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The Following Are the Official Published Reports of the Engagement At
The following are the official published reports of the Engagement at Honey Springs, Indian Territory by Major General Blunt and the subordinate Federal commanders and by Brigadier General Cooper; unfortunately no reports from the subordinate Confederate officers were included in the official record. NO. 1 Report of Maj. Gen. James G. Blunt, U. S. Army, commanding District of the Frontier HEADQUARTERS DISTRICT OF THE FRONTIER, In the Field, Fort Blunt, C. N., July 26, 1863 GENERAL: I have the honor to report that, on my arrival here on the 11th instant, I found the Arkansas River swollen, and at once commenced the construction of boats to cross my troops. The rebels, under General Cooper (6,000), were posted on Elk Creek, 25 miles south of the Arkansas, on the Texas road, with strong outposts guarding every crossing of the river from behind rifle-pits. General Cabell, with 3,000 men, was expected to join him on the 17th, when they proposed attacking this place. I could not muster 3,000 effective men for a fight, but determined, if I could effect a crossing, to give them battle on the other side of the river. At midnight of the 15th, I took 250 cavalry and four pieces of light artillery, and marched up the Arkansas about 13 miles, drove their pickets from the opposite bank, and forded the river, taking the ammunition chests over in a flat-boat. I then passed down on the south side, expecting to get in the rear of their pickets at the mouth of the Grand River, opposite this post, and capture them, but they had learned of my approach and had fled. -
(National Peanut Board), 2005-2016
Description of document: Meeting minutes of the United States Peanut Board (National Peanut Board), 2005-2016 Requested date: 2016 Released date: 30-September-2016 Posted date: 17-October-2016 Source of document: USDA, Agricultural Marketing Service FOIA/PA Officer 1400 Independence Avenue, SW South Building, Rm. 3943 Stop 0202 Washington, DC 20250-0273 Email: [email protected] The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. USDA Agricultural STOP 0202-Room 3943-S Marketing 1400 Independence Avenue, SW. -- Service Washington, DC 20250-0202 September 30, 2016 In reply, please refer to FOIA No. 2016-AMS-03647-F This is the final response the above referenced FOIA request which sought meeting minutes of the United States Peanut Board (National Peanut Board) from January 1, 2005 to May 3, 2016. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Cabinet BCH of Montana Natural Equine Care Clinic by Deena Shotzberger, President
Volume 26, Issue 3 www.bcha.org Summer 2015 Cabinet BCH of Montana Natural Equine Care Clinic By Deena Shotzberger, President BCHA Education Grants at Work in Montana Left: Cindy Brannon demonstrating a boot fit on Dr. Oedekoven’s horse, Sonny. Below: Jim Brannon discussing and trim- ming Jenny Holifield’s Arabian, John Henry. Thanks to a grant from the BCH ed to offer a more complete approach hoof’s role and function Education Foundation, Cabinet BCH to hoof care for consideration (regard- • Assessing the health of hooves hosted a clinic with Dr. Amanda Oede- less of whether animals were shod or • Why proper hoof care and koven, veterinarian; Jim Brannon, nat- barefoot). Many hoof problems can living conditions can lead to a longer ural hoof care practitioner; and Cindy be avoided by following better nutri- working life for your horse, and why Brannon, hoof boot specialist in Libby, tion, exercise and environment, and a this is critical in young growing horses MT on March 21. This was a great op- more holistic method of hoof care. The • The difference between a shoe- portunity for 23 equine owners in our clinic offered participants information ing trim and a barefoot trim and how small community to learn about nutri- on how to lower the risk for navicular, the differences improve the health of tion, exercise and environment; anato- laminitis, and insulin resistance. Par- your horses’ hooves my and function of the lower leg and ticipants learned how to provide their • How to spot and address im- hoofs; hoof care and trimming prin- horse a healthier and fitter life through balances in the hoof before they cause ciples. -
La Causa Y La Cruza
