstream arts Jersey, had established a strong national artistic reputation organizations. (Please see Appendix A for a list of African and stood as a central component of the city’s cultural American and Latino organizations with which the Institute revitalization. has collaborated.) Through this work, the DeVos Institute staff has developed a deep and abiding respect for the artistry, That same year, however, financial difficulties forced the passion, and dedication of the artists of color who have theater to cancel several performances because it could not created their own organizations. Our hope is that this project pay for sets, costumes, or actors.1 By the following year, the will initiate action to ensure that the diverse and glorious quilt theater had amassed $2 million in debt, and its major funders that is the American arts ecology will be maintained for future speculated in the press about the organization’s viability.2 generations.
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  • Glorious Chicago Dancing Festival Wraps up Successful Week Saturday
    DANCE REVIEW The Chicago Dancing Festival **** Glorious Chicago Dancing Festival wraps up successful week Saturday Sid Smith Special to the Tribune August 22, 2009 This year's installment of the Chicago Dancing Festival concludes Saturday with what promises to be a jubilant bang. Works on tap for the free performance at Jay Pritzker Pavilion include a rare Chicago visit by the Houston Ballet (in a classic by William Forsythe), the breathless pas de deux from "Le Corsaire" by dancers with American Ballet Theatre, and the Chicago debut of an all-male spoof troupe called Les Ballets Grandiva in the irresistibly titled "Star Spangled Ballerina." Still, Saturday's menu will be hard-pressed to top the splendor and depth of Thursday's program at the Harris Theater. Though consisting of only six works, the roster offered a remarkable tour of major choreographers of the past 50 years, leading right up to our own time: Jerome Robbins, Jose Limón, Forsythe, Nacho Duato, Christopher Wheeldon and Lar Lubovitch. Sure, there was no George Balanchine, Martha Graham, Paul Taylor or Twyla Tharp. But the engaging lineup -- featuring a wealth of dancers from companies all over the U.S. -- played as a performance seminar on modern choreography. Better yet, it offered up performances so wondrous that it was as much a dancer festival as a choreographic one. At the top was an all-too-rare look at the New York City Ballet great Wendy Whelan in Wheeldon's "After the Rain," a duet he created for her. Quirky, sinewy, enigmatically compelling, Whelan, now in her 40s, glories here in a strange, offbeat piece that telegraphs her sharp, Cubist talents, her odd but seductive presence and her gutsy redefinition of what is meant by ballet beauty.
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  • A STAND Talking with Queer Activist PAGE 6
    Alice Cozad and Linda Young. Photos courtesy of the couple VOL 35, NO. 23 AUG. 5, 2020 PAGE 10 www.WindyCityMediaGroup.com KEN ILIO Gay-marriage pioneer dies at 63. Photo of Ilio, left, and husband Ron Dorfman by Hal Baim ETERNAL 5 MODEL CITIZEN Jay Manuel releases new book. FLAME Photo by Troy Word Lesbian couple together for 50 years 13 YVONNE ZIPTER TAKING Chicagoan on upcoming poetry collection. Book cover A STAND Talking with queer activist PAGE 6 Asha Ransby-Sporn Asha Ransby-Sporn. 16 Photo by Texas Isaiah @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com 2 Aug. 5, 2020 WINDY CITY TIMES PAGE 6 Chicago Pride Parade 2019. Photo by Kat Fitzgerald (www.MysticImagesPhotography.com) "Kickoff," The Chicago Gay Pride Parade 1976. Diane Alexander White Photography TWO SIDES OF PAGE 20 YESTERDAY APRIL 29, 2020 VOL 35, NO. 20 Looking back at Pride memories of the past (above) WINDYJUNE 24, 2020 and this month’s Drag March for Change (below) PRIDEChicagoBuffalo Pridedrives Grove postponed; on Pride VOL 35, NO. 16 CITY www.WindyCityMediaGroup.com AND TODAY EDDIE TIMES HUNSPERGER PAGE 17 Activist and partner of Rick Garcia dies. Photo of Hunsperger (right) and Garcia courtesy of Garcia 4 Buffalo Grove Pride 2019. SEEING Tim Carroll Photography THE LIGHT Lighthouse Foundation prepares programming. Photo of Rev. Jamie Frazier by Marcel Brunious 8 PAGE 4 www.windycitymediagroup.com From the Drag March for Change. Photo by Vernon Hester @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com @windycitytimes FUN AND GUNN Tim Gunn on his new show, /windycitymediagroup 'Making the Cut'. Photo by Scott McDermott 13 @windycitytimes SUPPORT Photo by Tim Peacock VOL 35, NO.
