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That's All Folks!
That’s All Folks! That’s right, folks – ALL BINGOS STARTING with EACH LETTER of the ALPHABET. compiled by Jacob Cohen, Asheville Scrabble Club All 8s Starting G- GABBARDS AABBDGRS GABBARD, barge [n] GABBARTS AABBGRST GABBART, gabbard (barge) [n] GABBIEST ABBEGIST GABBY, talkative [adj] GABBLERS ABBEGLRS GABBLER, one that gabbles (to jabber (to talk rapidly)) [n] GABBLING ABBGGILN GABBLE, to jabber (to talk rapidly) [v] GABBROIC ABBCGIOR GABBRO, type of rock [adj] GABBROID ABBDGIOR GABBRO, type of rock [adj] GABELLED ABDEEGLL GABELLE, tax on salt [adj] GABELLES ABEEGLLS GABELLE, tax on salt [n] GABFESTS ABEFGSST GABFEST, informal gathering for general talk [n] GADABOUT AABDGOTU one that gads about [n -S] GADARENE AADEEGNR headlong (rash; impetuous) [adj] GADFLIES ADEFGILS GADFLY, biting fly [n] GADGETRY ADEGGRTY devising or constructing of gadgets [n -RIES] GADROONS ADGNOORS GADROON, to decorate with bands of fluted or reeded molding [v] GADWALLS AADGLLSW GADWALL, wild duck [n] GADZOOKS ADGKOOSZ used as mild oath [interj] GAGEABLE AABEEGGL GAGE, to pledge as security [adj] GAGGLING AGGGGILN GAGGLE, to cackle (to make sound of hen) [v] GAGSTERS AEGGRSST GAGSTER, gagman (one who writes jokes) [n] GAHNITES AEGHINST GAHNITE, mineral (naturally occurring inorganic substance having characteristic set of physical properties) [n] GAIETIES AEEGIIST GAIETY, festive activity [n] GAINABLE AABEGILN GAIN, to acquire (to come into possession of) [adj] GAINLESS AEGILNSS profitless [adj] GAINLIER AEGIILNR GAINLY, graceful (having beauty of form or movement) -
31 March 2015 and Focuses on Various Highlights During the Period
PROUDLY SOUTH AFRICAN Quarterly Report for Q4 (January to March 2015) Approval of the Report Recommended by the CEO for endorsement Endorsed by the Accounting Authority Name: Adv. Leslie Sedibe Signature: Name: Mr. J. Maqhekeni Signature: Rank: CEO Date: ___/___/2015 Rank: Chairperson Date: ___/___/2015 2 Page 4 Acronyms Page 6 Executive Summary Page 8 Governanace and Oversight during the quarter Page 9 The Quarter under review 4.1 High level achievement for the quarter 4.2 Areas where targets were not met 4.3 Highlights for the quarter Page 16 Brand Management Page 21 PR, Communications and Media Page 32 Performance for the period under review Page 39 PFMA and Treasury Regulations checklist Page 53 Progress on actions in the Risk Register Page 55 Progress on Post-Audit implementation plan Page 56 Financial Report 3 The following are definitions of the acronyms used in the report: Accord The Local Procurement Accord (an agreement signed on 31 October 2011 by labour, government, business and community representatives to promote local procurement in South Africa, in support of the New Growth Path and govern- ment’s aim to create 5 million jobs by 2020. Brand SA Brand South Africa, an agency of the government of the Republic of South Africa whose objective it is to market South Africa as a foreign investment destination. CCRD Consumer Commission Regulatory Division of the dti. CPO Chief Procurement Officer. CIPC Companies Intellectual Property Commission. COTII Council of Trade and Industry Institutions. EDD Economic Development Department, a national government department in the Republic of South Africa. -
The Journal of the Core Curriculum Volume XII Spring 2003 the Journal of the Core Curriculum
The Journal of the Core Curriculum Volume XII Spring 2003 The Journal of the Core Curriculum Volume XII Julia Bainbridge, EDITOR Zachary Bos, ART DIRECTOR Agnes Gyorfi, LAYOUT EDITORIAL BOARD Brittany Aboutaleb Kristen Cabildo Kimberly Christensen Jehae Kim Heather Levitt Nicole Loughlin Cassandra Nelson Emily Patulski Christina Wu James Johnson, DIRECTOR of the CORE CURRICULUM and FACULTY ADVISOR PUBLISHED by BOSTON UNIVERSITY at BOSTON, MASSACHUSETTS, in the month of MAY, 2003 My mother groan'd! my father wept. Into the dangerous world I leapt: Hapless, naked, piping loud: Like a fiend hid in a cloud. ~William Blake Copyright © MMIII by the Trustees of Boston University. Reproduction