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2007 – 2008 – Roger Moe, Former Democratic Letter from Will Steger
ANNUAL REPORT 2007–2008 INSPIRE EMPOWER EDUCATE SOLAR WIND TABLE OF CONTENTS 1 The Will Steger Foundation (WSF) is dedicated to creating programs that foster international “ [Will Steger and the leadership and cooperation through environmental education and policy. WSF] were the ones that brought the left and the WSF seeks to inspire, educate and empower the world to understand the threat of and solutions right into the center on to global warming. this issue [global warm- CHANGE ACTION ing].” ANNUAL REPORT 2007 – 2008 – Roger Moe, former Democratic Letter from Will Steger...................................................................................................... 2 Congressman Letter from the Executive Director ................................................................................... 4 Fostering Leadership and International Cooperation ...................................................... 6 Inspiring Others through the Eyewitness Account .......................................................... 8 Empowering Others through Education ........................................................................ 10 Global Warming 101 initiative ....................................................................................... 18 Media Outreach .............................................................................................................. 24 Supporters ....................................................................................................................... 26 2801 21st Avenue South, Suite -
X********X************************************************** * Reproductions Supplied by EDRS Are the Best That Can Be Made * from the Original Document
DOCUMENT RESUME ED 302 264 IR 052 601 AUTHOR Buckingham, Betty Jo, Ed. TITLE Iowa and Some Iowans. A Bibliography for Schools and Libraries. Third Edition. INSTITUTION Iowa State Dept. of Education, Des Moines. PUB DATE 88 NOTE 312p.; Fcr a supplement to the second edition, see ED 227 842. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Annotated Bibllographies; *Authors; Books; Directories; Elementary Secondary Education; Fiction; History Instruction; Learning Resources Centers; *Local Color Writing; *Local History; Media Specialists; Nonfiction; School Libraries; *State History; United States History; United States Literature IDENTIFIERS *Iowa ABSTRACT Prepared primarily by the Iowa State Department of Education, this annotated bibliography of materials by Iowans or about Iowans is a revised tAird edition of the original 1969 publication. It both combines and expands the scope of the two major sections of previous editions, i.e., Iowan listory and literature, and out-of-print materials are included if judged to be of sufficient interest. Nonfiction materials are listed by Dewey subject classification and fiction in alphabetical order by author/artist. Biographies and autobiographies are entered under the subject of the work or in the 920s. Each entry includes the author(s), title, bibliographic information, interest and reading levels, cataloging information, and an annotation. Author, title, and subject indexes are provided, as well as a list of the people indicated in the bibliography who were born or have resided in Iowa or who were or are considered to be Iowan authors, musicians, artists, or other Iowan creators. Directories of periodicals and annuals, selected sources of Iowa government documents of general interest, and publishers and producers are also provided. -
ARIA Charts, 1993-01-10 to 1993-04-18