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  • SMART Growth Evaluation Report
    SMART Growth Evaluation Report May 2010 Lisa Tylke, Evaluator Rob Paral, Associate SMART Growth Participating Grantees 2006-2009 African American Arts Alliance of Chicago Jump Rhythm Jazz Project Albany Park Theater Project Lifeline Theatre American Theater Company Links Hall Anchor Graphics Luna Negra Dance Theater Barrel of Monkeys Muntu Dance Theatre Changing Worlds Natya Dance Theatre Chicago Chamber Musicians Neighborhood Writing Alliance Chicago Dramatists Neo-Futurists Chicago Human Rhythm Project Next Theatre Chicago Jazz Ensemble Puerto Rican Arts Alliance Chicago Jazz Orchestra Remy Bumppo Theatre Company Chicago Public Art Group Rush Hour Concerts at St. James Cathedral Congo Square Theatre Shanti Foundation for Peace Emerald City Theatre Company ShawChicago Theatre Company House Theatre Silk Road Theatre Project Hypocrites Theatre South Chicago Art Center Independent Feature Project Teatro Vista Intuit: The Center for Intuitive and Outsider Art TimeLine Theatre Company Jazz Institute of Chicago TUTA: The Utopian Theatre Asylum Joel Hall Dancers and Center Young Chicago Authors SMART Growth Evaluation Report Table of Contents Executive Summary SMART Growth/Evaluation Process Overview ........................................................................... 1 Summary Findings ....................................................................................................................... 2 Summary Recommendations ...................................................................................................... 5
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  • To Lead and Inspire Philanthropic Efforts That Measurably Improve the Quality of Life and the Prosperity of Our Region
    2008 ANNUAL REPORT To lead and inspire philanthropic efforts that measurably improve the quality of life and the prosperity of our region. OUR VALUES Five values define our promise to the individuals and communities we serve: INTEGRITY Our responsibility, first and foremost, is to uphold the public trust placed in us and to ensure that we emulate the highest ethical standards, honor our commitments, remain objective and transparent and respect all of our stakeholders. STEWARDSHIP & SERVICE We endeavor to provide the highest level of service and due diligence to our donors and grant recipients and to safeguard donor intent in perpetuity. DIVERSITY & INCLUSION Our strength is found in our differences and we strive to integrate diversity in all that we do. COLLABORATION We value the transformative power of partnerships based on mutual interests, trust and respect and we work in concert with those who are similarly dedicated to improving our community. INNOVATION We seek and stimulate new approaches to address what matters most to the people and we serve, as well as support, others who do likewise in our shared commitment to improve metropolitan Chicago. OUR VISION The Chicago Community Trust is committed to: • Maximizing our community and donor impact through strategic grant making and bold leadership; • Accelerating our asset growth by attracting new donors and creating a closer relationship with existing donors; • Delivering operational excellence to our donors, grant recipients and staff members. In 2008, The Chicago Community Trust addressed the foreclosure crisis by spearheading an action plan with over 100 experts from 70 nonprofit, private and public organizations.
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  • 'A Wonderful Life'
    INTERVIEW WITH BRANDY: ‘I LOVE MY WINDY CITY GAY FANS’ THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 JAN. 16, 2013 PAGE 23 VOL 28, NO.15 www.WindyCityMediaGroup.comTIMES URVASHI VAID TALKS WITH wcT page 4 ‘A wonderful life’ 91-year-old Chicagoan WCT PREVIEWS CMSA WOMEN’S Jon Phillips reflects on SOCIAL a life well-lived page 30 BY ROSS FORMAN His small, quaint, well-kept, one-bedroom Evan- ston apartment is filled with a first-hand view of world history, including photos, business and legal documents, handwritten notes, books and the still-sharp memory of 91-year-old Jon Phil- lips, who talks openly and certainly knowingly about World War II, President Truman, Queen Elizabeth II and Mayor Richard J. Daley, and ce- lebrities such as Bette Midler, Rod Stewart and Steve Winwood. “I’ve had a wonderful life,” said Phillips who was, coincidentally, born on Christmas Eve 1921. He celebrated his 91st birthday at a dinner with about 30 other people, then went to a nearby Methodist Church service, and then back to his assisted-living residence. He even had a cake in 2012, which isn’t too common for Phillips, who often has had, instead, to simply enjoy Christmas cookies. “Walking down the halls [in this apartment WCT REVIEWS complex], I often meditate, thanking God for a fantastic life,” he said. “I’ve met wonderful CHRIS COLFER people—some famous, some not so famous—but FILM wonderful people overall.” pagE 21 Chicagoan Jon Phillips pictured at his home (above, photo by Ross Forman) Turn to page 24 and in the navy during World War II (right, courtesy of Phillips).
