DOCSLIB.ORG

Anohni Announces “Paradise” Ep, out March 17Th on Secretly Canadian and Rough Trade

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Anohni Announces “Paradise” Ep, out March 17Th on Secretly Canadian and Rough Trade January 25, 2017 For Immediate Release ANOHNI ANNOUNCES “PARADISE” EP, OUT MARCH 17TH ON SECRETLY CANADIAN AND ROUGH TRADE LISTEN TO TITLE TRACK HERE (“PARADISE” EP cover art) ANOHNI will release “PARADISE,” the companion EP to last year's HOPELESSNESS, one of the most critically acclaimed and discussed albums of 2016, on March 17th via Secretly Canadian and Rough Trade. In collaboration with Oneohtrix Point Never and Hudson Mohawke, on “PARADISE,” ANOHNI seeks to support activist conversations and disrupt assumptions about popular music through the collision of electronic sound and highly politicized lyrics. “PARADISE” includes new songs as well as material recently debuted live. On the title track, “Paradise,” Anohni voices ecstatic alienation, describing a dystopian life filled with horror, awe, comfort and threat. She expresses a sense of disembodiment: "Myself, I'm here... not here, as a point of consciousness." The music is wild and invigorating with a heavy beat conceived by Hudson Mohawke and twisting vocal treatments by Daniel Lopatin. On “Jesus Will Kill You,” ANOHNI expresses feral rage as she confronts businessmen, land destroyers, water corrupters, oil extractors, human slavers, and inevitably, Jesus worshippers. She curses Christian corporates with the knowledge that one day their God will punish them for their crimes against humanity and nature, destroying their comfortable, insular lives. "Why you hurt me? Why you make me so sick? Seek to destroy our homes? You're a mean old man. Your wealth is predicated upon the poverty of others. What's your legacy? Burning oceans, burning populations, our burning lungs." ANOHNI expresses a mother's rage and heartbreak on “You Are My Enemy.” She experiences alternating waves of suicidal despair and rage at her complicity. “I never felt a part of this world. I reject the way that we live, You poured from my body, On a river of blood, You crawled out and into the light, I gave birth to my own enemy.” A melancholic ballad, the song is punctuated with jarring assaults of drums and climaxes in a wailing, inhuman choral declaration. On the jubilant “Ricochet,” ANOHNI rebels against an omnipotent deity, who threatens eternal separation: “If this keeps going, I’m gonna curse you my god, I’m going to hate you, my god”. On the sparse ballad “She Doesn’t Mourn Her Loss,” ANOHNI states that the earth doesn't cry over vanishing biodiversity; instead "She just loses"; only humanity will grieve the loss of the biodiverse world that gave rise to us. Anohni returns to the theme of her dependency upon the earth, and her pain at watching familiar earth systems collapse: “She fed me all those years and now she’s dry as her tears. But who will remember her, if not her children?" Nine portraits of women on the EP artwork reflect the feminine oracle that ANOHNI evoked in her live concert tour. HOPELESSNESS was named a top 10 album of 2016 by publications including Thump, Billboard Dance/Electronic and Rock/Alternative, Consequence of Sound, The Guardian, Red Bull, Pitchfork, Uncut, The New York Times (Jon Pareles), Entertainment Weekly and Newsweek. HOPELESSNESS was nominated for the UK's Mercury Prize and Anohni was nominated for a Brit Award as Best Female vocalist. LISTEN TO ANOHNI’S “PARADISE”: https://youtu.be/ncCmDhMYBWg https://open.spotify.com/track/46rdFmDb1n6QYysGhyg80w “PARADISE” EP TRACKLISTING: 1. In My Dreams 2. Paradise 3. Jesus Will Kill You 4. You Are My Enemy 5. Ricochet 6. She Doesn’t Mourn Her Loss ANOHNI LIVE: Sun. April 2- Hamburg, DE @ Elbphilharmonie