of any material contained herein without the expressed consent of the authors is strictly forbidden. Printed 2003 by Offset Prep. Inc., North Quincy, Massachusetts. Table of Contents In the Beginning 7 Stephanie Pickman Love 10 Jonathon Wooding Sans Artifice 11 Ryan Barrett A Splintering 18 Jaimee Garbacik Ripeness and Rot in Shakespeare 22 Stephen Miran Interview with the Lunatic: A Psychiatric 28 Counseling Session with Don Quixote Emily Patulski In My Mind 35 Julia Schumacher On Hope and Feathers 37 Matt Merendo Exploration of Exaltation: A Study of the 38 Methods of James and Durkheim Julia Bainbridge Today I Saw Tombstones 43 Emilie Heilig A Dangerous Journey through the Aisles of Shaw’s 44 Brianna Ficcadenti Searching for Reality: Western and East Asian 48 Conceptions of the True Nature of the Universe Jessica Elliot Journey to the Festival 56 Emilie -
A SOUTH AFRICAN MEDEA at the START of the 21ST CENTURY Betine Van Zyl Smit
http://akroterion.journals.ac.za medEia – A SOUTH AFRICAN MEDEA AT THE START OF THE 21ST CENTURY Betine van Zyl Smit (University of Nottingham) Medea is ubiquitous on the stages of the modern world. From Greece and continental Europe, the British Isles and North America the unforgettable protagonist of Euripides’ tragedy has travelled further, to South America, Japan and as far as South Africa. The earliest recorded performances of Medea in South Africa seem to be burlesques that were very popular in Cape Town in the mid 19th century1. These shows were probably attended by British expatriates who, although they were far from home, were being offered fare that would be familiar to Londoners of the same period. In fact Robert Brough’s burlesque of Legouvé’s adaptation of the Medea (Medea, or, the Best of Mothers with a Brute of a Husband), which was a great success in London in 1856,2 was apparently as popular in Cape Town where it was staged repeatedly in 1858 and during the next decade3. This illustrates the close bond between entertainment in London and the chief city of a far-off colony. During the 20th century, various translations, into either of the official languages, English or Afrikaans4, of Euripides’ Medea or, often, Anouilh’s adaptation, were staged. Gradually, and more markedly from the 1970s onwards, as was the case with the performing arts in general, a stronger local element was introduced into the productions5. Thus for example, in 1977, Barney Simon directed a multiracial cast in his version of Grillparzer’s Medea at The Space6, a theatre famous for its support for alternative productions. -
Published In: Kelly, P. and Kamp, A. 2014. a Critical Youth Studies for the 21St Century
Published in: Kelly, P. and Kamp, A. 2014. A Critical Youth Studies for the 21st Century. Leiden: Brill. (pp. 317-332) CHAPTER EIGHTEEN FOSTERING COMPLICIT FEMININITY: EPOCH, EDUCATION AND THE YOUNG FEMALE BODY Majella McSharry and Brendan Walsh Introduction: Recent Practices and Historical Antecedents Prior to 1878, post-primary schooling in Ireland was dominated by religious provision and throughout the 20th Century Catholic congregations, in particular, operated the majority of such schools. As we see below, there is much evidence to support the position that young, female bodies were heavily regulated in these schools. Historically, such regulation was as much a result of wider social constraint as it was particular to Catholicism. However, given that those girls who secured post-primary schooling before the advent of free education in 1966, and the majority of those that have passed through secondary schooling since then, attended Catholic convent institutions, they provide a useful starting place in surveying the regulation of the young, female body. They also allow us to identify to what extent traditional notions of femininity have succumbed to more hyper-sexualised versions of young women in a world where the body as commodity has become normalized. This chapter seeks to explore the regulation of the schoolgirl body within the Irish secondary school landscape. In doing so it describes historic practices that reinforced stereotypical behaviours for young women of school and university-going age and discusses how these practices find striking resonances in contemporary schooling. Our focus is on one aspect of regulation – that of the body. Through the body, that form by which we so often seek self- definition and are defined, that to which we are so intimately bound, regulation becomes immediate and in some instances all-encompassing. -