4 i Enjoy iian /21.'oril industty %s °clai!? m 1'3 A U S T R A L I A N SINGLES CHART ALBUMS CHART TW LW TI TITLE / ARTIST TW LW TI TITLE / ARTIST 1 1 6 I WILL ALWAYS LOVE YOU Whitney Houston A BMG 4321120654 *1 3 4 STILL THE 12TH MAN The Twelfth Man A2 EMI 8141392 *2 12 7 YOU DON'T TREAT ME NO GOOD Sonia Dada • FES C 12078 *2 10 11 TIMELESS (THE CLASSICS) Michael Bolton A COL/SONY 472302.2 3 2 14 END OF THE ROAD Boyz II Men A PDR/POL 8600644 3 1 10 ABBA GOLD • GREATEST HITS ABBA A2 PDR/POL 5172752 4 4 10 ACCIDENTLY KELLY STREET Frente A VVHUFES C 12063 *4 14 17 UNPLUGGED Eric Clapton A WARNER 9362450242 5 3 10 WOULD I LIE TO YOU? Charles & Eddie • EMI 8802284 *5 23 4 THE BODYGUARD Soundtrack BMG 7822186992 6 7 25 NOVEMBER RAIN Guns n' Roses A GEF/BMG GEFCS19067 6 7 6 MARVIN THE ALBUM Frente A WHI/FES D 93367 *7 18 7 DECEMBER 1963 (OH WHAT A NIGHT) The Four Seasons SONY 658441.8 7 5 9 THE ESSENTIAL COLLECTION Joe Cocker A EMI 7807572 8 5 20 ACHY BREAKY HEART Billy Ray Cyrus A2 PHON/POL 8640554 *8 16 10 COOLEYHIGHHARMONY Boyz II Men A PDR/POL 530 089-2 9 6 18 THE DAY YOU WENT AWAY Wendy Matthews • WARNER 4509905224 9 2 9 GLITTERING PRIZE 81.92 Simple Minds A VIR/EMI 7865082 10 10 9 TEQUILA A.L.T. -
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HOT DANCE/ELECTRONIC SONGSTM DANCE/ELECTRONIC ALBUMST" LIST TITLECERTIFICATION Artist LAST I THIS ARTISTCERTIFICATION MEEK PRODUCER (SONGWRITER) IMPRINT/PROMOTION IABEL WEEK WEER IMPRINT/DISTRIBUTING LABEL (HART NEW LA ROUX Trouble In Paradise j LATCHA Disclosure Featuring Sam Smith I 4S IE4OGISINCHLIqTIPILMIENDA M POSTOOR/CHERWIREE/INTERSCOPEAGA 0 DKUOSUKOILLITISCEGLARTENCESSINININNIEN 2 2 LINDSEY STIRLING Shatter Me 13 In SUMMERS Calvin Harris , 20 LINDSEYSTOmP 0 (MARRS KAMM TUN. DECONSTRUCTION/ELY MANTRA/ROC NAROMOLUMBIA DISCLOSURE Settle 60 TURN DOWN FOR WHAT DJ Snake &cLoiLlulop lO ME IHOO/PMR/04RRYIRE 17iNTF RSCOPF /oGA 3 3 3 A 33 DI SRAM .I.SMII H (1.14.94114.W.GRKAHOSE.M. BIUSSO) A1 LADY GAGA ARTPOP 37 RATHER BE STREAMLINE/IA.5(0PC/. Clean Bandit Featuring Jess Glynne 4 25 O 0 0 01111JRATIERSONA.CHATTO (LNANERAPMTERSON.N.MARSHALL) BIG BEAT/RRP DAFT PUNKARandom Access Memories 63 5 DAFT LIFE/COLUMBIA BREAK FREE AsLA,.......arih,Aoirtiaza Grande Featuring 4 4 O La Roux ZEDOMAx MARTIN (A2 0 0 C DEADMAUS while(1<2) 6 A SKY FULL OF STARS Coldplay TAAUSTRAP/ASTRALWERXSKAINTOL 6 4 0 0 WOURNIAPIPPNRUNTILIANIONNEARAPINNUIWIEWILILDAWIDUAIWRWIN,IN me.otoPt N.LL, Finds AVICII True 45 WASTED Tiesto Featuring Matthew Koma 0 PRMONSLAND 6 7 7 5 14 ILIEWIMILUIESTOMOR1STACINDIRWIVIUNESULAWKIKG4S1 NAM INIDNIVIINAAWERICASIPN, `Paradise' SYLVAN ESSO Sylvan Esso 11 8 PARTISAN HIDEAWAY Kiesza O R.SAFUNI IK.R.ELLESTAD.R.SAFUNI) LORAL LEGENDNITH . BROADWAWISUND/REPUBUC 8 14 La Roux follows its 0 0 12 KIESZA Hideaway (EP) 3 0 LONA LEGENDATHR BROADWAY/614ND Grammy -winning self -titled 8 9 DARE (LA LA LA) Shakira 5 18 Di LK.SoauSAR.CR4IGHIARAISNOUKIRLUANOLPRIPTEALLINAITIXXIIMNARINEGIRWICIDL Al NA debut with its first No.1 10 SKRILLEX Recess 19 BEAT/OWSLA/ATLANTKAG onDance/Electronic WAVES Mr. -
Label: Artwork Location: Title: Review Locati
Bob Dylan Title: 04271992 Start Date: 04/27/1992 Location: Paramount Theater, Seattle, WA Label: Artwork Location: Review Location: Recording Source: Disc Number: 1 73:28 1 Rainy Day Women #12 & 35 01:24 2 I Don't Believe You 04:40 3 Union Sundown 04:23 4 Just Like A Woman 05:24 5 Tangled Up In Blue 08:23 6 She Belongs To Me 05:01 7 Everything's Broken 04:02 8 Love Minus Zero/No Limit 02:39 9 Little Moses 03:47 10 A Hard Rain's A-Gonna Fall 06:48 11 It;s All Over Now, Baby Blue 06:32 12 Cats In The Well 04:36 13 Idiot Wind 09:12 14 The Times They Are A-Changin' 06:37 Disc Number: 2 65:22 1 Highway 61 06:35 2 Absolutely Sweet Marie 05:38 3 All Along The