Sat. Nov. 18 - Aarhus, DK @ MusikHuset Aarhus w/ Aarhus Symphony Orchestra ****************** ARTIST STATEMENT My Mother's Love Her gentle touch My Father's Hands Rest on my Throat "Our new leaders hope to crush our spirits and expedite ecocide in the name of virulent progress, consumerism and false security. Like Jihadis, many capitalists and Christians compulsively seek to facilitate a righteous "holy war", or apocalypse. For millennia, Men have enslaved women and attempted to appropriate female creative power, re-casting themselves as gods and creators. This assault continues today in the forms of ruthless wealth and mineral extraction, genetic engineering, mass surveillance and war mongering. But as Donald Trump and his cabinet now demonstrate, the skills encouraged in men by their biologies and the tools that boys master in the playground have not equipped them to deal with the unprecedented global crisis we are now facing. Mothers, your sons are trapped in a nightmare; they are not capable of responsibly negotiating the destructive agency that they now wield. More profound even than a crime against humanity, fathers and sons now compulsively prepare to commit ecocide, in a final and irreversible assault upon creation itself. Only an intervention by women around the world, with their innate knowledge of interdependency, deep listening, empathy and self-sacrifice, could possibly alter our species' desperate course." - ANOHNI, January 2017 PRE-ORDER ANOHNI’S “PARADISE” EP -- https://anohni.lnk.to/paradise WATCH/LISTEN/SHARE: HOPELESSNESS Stream -- https://open.spotify.com/album/3dAx4u7AJy72a6M1ms6uYF “Hopelessness” Video -- https://youtu.be/5ZW1BBkquFA “I Don’t Love You Anymore” Video – https://youtu.be/PemmoQj2tqY “Drone Bomb Me” Video -- https://youtu.be/aUEoic7ro_o “4 Degrees” Stream -- https://youtu.be/Fi0q0O4V5Qs Anohni.com Facebook.com/antonyandthejohnsons Instagram.com/anohni/ Secretlycanadian.com/artist.php?name=anohni Pitchperfectpr.com/anohni/ Roughtraderecords.com/artist/anohni Download hi-res images – http://secretlycanadian.com/press/anohni/index.php For more information, contact: Jessica Linker & Patrick Tilley| Pitch Perfect PR – [email protected], 773-271-6844 .
Load more

Recommended publications
  • Announcement
    Announcement 57 articles, 2016-07-09 00:00 1 Morning Links: Jasper Johns Edition Must-read stories from around the art world 2016-07-08 08:47 2KB www.artnews.com (1.08/2) 2 Sotheby’s Nabs Warhol Museum Director for Top Private Sales Role The Warhol expert Eric Shiner is leaving his role as Warhol Museum director to join Amy Cappellazzo's private sales team at Sotheby's. (1.08/2) 2016-07-08 06:44 2KB news.artnet.com 3 Is Market Art + Design the ‘Brooklyn’ of Hamptons Art Fairs? Market Art + Design in the Hamptons features a vibrant mix of contemporary art dealers with design and jewelry. 2016-07-08 09:25 (1.02/2) 2KB news.artnet.com 4 Gregg Albracht, 2016 Spotlight Artist Fine art photographer Gregg Albracht's passion for photography started in the summer of 1969 when he saw a portfolio of fine art photos. "I was mesmerized by their richness and beauty," Albracht (0.02/2) says. "It was in that moment that photography took a hold of me and... 2016-07-09 00:00 1KB artexponewyork.com 5 DAY 3 AT ARTEXPO: CROWDS CONVERGE ON PIER 94 Saturday at Artexpo marked the show's busiest day yet, drawing (0.01/2) thousands of attendees eager for artistic invigoration to the halls of Pier 94. Boasting booth after booth of extraordinary paintings, sculpture, glassworks, and photography, the 38th annual Artexpo New York offered something for... 2016-07-09 00:00 1KB artexponewyork.com 6 From Startup to Industry Star: Litsa Spanos, President and Owner of Art Design Consultants Founded in 1992, ADC, Art Design Consultants, Inc.