Bakalářská Práce Vivienne Westwood – from Punk Culture to Haute
Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce Vivienne Westwood – From Punk Culture to Haute Couture Michaela Vojteková Plzeň 2018 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina - francouzština Bakalářská práce Vivienne Westwood – From Punk Culture to Haute Couture Michaela Vojteková Vedoucí práce: Mgr. Lenka Dejmalová, Ph.D. Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2018 Prohlašuji, že jsem práci zpracoval (a) samostatně a použil (a) jen uvedených pramenů a literatury. Plzeň, duben 2018 ……………………… Poděkování Ráda bych tímto poděkovala paní Mgr. Lence Dejmalové, Ph.D. za její cenné rady a věcné připomínky při zpracování této bakalářské práce. Table of contents Introduction ..................................................................................................................... 6 1 HISTORY OF FASHION DESIGN AND CLOTHES .......................................... 9 1.1 FASHION DESIGN ......................................................................................... 10 1.2 FASHION AS ART .......................................................................................... 12 1.3 GENDER STEREOTYPES ............................................................................. 12 1.4 FASHION SHOWS .......................................................................................... 13 2 SUBCULTURE AS A TERM -
Govt Throws Another Spanner in the Works
April 26-May 3 2017 I No. 2443 SOUTHERN AFRICA’S TRAVEL NEWS WEEKLY TRAVEL NEWS WEEKLY TNW8101SD FEATURE FEATURE NEWS DOMESTIC AIRFARES CONFERENCE VENUES THE GULF VAT cut possible All the top airport locations Ensure clients stay within the law INSIDE Page 2 Page 11 Page 15 Govt throws another spanner in the works TARYN NIGHTINGALE specialises in submitting tenders for TMCs. She says the State has also S IF cutting overrides and introduced the idea of regulating TMCs’ commissions on government fees: “If a department has three TMCs Abusiness wasn’t enough, who’ve tendered for a contract, the departments are now allowed to State can request that an average fee negotiate a “market-related” service be charged.” fee with tenderers. Most agents think the decision Effective April 1, government’s new is a fair one, but doubt whether its Preferential Procurement Regulations, implementation will benefit the industry. 2017 (which govern procurement An agent who preferred to stay pending the promulgation of the anonymous says the changes are TCAA hits the road, My Cousin! Procurement Bill later this year) possibly to combat Treasury’s initial stipulate that the State may not award concerns about agents within the public The Tourism and Culture Authority Abu Dhabi (TCAA) will be hitting the tenders to TMCs whose service fees sector. “TMCs weren’t transparent and road with Barry Hilton as MC of its upcoming roadshow from May 23-25. are not market-related. If the tenderer were deliberately low in their pricing to TCAA will kick off the show in Johannesburg at Summer Place, then move scoring the highest points is not willing catch business,” she says. -
V&A Waterfront Celebrates Ocean Life