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  • The Joffrey Ballet
    Friday and Saturday, March 6–7, 2020, 8pm Sunday, March 8, 2020, 3pm Zellerbach Hall The Joffrey Ballet Ashley Wheater MBE The Mary B. Galvin Artistic Director Greg Cameron President & CEO Robert Joffrey Founder Gerald Arpino Founder Artists of the Company Derrick Agnoletti Yoshihisa Arai Amanda Assucena Edson Barbosa Miguel Angel Blanco Evan Boersma Anais Bueno Valeria Chaykina Nicole Ciapponi Lucia Connolly José Pable Castro Cuevas April Daly Jonathan Dole Derek Drilon Fernando Duarte Olivia Duryea Cara Marie Gary Anna Gerberich Stefan Goncalvez Dylan Gutierrez Dara Holmes Yuka Iwai Victoria Jaiani Hansol Jeong Gayeon Jung Yumi Kanazawa Hyuma Kiyosawa Brooke Linford Greig Matthews Graham Maverick Jeraldine Mendoza Xavier Núnez Princess Reid Aaron Renteria Christine Rocas Julia Rust Chloé Sherman Temur Suluashvili Miu Tanaka Olivia Tang-Mifsud Alonso Tepetzi Alberto Velazquez Joanna Wozniak Valentino Moneglia Zamora Scott Speck Ellie Cotey Music Director Costume Manager Bradley Renner Gregg Benkovich General Manager Shoe Manager Blair Baldwin Jim Walsh Company Manager Master Carpenter Nicolas Blanc, Adam Blyde, Suzanne Lopez Erin Tinsley Rehearsal Directors/Principal Coaches Master Electrician Grace Kim, Michael Moricz Gregg Moeller Company Pianists Property Master Cody Chen George Paulin Production Manager Soundperson Katherine Selig Matthew Carney Principal Stage Manager Electrician/Programmer Amanda Heuermann Matthew Black Stage Manager Flyperson These performances are made possible, in part, by Patron Sponsors Gail and Dan Rubinfeld,
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  • The Fine Arts Department and the Highland Park High School PTO Proudly Present
    The Fine Arts Department and the Highland Park High School PTO Proudly present... FOCUS ON THE ARTS 2013 Explore. Engage. Enlighten. The mission of Focus is to increase the appreciation and understanding of the arts and of art professionals through more than 250 workshops, performances, and lectures, all free of charge. We seek to educate and entertain people of multicultural and diverse backgrounds by exposing them to the many facets of the arts. The three day and three evening celebration of the arts has been the impetus for careers and the inspiration for lifelong interest in the arts. This is evident by the more than three dozen alumni who are returning to present their talents. It is our goal to continue this tradition at Highland Park High School. We sincerely thank the hundreds of community volunteers who have generously given their time and talents with enthusiasm and grace. It has been a pleasure to work with the parents, students and staff at Highland Park High School in preparing FOCUS ON THE ARTS 2013. This year we are extremely proud to present to you over 250 quality artists who represent a myriad of art mediums inviting everyone to explore, engage and be enlightened! FOCUS HPHS Coordinator . .Jody Weinberg PTO Coordinators . Colleen Kelley, Lisa Mann, Nancy Mills, Deborah Zionts HISTORY OF FOCUS ON THE ARTS In 1964, Highland Park High School through the visionary efforts of Dr. John W. Price, Shirley M. Hartz, and Ruth Esserman developed a program that would expose students and the community to quality visual and performing arts.