    [Show full text]
  • Anohni: Miracle Now
    ANOHNI: MIRACLE NOW EN INTRODUKTION TIL UDSTILLINGEN / AN INTRODUCTION TO THE EXHIBITION MAY 24 – AUGUST 5 2018 MIRACLE NOW “Does nature evolve, or does She just change? So much information can now be stored in a tiny space. Scientists have said recently that ancestral trauma changes our genome in detectable ways. I imagine that in the future we shall put a drop of water into a machine and it will reveal to us every moment that its atoms have ever ex- perienced, and every living and inanimate body that it has ever been a part of. When I first staged the play Miracle Now in 1995, my dream was that Nature would remem- ber every one of Her vanished faces, and that this knowledge would somehow inform Her next iteration. This was a hopeful idea to me, in the face of impending eco-col- lapse.” – ANOHNI “Nothing goes unrecorded. Every word of leaf and snowflake and particle of dew, as well as earthquake and avalanche, is writ- ten down in Nature’s book.” – John Muir, 1872 ANOHNI: “Where do we go when we die?” Nola Taylor: “Back to country.” – Conversation with Nola Taylor, Martu elder, Western Australian desert, 2015. Video Stills: Miracle Now, 1996/2018, ANOHNI/James Elaine MIRAKLERNES TID ANOHNI I NIKOLAJ KUNSTHAL Det er en stor ære at vise den første store Med udstillingen i Nikolaj Kunsthal håber vi soloudstilling med ANOHNI i Norden i at åbne op for spørgsmål og diskussioner Nikolaj Kunsthal. ANOHNI er bedst kendt omkring frigørelse, filosofi og miljø i en som musiker, men udtrykker en dybt en- bredere forstand – og ikke mindst håber vi, gageret tilgang til verden gennem sin visu- at miraklernes tid ikke er forbi endnu.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • University of Birmingham from Microsound to Vaporwave
    University of Birmingham From Microsound to Vaporwave Born, Georgina; Haworth, Christopher DOI: 10.1093/ml/gcx095 Document Version Peer reviewed version Citation for published version (Harvard): Born, G & Haworth, C 2018, 'From Microsound to Vaporwave: internet-mediated musics, online methods, and genre', Music and Letters, vol. 98, no. 4, pp. 601–647. https://doi.org/10.1093/ml/gcx095 Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 30/03/2017 This is a pre-copyedited, author-produced version of an article accepted for publication in Music and Letters following peer review. The version of record Georgina Born, Christopher Haworth; From Microsound to Vaporwave: Internet-Mediated Musics, Online Methods, and Genre, Music and Letters, Volume 98, Issue 4, 1 November 2017, Pages 601–647 is available online at: https://doi.org/10.1093/ml/gcx095 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain.
    [Show full text]
  • Power, Death and the Value of the Body in Late Capitalism: Anohni's
    Sedlmayr: Power, Death and the Value of the Body in Late Capitalism 42 Power, Death and the Value of the Body in Late Capitalism: Anohni’s “Drone Bomb Me” GEROLD SEDLMAYR Technische Universität Dortmund, Germany Introduction Hopelessness The lead single of Anohni’s 2016 album , “Drone Bomb Me”, begins with a shocking imperative: the speaker demands that the addressee eliminate her by dropping 1 a bomb on her: “Explode my crystal guts / Lay my purple on the grass”. Surely, her forthright urge to die is eerie, unsettling. What is even more unsettling, though, is the fact that we are not given any explicit reasons which might help explain her motivation. Is she tired of living? If so, then she is willing to break one of the most potent taboos in our societies, namely the one forbidding suicide: suicide as an empty act, an act that is not simply meaningless within the larger order of things, but that in fact seems to threaten that larger order. Or may we categorise her death wish as self-sacrifice, the symbolic giving of life in order to ensure life? The question remains: why does she resist survival? In the following, Anohni’s song, as well as the video which accompanied its release, will be treated as symptomatic of the late-capitalist structure of feeling. Starting from Jean Baudrillard’s idea that power in contemporary consumer societies is based on the deferral of death, I will discuss how the aestheticized representation of postmodern drone warfare in “Drone Bomb Me” refers to, yet also extends, Michel Foucault’s analysis of modern disciplinary societies, particularly by reflecting on the status of the body and the value it can carry in late capitalism.