FREE YOUR FREE GUIDE TO YOUR FREE TIME ÷ 24 November - 30 November 2017 ÷ Issue 695 Auntie Merle has a song in her heart – page 4 The city’s best pizza parlours – page 9 - Page 3 V&A Waterfront Volvo Ocean Race heads for Mother City – page 11 celebrates ocean life Follow us online: @48hrsincapetown • www.facebook.com/next48hours • www.48hours.co.za Follow #capetownsummer online for all the hottest happenings in the Mother City. Enjoy a Big 5 safari Aquila Private Game Reserve is a Big 5 safari experience, located starting from only on a 10,000 hectare conservancy only 2 hours from Cape Town. The family-friendly 4-star reserve offers both day trips and overnight stays, horseback safaris, quad safaris and game drives - plus a full menu of treatments at the luxurious Tranquila Spa. We are the proud recipients of the 2017 Provincial Lilizela Tourism R995pp Award Winner for Best Game Lodge. Live chat via www.aquilasafari.com Aquilasafari AquilaSafaris RESERVATIONS: +27 (0)21 430 7260 | [email protected] The Next 48hOURS • Socials Oh so heavenly ments across the body. Body treat- and celebrates the circle of life. Small ment massages start from R690 and blocks of citrus infused shea butter By RoxyK these are some of their signature are placed on different areas of the massages: body, which aids with circulation and [email protected] results in relaxation. After a gentle, www.lentilsandlace.com Heavenly Massage but effective massage the body is left ust off Cape Town’s foreshore The use of pure essence of marula completely relaxed and the skin feels lies a little gem in the beauti- and herb infused oils combines with nourished and hydrated. -
APPEAL to the CHRISTIAN WOMEN of the SOUTH, by A. E. GRIMKÉ. "Then Mordecai Commanded to Answer Esther, Think Not Within
APPEAL TO THE CHRISTIAN WOMEN OF THE SOUTH, BY A. E. GRIMKÉ. "Then Mordecai commanded to answer Esther, Think not within thyself that thou shalt escape in the king's house more than all the Jews. For if thou altogether holdest thy peace at this time, then shall there enlargement and deliverance arise to the Jews from another place: but thou and thy father's house shall be destroyed: and who knoweth whether thou art come to the kingdom for such a time as this. And Esther bade them return Mordecai this answer: and so will I go in unto the king, which is not according to law, and if I perish, I perish." Esther IV. 13-16. RESPECTED FRIENDS, It is because I feel a deep and tender interest in your present and eternal welfare that I am willing thus publicly to address you. Some of you have loved me as a relative, and some have felt bound to me in Christian sympathy, and Gospel fellowship; and even when compelled by a strong sense of duty, to break those outward bonds of union which bound us together as members of the same community, and members of the same religious denomination, you were generous enough to give me credit, for sincerity as a Christian, though you believed I had been most strangely deceived. I thanked you then for your kindness, and I ask you now, for the sake of former confidence and former friendship, to read the following pages in the spirit of calm investigation and fervent prayer. It is because you have known me, that I write thus unto you. -
I Am the Owner and Founder, Author of One Resolutions Plan to Help Consolidate HUD from 9 Into One Cohesive Operation for the Future
From: Glenn Mendiaz One Resolution Services [mailto:[email protected]] Sent: Monday, April 17, 2017 11:02 PM To: FiduciaryRuleExamination - EBSA Subject: One Resolution Services I am the owner and founder, author of One resolutions plan to help consolidate HUD from 9 into one cohesive operation for the future. The labor dispute is simple was I forced out of business while the government to ideas through open govt!! I have received several federal registers, HUD, documents, and a severance package to shore up our relationship and team together to build a share and release operational programs that work for everyone!! Reference ITEMS - 1. i SPOKE TO THE INDIAN PRESIDENT MICHAEL PREITO 2. I WROTE THE USICH PLAN IN 2009 IF NOT COMPLETE READ THEIR PLAN AND ASK ME QUESTIONS I CAN ANSWER THEM WITHOUT NOTES OUT OF MY HEAD AND BRAIN THAT WROTE THE ITEMS. 3. ONE WANTS TO SET UP A HIGH LEVEL MEETING TO DISCUSS HOW ONE RESOLUTION SERVICES CAN HELP! ONE ONCE OPERATIONAL WITH A BUDGET AND MY TEAM IN PLACE. 4. I PROPOSED 9 CHANGES TO DOD FRANK TO HELP! 5. MY TACTICS ARE NOT TRADITIONAL BUT THEY ARE HONEST IM NOT FOR THE GOVERNMENT IM A PUBLIC CITIZEN ASK ME ILL TELL YO THE TRUTH AND PROVIDE SOLUTION.... 27 YEARS IN REAL ESTATE 10 YEAR OF CONSTRUCTION AND PROJECT MANAGEMENT WHILE OTHERS WERE AT SCHOOL I WAS CLOSING DEALS....NOW THEY CALL ME I AM NOT AFRAID AND NOT AFRAID TO UNDERGO MORE ..... MY NAME IS GLENN MENDIAZ IM HERE TO HELP! TAKE TIME TO LISTEN AND I WILL OPEN YOU EYES TO THE REALITY OF TODAY AND THE FUTURE...WE CAN BE BETTER!! MY GOAL IS TO LOOK FORWARD TO SHOW WHAT WE CAN DO BETTER, WHY WE ARE NOT GOING TO MAKE THE MISTAKES OF THE PAST AND TO PUSH SPEAK AND SHARE LEARN THE IDEAS OF OTHERS TO KEEP EVERYONE LOOKING TO THE FUTURE...... -