Watchtower 04:20 cut 4 Blowin' In The Wind 03:25 start of 4/28 filler 5 Sally Sue Brown 02:56 6 Stuck Inside Of Mobile 06:35 7 Simple Twist Of Fate 07:40 8 Watching The River Flow 03:45 9 Female Rambling Sailor 03:04 10 Gates Of Eden 04:51 11 Shooting Star 05:24 12 Like A Rolling Stone 05:33 13 Ballad Of A Thin Man 05:36 Bob Dylan Title: 07011978 Start Date: 07/01/1978 Location: Zeppelindfeld, Nurnberg, West Germany Label: Artwork Location: http://www.angelfire.com/yt/tyamabe/nurnberg/ Review Location: Recording Source: Disc Number: 1 70:28 1 She's Love Crazy 02:30 2 Baby Stop Crying 05:39 3 Mr, Tambourine Man 04:28 4 Shelter From The Storm 04:51 5 It's All Over Now, Baby Blue 04:24 6 Tangled Up In Blue 07:07 7 Ballad Of A Thin Man 04:35 8 Maggie's Farm 04:47 9 I Don't Belive You 04:26 10 Like A Rolling Stone 06:39 11 I Shall Be Released 04:13 12 Going, Going, Gone 04:23 13 A Change Is -
< 0CT0BER 10-14,2018>
<#4> A PROJECT OF 100REPORTERS 01000100 01101111 0N, DC 01110101 01100010 T 01101100 01100101 00100000 01000101 01111000 01110000 011011112 01110011 01110101 01110010 01100101 00100000 WASHING / / Investigative Film Festival < 0CT0BER 10- 14,2018> FIVE DAY FESTIVAL + SYMPOSIUM 1 DOUBLE EXPOSURE, A PROJECT OF THE INVESTIGATIVE NEWS ORGANIZATION 100REPORTERS, CELEBRATES THE FINEST NEW FILMS INSPIRED BY THE INVESTIGATIVE INSTINCT. Investigative <# 20 Film 4> 18 Festival 2018 NATIONAL PORTRAIT GALLERY + THE LOFT + NATIONAL UNION BUILDING + NAVAL HERITAGE CENTER DoubleExposureFestival.com 75 <2018 DAY-TO-DAY FILM SCHEDULE> ALL SCREENINGS TAKE PLACE AT THE NAVAL HERITAGE CENTER UNLESS OTHERWISE NOTED 7:00 PM WATERGATE (OPENING NIGHT) WEDNESDAY, Dir. Charles Ferguson. 130 min. 2018 OCTOBER 10 The Smithsonian’s National Portrait Gallery 3:00 PM SHORT CUTS: THURSDAY, HOW WE CHOOSE, NELLIE BLY MAKES THE NEWS, OUR NEW PRESIDENT, OCTOBER 11 THE TRIAL, WE BECAME FRAGMENTS Dirs. Alexandria Bombach; Penny Lane; Maxim Pozdorovkin; Johanna Hamilton; Luisa Conlon, Hanna Miller, Lacy Jane Roberts. 81 min. 6:00 PM STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM Dirs. Gemma Atwal and Karen Edwards. 75 min. 2018 8:30 PM ROLL RED ROLL Dir. Nancy Schwartzman. 80 min. 2018 4:00 PM UNPROTECTED FRIDAY, Dir. Nadia Sussman. 45 min. 2018 OCTOBER 12 6:00 PM THE FEELING OF BEING WATCHED Dir. Assia Boundaoui. 87 min. 2018 8:30 PM GHOST FLEET Dirs. Shannon Service and Jeffrey Waldron. 88 min. 2018 DoubleExposureFestival.com 3 <2018 DAY-TO-DAY FILM SCHEDULE> 10:00 AM THE TRUTH ABOUT SATURDAY, KILLER ROBOTS OCTOBER 13 Dir. Maxim Pozdorovkin. 82 min. 2018 12:30 PM THE UNAFRAID Dirs. -
Arhai's Balkan Folktronica: Serbian Ethno Music Reimagined for British
Ivana Medić Arhai’s Balkan Folktronica... DOI: 10.2298/MUZ1416105M UDK: 78.031.4 78.071.1:929 Бацковић Ј. Arhai’s Balkan Folktronica: Serbian Ethno Music Reimagined for British Market* Ivana Medić1 Institute of Musicology SASA (Belgrade) Abstract This article focuses on Serbian composer Jovana Backović and her band/project Arhai, founded in Belgrade in 1998. The central argument is that Arhai made a transition from being regarded a part of the Serbian ethno music scene (which flourished during the 1990s and 2000s) to becoming a part of the global world music scene, after Jovana Backović moved from her native Serbia to the United Kingdom to pursue an international career. This move did not imply a fundamental change of her musical style, but a change of cultural context and market conditions that, in turn, affected her cultural identity. Keywords Arhai, Jovana Backović, world music, ethno, Balkan Folktronica Although Serbian composer, singer and multi-instrumentalist Jovana Backović is only 34 years old, the band Arhai can already be considered