ANOHNI Di GIUSEPPE ZEVOLLI Londra, 7 Luglio 2016

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foto di Mark Allan ANOHNI di GIUSEPPE ZEVOLLI londra, 7 luglio 2016 ANOHNI PORTA IN SCENA LE PROTEST SONG DI HOPELESSNESS, UNO SPETTACOLO DI ACCOSTAMENTI “SCOMODI” E PROVOCAZIONI CHE FANNO PENSARE. + Quando arriviamo nella Hall del Barbican, americano, violenza contro donne e che il pubblico accoglie con un tripudio. ad accoglierci c’è Naomi Campbell, in minoranze; l’aulica voce di ANOHNI Durante lo show si limita a girovagare on video, nello stesso setting scarno del clip di - nota fno a poco tempo fa come Antony stage, alzare le mani al cielo o sedersi a os- Drone Bomb Me. Danza, sorride, piroetta, Hegarty - accompagnata dall’elettronica servare le sue eroine/alter-ego, quasi a ce- si accarezza: la videocamera si limita ad angolare di Oneohtrix Point Never e dere loro il microfono. C’è un maggior di- avvicinarsi e allontanarsi, mentre rumori Hudson Mohawke, pilastri a lato del namismo rispetto al precedente spettacolo di fondo la accompagnano per un quarto palco durante l’intera durata del set; Turning, in cui le fgure femminili erano sì d’ora che sembra durarne almeno un paio. testi surreali che inneggiano all’(auto) presenti in carne ed ossa, ma si limitava- Le luci sono ancora su di noi e, dando uno distruzione per comunicare un messaggio no a roteare su una pedana, oggetto dello sguardo attorno, noto la fascinazione per di ricostruzione. A coronamento di sguardo estatico dell’audience, mai così l’icona globale trasformarsi in frustrazione questo efetto di “straniamento critico”, visibilmente travolte dal potere dei testi per l’attesa. Difcile capire fno in fondo la performance è concepita in modo che come in HOPELESSNESS. Aggiungendo cosa volesse comunicare ANOHNI con l’artista sia presente, ma mascherata una manciata di nuovi brani (tra cui una questa intro. Osservare Naomi è senza (incappucciata, ANOHNI non mostra mai spettacolare Ricochet e un’indomita Jesus dubbio un piacere, un po’ meno se le il volto), la fsicità del canto riprodotta alle Will Kill You), ANOHNI trasforma questa immagini sembrano ripetersi all’infnito e sue spalle, in una serie di video in cui sono terra di confne tra intrattenimento e scon- il baccano noise fnisce per assordarci. delle donne di varia età e provenienza a forto in uno spettacolo di grande impatto Questo è solo il primo degli insoliti interpretare le sue parole in lip-synch. emotivo. Resta solo un dubbio: seduti nel accostamenti alla base del progetto Per il primo brano, Hopelessness, ANOH- comfort delle nostre poltrone da grande HOPELESSNESS, una straordinaria NI rimane fuori scena. Un’attrice ricoper- teatro non partecipiamo di fatto alla poeti- innovazione nel campo protest song: ta di trucco splatter annuncia il messaggio ca di HOPELESSNESS. Lasciati in balia di musica dance e testi di condanna verso centrale del progetto: “I feel the hope- beat e j’accuse verbali, il nostro personale riscaldamento globale, pena di morte, lessness / How did I become a virus?”. atto politico sarebbe prendere parte alle militarismo, ipocrisie dell’establishment ANOHNI arriva sulla tonante 4 Degrees, danze. ‹.

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