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  • Falltheater and Dance
    DADT ENDS WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 SEPT. 21, 2011 PAGES 4-8 TIMES VOL 26, NO. 50 www.WindyCityMediaGroup.com FALL THEATER AND DANCE A chill is in the air and a slate of new productions will heat up the stage this season, like Sweeney Todd at the Drury Lane (left, photo by Gregg PREVIEW Edelman), Natya Dance Theatre (center, photo by Amitava Sarkar) and Bailiwick’s Violet (right). Read about these and many more in this special Fall 2011 theater and dance preview issue. HALL OF FAME page 19 INDUCTEES NAMED PAGE 10 SUSAN WERNER INTERVIEW PAGE 30 GARDEN OF EVE PHOTOS Popular performer ‘Miss Ketty’ dies PAGE 39 BY JERRY NUNN The Association for Latino Men for Action gave Miss Ketty the ALMA Community Leadership Award in 1998. Ketty Teanga—known to many as Circuit nightclub regu- ALMA Board President Julio Rodriguez stated, “ALMA lar “Miss Ketty”—died Sept. 15 of kidney failure. She gave her the award for being a pioneer in the Latina was 64. trans community, because so many people had identified Teanga was born in Ecuador March 22, 1947. She moved her as someone who helped them get resources, espe- to New York City when she was about 16 before arriving cially because in those days, it was pretty dangerous. in Chicago during the ‘70s. She was largely known for She housed a lot of people, she did a lot of HIV/AIDS performing at Circuit Nightclub with the longest running education informally.” promotion the venue has had aptly named La Noche Loca She was recently crowned by Chicago’s Puerto Rican for 15 years.
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  • SMID Study Report
    Serving Dance in Chicago A Planning Process for Small to Mid-sized Companies and Independent Artists Executive Summary by Suzanne Callahan with Brooke Belott May, 2005 1. Background: The Chicago Dance Community and the Need for a Study 2 Scope of Planning Process 5 2. Summary of Findings 7 Comparative Document of Services Available to Artists 7 Artist Focus Groups 7 Artists’ Priorities for Service Provision 8 The Role of Chicago Service Organizations 9 Service Provision in Other Cities 10 Models for Service Provision in New York 12 Other Suggestions for Service Provision 14 3. Consultant Talking Points 15 4. Conclusion 19 SUZANNE CALLAHAN, CFRE, FOUNDER 1000 CONNECTICUT AVENUE NW SUITE 505 WASHINGTON, DC 20006 TEL 202.955.8325 FAX 202.955.8324 EMAIL [email protected] WEB WWW.FORTHEARTS.ORG Serving Dance in Chicago, Executive Summary, Page 2 This document summarizes a full report on the planning process that was designed to study and respond to the needs of the Chicago dance community for service provision, with a focus on Small to Mid-sized companies and Independent artists in Dance (referred to as SMID, in this study). Funded by the Chicago Community Trust, the full report is available under separate cover. The Planning Process was co-directed by three artists whose companies and ways of working fall into the categories of independent and small/mid-size: Julia Rhoads of Lucky Plush Productions, Eduardo Vilaro of Luna Negra Dance Theater, and Ginger Farley, independent artist. It also benefited from the advice of a steering committee1 and the Dance Advisory Committee (the Advisory) to the Chicago Community Trust (CCT or the Trust).2 Background: The Chicago Dance Community and the Need for a Study Chicago can boast of a diverse dance community, one that spans the city and suburbs.
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  • 2011–2012 Season Directory Marquee Empower Our Mission Is to Promote the Power of Professional Theater for Young Audiences
    photo courtesy of Honolulu Theatre for Youth 2011–2012 season directory MARQUEE EMPOWER Our mission is to promote the power of professional theater for young audiences. (left) photo courtesy of Chicago Playworks (right) photo courtesy of Adventure Theatre INSPIRE We are dedicated to artistic, humanitarian and educational efforts. photo courtesy of CoterieTheatre CONNECT We strive for excellence, collaboration and innovation across cultural and international boundaries. (top left) photo courtesy of The Fulton Theatre (bottom left) photo courtesy of Oregon Children’s Theatre (right) photo courtesy of The Kennedy Center ORGANIZATIONAL LISTINGS 24thstreet theatre ...................................................................... 1 george street playhouse ...............................................................31 the north carolina theatre for young people ................................. 61 adventure stage chicago ...............................................................2 gifford family theatre ..................................................................32 northwest children’s theater & school ..........................................62 adventure theatre ........................................................................3 goodwill theatre inc ....................................................................33 oklahoma children’s theatre .........................................................63 the alliance theatre .....................................................................4 great tiver educational
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