her lifetime project. The Greek word ‘Arhai’ meaning ‘beginning’ or ‘ancient’ it is aptly chosen to summarise Backović’s artistic mission: rethinking tradition in contemporary context. Нer interest in traditional music was sparked by her father, himself a professional musician and performer of both traditional and popular folk music (Medić 2013). Backović founded Arhai in Belgrade in 1998, while still a pupil at music school Slavenski, and continued to perform with the band while receiving instruction in classical composition and orchestration at the Belgrade Faculty of Music. In its first, Belgrade ‘incarnation’, Arhai was a ten-piece band that developed a fusion of traditional music from the Balkans with am bient sounds and jazz-influenced improvisation, using both acoustic and electric instruments and a quartet of fe male vocalists. -
Esej SLATKA USPAVANKA ZA WORLD MUSIC Autor
Esej SLATKA USPAVANKA ZA WORLD MUSIC Autor: Steven Feld Naslov originala: A Sweet Lullaby for World Music Izvor: Public Culture, Volume 12, Number 1, zima 2000, str. 145-171 Prevod i adaptacija: Aleksa Golijanin Ako su 1990-e stvorile svet potroša ča sve upu ćenijih u muzi čke grupe tako razli čite po istoriji, mestu porekla i stilu, onda je to bila posledica velike rekonfiguracije na čina na koji je muzi čki globus bio mentorisan, sniman, prodavan, reklamiran i promovisan. World music više nije bila u domenu akademske dokumentacije i promocije tradicija. Umesto toga, fraza se naglo proširila javnom sferom, pre i iznad svega ozna čavaju ći novu globalnu industriju, fokusiranu na tržišno pozicioniranje plesnih etniciteta i egzoti čnih razli čitosti na svetskoj mapi zadovoljstva i robe. Do kraja veka, fraza world music je po čela da ozna čava „mali svet sa ogromnim brojem mogu ćnosti: soni čne izlete na dohvat CD plejera“ Po čnimo s nekim opštim mestima o muzi čkoj globalizaciji, koja, kao teme ili neposredne prognoze za kraj dvadesetog veka, kruže u zapadnja čkom intelektualnom diskursu. 1. Duboka povezanost muzike i društvenih identiteta jasno je intenzivirana globalizacijom. Taj novi intenzitet je posledica načina na koji se kulturno razdvajanje i društvena razmena uzajamno ubrzavaju kroz transnacionalni protok tehnologije, medija i popularne kulture. Posledica toga je da muzi čki stilovi postaju sve vidljivije i čujnije prolazni, u stanju stalne fisije u fuzije, kao nikada pre. 2. Našom epohom sve više dominiraju fantazije i realizacije soni čne virtualnosti. Savremena tehnologija čini da se svaki muzi čki svet može stvarno ili potencijalno preneti u bilo koji drugi, ali tu prenosivost sve manje ljudi opaža kao nešto izuzetno. -
Sijobang: Sung Narrative Poetry of West Sumatra
SIJOBANG: SUNG NARRATIVE POETRY OF WEST SUMATRA Thesis submitted for the degree of Doctor of Philosophy of the University of London by Nigel Godfrey Phillips ProQuest Number: 10731666 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731666 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 ABSTRACT In the sphere of Malay and Indonesian literature, it is only re cently that students of oral narratives have paid attention to their character as oral performances, and this thesis is the first study of a West Sumatran metrical narrative to take that aspect of it into account. Versions of the story of Anggun Nan Tungga exist in manuscript and printed form, and are performed as dramas and sung narratives in two parts of West Sumatra: the coastal region of Tiku and Pariaman and the inland area around Payakumbuh. Stgobang is the sung narrative form heard in the Payakumbuh area. It is performed on festive occasions by paid story-tellers called tukang s'igobang,, who le a r n th e s to r y m ainly from oral sources. -