    [Show full text]
  • Psaudio Copper
    Issue 41 SEPTEMBER 11TH, 2017 Welcome to Copper #41! The title isn't to announce a James Taylor retrospective---sorry to crush your hopes--- but is just what I see in today's weather reports. The Pacific Northwest, where I'm bound for a long-delayed vacation, is up in flames, along with many other parts of the tinder-dry US. Meanwhile, back in my former home of Florida...they've already had nearly two feet of rain, and Hurricane Irma is not even close to the state yet. Stay safe, everyone. I'm really pleased and excited to have Jason Victor Serinus back with us, with the first part of an intensive introduction to art song. Jason brings tremendous knowledge of the field, and provides plenty of recorded examples to listen to, and in the case of videos, watch. There are many stunning performances here, and I hope you enjoy this extraordinary resource. We'll have Part 2 in Copper #42. Dan Schwartz is again in the lead-off spot with the second in his series of articles on encounters–this one, with Phil Lesh and crew; Seth Godin tells us how control is overrated; Richard Murison hears a symphony; Duncan Taylor takes us to Take 1; Roy Hall tells about a close encounter of the art kind; Anne E. Johnson introduces indie artist Anohni; and I worry about audio shows (AGAIN, Leebs??), and conclude my look at Bang & Olufsen. Industry News tells of the sale of audiophile favorite, Conrad-Johnson; Gautam Raja is back with an amazing story that I think you'll really enjoy, all about Carnatic music, overlooked heritage, and the universal appeal of rock music; and Jim Smith takes another warped look at LPs.
    [Show full text]
  • The Grace of a Gesture Rafael Lozano-Hemmer Angelica Mesiti EM15
    Already Fifty Years! The Grace of a Gesture Rafael Lozano-Hemmer Angelica Mesiti EM15 • BIAN Ryoji Ikeda Artur Zmijewski Printemps du MAC Nocturnes Magazine of the contemporain Musée d’art de Montréal Volume 25, Number 1 — Summer 25, 2014 Volume editorial | 1 In his classic work The Gift, French anthropologist Marcel Mauss theorizes and reflects upon the giver, the gift and the recipient: “The objects are never completely separated from the men who exchange them,” he writes tellingly. An indissoluble link between the giver and the gift— the gift being a part of the giver—makes the act of giving not as innocent a transaction as it might seem. Indeed, it creates a social bond and an obligation to reciprocate on the part of the recipient. It creates relationships. Reciprocity and exchange are the basis of friendship, perhaps also of just and prosperous societies. Ultimately, reciprocity promotes a better way of living. Photo: George Fok © 2013 The month of June marks the fiftieth anniversary of the founding of the Musée d’art con- temporain, a museum that grew out of the wishes, the enterprise and, perhaps most impor- tantly, the donations of collectors and artists. The Musée’s very inception is the result of the kindness of givers. The Grace of a Gesture is our sprawling homage to the builders and makers of the MAC, a celebratory exhibition comprising some 200 artworks donated over the last fifty years—a formal act of reciprocity, in the form of an exhibition, for the generosity of the museum’s many donors and supporters.