newUniversityVOL. 4/NO. 13/NOVEMBER 12, 1971 To large numbers of laymenand clergy in California and across the nation the nameChrisHartmire has California Migrant Ministry become a household word. He is rarelydiscussed passively.To agri- business owners and the more con servative religious organizations in California. Hartmire is one of the most hated men in the church. But to many in the church today,both y cruza Catholic, to la and causa Protestant and la thousands of poverty-stricken farm workers, the California Migrant Ministry and the man who by marc grossman leads it representshopefor a better — "I've been making friends with the veteran of community projects in ganizing feeling the pressure future and signifies a new direction courageous to clergy for sixteenyears, especially Harlem and the Civil Rights Move- from some of the most they feel the church will have in CMM projects to keep touch with the the Migrant Ministry. ..Thechurch ment in the South where he was farm workers take if it is in pushed the Migrant Ministry to social realities of the 20th century. is the onegroup that isn't expecting arrested during the "Freedom Hartmire,director anythingfrom us. Allthe others, the Rides." Like all newly arrived prepare lor aneventual confronta- TheRev. Chris tion with theow nersof theagri-busi- of the California Migrant Ministry unions, the civil rights groups, they CMM personnel, Hartmire spent one of Cesar all want something in return for his first twomonths inthe state with ness establishment. and for. a decade Hartmire and his stalllearned that Chavez's closest friends and asso- their support. -
Talking Like a Shōnen Hero: Masculinity in Post-Bubble Era
Talking like a Shōnen Hero: Masculinity in Post-Bubble Era Japan through the Lens of Boku and Ore Hannah E. Dahlberg-Dodd The Ohio State University Abstract Comics (manga) and their animated counterparts (anime) are ubiquitous in Japanese popular culture, but rarely is the language used within them the subject of linguistic inquiry. This study aims to address part of this gap by analyzing nearly 40 years’ worth of shōnen anime, which is targeted predominately at adolescent boys. In the early- and mid-20th century, male protagonists saw a shift in first-person pronoun usage. Pre-war, protagonists used boku, but beginning with the post-war Economic Miracle, shōnen protagonists used ore, a change that reflected a shift in hegemonic masculinity to the salaryman model. This study illustrates that a similar change can be seen in the late-20th century. With the economic downturn, salaryman masculinity began to be questioned, though did not completely lose its hegemonic status. This is reflected in shōnen works as a reintroduction of boku as a first- person pronoun option for protagonists beginning in the late 90s. Key words sociolinguistics, media studies, masculinity, yakuwarigo October 2018 Buckeye East Asian Linguistics © The Author 31 1. Introduction Comics (manga) and their animated counterparts (anime) have had an immense impact on Japanese popular culture. As it appears on television, anime, in addition to frequently airing television shows, can also be utilized to sell anything as mundane as convenient store goods to electronics, and characters rendered in an anime-inspired style have been used to sell school uniforms (Toku 2007:19). -
The Great Commodore Forgotten, but Not Lost: Matthew C. Perry in American History and Memory, 1854-2018
The Great Commodore Forgotten, but not Lost: Matthew C. Perry in American History and Memory, 1854-2018 By Chester J. Jones Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in the History Program May 2020 The Great Commodore Forgotten, but not Lost: Matthew C. Perry in American History and Memory, 1854-2018 Chester J. Jones I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: ____________________________________ Chester J. Jones, Student Date Approvals: __________________________________ Dr. Amy Fluker, Thesis Advisor Date __________________________________ Dr. Brian Bonhomme, Committee Member Date __________________________________ Dr. David Simonelli, Committee Member Date __________________________________ Dr. Salvatore A. Sanders, Dean of Graduate Studies Date Abstract Commodore Matthew Perry was impactful for the United States Navy and the expansion of America's diplomacy around the world. He played a vital role in negotiating the 1854 Treaty of Kanagawa, which established trade between the United States and Japan, and helped reform the United States Navy. The new changes he implemented, like schooling and officer ranks, are still used in modern America. Nevertheless, the memory of Commodore Matthew Perry has faded from the American public over the decades since his death. He is not taught in American schools, hardly written about, and barely remembered by the American people. The goal of this paper is to find out what has caused Matthew Perry to disappear from America's public memory. -