BIOGRAPHY Comedy Is Panning out for Long John 2019 SAVANNA Pan African Comic of the Year
LONG JOHN’S BIOGRAPHY Comedy is panning out for Long John 2019 SAVANNA Pan African Comic of the Year Long John is an Multi Award Winning International Comedian from Zimbabwe, and standing at over 6 feet, his comedy journey continues to stretch over the African Continent and beyond. He was laughed at for being tall, dark and handsome squint; however, his humor has been able to bring laughs to thousands of people, whilst keeping an eye on the rest of the world. Literally and Figura- tively! His comedy is brought to life by past experiences, observations and his view (from the top) which elicit rib-tickling laughs, regardless of the crowd. Since making his comedy debut in 2012, he has since performed with and alongside the biggest names on the African Continent, which include, SA’s favorite Uncle, Barry Hilton Loyiso Gola Kanssime Anne Riaad Moosa, Basket Mouth And many more You may have found other comics funny but you will be laughing LONG after witnessing the very funny, Long John. Long John the Comedian has performed in over 25 cities across 15 countries at various TV Shows, theatres, comedy clubs, and Festivals, among others. Some of them include; Mzanzi Magic Comedy Nights- DSTV South Africa, The African Comedy Festival -United Kingdom,- Cape Town Comedy Club-SA, Parkers Comedy Club-SA, Goliath Comedy Club-SA, Shoko Festival- Zimbabwe Swaziland Comedy Festival –Eswatini, Harare International Festival of the Arts – HIFA-Zimbabwe Oppikoppi Festival-SA Kampala Comedy Festival -Uganda Kigali international Comedy festival Rwanda– ,Night Of Laughter Zambia,Park Acoustics- SA, Capital Craft festival - South Africa, Showmax’s Funny People Africa- SA , Punchline Comedy Show - Tanzania and The Churchill show - Kenya to mention but a few. -
Remembering Hugh Masekela: the Horn Player with a Shrewd Ear for Music of the Day
1/24/2018 Remembering Hugh Masekela: the horn player with a shrewd ear for music of the day Academic rigour, journalistic flair Remembering Hugh Masekela: the horn player with a shrewd ear for music of the day October 29, 2017 1.12pm SAST •Updated January 23, 2018 10.13am SAST Hugh Masekela performing during the 16th Cape Town International Jazz Festival. Esa Alexander/The Times Trumpeter, flugelhorn-player, singer, composer and activist Hugh Ramapolo Masekela Author has passed away after a long battle with prostate cancer. When he cancelled his appearance last year at the Johannesburg Joy of Jazz Festival, taking time out to deal with his serious health issues, fans were forced to return to his recorded opus for reminders of his unique work. Listening through that half-century of Gwen Ansell Associate of the Gordon Institute for disks, the nature and scope of the trumpeter’s achievement becomes clear. Business Science, University of Pretoria Masekela had two early horn heroes. The first was part-mythical: the life of jazz great Bix Biederbecke filtered through Kirk Douglas’s acting and Harry James’s trumpet, in the 1950 movie “Young Man With A Horn”. Masekela saw the film as a schoolboy at the Harlem Bioscope in Johannesburg’s Sophiatown. The erstwhile chorister resolved “then and there to become a trumpet player”. The second horn hero, unsurprisingly, was Miles Davis. And while Masekela’s accessible, storytelling style and lyrical instrumental tone are very different, he shared one important characteristic with the American: his life and music were marked by constant reinvention.