    [Show full text]
  • Lizzi Bougatsos CV 2021
    JAMES FUENTES 55 Delancey Street New York, NY 10002 - (212) 577 1201 [email protected] LIZZI BOUGATSOS Born 1974 in Queens, New York Lives and works in New York EDUCATION 1997 BFA Sculpture and Performance, Minor Women’s Studies/ Art History, West Virginia University College of Creative Arts SOLO EXHIBITIONS 2021 Works in Progress, James Fuentes Essex, NY 2017 Boo-Hooray, Summer Rental, Montauk, NY 2015 Work Habits, James Fuentes Gallery, NY 2010 Slut Freak, James Fuentes Gallery, NY 2009 The Breeder, Athens, Greece 2007 Street Feather, James Fuentes Gallery, NY TWO- AND THREE-PERSON EXHIBITIONS 2014 Angelblood, with Rita Ackermann, Home Alone 2, New York, NY 2013 Greetings from Bitburg, with Sadie Laska and Spencer Sweeney, Entrepot-galerie du Confort Moderne, Poitiers, France 2012 I'm Not Pregnant, Lizzi Bougatsos and Thornton Dial, James Fuentes Gallery, NY Lizzi Bougatsos “JERRY!!! and Rob Pruitt “Dinosaur dropping, Styrofoam varnished in cos mic-chrome”, Home Alone Gallery, New York, NY 2005 Failurisms with Kim Gordon, Reena Spaulings Fine Art, New York, NY 2000 Boug & Worth II, American Fine Arts, Co., New York, NY Boug & Worth, Fuck All Our Art Heroes/Assholes, American Fine Arts, Co., New York, NY SELECTED GROUP EXHIBITIONS 2020 Dance, Dance, Dance, Curated by Tyson Reeder, Arts of Life Gallery, Chicago IL 2018 ADAM MCEWEN SELECTS: Exhibition and Sale to Benefit the Foundation for Contemporary Arts, Barbara Gladstone, NY 2018 Kathy Acker: Who Wants to be Human All the Time, curated by Bjarne Melgaard,Performance Space New
    [Show full text]
  • Vivid LIVE First Artist Announced Anohni
    MEDIA RELEASE: Wednesday 24 February 2015 VIVID LIVE FIRST ARTIST ANNOUNCED: ANOHNI (OF ANTONY AND THE JOHNSONS) * BALLOT FOR TICKETS * FOUR NIGHTS ONLY, VIVID SYDNEY EXCLUSIVE “The most exquisite thing you will hear in your life” – Laurie Anderson (The Times, UK) Vivid Sydney and the Sydney Opera House today announced that one of music’s singular innovators - the towering, ever-transforming Anohni (known previously to audiences as Antony Hegarty of Antony and the Johnsons ) - will debut her latest work in four exclusive Vivid LIVE performances at the Sydney Opera House as part of Vivid Sydney , the world’s largest festival of light, music and ideas. Incorporating a series of immersive, sense-shifting moments, the show promises to be the transgender artist’s most ambitious and personal yet. Due to the expected high demand, tickets to Anohni’s Sydney-exclusive Vivid LIVE concerts on 27, 28, 30 and 31 May 2016 will be allocated by ballot. Following sold-out ballots for Morrissey (2015) and Kraftwerk 's 3D Catalogue retrospective (2013), Anohni ’s four Sydney-only Vivid LIVE performances will feature her fifth album and solo debut as Anohni , ‘Hopelessness’ , which raises the dramatic power of Antony and the Johnsons to new electronic heights. American electronic artist and producer Oneohtrix Point Never (who, along with Hudson Mohawke, collaborated on the new album) and Gaël Rakotondrabe (pianist from Antony and the Johnsons) will join Anohni on the Joan Sutherland Theatre stage in this exclusive Australian premiere. The shows also mark Anohni ’s return to the city that has embraced her from the start, from her 2003 visits supporting Lou Reed and 2005 Opera House performances (when the singer stole the all- star Leonard Cohen tribute show, Came So Far For Beauty ) to 2010’s memorable Antony and the Johnsons Concert Hall appearance.