See the Original Town Ordinances and Bylaws Here
a -d L r/ I - trt ORDI NANCT,.S / -*r-'-\ l: -\t "l)t d, I BY-L- AWS ,L 7 .\ E 7 -/ Ib I.t- |OWN O,F DAVIIi, "C l ra TUCKIIR COUNT\', t' WIiST VIRGINIA, ,t E,,I fl l I t TH 11 AC-l' oi; IN/'c-- O IT PO it. A-I'I O N I (, I i I I A I .- I t \ 't iffi I r.l I I ti r. I E - J* ffi-MAYOR'S PROCLAMATION. I TO TTTE PEOPLE OF THE TOWN OT] DAI/IS, AND l_ ALL OTHERS IN TNTEREST.. f , A. C. ?IATLEY, Jl[a71or of tho totan' of I Danis, by uirfutn, of authoyitTl uesteil, iru nzo by I\ th,a Cou,ncil thereof, d,o hereby publish, proclaim, anod, clecl,a,re tlte foresoin{ ordiruanoces to be iru force a,nc{, e/fect, the Elouerrunterut, 7tr"o- fu.ll for '] tection,, o,rtil preserua,tton of all pet'sorLs, property, 1 an,d, right.s m,a,cl,e su,Qject to tlre ,iurisdiction of I sa,icl tousn, by the laws of th,e Sta,te. Giuen ttrudet" ruy harud, thi,s "..... tluy of 1890 tI JVfayor. t \ I \ __l I ORDINANCES AND t I BY.LAWS Er# OFT THE -/ TOWN OI-- DAVIS, I ) TUCKE,IT COUNTY, WEST VIRGINIA, I'O WHICH IS ATTACHED , , THE ACT OF' INCO]TI'ORATION. ---+-- CUMBERI.AND, ilD. PRESS OT'ARTIIUR SHRIVER & CO. t r89o. I - I OFFICERS OF THE CORPORATION. MAYOR: I A. C. FINLEY, t touxcrr.MBN: F. -
1. Final Agenda for April 14, 2014
GOLDEN URBAN RENEWAL AUTHORITY BUSINESS MEETING City Council Chambers 911 Tenth Street April 14, 2014 6:30 p.m. ****************************************************************************** I. Call to Order II. Roll Call III. Approval of Minutes – Business Meeting of 2/10/14 and 3/10/14 IV. Public Comment V. Reports of Committees/Matters for the Authority 1. Finance Committee 2. Human Resources Committee 3. Communications Committee 4. Development and Operations a. Discussion/Update re on 8th Street Apartments Urban Renewal Project b. Discussion/Update re Natural Grocers Project c. Discussion/Update re Lots 2 and 4 d. Discussion/Action re Banks gate to parking structure e. Discussion/ Action re City Cooperation Agreement f. Discussion/Update/Action re Miners Alley and Washington Ave projects g. Review DDA status and Board h. URA legislation update VI. New Business 1. Discussion/action re energy efficiency/ tenant improvements grant request from 5 Star Bakery Company 2. Discussion/action re patio grant request from Blue Canyon/Foss 3. Discussion/action re grant request form Golden Gallop VII. Commissioners Concerns VIII. Staff Report IX. Public Comment X. Adjourn GURA Mission Statement: To implement urban renewal projects, consistent with community values, that: • Improve the community’s physical presence within each project; • Promote each project’s desired character, and • Contribute to the economic stability and vitality of each project. Memorandum To: GURA Board of Commissioners From: Steve Glueck, Executive Director Date: April 9, 2014 RE: Meeting Memo for April 14, 2014 meeting This memo will provide background information on selected items to be discussed at the upcoming GURA meeting. V.4.a. 8th Street Apartments Urban Renewal Project. -
Erotism in the History of Japanese Film Art - Anime