    [Show full text]
  • Southbank Centre Announces Nile Rodgers As Curator of Meltdown 2019 ​
    Date: Monday 11 February 2019, 8.30am Contact: Phoebe Gardiner, [email protected] / 020 7921 0967 ​ ​ ​ Alexandra Shaw [email protected] / 020 7921 0676 ​ ​ Southbank Centre announces Nile Rodgers as curator of Meltdown 2019 ​ Nile Rodgers © Britt Loyd ​ Southbank Centre today reveals that the curator of Meltdown festival 2019 will be three-time Grammy ​ ​ Award-winning American composer, producer, arranger, guitarist, Rock and Roll Hall of Fame inductee, Chairman of the Songwriters Hall of Fame and Abbey Road Studios’ first ever Chief Creative Advisor, Nile Rodgers. ​ From 3 - 11 August, Rodgers will take over Southbank Centre with his unique creative vision. Over ​ ​ nine days and across the world-class stages of the Royal Festival Hall, newly reopened brutalist masterpieces the Queen Elizabeth Hall and Purcell Room, and the remainder of Southbank Centre’s 17-acre cultural quarter on the banks of the River Thames, Rodgers will present a hand-picked line-up of show-stopping music, art and free events, in what will undoubtedly be the funkiest festival of the year. Among music legends, Nile Rodgers is truly exceptional. From co-founding slick disco pioneers CHIC with his late creative partner Bernard Edwards, to his own global success as a songwriter and producer, Rodgers has contributed to records that have cumulatively sold more than 500 million albums and 75 million singles worldwide, and has left an indelible signature on the music of today. More than a collaborator, Rodgers has been instrumental in the careers of some of the biggest artists in the history of popular music.
    [Show full text]
  • Two Years Later, PC East Starts to Fill Empty Lots Koala],” He Said at an Impromptu Meeting
    VOLUME XLII, ISSUE XXXVI THURSDAY, FEBRUARY 25, 2010 WWW.UCSDGUARDIAN.ORG ERIK JEPSEN/GUARDIAN >/,530),9;0,:*6330+, <-)+016?)43;7=< Black Student Union and supporters ditch university teach-in to host MEDIA ORGS speakers of their own. DEFEND FREE- By Angela Chen News Editor SPEECH RIGHTS Hundreds of students walked out of an administration-planned WEB POLL NO teach-in yesterday morning to attend a counter teach-in organized DO YOU AGREE WITH 63% by the Black Student Union. A.S. PRESIDENT UTSAV GUPTA’S The Feb. 24 Price Center protest YES began with a press conference held DECISION TO FREEZE STUDENT-MEDIA by the BSU, the % I FUNDING? 32 OPINION student organiza- DON’T KNOW Guest tion that declared commentary OUT OF campus climate to 133 VOTES % calls for 5 campus be in a “state of understanding. emergency” last By Angela Chen Page 4 Friday. The BSU News Editor has addressed the “toxic” environment with a rally JOHN HANACEK/GUARDIAN Student media heads are threatening legal and a list of 32 demands. BSU Black Student Union members held a counter teach-in on Feb. 24 to discuss the ‘Compton Cookout’ and institutional racism at UCSD. action against A.S. President Utsav Gupta’s for his Chair David Ritcherson called Friday-afternoon decision to freeze all funding to for the UCSD chancellor cabinet cation — with a “thorough, written President Utsav Gupta for his recent meeting all the BSU’s demands. student publications. to respond to the organization’s timeline for immediate action.” decision to freeze funding for all 33 “We will not allow any discus- Gupta announced Friday morning that he demands by March 4 — the same Press-conference speakers student media organizations, then sions of the budget crisis to affect wished to pull funding from controversial humor day as a systemwide protest against included history professor Daniel asked administrators to disregard newspaper the Koala, whose editor in chief made limited accessibility to higher edu- Widener, who applauded A.S.
    [Show full text]