Georgios Lazaridis 01.2019 Erotism in the history of Japanese film art - Anime. Table of contents: 1. Abstract 2. Anime - definition of the term. 3. Origins of anime art. 4. Erotism in Japanese arts - shunga and ukiyo-e . 5. Erotism in anime: origins, aspects, kinds. 6. Erotism as romance, a love story. 7. Erotism as pornography - the phenomenon of Hentai. 8. Conclusion and the summary of erotism in anime - ending words. 9. Bibliography and the sources of images. 1.Abstract The below text’s main aim is to present to the reader an analysis of the erotic aspect of Japanese film and animation arts - anime. It contains a brief review of the subject including informations about the film art as itself, as well as the way it represents erotic content on different tiers of explicitly. It will point out the origins and history of anime, the evolution through time and it’s expansion to different forms of media arts and social events. As erotism is deeply rooted in traditional Japanese art forms, the possibilities of the moving image let it expand through the media taking different paths and shapes, often crossing the boundaries of social ethics. !1 2. Anime - the definition , etymology , main features and occurrence. The term anime (アニメ) is used to describe the animation style that was developed in Japan in the late 1910s and through time expanded as an individual art form into the mainstream culture. The etymological origins of the word date back to 1980s pointing out a borrowing from English - animation or French - animé1, absorbed into the Japanese language under the word animēshon and simplified into the final form - anime. -
The Aura in the Age of Digital Materiality
THE AURA IN THE AGE OF DIGITAL MATERIALITY RETHINKING PRESERVATION IN THE SHADOW OF AN UNCERTAIN FUTURE The project is part of the exhibition LA RISCOPERTA DI UN CAPOLAVORO 12 March – 28 June 2020 Palazzo Fava, Palazzo delle Esposizioni, Bologna A project of: Under the patronage of: A collection of essays assembled by Factum Foundation All projects carried out by the Factum Foundation are collaborative to accompany the exhibition and there are many people to thank. This is not the place to name everyone but some people have done a great deal to make all this The Materiality of the Aura: work possible including: Charlotte Skene Catling, Otto Lowe, New Technologies for Preservation Tarek Waly, Simon Schaffer, Pasquale Gagliardi, Fondazione Giorgio Cini and everyone in ARCHiVe, Bruno Latour, Hartwig Fischer, Palazzo Fava, Bologna Jerry Brotton, Roberto Terra, Cat Warsi, John Tchalenko, Manuela 12 March – 28 June 2020 Mena, Peter Glidewell, The Griffi th Institute, Emma Duncan, Lord Pontificio Consiglio della Cultura Rothschild, Fabia Bromofsky, Ana Botín, Paloma Botín, Lady Helen Hamlyn, Ziyavudin and Olga Magomedov, Rachid Koraïchi, Andrew ‘Factum Arte’ can be translated from the Latin as ‘made with Edmunds, Colin Franklin, Ed Maggs, the Hereford Mappa Mundi skill’. Factum’s practice lies in mediating and transforming material. Trust, Rosemary Firman, Philip Hewat-Jaboor, Helen Dorey, Peter In collaboration with: Its approach has emerged from an ability to record and respond to Glidewell, Purdy Rubin, Fernando Caruncho, Susanne Bickel, the subtle visual information manifest in the physical world around Markus Leitner and everyone at the Swiss Embassy in Cairo, Jim us. -
The Japanimated Folktale: Analysis Concerning the Use and Adaptation of Folktale Characteristics in Anime
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 8-2012 The aJ panimated Folktale: Analysis Concerning the Use and Adaptation of Folktale Characteristics in Anime Amber N. Slaven Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the Folklore Commons Recommended Citation Slaven, Amber N., "The aJ panimated Folktale: Analysis Concerning the Use and Adaptation of Folktale Characteristics in Anime" (2012). Masters Theses & Specialist Projects. Paper 1198. http://digitalcommons.wku.edu/theses/1198 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. THE JAPANIMATED FOLKTALE: ANALYSIS CONCERNING THE USE AND ADAPTATION OF FOLKTALE CHARACTERISTICS IN ANIME A Thesis Presented to The Faculty of the Department of Folklore and Anthropology Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment Of the Requirements for the Degree Master of Arts By Amber N. Slaven August 2012 For Tom, who introduced me to anime. ACKNOWLEDGEMENTS A written work is never really a product of one individual, but it is a thing created by many. Several layers of revision and suggestion from an abundance of friends, professors, and knowledgeable folk help to make a written thing whole. For this particular essay, I had the very best individuals who helped direct my thoughts into something both feasible and worthwhile. And, therefore, I will give these individuals the recognition that is their due. Firstly, without the support of my committee members Drs.